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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3390 on: August 29, 2014, 07:09:54 AM »
                 अरी पहाड़ी नारी ! तू मेरी सौतन री !

                  चबोड़ ?  चखन्यौ ?   - भीष्म कुकरेती

s = अधा अ

 मि तैं तुम मिसेज अबोध बंधु बहुगुणा , श्रीमती डंडरियाल , श्रीमती रघुवीर सिंह अयाल , श्रीमती केशवान , श्रीमती असवाल , मिसेज पराशर गौड़ , श्रीमती विनोद जेठुरी , मिसेज जगमोहन जयाड़ा , मिसेज बालकृष्ण भट्ट , श्रीमती राजेन्द्र सिंग फरियादी या मिसेज गीतेश नेगी कुछ बि बोलि सकदां पर मि ढोल बजैक , तुरही फूंकिक , डौंर बजैक , थाळी छणकैक , कंटर पीटिक ऐड़ैक , बीच बजार मा धै लगैक बुलणु छौं बल स्या पहाड़ी औरत मेरी सौतन ,  सौत च।

 तैं पहाड़ की जनानीन  मि तैं वै दिन से इ जलाण -कुढ़ाण शुरू कौर आल छौ जैदिन बटे मी तैं यी याने म्यरो हजबैंड जी  ब्यौ बाद पहाड़ से दिल्ली लेकि ऐ छा। यी कवि हृदयी त नि छन बल्कण मा बकळि जिकुड़ी का छन पर असल मा  गढ़वाली कवि छन। 

सुहाग रातक दुसर सुबेर यी मि तैं  लेकी  दिल्ली ऐ गे छा अर यूंन तब अंदो आंद 'पहाड़  की नार की द्वी साल बाद सुहाग रात ' पर बड़ी हाहाकारी कविता लेखिक छ्पवै छे अर तब से मेरी समज मा ऐ गे पहाड़ की नारी मेरी सौत री !

दुसर कविता मा यूंन पहाड़ की नारी ठंड मा , ऐड़ी मा सुबेर सुबेर मुंहअंधेरे उठिक जंदर पीसण , घाम आण पर घमघम कुटणो वर्णन करी छौ अर पहाड़ की नारी की असह्य कठण जिंदगी वर्णन से एक कवि सम्मेलन मा श्रोताओं तैं रुलै छौ अर इथगा बढ़िया असलियतबादी कविता से अपण दगड्या कवियों तैं जळै छौ। पर म्यार कजे की कविनजर मे पर नि पौड़ी कि मी बि त प्रवास मा पैल यूंक भाइ पढ़ै वास्ता फिर अपण बच्चों की खातिर दिल्ली मा 4 डिग्री की ठंड ह्वेन या ह्वेन 44 डिग्री को उमळतो मि   सुबेर 4 बजी बिजिक कामधाम मा लग जांद छौ।  म्यार सुकुमार हृदयी कजे तैं  मेरी मेनत , परिवार का वास्ता शरीर खपाई की जिंदगी मा कुछ बि करुणा नि दिखे बस पहाड़ी नारी की एवरेस्ट की ऊकाळ वळि जिंदगी दिखे अर युंकुंण त जन बुल्यां प्रवासी नारी राजसी ठाठ करदारी नारी ह्वावु।

मेरा यूँ हृदय विदारकी कवि पति  तैं पहाड़ की नारीक लखड़ निड़ाण से लेकि लखड़ों बोझ से पिलसीं -पिल्चीं   जिंदगी अवश्य दिख्याई किन्तु इतना दशाब्द्यूं मा इन नि दिखे कि यूंकि धर्मपत्नी बि  मिट्टी तेल लीणो बान चार चार घंटा राशनै दुकान मा हर हफ्ता खड़ी रैंदी . नारी पीड़ा प्रेमी मेरो कवि हज्बैंड यदि एक कविता मेरी परेशानी पर बि लेखी लींद  तो मि कबि बि नि सोचदु की पहाड़ी  नारी मेरी सौत च।

पहाड़ की नारी को मैत नि जै सकणो असमर्थता पर तो मेरा कवि पतिन करुण रस मा डुबाइं -भिगाइं खंड काव्य लेखिक जयश्री सम्मान प्राप्त कार किंतु अपण घौरम अपण पत्नी का वूं रिसदा घावूं तैं दिखद , महसूस करदा बिसर गेन जु घाव यूंक पत्नी तैं पिछला बीस साल से पहाड़ नि जै सकणो असमर्थता से पैदा ह्वेन।  वाह हे गढ़वाली कवि ! पहाड़ की नारी का मैत प्रेम माँ तो  , टीस ,  असह्य करुणा किंतु  प्रवासी नारी ज्वा मैत से बिमुख करे गे वींक मैतै  खुद पर एक बि आंसू ना ?  पहाड़ी नारी की खुद की कीमत बेशकीमती हीरा  अर प्रवासी नारी का आंसू की क्वी कीमत ना ? वाह रे गढ़वाली का सुनामधन्य कवि !

हे कवि माराज ! पहाड़ की अनपढ़ नारी जब पटवारी का खसरा मा अंगूठा लगान्दी तो तुम अपणी  कविता मा दुनिया की सब स्कूलों तैं जमींदस्त करणै वकालात करदा छया किन्तु दिल्ली मा चालीस साल रैक बि मि अबि बि सरकारी कागजुं मा अंगूठा हि लगांदु किंतु आपन कबि नि स्वाच कि मी बि एक अनपढ़ नारी छौं ? क्या आप तैं ख़याल  बि आयि कि खाली पहाड़ ही ना इख दिल्ली मा बि में सरीखा अनपढ़ नारी छन ?

अबि तुमर एक खंड काव्य प्रकाशित ह्वे जैक नाम च 'एकुलास कु बुढ़ापा '।  इ खंडकाव्य पर आप तैं उत्तराखंड कवि शिरोमणि पुरूस्कार बि मील।  ये खंड काव्य मा तुमन पहाड़ मा एक इन बुडड़ी वर्णन कार ज्वा पहाड़ का एक गां मा कथगा इ सालुं से शहर मा रौण वाळ नाती नतिण्यूं  जग्वाळ मा बैठीं च। पर हे पहाड़ नारी प्रेमी कबि मेरि जग्वाळ पर बि त कलम चलाओ कि मि दिल्ली मा रौंद बि दिल्ली मा रौण वाळ अपण नाती नतिण्यूं द्वी साल शकल दिखण से बेजार छौं।   मेरी क़ुदसा पर कलम चलाण मा तुमतै किलै शरम लगदि ?

पहाड़ी नारी तो सौभाग्यवती च कि वींक दुखों पर कलम चलाण वाळ गढ़वाळ मा बि छन अर प्रवास मा बि छन किन्तु मै सरीखा बेबस प्रवासी जनानी पर जब प्रवासी साहित्यकार ही कलम नि चालांदन तो गढ़वाल का साहित्यकार किलै प्रवासी जनानी तैं याद कारल ?

रामु का बुबा जी ! पहाड़ की श्यामु ब्वे पर त तुम खूब कलम चलाणा रौंदा तो  तुमर काखमा बैठीं  रामु की मा तैं बि साहित्य मा भूलां -बिसरां  कबि कब्यार जगा दिलावो ना ! मी बि त गढ़वाली नार छौं !

