Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख  (Read 725500 times)

Bhishma Kukreti

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                                           Garhwali Funny Children Folk Songs
                                    Presented on Internet by Bhishma Kukreti
                   There are tens of funny children folk songs in Garhwali language. There are songs being created locally and these songs are limited to a particular region only. There are funny children songs which are sung all over Garhwal in each region.
 The following Garhwali children folk songs are sung all over Garhwal region:
                                             हास परिहास युक्त  गढ़वाली लोक बाल गीत
                                                   इन्टरनेट प्रस्तुति : भीष्म कुकरेती
                       आभार डा. नन्द किशोर ढौंडियाल व डा मनोरमा ढौंडियाल (पुस्तक गह्द्वाली लोक बालगीत
                       (गह्द्वाली लोक बालगीत, उत्तराखंडी लोक बालगीत , हिमालयी लोक बालगीत , भारतीय लोक बालगीत )
                                   
                                                                     तेल करदो छम्म
                                         मिर्च करदी स्वी स्वी स्वी
                                         हल्दी करदी रंग
                                          मैणु  मसाली लान्दो गंध
                                       तेल करदो छम्म
                                     लूण ब्वादी मी नि त सब्बी धाणि कम्म
                                       
                                          बुड्या को मजाक
                                         ह्यूं   प्वाड   डांड
                                        बुड्या पोड़ो पांडो
                                        ल़ा ब्वारी बुगला
                                        से बुड्या फ़ुकला

                                      रंग पर मजाक
                                      काल़ो कळीचुंडी च
                                       ख़रड़ो  तैकि मुंडी च
                                       काल़ा काल़ा - काल़ा
                                       भगवान जी न पाल़ा
                                       गवारा गवारा गवारा
                                       कीड़ो न क्वारा

                                      तबला बजाण दे

                                   हल कब्बडी आण दे
                                    तबला बजाण दे
                                  तबला मा हाथी
                                  तू मेरो नाती
                                    हल कब्बडी आण दे
                                    तबला बजाण दे
                                   तबला मा लुटया
                                   तू म्यारो ब्यटा
                                   हल कब्बडी आण दे
                                    तबला बजाण दे
                                    तबला मा ग्याडा
                                   मि त्यारो ब्वाडा
                                     हल कब्बडी आण दे
                                    तबला बजाण दे

                                  खाण पीणक  चीज   
                                 हे भुल्ली विमला
                                 कख पक्याँ छन तिमला
                                हे भुल्ली सुमी
                                कख पकीं छन ऊमी
                               हे भुल्ली मौणी
                               कख पकीं च कौणी

                               Miscellaneous Funny songs
                                                     हे  भुलि  रैजा
                              कख अयूं च हैजा
                              हे भुल्ली सत्ति
                              कन मरे गे मत्ति

Bhishma Kukreti

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                                                         हास परिहास युक्त  गढ़वाली लोक बाल गीत                                                    
                                       इन्टरनेट प्रस्तुति : भीष्म कुकरेती
                       आभार डा. नन्द किशोर ढौंडियाल व डा मनोरमा ढौंडियाल (पुस्तक गह्द्वाली लोक बालगीत
                       (गह्द्वाली लोक बालगीत, उत्तराखंडी लोक बालगीत , हिमालयी लोक बालगीत , भारतीय लोक बालगीत )
                         (Garhwali Children's Funny  folk Songs , Uttarakhandi Children's Funny songs, Indian Children's Funny Song)
                                                                                     सुंदरु क हालात!