Copyright@  Bhishma Kukreti  29 /8/ 2014     
*लेख में  घटनाएँ , स्थान व नाम काल्पनिक हैं ।

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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3391 on: August 29, 2014, 12:19:21 PM »
        History of Garhwal King Jai Kirti Shah part -1

History of Garhwal including Haridwar (1223- 1804 AD) –part -168     

   History of Uttarakhand (Garhwal, Kumaon and Haridwar) -415
 
                       By: Bhishma Kukreti (A History Research Student)

                  Jai Kirti or Jay Krit Shah getting Crown
  Pradyumna Shah was ascended on Kumaon crown. However, his father Lalit Shah could not see Pradyuman Shah in Almora court. The favorites administrators of queen Dotiyali were eager to ascend Pradyumna as Kumaon King and his own younger brother Parakram Shah as Garhwal King. However, when Lalit shah died Pradyumna and Parakram were minor. Therefore, supporters of Queen Dotiyali could not execute their planning. Therefore, the eldest prince Jai Kirti Shah was ascended on crown.  Jai Kirti Shah was the most unlucky Garhwal King who never enjoyed peaceful life due to factionalism among his administrators. The Kingdom ministers and elites deceived him at regular intervals.
               Ruling Period of King Jai Kirti Shah
The following suggestions are for ruling period of King Jai Kirti Shah.
Becket- 1780-1786
Raturi- 1791-1797
Mukandilal – 1780-1785.
Raturi is wrong as when Hardwick reached in 1796 in Shrinagar, Pradyumna Shah was the Garhwal King.
There are copper inscriptions of Pradyuman Shah as Kumaon King for the years of 1781-1784. There are copper inscriptions of Mohan Chand as the King of Kumaon for 1786-1788. That means Jai Kirti Shah was definitely Garhwal King from 1780 to 1783. Jai Kirti Shah died in 1785. When Garhwali army from Kumaon attacked and looted Dvalgarh , jai Kirti Shah had to flee.

              Rise and Fall of Minister Nitya Nand Khanduri
  There were many factions in the court of Jai Kirti Shah. A faction wanted to see Parakram as King and other faction was interested in diminishing other faction from the court. The administrators were mainly divided in two groups led by Dobhal and Khanduri clans. Nitya Nand Khanduri was leader of Khanduri group and Kripa Ram Dobhal was leader of Dobhal group.
           Pradip Shah appointed a Khanduri as chief minister in place of Shankar Dobhal (perhaps Nitya Nand Khanduri).  That Khanduri stopped all the government policies set by Dobhal. Khanduri stopped Jagir and Vriti of many people set by Dobhal. That is why there was enmity between Khanduri and Dobhal families. It is said that till recent modern time, there was no marriage between Doval /Dobhal and Khanduri families.
   In the time of Lalit Shah and early period of Jai Kirti Shah, Nitya Nand Khanduri was on the most important posts of Mahamantri and Mukhtar (chief minister and chief accountant). Therefore, most of the court employees had to depend for favor from Nitya Nand Khanduri. Nitya Nand was also offered Jagirdar of Salan region. The income of Salan was one and quarter lakh per annum.
  Prempati Khanduri was a minister in Lalit Shah’s rule. Prempati was a favorite of queen Dotiyali. Therefore, in Kumaon campaign, Lalit Shah sent Prempati Khanduri to Almora with Joshis. Prem Pati became supporter of Joshis and started sending reports to Shrinagar from Almora as per advices of Joshis. Prempati became guardian of Pradyuman Shah in Almora when Pradyuman came to Kumaon as King.
                    Kripa Ram Dobhal as Chief Minister
   Lalit Shah made Kripa Ram Dobhal as guardian of prince jai Kirti Shah. Lalit Shah never liked Jai Kirti Shah. Kripa Ram Dobhal had sympathy with Jai Kirti Shah and his mother. When Kai Kirti Shah became Garhwal King in Shrinagar, Jai Kirti Shah appointed Kriparam Dobhal as Chief Minister. However, Nitya Nand Khanduri was accountant and Jagirdar (Chieftain) of Salan.
 Kriparam Dobhal corrected and improved the administration. Jai Kirti shah and other appreciated the improved administration of Kriparam Dobhal. Nitya Nand Khanduri was enraged watching the progress of his enemy.  Nitya Nand Khanduri took a vow with other selfish ministers for diminishing Kriparam Dobhal and his supporters.

            Conspiracy of Nitya Nand Khanduri against King Jai Kirti Shah

    Nitya Nand was unable to watch Kripa Ram’s rise in Garhwal court. He started to be at his home only. Nitya Nand Khanduri sent a secret letter to Jaya Nand Joshi of Kumaon Court in Almora. Nitya Nand Khanduri wrote that Kripa Ram Doval had taken whole power in his hand. Nitya Nand wrote that Kriparam Doval was busy in formulating strategy to win Kumaon for Jai Kirti Shah. Khanduri cautioned Joshis that if Kripa Ram Doval becomes successful in winning Kumaon, he would dispatch Joshis out of Kumaon. Nitya Nand Khanduri called Joshis to come to Shrinagar for killing Kriparam Dobhal and taking Pradyuman Shah to Kumaon.
 Nitya Nand Khanduri lured Joshis that Pradyuman and Parakram were minors therefore; it was Joshi to rule in Kumaon and Khanduri to rule Garhwal after death of Jai Kirti Shah and Kriparam Dobhal.
               Threats from Joshis of Kumaon

     After receiving letter from Nitya Nand Khanduri, Jaya Nand Joshi the minister of Kumaon made a strategy for attacking Garhwal. Jay Nand Joshi wrote letter to Kripa Ram Dobhal. The letter stated that after getting instruction from King Lalit Shah they (Joshis) appointed forces in Almora for diminishing Mohan Chand forever and ascending Pradyuman Shah as Kumaon King. The letter referred that the newly appointed force and old force is asking salaries. Joshi informed Dobhal that the soldiers were restless for Pradyuman Shah not arriving in Almora and their salaries. The soldiers threatened that if salaries were not paid they would attack on Shrinagar.
   Kriparam Dobhal was a deeply worried man after receiving the letter.
 Kripa Ram Dobhal got advices from his brother in laws Shri Vilas Nautiyal and Bhavanand Nautiyal and called an emergency meeting of all ministers, three groups of Negi at his residence. Nitya Nand Khanduri did not attend the meet. Kriparam Dobhal went in person to meet Nitya Nand Khanduri at his residence. Nitya Nand Khanduri pretended as ailing old man and pardoned for not attending meeting.
 Nitya Nand told a man that that Dobhal was dangerous man and wanted to get all power. Kripa Ram found that Nitya Nand wanted Jai Krit Shah out of crown and wanted to make Parakram Shah as Garhwal King. Kripa Ram Dobhal also found that Nitya Nand Khanduri invited Jay Nand to attack on Shrinagar.

               Fall of Nitya Nand Khanduri

   Kripa Ram was sure that Nitya Nand Khanduri was deceiving. Kripa Ram Doval met important ministers and elites and got them with him to help Jai Kirti Shah. He called all ministers, Bakshi, Negi, Khan, Khavas , Goldar and Faujdar to his residence. Dobhal cleared to all that Nitya Nand Khanduri wanted to get rid of Jai Kirti Shah. He cleared that who wanted Jai Kirti Shah as Garhwal King they should be with him and those wanted Jai Kirti Shah not as Garhwal King they may join Nitya Nand Khanduri.  Every minister told that they are with Jai Kirti Shah. Kripa Ram Dobhal took religious promise (Jhalikhanda) from each minister and elite to protect Garhwal King jai Kirti Shah.
 N hat same night, Kriparam captured Nitya Nand Khanduri and his all family members including his old wife and put them in Banag Garh prison. Nitya Nand Khanduri was made complete blind by putting indigo into his eyes.
 Kriparam distributed the wealth among others. Kriparam captured his Jagir and land. Kriparam became Jagirdar of Salan. Kriparam appointed Devi Datt as Daftari (accountant) in place of Nitya Nand Khanduri.
 Maularam described the above events in Garhrajvanshkavya. Maularam did not mention anything about the role of King Jai Kirti Shah.

                            Arrival of Joshis in Shrinagar
             Jaya Nand Joshi was on his way to Shrinagar as per the advice of Nitya Nand Khanduri. On the way to Shrinagar, Jaya Nand Joshi got information that Kriparam put Nitya Nand Khanduri and his family into prison. It was not possible for Jaya Nand Joshi to go back to Kumaon without visiting Shrinagar. Jay Nand Joshi was a wise man and knew to take advantage of adverse situation too. Jaya Nand Joshi reached to Shrinagar. Kriparam Dobhal sent a messenger to Jaya Nand Joshi to know the motto of Jaya Nand. Jaya Nand Joshi sent a letter that since Garhwal King Jai Kirti Shah was also his King and Joshi had come to meet his King. Jaya Nand Joshi also confirmed that he had come to take Kumaon King Pradyuman Shah with him to Almora.
   Kripa Ram arranged staying facilities for Jaya Nand Joshi. On a day, Kriparam arranged meeting of Jaya Nand Joshi with the King Jai Kirti Shah.
   Jaya Nand Joshi pleaded to jai Kirti Shah to send Kumaon King Pradyuman Shah to Kumaon. Jaya Nand Joshi told to the King that since there was no King in Kumaon the subject was not ready for paying taxes and there was overdue of salaried of armed forces.
  After discussion with Kriparam Dobhal, Jai Kirti Shah agreed to send Pradyuman Shah to Almora with Joshi. However, jai Kirti Shah refused to pay the salary of armed forces from Garhwal Kingdom. Jai Kirti Shah clearly told to Jaya Nand Joshi that forces belong to Kumaon and hence it was duty of Kumaon Kingdom to settle the dues on it. Jaya Nand was now a frustrated man. He accepted that Kumaon Kingdom would look after its accounts.
 Pradyuman Shah was sent to Almora with Jaya Nand Joshi. Garhwal King offered a horse as gift to Jaya Nand Joshi. Pradyuman Shah was now as Pradyuman Chand and was sent to Almora with grace and in festive situation.
 
Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 29/8/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -416
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter ….
XX    
Notes on South Asian Early Modern Period  History of Garhwal;  South Asian Early Modern Period   History of Pauri Garhwal; South Asian  Early Modern Period   History of Chamoli Garhwal;  South Asian Early Modern Period   History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Early Modern Period   History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Early Modern Period   History of Manglaur, Haridwar;  South Asian Early Modern Period   History of Rurkee Haridwar ;  South Asian Early Modern Period   History of Bahadarpur Haridwar ; South Asian Early Modern Period  History of Haridwar district to be continued
XX

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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3392 on: August 29, 2014, 07:25:21 PM »
          Folk Dance-Song in Naming Ceremony of Garhwal

Characteristics of Garhwali Folk Dramas, Folk Theater/Rituals and Traditional Plays part -208           
   Song and Dance in Life Cycle Events, Religious Rituals or Garhwali Folk Dramas with  Karmkand -2
                         कर्मकांड के गढ़वाली लोक नाटक – 2       

                     Presented by Bhishma Kukreti (Folk Literature Research Scholar)
 Naming Ceremony is important aspects of Hindu child.
          There were two rituals in naming ceremony run simultaneously in past. The Pundit used chant Sholkas in Sanskrit inside the room with mother, child and relatives. 
         While the Pundit is busy in Chanting Sholka and performing Karmkand of Namkaran or Dashptan or Naming Ceremony in the room, a Harijan Mangler (Woman singer of Auspicious Song) used to sing auspicious songs outside the room (courtyard). Many times the village women also sing with Mangler.  The following Garhwali folk Song is taken from Rawain Jaunpur sung at the time of Naming Ceremony (Namkaran or Dashotan)-
दशोटण /दशूटन अथवा नामकरण संस्कार का जौनसारी -गढ़वाली लोक गीत
बोला बोला सगुन बोला , बोला बोला सगुन बोला
गणपति आंगुणी बढ़ई बाजे ,गणपति आंगुणी बढ़ई बाजे
सुधि -बुधि देवी का आनंद छाये ,सुधि -बुधि देवी का आनंद छाये
विष्णु जी का आंगुणी बढ़ई बाजे ,विष्णु जी का आंगुणी बढ़ई बाजे
लक्ष्मी जी का आंगुणी बढ़ई बाजे ,लक्ष्मी जी  का आंगुणी बढ़ई बाजे
ब्रह्मा जी  का आंगुणी बढ़ई बाजे, ब्रह्मा जी  का आंगुणी बढ़ई बाजे
ब्रह्माणी जी  का आंगुणी बढ़ई बाजे, ब्रह्मणी जी  का आंगुणी बढ़ई बाजे
नारैण जी  का आंगुणी बढ़ई बाजे, नारैण जी  का आंगुणी बढ़ई बाजे
बाबा जी  का आंगुणी बढ़ई बाजे, बाबा जी  का आंगुणी बढ़ई बाजे
माँ जी  का आंगुणी बढ़ई बाजे, माँ जी  का आंगुणी बढ़ई बाजे
धौळी  जी  का आंगुणी बढ़ई बाजे, धौळी जी  का आंगुणी बढ़ई बाजे
तू ह्वेलु बेटा देवतौं को जायो
तू ह्वेलु बेटा कुल को उज्याळो
आज जाया तेरा नाम धर्याले
तू जाया कुल को राखी नाउ

(Reference- Madhuri Manuraj Barthwal, Shailvani Tritiy Varshik Visheshank, 2004, page 63)

Copyright@ Bhishma Kukreti 29/8/2014 for interpretation notes   
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References -
1-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya Geet
2- Keshav Anuragi, Nad Nandani (Unpublished)
3- Dayashankar Bhatt, Divya Sangit (Unpublished)
4- Glossary of Indian Classic Music
XX
 Folk Dance-Song in Religious Rituals of Naming Ceremony of Garhwal; Folk Dance-Song in Religious Rituals of Naming Ceremony of Ravain Garhwal; Folk Dance-Song in Religious Rituals of Naming Ceremony of Uttarkashi Garhwal;  Folk Dance-Song in Religious Rituals of Naming Ceremony of Tehri Garhwal; Folk Dance-Song in Religious Rituals of Naming Ceremony of Dehradun Garhwal; Folk Dance-Song in Religious Rituals of Naming Ceremony of Ravain of Tehri Garhwal;  Folk Dance-Song in Religious Rituals of Naming Ceremony of Jaunpur of Dehradun Garhwal; Folk Dance-Song in Religious Rituals of Naming Ceremony of Jaunpur of Garhwal; 
 
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3393 on: August 30, 2014, 11:56:19 AM »
             History of Fall of Kripa Ram Dobhal
        History of Garhwal King Jai Kirti Shah part -2

History of Garhwal including Haridwar (1223- 1804 AD) –part -169     

   History of Uttarakhand (Garhwal, Kumaon and Haridwar) -416
 
                       By: Bhishma Kukreti (A History Research Student)

                   Authoritarian Administration by Kripa Ram Doval

               After dispatching Jaya Nand Joshi and farewell of Pradyuman Shah from Shrinagar and diminishing of Khanduri clan, Kripa Ram Doval started administrating Garhwal court with strict norms.  He centralized all power in his hands.  Kriparam Doval was chief minister, mukhtar and  Faujdar of Salan (a major source of money), He did not allow dissidents reaching to the King without his knowledge. For stopping dissidents working against him he appointed his brother in law Shrivilas Nautiyal as interior minister for the Palace and Bhavanand Nautiyal the elder brother of Shrivilas Nautiyal as exterior minister for Palace.  No person could enter palace or come without the permission of Nautiyal brothers.
 Now, it was compulsion to take permission from Kriparam Dobhal for meeting the king for subjects and administrators. Kripa Ram Dobhal started clearing the applications on behalf og the King. Kriparam Doval used to punish those who used to threaten complaining about Dobhal to the King. Work was cleared for those who used to lure Kriparam. Kriparam Dobhal appointed Dobhal people on major positions in the court.
  Kriparam Doval used to have court in his own palace. He used to take  complaints and used to offer judgment accordingly. Dobhal used to meet important administrators art his residence and used to order them from there. Kriparam Doval used to send threatening letter or strict order for Faujadars (governors or executives) of far territories.