                                                  सुंदरु तेरा नौना क्य छन ?
                                                                                          बारा बीसी नौ
                                                    सुंदरु तू  खांदी क्य छै ?
                                                                                            मांगि मांगि क जौ
                                                      सुंदरु तेरो लैन्दो क्य च ?
                                                                                              एक डूंडी गौ
                                                     सुंदरु तेरा भांडा क्य छन ?
                                                                                        एक टुट्यु  तवा
                                                    सुंदरु त्यारा लारा क्य छन ?
                                                                                               अंग्वछा को छौं
                                                     सुंदरु तू रौंदू कख छै ?
                                                         झुपडा तौळ
                                                       सुंदरु कुछ काज कौर
                                                       धार जांदी मौ

Bhishma Kukreti

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                        Teasing and Taunting Garhwali Children’s Folk Songs
                                               
                                           Bhishma Kukreti
                The free online dictionary defines the act of teasing as ‘annoying, pestering, vexing’, ‘making fun of other’ or ‘mocking playfully’,
                 The free online dictionary defines ‘taunt’ as ‘to reproach in a mocking, insulting, contemptuous manner’.
  Teasing is verbal or bullying form of taunting.
                       From children song point of view, the teasing has two main forms
1- Hurtful teasing children’s folk songs: In Garhwali language, the hurtful songs are related to individuals and social groups. Mostly, individual hurtful folk songs are created by individuals spontaneously and not heard by society and social hurtful songs created for teasing a classes or casts, villages, regions etc. As in past before British regime, there were songs for teasing Kumauni community at the time of Bhailu festival. No doubt that these types of songs were created for adults and children used to sing to as amusing songs too. There were songs to tease a family or caste and children used to sing those songs.  There were proverbs which were sung against regions as Pauri Garhwalis used to sing hurtful songs against Tihri Garhwalis and vice versa. Now a days, the custom is diminishing for creating hurtful folk songs aimed at caste, regions etc
  It is seen that hurtful folk songs do not survive for long as the songs are not sung openly and when songs are not sung openly the songs are not carried generation to generation.
                              2-Playful Teasing children’s songs
      The purpose of playful teasing song is to get amusement. Many times, there is no difference between teasing  playful children songs and  playful adult songs as the teasing wedding songs are also sung by children while playing wedding drama in their free time.  There are folk songs for teasing other village or territories sung by adults and children too without any difficulties.
                    For example, a song of village Jaspur (Malla Dhangu, Pauri Garhwal) which make mockery of other villagers of the region as Gweel, ( Dhangu, PG) Amaldu and Jalth( Dabralsyun, Pauri garhwal) used to be sung by adults and children in the Geetun Maina (month of songs and dance). The song is about showing characteristics of individual villagers as
                         Gweel kaunki dhoti lambi  ( the dhotis of villagers of Gweel is long )
                      Jalth kauniki dhoti badi ( the dhotis of Jalth villagers is big)
                     Amaldu kaunka raudya bad ( White spot on forehead of Amaldu is big. In fact the Pundits of amauldu used to paste chandan on their forehead)
                The playful teasing children folk songs could be classified as per following situations
A- Intention of the teasers
B-Mocking bad habits or unusual customs
C-Making funs of name
D- Making funs of other villages or regions
E- Just to sing playful songs sung by villagers or social groups together
F- Making fun of birds and animals.
      The following song is a song of mocking a lazy person and became poor due to his inactivity. Dr Dhoundiyal states that usually , this song  is used to teas other child by putting child’s father name instead of Sundaru. 

                                                                सुंदरु क हालात
                                                  सुंदरु तेरा नौना क्य छन ?
                                                     बारा बीसी नौ
                                                    सुंदरु तू  खांदी क्य छै ?
                                                     मांगि मांगि क जौ
                                                      सुंदरु तेरो लैन्दो क्य च ?
                                                     एक डूंडी गौ
                                                     सुंदरु तेरा भांडा क्य छन ?
                                                     एक टुट्यु  तवा
                                                    सुंदरु त्यारा लारा क्य छन ?
                                                     अंग्वछा को छौं
                                                     सुंदरु तू रौंदू कख छै
                                                         झुपडा तौळ
                                                       सुंदरु कुछ काज कौर
                                                       धार जांदी मौ
 The children create songs by using Bajuband technique – first stanza without meaning and second stanza with real meaning as in the following song the children of other villages tease the villagers of Raneth who are by class ‘Dallya’  and they blow ash into sky while doing Tantrik pefromances.
     