                         Conspiracy against Dobhal by Negi Clans

               Other ministers, elites and administrators were unhappy by watching the autocracy of Kriparam Doval. Those administrators understood very well that Kriparam Dobhal would like to diminish all his enemies or others too.
 Three leaders of Negi clan Ucchav Singh Negi, Sohan Singh Negi and Deewan Singh Khatri sent letter to Minyan Ghamand Singh the Faujdar of Dehradun and his brother Minyan Kedar Singh. Negi leaders wrote in letter that “From the time you migrated to Dehradun you forgot Shrinagar. Here in Shringar, Kriparam Dobhal took power in his hands. He is killing his opponents. Kriparam does not show kindness or mildness on his opponents.  Kriparam Dobhal had appointed his men on major positions. He stopped Vriti (salary etc) to old recipients. Kriparam would be King very soon. Dobhal is going to snatch your post od Faujdar of Doon valley. Come to Shrinagar and clear this danger. Inform us when you coming.”
                    History of Minyan Ghamand Singh in Shrinagar
        Minyan Ghamand Singh and his brother decided to kill Kriparam Dobhal as soon as they would reach to Shrinagar. They took Bakshi Hari Singh of Jaunpur with them for Shrinagar. Ghamand Singh and Hari Singh marched towards Shrinagar with their own force. They reached Shrinagar and camped at Ulfata.
 In that night, most of the ministers came to meet Minyan Ghamand Singh covering them by blankets. They all took religious vow to kill Kriparam Dobhal. They all planned to kill Kriparam Dobhal and his supporters. Later on all came back.
                     Ghamand Singh Company Killing Kripa Ram Dobhal

  In morning Ghamand Singh asked his soldiers to be ready with arms and ammunition. Soldiers marched towards the palace. Musicians playing Daf music instruments were leading the soldiers.  When Kriparam came out of his residence, he found that soldiers of Ghamand Singh were roaming all the corners of Shrinagar.
 The informer came to Kripa Ram Dobhal and informed that he should be cautious as conspirators (Ghamand Singh) might kill him. However, Kriparam told to the informer that Ghamand Singh was his friend and he would not do anything wrong. The guards asked Kriparam about taking precautions against Ghamand Singh. Kriparam told to his guards not to worry from Ghamand Singh side. Guars became careless in allover Shrinagar from Ghamand Singh side.
     Kriparam Dobhal went to court as usual. King was on his seat. Devi Datt, Bhavanand Nautiyal, Shrivilas Nautiyal, Dhaniram Dobhal the son of Kriparam and others were sitting n their seats.
 Ghamand Singh , Hari Singh and their major soldiers entered to the court after some time. After saluting the King, Ghamand Singh and Hari Singh sat near Kriparam Dobhal. There was dead  silence in the court.
  Kriparam Dobhal told,” Ghamand Singh! Now, you met the King. Yu go to rest in your camp and come in the pre-evening. You are great Faujdar of Dehradun and we appreciate you.  Whatever would be your suggestions would be dealt with positive frame of minds by the King.”
Ghamand Singh understood that Kriparam is luring him. Minyan Ghamand Singh was sure that if this situation is delayed he would not be able to kill Kriparam Dobhal.
 Ghamand Singh went before the King and saluted him with honoring words. Ghamand Singh came towards Kriparam Dobhal pretending him to offer coins bag. In the mean time, Hari Singh and his soldiers caught Kriparam. Soldiers of Ghamand Singh caught other ministers related to Kriparam and tied them. An assistant took the King on his lap and jumped from the court and ran towards palace.
 Kriparam was uttering bad words for Ghamand Singh. Ghamand Singh beheaded Kriparam Dobhal in the palace. There was total silence allover Shrinagar. Nobody came out of residence. There was total strike in the city.
 Shrivilas Nautiyal, Bhavanand Nautiyal Dhaniram Dobhal ran towards palace.
          The King was sitting on his Kharokha of palace. Gamand Singh came before Jharokha and told to the King that since Kriparam had become dictator he killed him. Ghamand Singh requested the King to rule as usual. King appointed Ghamand Singh as Chief Minister of the Kingdom and strike was declared off.
                Prison supporters of Kriparam Dobhal
  Next morning, Ghamand Singh came again before Jharokha of palce. Ghamand Singh asked the King to hand over supporters of Kriparam Dobhal. The King told that since, supporters of Kriparam were in his shelter it was wrong on part of a Rajput King not to protect those were in asylums. Ghamand Singh promised that they would not be killed but would be kept in prison for a short time.
  After getting religious promise from Ghamand Singh, the King handed over Devi Datt, Shrivilas Nautiyal, Bhavanand Nautiyal and Dhaniram Dobhal to Ghamand Singh. Ghamand Singh put  Devi Datt Shrivilas Nautiyal, Bhavanand Nautiyal Dhaniram Dobhal into prison.
 


Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 30/8/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -417
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter ….
XX    
Notes on South Asian Modern Period  History of Garhwal;  South Asian Modern Period   History of Pauri Garhwal; South Asian  Modern Period   History of Chamoli Garhwal;  South Asian Modern Period   History of Rudraprayag Garhwal;  South Asian Modern  History of Tehri Garhwal;  Modern  History of Uttarkashi Garhwal;  South Asian Modern Period   History of Dehradun, Garhwal;  Modern  History of Haridwar ;  South Asian Modern Period   History of Manglaur, Haridwar;  South Asian Modern Period   History of Rurkee Haridwar ;  South Asian Modern Period   History of Bahadarpur Haridwar ; South Asian Modern Period  History of Haridwar district to be continued
XX
History of Fall of Kriparam Dobhal; History of Fall of Kriparam Dobhal in context History of Dobh Garhwal; History of Fall of Kriparam Dobhal in context History of Pauri Garhwal; History of Fall of Kriparam Dobhal in context History of Chamoli Garhwal; History of Fall of Kriparam Dobhal in context History of Rudraprayag Garhwal; History of Fall of Kriparam Dobhal in context History of Tehri Garhwal; History of Fall of Kriparam Dobhal in context History of Uttarkashi Garhwal; History of Fall of Kriparam Dobhal in context History of Dehradun Garhwal; History of Fall of Kriparam Dobhal in context History of Haridwar Garhwal;
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3394 on: August 31, 2014, 07:17:46 AM »
                                  चबोड़ इ चबोड़ मा पूंजीवाद  पर पथर्यौ

                                            चबोड़्या  : भीष्म कुकरेती

s = अधा अ

 अजकाल मोदीजी जपान जयां छन तो क्वी  बि भारतीय इन नि बुलणु च बल ये नरेंद्र भाई ! तू जपान जाणि छे त जपान्यूं कुण क्या लीगी /क्या लिजाणी छे  ? बल्कण मा हरेक भारतीय नरेंद्र मोदी से पुछणु च बल ये भै जपान से क्या क्या अर कथगा लैल ? अर लैल बि त केँ कीमत पर लैली ?

अब द्याखो ना भुंदरा बौन सीतारामन भुलि द्वारा मोदीजी कुण रैबार भ्याज बल जिठा जी  जपान जाणा छन त जरा मेकुण अच्छा दिन जरूर लैन।  मिन बि दिखण कि यि अच्छा दिन हूंद क्या च !

सीतारामन भुलिन पूछ - हे दीदी त्यार हिसाब से अच्छा दिन कन होलु ?

भुंदरा बौ- म्यार हिसाब से अच्छा दिन वो च जैदिन भारतीय उद्योग अपण लाभ का वास्ता चीज बस्तर निर्माण करणो जगा हम भारतीयों असली जरुरात पूरी करणो बान निर्माण कारन।

सुंदरा बौ पैथर किलै रौंदी वीं बौन सुषमा स्वराज कुण ब्वाल बल ही ब्वारी तै नरेंद्रौ कुण बोलि बल जरा थ्वड़ा भौत अच्छा दिन मेकुण बि लये सुणन मा आई कि जपानीज अच्छा दिन चीन या कोरिया से बढ़िया क्वालिटी का हून्दन।

सुषमा स्वराज -आपका हिसाब से अच्छा दिन क्या हून्दन ?

सुंदरा बौ- यां म्यार दिखण से त जब भारत मा लाभ कमाणो अनावश्यक प्रतियोगिता की जगा जनसेवा मा प्रतियोगिता शुरू ह्वे जावो तो अच्छा दिन बुले जाल।

नूरजहाँ  काकिन बि नजमा हुतुल्ला  से ब्वाल बल ये खाला ! जरा अच्छा दिन अफु अफीकुण ना  हमकुण बि मगै दे।

नजमा हुतुल्ला- अच्छा दिन से क्या मतबल ?

नूरजहाँ -निर्माण मा अनावश्यक वेस्टेज नि हो तो वो मेकुण अच्छा दिन छन।

परमीत कौर किलै पैथर रौंदी।  परमीत कौर बि  अच्छा दिन  वास्ता गुण्छ लग गे। हरसिमरत कौरन पूछ कि अच्छा दिन से क्या मतबल ?

परमीत कौर- भै जब  वातावरण शुद्धि अर विकास आपस मा युद्ध ना एक हैंक तैं सहयोग द्यावन तो  ही अच्छा दिन आला।

मिसेज डिसूजा न रैबार भेज कि जब उद्यमी तकनीक हथ्याणो बान प्रतियोगिता करण छोड़िक गरीबी हटाणो प्रतियोगिता कारन तो ही भारत का वास्ता अच्छा दिन ह्वाल।

यी सौब रैबार अमित शाह का द्वारा जब नरेंद्र मोदी मा पौंछिन तो नरेंद्र मोदी कुछ देरौ कुण अचेत ह्वे गेन।

होश मा आणो उपरान्त नरेंद्र मोदीक मुख बिटेन शब्द निकळेन - इंडिया कु कुछ नि ह्वै सकुद।  जापान पूंजीवाद कु सबसे बड़ी खदान च अर हम भारतीय जपान से पूंजीवाद विरोधी चकमक पत्थर की आस लगौला तो कनकै अच्छा दिन आला ?

Copyright@  Bhishma Kukreti  31  /8/ 2014     
*लेख में  घटनाएँ , स्थान व नाम काल्पनिक हैं ।

 
Garhwali Humor in Garhwali Language, Himalayan Satire in Garhwali Language , Uttarakhandi Wit in Garhwali Language , North Indian Spoof in Garhwali Language , Regional Language Lampoon in Garhwali Language , Ridicule in Garhwali Language  , Mockery in Garhwali Language, Send-up in Garhwali Language, Disdain in Garhwali Language, Hilarity in Garhwali Language, Cheerfulness in Garhwali Language; Garhwali Humor in Garhwali Language from Pauri Garhwal; Himalayan Satire in Garhwali Language from Rudraprayag Garhwal; Uttarakhandi Wit in Garhwali Language from Chamoli Garhwal; North Indian Spoof in Garhwali Language from Tehri Garhwal; , Regional Language Lampoon in Garhwali Language from Uttarkashi Garhwal; Ridicule in Garhwali Language from Bhabhar Garhwal; Mockery  in Garhwali Language from Lansdowne Garhwal; Hilarity in Garhwali Language from Kotdwara Garhwal; Cheerfulness in Garhwali Language from Haridwar;
--
 
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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3395 on: August 31, 2014, 12:17:10 PM »
                       History of Fall of Minyan Ghamand Singh
        History of Garhwal King Jai Kirti Shah part -3

History of Garhwal including Haridwar (1223- 1804 AD) –part -170     

   History of Uttarakhand (Garhwal, Kumaon and Haridwar) -417
 
                       By: Bhishma Kukreti (A History Research Student)

   After Minyan Ghamand Singh taking charge as Chief Minister of Garhwal Kingdom, ministry started working as usual. Ministers were attending court in morning and afternoon. However, Minyan Ghamand Singh also proved to be authoritarian. Minyan Ghamand Singh started taking decision without taking advices from ministers and elites. He was more atrocious than Kripa Ram Dobhal. Due to his atrociousness other ministers and elites became his opponents. Ghamand Singh had his own strong army with him in Shrinagar. Therefore, goldar (police and army officers) did not oppose Ghamand Singh openly. Goldar were afraid that Ghamand Singh would fire them from their posts.
                       Conspiracy of Goldar (defense and police officers)

   Due to a couple of orders, the Goldar were terrified. Vijay Ram Negi was paternal uncle of Ajabram Negi. Vijay Ram and Ajab ram belonged to Kainyur of Chopdakot of Chaundkot region. Both were Goldar in Shrinagar court. Vijay Ram requested Ghamand Singh for his salary as he was going to his village for marriage of his niece. Ghamand Singh refused to pay his salary. Vijay Ram went to his village without taking proper permission from anybody. Ghamand Singh was displeased by behavior of Vijay Ram. The ministers told to Ghamand Singh that “you had become atrocious and do not take their advices. You did not pay salary to Vijay Ram. We don’t like your dictatorship. You go back to Doon (Dehradun).” The ministers requested him to kill Nauityals and Dobhals. Ghamadn Singh refused to do so as he had taken vow not to kill them.
   Ghamand Singh complained to the King about the misbehavior of ministers. The weak King was pleased by knowing the fraction among Ghamand Singh and other ministers. He ordered Ghamand Singh to correct the ministers. The King spread the news that he was ill.
 The ministers became afraid that now Ghamand Singh would finish them.
 Ajab Ram Negi went to see the King with Ghamand Singh. Ajab ram Negi got money for his sister’s marriage from the king.

  Conspiracy of Goldar against Ghamand Singh in Kainyuar Chaundkot
 
        Dhannu Gaddi the Chief Commander of Garhwal army in Kumaon that was sent with Lalit Shah, his assistants Lachman, Baliya and Kewal Gaddi the Goldar from Shrinagar met in Kainyuar, Chaundkot.  They planned that after the marriage of sister of Ajab Ram they would attack on Ghamand Singh. Three Negi leaders of Shrinagar were also with that party for diminishing Ghamand Singh.
                          Letter from Goldars
   Goldar sent letter to Minyan Ghamand Singh that he was regularly paying salaries to his army but did not pay salaries to armed forces but not paying salaries for other Goldars. Goldar threatened Ghamand Singh that if he did not pay their salaries they would attack on Shrinagar.
   Ghamand Singh showed the letter to Ministers and the King in Shrinagar. The ministers 9infact they were with Goldar in conspiracy) told that the army under Dhannu Gaddi was Garhwal army in Kumaon. Ministers suggested Ghamand Singh to pay salary of force under Gaddi. There was no enough money in the treasury. He could not send payment to Dhannu Gaddi.
  Goldar send threatening letter again to Minyan Ghamand Singh.

                             Attack on Shrinagar
             Now, goldar were not in waiting mood. Goldar marched towards Shrinagar with Sovan Singh Negi (a messenger of Ghamand Singh who brought letter of Ghamand Singh). Ajab Rram attacked on Shrinagar. Most of ministers went in the camp of Ajab Ram.   
 Ghamand Singh freed Shrivilas Nautiyal, Bhava Nand Nautiyal, Dhaniram Dobhal and Devi Datt. Ghamand Singh told them that he was going forward to defuse the rebel (Goldar and ministers) and asked Nautiyals to protect Shrinagar.
    Armies of Ajab Ram, Vijaya Ram,  Dhannu Gaddi , Kewal gaddi surrounded the army of Ghamand Singh from all sides. The battle started between them.
  Then a commander Ummed Singh came to Goldar with request to stop war and come to Shrinagar to administrate. Maularam wrote that he offered gold coins to them.
                   Court Poet Maularam Protecting Shrivilas Nautiyal and Party
 The rumor spread that Goldar forces captured Shrinagar and now the force would kill Ghamand Singh.
   In night, Shrivilas Nautiyal, Devi Datt and Dhaniram Dobhal went to Maularam for getting protection from Goldar leaders (as in past, ministers and Goldar wanted to kill Nautiyal and Dobhal party and Ghamand Singh protected them due to his vow). 
    Maularam sent a letter to Ajab Ram to allow him to get asylum to Shrivilas, Devi Datt and Dhaniram. Maularam informed that Nautiyal party would help to Ajab Ram party.
   Ajab Ram came to Shrinagar. Ghamand Singh was in Ulfata with his army. Baliya and Kewal Ram had force at Ojhabag. Lachman was at Damki just opposite of Ghamand Singh’s force. Vijay Ram had camp at Harbans Haveli, Dhannu Gaddi was managing force at Ganga bank and Ajab Ram was at Chaunri (terrace). There was gun firing from all sides on the army of Ghamand Singh. In night, Ghamand Singh ran away from Shrinagar. Goldars followed Ghamand Singh and Ghamand Singh ran to plains away from Garhwal territory. A commander Kedar Singh from the force of Doon also ran to plains away from Garhwal.
   Maularam reached to the king in night with Shrivilas Nautiyal and party. The King was pleased to see Nautiyal party alive.
  Next day, the King Jai Kirti Shah invited all Goldars in the court and pardoned all Goldars. He asked them to administrate well. There was peace for some time after fall of Ghamand Singh.
   Jai Kirti Shah appointed Ummed Singh as Faujdar (Governor) of Doon valley.


Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 31/8/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -418
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter ….
XX    
Notes on South Asian Modern Period  History of Garhwal;  South Asian Modern Period   History of Pauri Garhwal; South Asian  Modern Period   History of Chamoli Garhwal;  South Asian Modern Period   History of Rudraprayag Garhwal;  South Asian Modern  History of Tehri Garhwal;  Modern  History of Uttarkashi Garhwal;  South Asian Modern Period   History of Dehradun, Garhwal;  Modern  History of Haridwar ;  South Asian Modern Period   History of Manglaur, Haridwar;  South Asian Modern Period   History of Rurkee Haridwar ;  South Asian Modern Period   History of Bahadarpur Haridwar ; South Asian Modern Period  History of Haridwar district to be continued
XX

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3396 on: August 31, 2014, 06:23:29 PM »
Folk Song on a Religious Drama of Chudkarm Sanskar /First Hair Cut Sacrament
Characteristics of Garhwali Folk Dramas, Folk Theater/Rituals and Traditional Plays part -209           
   Folk Song and Dance in Life Cycle Events, Religious Rituals, Sacrament or Garhwali Folk Dramas with Karmkand -3
                         संस्कार /कर्मकांड के गढ़वाली लोक नाटक – 3       

                     Presented by Bhishma Kukreti (Folk Literature Research Scholar)
                 First Hair Cut ceremony or Chudakarm Sanskar or Mundan Sanskar plays a important role in life cycle of Hindu. Pundit performs the Karmkand ritual of Chudakarm and the barber cuts the hair of a boy.
 The Mangler (Auspicious folk woman song singer) sings the following song while barber cuts the hair of boy.
 चूड़ाकर्म अथवा मुंडन संस्कार का एक गढ़वाली लोकगीत
 
नाई  रे नाई रेss तू मेरो भाई
नाई  रे नाई रेss तू मेरो  धरम भाई हेsss 
त्वै द्योलो नाई पांउ खड़ाऊ
नाई  रे नाई रेss कानू कुंडल है sss
नाई  रे नाई रेss शाल दुशाला
नाई  रे नाई रेss जरीद कपड़ी  हेsss 
नाई  रे नाई रेss रेशमी पगड़ी
मेरा लाडला तैं तू पीड़ा ना लाई हे sss


Copyright@ Bhishma Kukreti 31/8/2014 for interpretation notes   
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
XX
Folk Song on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Haridwar Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Uttarkashi Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Dehradun Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Tehri Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Rudraprayag Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Pauri Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament; Folk Song from Chamoli Garhwal on a Religious Folk Drama of Chudkarm Sanskar /First Hair Cut Sacrament;
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3397 on: September 01, 2014, 09:24:25 AM »
                         बहू  को कत्ल करने के सौ सरल तरीके

                               चबोड़्या - भीष्म कुकरेती

परस्यूं मि गौं जाणु छौं त मीन ड्यार सब्युं कुण रैबार भेजी याल छौ कि मि ड्यार आणु छौं त कै तैं कुछ चयेणु हो त बतै देन।

गां बटें सुंदरा बौक फोन आई," ये भीषम ! जरा बम्बै बिटेन एक नकचुंडी लये। "

मीन पूछ - पर नकचुंडी त गढ़वाळ मा इ मिल्दन तो मुम्बै बिटेन नकचुंडी ?

बौक जबाब छौ -मीन सरा कोटद्वार बजार ढूंढ वा नकचुंडी नि मील ज्वा मि तैं चयाणी छे।

मि - क्वी ख़ास नकचुंडी चयाणि च क्या ?

सुंदरा बौ -हाँ ! मीन पता लगै याल बल स्या ख़ास नकचुंडी बम्बै मा कालबादेवी बजारम 'टीवी सीरियल प्रोडक्ट सप्लायर ' दुकानिम मिलदी।

मि - यां पर यीं नकचुंडिक नाम क्या च ?

सुंदरा बौ - नकचुंडिक नाम त मि नि बोल सकुद पर 'खत्ता धरेन तैं सासुक " टीवी सीरियल मा वा हरामखोर , बदजात ,  पातर खलनायिका किरतुली नी च ? वा जब बि अपण ससुर या कक्या ससुर तैं डरांदि तो ख़ास 'नकचुंडी' दिखैक डरांदि।  मीन बि अपण ससुर जी अर कक्या ससुर जी तैं बि नकचुंडी दिखै दिखैक डराण। वीं हरामखोर , बदजात , पातर वळि नकचुंडी लाण नि बिसरी हाँ !

सतपुळी बटें छमनाक फोन आयि - अब इख गढ़वाळम  इन क्वी चीज नी च जू बम्बै मिल्द हो अर इख नि मिल्दी हो।  पर एक उ रुमाल इख नि मिल्द।  पता च मि कन रुमाल की बात करणु छौं ?

मि - ना ये छमना।

छमना - अरे 'कर देंगे कभी भी बहू का  कतल ' टीवी सीरियल नी च ?

मि - मि इ सासु -ब्वारी सीरियल नि दिखुद।

छमना - हैं ! सीरियल नि दिखदा त मुंबई मा झख मारणा  छवां ?

मि -अच्छा लाण क्या च ?

छमना - यां उनि रुमाल लाण जन   'कर देंगे कभी भी बहू का  कतल 'सीरियल की खलनायिका हर समय एक ख़ास रुमाल लेकि अपण नणदक गौळ दबाणै फिराक मा रौंदि।  मि तैं वु हत्यारा रुमाल भौत पसंद च। मि वै रुमाल से अपण बौ तैं डरौंलु।

गुदमा काकीक फोन आइ अर बुलण मिस्याई - बल ये भीषम ! जरा एक विशेष बिछुवा लए।  छ त बिछुवा च पर दिख्यांणम   यु बिछुवा खतरनाक बिषैला  सांप दिखेंद  बस द्वी जोड़ी बिषैला सम्पोला छाप बिछुवा लये।

मि -विषैला सम्पोला छाप बिछुवा ?

गुदमा काकी - हाँ ' कक्या ससुर को जीने नहीं देंगे " सीरियल नी च ? उखमा वा खलनायिका नी च ? वा कमीनी, कुत्ती , खबेशण  खलनायिका बिषैला सम्पोला छाप बिछुवा पैरिक अपण सासु अर कक्या सासु की हत्या की साजिस रचदी।  वु सीरियल त उथ्गा प्रसिद्द नि ह्वे पर वींक डरौण्या बिछुवा इख भौत प्रसिद्ध ह्वे गेन।  बस द्वी जोड़ी वीं कमीनी खलनायिका ब्रैंड बिछुवा लाण नि बिसरी हाँ।

चण्डिका ब्वारिक फोन आयि - ये जी ! जब बम्बै बिटेन घौर आणा इ छंवां तो जरा चार पांच किस्मौ दसेक बंडल वैम्पिस  (खलनायिका ) बिंदी लयेन।

मि -वैम्पिस  (खलनायिका ) बिंदी ?