                                          बड़थ्वालुं क  गौं बड़ेथ  (   Barthwals live in Bareth )
                                       उबफुक्वों क गौं  रणेथ  (Magicians or Tantrik (Dallya ) live in Raneth
 There is another classical example of showing characteristics of three  villages together but may be said as teasing folk song too
                                  पाली का उन्द्फुक्वा
                                 ठंठोली का अदबिचका
                               रणेथ का उबफुक्वा

                                        Paali ka undfukwaa 
                                       Thantholi ka adhbichhak
                                        Raneth ka ubfukwa
 There are three villages in malla Dhangu – Pali where goldsmith live, Raneth where Dally live and in between two villages, Thantholi village is situated. Since gold smith acts require to blow pipe towards earth the inhabitants of  Pali  are  called Undfukwa (who blow pipe towards earth) and the inhabitants of Ranesth are called Ubfukwa (to blow towards sky or above )
                    There is another teasing or amusing song in Garhwali which the author also sung many times. The song is amusing but if analyzed, the song is for teasing the teacher as
                             
                                   
                  मास्टर जी कि टंगडि द टुट्टी The teacher’s leg got fractured
             दणमण बाजि घंटी           The bell rang
                        द ल़े  ह्व़े गे छुट्टी           We got leave
               There are many proverbs transformed by children and sung as rhymes too to use teasing songs.
  Usually, teasing Garhwali children’ songs are satirical and humorous.
               There such many local, regional and universal Garhwali children’s folk songs which are teasing and amusing.
 Copyright@ Bhishma Kukreti
bckukreti@gmail.com

                       
 

Bhishma Kukreti

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          Bhukki Rai Gyaun Bwali : A Representative  Garhwali Children’s Folk Poetic Drama for Children
                               
                                       Bhishma Kukreti
                 (Garhwali Children’s Folk Songs, Uttarakhandi Children’s Folk Rhymes, Himalayan Children’s Folk Poetry)
          While classifying Garhwali children’s folk songs,   Dr Nand Kishor Dhoundiyal and Dr Manorama Dhoundiyal placed children’s folk poetic dramas under the division of amusing and Entertaining Garhwali Children’s Folk song. However, this write is witness that children of Garhwal play folk poetic drama very frequently in ‘Gor ma ‘(while grazing the animals in grassland), in ‘Goth Jagwalan ‘ (while watching the animals at Goth), Geetun Maina (at the month of songs and dances)  or at any free time. The author can say that the critics of Garhwali folk literature for children should  place ‘Children’s folk poetic drama’ place with separate heading.
  There are many types of folk poetic dramas played by children in Garhwal.
 1- Mixed : Where the children choose various songs and sing as part of drama. In this genre , the children first decide who will sing which song. Usually the old aged children are expert to adjust the songs that a story is built in the dram. For example, one child will play the role of teacher and other children will play the roles of students, then the teacher will ask questions as alphabets, counting etc in poetic language (created by them) and other children will sing the related poetries. In between the teacher will act teacher and may show mistakes or may insult the singers. Or the children would play drama of a family and then they sing various songs related to family.
2- Exclusive subject: the children sing exclusive poetic drama song and play drama accordingly.
  The following Garhwali (Indian) -children’ folk poetic drama is one act and least time consuming drama. The dram could be played among  two children or many children
                भुक्की रै ग्यों  ब्याळी :जहां  गढ़वाली बालनाट्य गीत चलता है , नाचता है... ..

                    (गढ़वाली लोक बालगीत , उत्तराखंडी बालगीत , हिलालाई लोक बालगीत, भारतीय लोक बालगीत )
                 