चण्डिका ब्वारी - हाँ अच्काल हरेक टीवी सीरियल मा वैम्प याने खलनायिका किसिम किसिम की भयानक सकल की बिंदी पैरदन जन की सांप की सकल की , बिच्छू जन बिंदी , खूंखार घड़ियाल जन बिंदी , दहाड़ता ड्रैगन जन बिंदी।  अर यूँ वैम्पिस छाप बिंद्यूं प्रचलन भौत बढ़ी गे ।  अचकाल वैम्पिस बिंदी नि लगावो तो गाँव मा लोग समजदन कि या जनानी फ़ूहड़ , गंवार जनानी च।

बरमी  बोडिक फोन आयि - ये भीखम  !   जरा मेकुण चार जोड़ी धगुल लये।

मि - कै तरां क धगुल ? जखमा गणेश जी , विष्णु जी , नंदा देवी की मूर्ति गड़ीं ह्वावन ?

बरमी बोडी - इथगा साल बम्बै मा रैक बि तु लाटा का लाटु इ रै।  अरे अच्काल भगवानुं मूर्ति वाळ धगुल बि क्वी पैरदु क्या ?

मि - तो ?

बरमी बोडी -अरे अजकाल तो रावण , कंस,  महिसासुर , कैंटो  जन असुरों मूर्ति वाळ धगुलुं  रिवाज चल्युं च।  द्याख नी तीन ' कहाँ की सास और कहाँ की बहू ", 'काण्ड लगे इस सास पर ", 'कितनी बुरु मेरी सास , कितनी फितना मेरी बहू " जन सीरियल जखमा सबि खलनायक आर  खलनायिका रागसूं मूर्ति वळ धगुल पैरदन? मेकुण बि चार जोड़ी रागसुं मूर्ति जड़्यां धगुल लये। बिसर ना हाँ ! अर एक बि दिव्ता मूर्ति जड़्यां धगुल नि लै हाँ।

धुपणि ब्वारी अबि बि म्यार दगड़ बचळयाण मा शर्मांद च त धुपणि ब्वारिक SMS आयि - जिठा जी ! जरा " सास को तंग करने के सौ तरीके " किताब लयेन।

मीन वै जमानै आठ पास रघुनथि ददि कुण फोन कार - ये ददि यि क्या हूणु च।  सब खलनायक या खलनायिकौं  झुल्ला , जेवरात मंगाणा छन ? यि क्या भंगुल जमणु च।

रघुनथि ददिन जबाब दे - अरे अजकाल टीवी सीरियलुं मा पारिवारिक घात -प्रतिघात , पीठ पर छुर्रा भुकणो जन कथा चलणा छन तो यी कथाकार सीरयलुं मा खलनायक खलनायिकाकी पोजिसनिंग लार्जर दैन लाइफ दिखाणा छन तो अब खलनायक -खलनायिकाओं द्वारा पैर्युं लत्ता -कपड़ा , जर -जेव्हरात आम जनता मा प्रसिद्ध हूणि च। अच्छा सूण अच्छु ह्वे तीन इ फोन कौर दे।  मि त्वैकुण फोन करण इ वाळ छौ। एक किताब लये।

मि - विष्णु सहस्त्र नामा कि शिवचालीसा ?

रघुनथि ददि - ना ना सि किताब त अब आउट ऑफ डेटेड ह्वै गेन।  मेकुण ' बहू  को कत्ल करने के सौ सरल तरीके   " किताब लये जरा।  सुणनम आइ कि बड़ी रोचक  किताब च।

 

Copyright@  Bhishma Kukreti  1 /9/ 2014     
*लेख में  घटनाएँ , स्थान व नाम काल्पनिक हैं ।

 
Garhwali Humor in Garhwali Language, Himalayan Satire in Garhwali Language , Uttarakhandi Wit in Garhwali Language , North Indian Spoof in Garhwali Language , Regional Language Lampoon in Garhwali Language , Ridicule in Garhwali Language  , Mockery in Garhwali Language, Send-up in Garhwali Language, Disdain in Garhwali Language, Hilarity in Garhwali Language, Cheerfulness in Garhwali Language; Garhwali Humor in Garhwali Language from Pauri Garhwal; Himalayan Satire in Garhwali Language from Rudraprayag Garhwal; Uttarakhandi Wit in Garhwali Language from Chamoli Garhwal; North Indian Spoof in Garhwali Language from Tehri Garhwal; , Regional Language Lampoon in Garhwali Language from Uttarkashi Garhwal; Ridicule in Garhwali Language from Bhabhar Garhwal; Mockery  in Garhwali Language from Lansdowne Garhwal; Hilarity in Garhwali Language from Kotdwara Garhwal; Cheerfulness in Garhwali Language from Haridwar;
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3398 on: September 01, 2014, 08:09:15 PM »
Folk Song on Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament:a Religious Drama
Characteristics of Garhwali Folk Dramas, Folk Theater/Rituals and Traditional Plays part -210           
   Folk Song and Dance in Life Cycle Events, Religious Rituals, Sacrament or Garhwali Folk Dramas with Karmkand -4
                         संस्कार /कर्मकांड के गढ़वाली लोक नाटक – 4       

                     Presented by Bhishma Kukreti (Folk Literature Research Scholar)
 Upnayana Sanskar /Yagyopavit Sanskar/Janeu Pahnne ka Sanskar is n event of life cycle of Hindus. It is hanging threads on upper body part of a boy that symbolizes transference of spiritual knowledge.
The Pundit performs the religious rituals in Sanskrit (Karmkand) and Mangler (Auspicious Song Woman singer) sings the folk song at the ceremony.
There are three parts of Yagyopavit Sanskar Folk Song-
1-Farming of Cotton and making threads by Pundit
2-Search of Guru by father of the son
3-Threading ceremony by capable Guru
यज्ञोपवीत /उपनयन /जनेऊ संस्कार का गढ़वाली लोकगीत
भली -भली पुंगड्यूं मा बोइ च कबास
भाई बैण्यूं न मिलीकी गोडी च कबास
उनिया -धुनियान मिलिकी काती च कबास
माँ जी भौजीन मिलिकी काती च कबास
ब्रह्मा का बेटान बटी च कबास
 बणावा  ब्रह्मा जी नौलड्या जनेऊ
सुण ल्यावो ब्रह्मा जी , कायरों नि होयां , कायरों नि होयां ,
हमारो कारिज वित्त समाना ,वित्त समाना
सात स्वागिण्योन खैंडु  च खीलो
 सात स्वागिण्योन ग्वाडो च खीलो
सात स्वागिण्योन काती च कबास
काती कूति द्याई उन विशेश्वर का पास
विशेश्वरना तब यो सूत ब्रह्मा जी तैं द्याया
ब्रह्मा जीन चेला तैं गुरुमंत्र जनेऊ द्याया
ब्रह्मा जी को चेला आज गुरुमुखो ह्वै ग्याया
बघमरी आसण द्याया टिमरू को सोटा
काँध मा धैर्याला वैना  खैरुवा की झोली
एक हाथ ल्याई वैना सूनो कमंडल
---------पुत्र द्वारा पिताजी से गुरु की खोज का आग्रह ----------
लावा मेरा बुबाजी ब्रह्मा खोजी लावा
आज चैंदो पिताजी वेदमुखी ब्रह्मा
य तो कारिज सुफल फलीन , य तो कारिज सुफल फलीन
आज च बेटा कु जनेऊ ,आज च बेटा कु जनेऊ
न्यूति आले वेद मुखी ब्रह्मा
गया पुरी मा होलो गौतिम को  बेटा
गौतिम को  बेटा होलो उत्तिम बरमा
जै जस दियां भूमि का भूम्याळ
 जै जस दियां पितर दिबता
---गुरु द्वारा जनेऊ पहनाना और आशीर्वाद देना ---

दे द्यावा गुरु जी गुरु मंतरs ये
दे द्यावा गुरु जी गुरु मंतरs ये
दे याले चेला त्वे गुरु मंतरs ये
दे याले चेला त्वे गुरु मंतरs ये
सुगुरु को चेला छै गुरुमुखी ह्वेलो
 गुरुमुखी चेला छे , निरमुखी ना ह्वेई
अमर रई चेला लाख बरस
जब तलक चाँद सूरज ये
सुगुरु को चेला छै गुरुमुखी ह्वेलो
तुम करा चेला कुल को उद्धार ये
ब्रह्म ब्रत ल्याई माँ जी भिक्छा दे द्यावा
आज बटी तेरो चेला गुरु चेला ह्वे ग्याया

-इंटरनेट प्रस्तुति -भीष्म कुकरेती



Copyright@ Bhishma Kukreti 1/9/2014 for interpretation notes   
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
XX
Folk Song on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Haridwar Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Dehradun Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Uttarkashi Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Tehri Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Chamoli Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Rudraprayag Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament; Garhwali Folk Song from Pauri Garhwal on a Religious Drama of Janeu/Yagyopavit Sanskar / Sacred Thread Ceremony   Sacrament;
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #3399 on: September 02, 2014, 08:18:49 AM »
             क्या राहुल गांधी तैं सार्वजनिक रूप से गळया बौड़ (सुस्त बछड़ा ) बुलण ठीक च ?