                    भुक्की रै ग्यों ब्याळी         I was  hungry, yesterday
                   पधनुं करों की स्याळी       Sister in law of Padhan (village head)
                   स्वाल़ा लायी ब्याळी        Brought Swala  yesterday
                    नौ मण कंडाळी खै ग्यों     Ate nine tons Kandali
                    सौ मण बसींगो            Ate hundred tons Basingo
                   नौ मण का अरसा खैने      Ate nine tons arsa
                    सौ मण की स्वाळी            Ate hundred tons swali
                    भुक्की रै ग्यों ब्याळी           I was  hungry yesterday 
                   पधनुं करों की स्याळी        Sister in law of Padhan
                    स्वाल़ा लाई ब्याळी         brought swala, yesterday
                    बमणु को बाड़ी  खेंडो        For Brahmin, it was Badi
                    जजमनुं को झ्वळी          For Rajput, it was Jholi
                  हौरी खुणि चटणि            For others, it was chatani
                  खांदु गल़ा गळी              Gulped and gulped 
                  भुकी से ग्यों ब्वाळी           I was hungry yesterday 
                     भुक्की रै ग्यों ब्याळी      I was hungry yesterday 
                   पधनुं करों की स्याळी    Sister in law of Padhan brought, yesterday
                   नौ मण तिमला खै ग्यों Ate nine tons Timla (fig)
                    सौ मण का बेडु           Ate Hundred tons Bedu( another type of fig)
                    नौ मण काफळ खैने      Ate nine mon Kafal (a fruit)
                    सौ मण फळीन्ड़ा        Ate  hundred mon Falinda ( third type of figs)
                    फिर भी करदो आळी जाळी       Even then unsatisfied and ran here and there
                     भुक्की रै ग्यों ब्याळी            Still I was  Hungary yesterday
                   पधनुं करों की स्याळी               Sister in law of Padhan brought swala yesterday
                    नौ मण झंग्वर  खै ग्यों               Ate nine tons Jhangora (millets)
                    सौ मण खिचड़ो खैने              Ate hundred tons Khichdi
                     ल़ूण राळी राळी                     Mixed all with salt
                     फिर भी  भुक्की रै ग्यों ब्याळी     Even then I was hundry yesterday
                     पधनुं करों की स्याळी           Sister in law of Padhan braught swala
( Reference : Dr Nand Kishor Dhoundiyal Dr Manorama Dhoundiyal Garhwali lok Balgeet)

               The above folk poetic is a humorous drama. There is high degree of exaggeration in the drama that even after eating tons of food, the person was hungry. The phrases create smile in the face of players or audience. The players enjoy the song by singing, dancing as per their pre arrangement. The players do performance as per their choices or pre arrangement.  The act may be free for all to act or the children may decide how to act and who will do the acting to show the main character’s characteristics. The song explains various types of food, various types of igs available in Garhwal too. The phrases are used known phrases which do not need to explain story in details but the audience would understand the story. As ‘ Pahanu ki bwari layee’ is understood that she came from her mother’s house and would brought ‘arsa, swala’ etc. An dpadhan distributed the same among villagers
             This author is witness such types of exaggerated poetic drama where paradox is main theme to create laughter rapture. In many  songs, sharp satire is also found.
 This author is witness of a parody drama played in ‘Gor ma’. The play was based on Ramayana and the dialogues of main characters were changed, Ram said the dialogues of Ravan, Rawan said the dialogues of Rama and Sita said the dialogues of Mandodary . The changeover of dialogues by well known characters of Ramayana created laughter and awkwardness too
  The above drama is the proof that the folk literature creators were experts of understanding the dramatic situation and importance of basics of poetry. It may be said that ‘Bhukki rai gyaun  bwali ‘ drama sings, walks, dances and simultaneously,  definitely amuses the players and audience together.
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    Literary Study of Garhwali Children Folk Game Songs and Literature on  Children Game Songs of Other Countries
                                             Bhishma Kukreti
             Jan Ling ( A history of European Music ) ,  German scholar F.M.Bohem (1924),  sated early t that singing children game songs have been there with the start of society. The children sing songs and at the same time acts and play game. 
In Garhwali (India), there are many children folk game songs sung by children. The following song is representative Garhwali children folk game song:
               गढ़वाली बालक्रीडा   सम्बन्धी लोक  बालगीत   (Garhwali children folk game songs) 
                               Cat going for Fishing
                        बिराळी -बिराळी  कख जांदी ?       Cat! Where you going?
                       बल माछा मारणो कू                    Going  for fishing
                       मारली कन ? छप छप छप छप       How will you catch fishes? Chhap-chhap-chhap-chhap
                       काटली  कन ? खर्स खर्स खर्स खर्स      How will you cut? Khars-khars-khars
                       पकैली कन? छ्याँ -म्यां                     How will you cook? Chhyan-myaan-
                       खैली कन ?  कुर-मुर - कुर मुर           How will you eat? Kur-mur, kur-mur
                       तैबरी एक आयो कुत्ता                         In the mean time, came the dog
                      बिराळी भाजण बैठी सुरक सुरक            Cat ran away silently
                       मै माछा मारणो जान्दो                         I’m going for fishing
(स्सभार : डा. नन्द किशोर ढौंडियाल, डा मनोरमा ढौंडियाल, गढ़वाली लोक बालगीत )
        The above song is played as a drama by children. The children perform the acts of cat, fish and even they perform all the acts of cat cited in the above song. The above Garhwali folk song is agreat way to open the possibility of children learning various acts of life, learning the music, and learning language too. The game song is capable for improving self control among children.The children also come to know the meaning of command and following up system in the society. The children come to know about the behaviour of two animals. The children come to know about effects of sound in poetry too.  Since the song is sung in groups, the children become consciousness of a society.
                                Negro Children game folk songs
                       Scarborogh and Gulledge provided many Negro children folk songs related to games as circle game in their book ‘On the Trail of Negro Folk Songs’  as the following:
                                         Frog in the middle
                                             And can’t get out
                                         Take a stick
                                              And punch him out
  Senoga Zake (1986) details of children game songs of Kenya in the book’ folk Music of Kenya’.