 

                             चबोड़्या - भीष्म कुकरेती

  इंडियन एक्स्प्रेस मा एक न्यूज आई बल दिग्गी बाबून बोली बल राहुल गांधी तैं कौंग्रेसौ भाग बदलणो वास्ता मीडिया मा दिखेण चयेंद , इन लगण चयेंद कि राहुल बाबा कुछ बुलणु च। वर्तमान चमचाधिराज मधुसूदन मिस्त्रीन जबाब मा बोलि बल कौंग्रेसी नेतौं सणि सार्वजनिक जगा त छवाड़ो  सुपिन मा बि नेहरू खानदान का बारा मा इन नि बुलण चयेंद।

मीन स्वाच  कि यदि जु कॉंग्रेस मा कॉंग्रेस्यूं तैं नेहरू -गांधी याने  राजकीय परिवार का बाराम सार्वजनिक रूप से बुलणो खुली छूट होंदी , बीच चौक मा भर्तस्ना करणो आजादी हूंदी , चौबट मा सार्वजनिक आलोचना की स्वतंत्रता हूँदि तो क्या हूंद ?

मनमोहन सिंह हल्ला कौरिक सोनिया जी से बुल्दा - बल सोनिया जी ! तै राहुल बौड़ो कुछ कारो।  चुप बैठ्युं च।  चुप बैठणो ठेकेदारी त मै तैं मिलीं च अर चुप स्यु बौड़ बैठ्युं च।

सोनिया - हे भगवान ! मेरी त मवासी घाम लग गे।  जब ये नर्भागी बछड़ा का कुतकी मारणो दिन छा , एक फाँगि से हैंकि फाँगि मा फाळ मारणो समय छौ स्यु घाम तपणु च।  जपानीज कंसल्टेंट तैं भट्यावो।

कपिल सिब्बल - जपानीज कंस्लटेंटुन खन्नु खरपट्ट करण ? हमन तै अळगसी तैं राजस्थान -मध्य प्रदेसौ चुनावुं मा इनर्जी टैबलेट याने ऊर्जा  गोळी खलैन तो   ……

सोनिया गांधी - तो तैन भाजपा का कील ज्यूड़ तोड़ि देन क्या ?

कपिल सिब्बल -क्यांक भाजपा का कील ज्यूड़ तुडिन ?

सोनिया - तो ?

कपिल सिब्बल - अरे स्यु निर्भागी मुसदुंळ लुकी गे।  मुसदुंळ बटें रीता जोशी बहुगुणा , साकेत बहुगुणा जन मूसूं सिकैत आई बल स्यु राहुल त हमारी ही नकल  करण लग गे अर किर्र किर्र किराणु च।

सोनिया गांधी - यां कुछ तो कारो ! मेरी मवासिक क्या ह्वाल ?

मनीष तिवाड़ी - ये गळया  बौड़क  कुछ नि ह्वे सकुद।

सोनिया - कनो ?

मनीष तिवाड़ी - हमन कथगा दैं तै गळया  बौड़क काँध मा गौळ डाळ पर मजाल च कि तैपर कुछ फरक पौड़ी हो धौं !

सोनिया गांधी -ह्यां ह्वाइ क्या च ?

मनीष तिवाड़ी - हूण क्या छौ।  पिछ्ला दस -ग्यारा सालुंम बारा गौळ  सौड़ि गेन पर यी राहुल बौड़ मा ज्यु धरदां तो यु बौड़ स्यूं ज्यूक भ्यूं बैठ जांद।

सोनिया गांधी - तो कुछ हौर करदा !

पी चिदंबरम - कार किलै नी च।

सोनिया - क्या कार ?

पी चिदंबरम - हमन जब द्याख कि जनि राहुलक काँध मा चुनावी ज्यु धार तो स्यु बौड़ झम बैठ जावु तो हमन तैक खुंटों पर भाषणु छलपटी लगैन कि स्यु गळया बौड़ भ्यूं नि बैठो।

सोनिया गांधी - तो खुटुं पर छिलपटुं लगण से तैन कथगा पुंगड़ु  हौळ लगाइ ?

मोअली - केक हौळ लगाइ।  तैन छिलपट अर ज्यू इ तोड़ि देन अर उख्मी बीच पुंगड़ मां बैठि गे। झूठ बुलणु हूं त शीला दीक्षित बैणि तैं पूछी ल्यावदी।

सोनिया - ये दीदी  क्या क्या ह्वे ?

शीला - मीन दिल्ली वळु तैं धाद लगैक बुलै छौ कि हमर बछड़ा हौळ लगाण लैक ह्वे गे तो एक हाल देखिक लोग भाजी गेन।  मै नि लगद राहुल बछड़ा कबि हळ्या बल्द बौणल।

सोनिया - खड़गे जी तुम क्या बुलणा छंवां ?

खड़गे - मीन क्या बुलण ?    बुलणम बि शरम लगदी . वु आण नी च कि दुसरौ कालु हंसावु अर अपण कालु रुलावु।

सोनिया गांधी - ह्यां ह्वाइ क्या च ?

खड़गे - हूण क्या छौ।  तै दिन संसदौ चौक मा सँजैत दैं लगणी छे।  सबी पार्टयूँ बौड़ , ढांग बल्द , गौड़ी -बाछी सब दैं लगैक अपर अपर फसल मांडणा छया अर हमर बछड़ा बीच चौक मा सियुं छौ .

सोनिया - तो क्या करे जावु ?

मोतीलाल बोरा - अब त प्रिंयका तै ट्राई करणो समय ऐ गे।

सोनिया (गुस्सा मा )- क्याssss ?

सबि - नै नै हम खुंडु उस्तरा से दाढ़ी बणै ल्योला अर गळया बौड़ से भद्वाड़ बै ल्योला। 

Copyright@  Bhishma Kukreti  2  /9/ 2014     
*लेख में  घटनाएँ , स्थान व नाम काल्पनिक हैं ।

 
Garhwali Humor in Garhwali Language, Himalayan Satire in Garhwali Language , Uttarakhandi Wit in Garhwali Language , North Indian Spoof in Garhwali Language , Regional Language Lampoon in Garhwali Language , Ridicule in Garhwali Language  , Mockery in Garhwali Language, Send-up in Garhwali Language, Disdain in Garhwali Language, Hilarity in Garhwali Language, Cheerfulness in Garhwali Language; Garhwali Humor in Garhwali Language from Pauri Garhwal; Himalayan Satire in Garhwali Language from Rudraprayag Garhwal; Uttarakhandi Wit in Garhwali Language from Chamoli Garhwal; North Indian Spoof in Garhwali Language from Tehri Garhwal; , Regional Language Lampoon in Garhwali Language from Uttarkashi Garhwal; Ridicule in Garhwali Language from Bhabhar Garhwal; Mockery  in Garhwali Language from Lansdowne Garhwal; Hilarity in Garhwali Language from Kotdwara Garhwal; Cheerfulness in Garhwali Language from Haridwar;
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