                     
                              Folk game songs of Tobago
                               Texas university press (1972) lists many Tobago’s folk game songs in ‘ folk songs and folk games in Charlotteville…’
                                             Children games Songs of Spain
                      There is mention of  many songs related to children games in the book ‘ Spanish Children’s songs’ by Isabel Radin.
                      Children game songs in England, Scotland and Ireland
                           Lady Gomme (1894) provided details of many folk songs related to children games of England, Scotland, and Ireland in her book ‘Traditional games of England, Scotland and Ireland’.
                                Children Game songs of America
               Newell (1903) provided the data of children   songs related to children games in the book ‘ Games and songs of American Children’.
    Richard ’Chase and Hilton Rufty provided full details including musical notes of many children game songs in their book ‘ Singing Games and playparty games’

                                        Children game songs of India                  
               ‘The Encyclopedia of Indian Literature ‘ by Amresh data (2006) details many Indian children songs related to games .
  Th e above books are just a glimpse that in each society, there are folk songs of children game which are essential part of children development
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Bhishma Kukreti

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            Garhwali Children Folk Game Songs and Discussion on Sports Psychology Useful in Parenting                                                        

                                                                    Bhishma Kukreti
                    Ancestors of present Garhwalis and ancestors of worldwide communities were well aware that the game songs for children are very important for children development . Psychologists as Andersen, Bredemeire,  Brustad, Gould,  Murphy, Shield, Weinberg, today, proved that the sports are essential for children growth and development of boy/girls for future life. However, ancestors of all communities were aware that:
1- The  children game  should have  fun
2-Children game with songs help children learning new skills
3-Children games songs facilitate the character in the child to learn for being with friends and making new friends
4- Children game songs teach the children for belonging with groups.
5- Children game songs teach the children for experiencing the competition and to be ready for new challenges
6-Children game songs bring the experiences of success and winning among children
7-The children game bring a health consciousness .
               That is the reasons that there are tens of Garhwali Children Folk games and sports and many games and sports are played with songs. The singing performance works for fun in sports or games. The following game songs are a few examples of children folk games in Garhwal:
                                  गढ़वाली बालक्रीडा   सम्बन्धी लोक  बालगीत 
                        (Garhwali Children Folk Game Songs)
                               ---1 ---- 
                           उरचन पुरचन (Urchan Purchan )
 
                          उरचन पुरचन दान दर्पण
                          लिया लाची पित्तल कांची
                           ओड मोड़ दैणी हत्थी
                           तू बि तोड़
                              ---2 ---
                               इटकी पिट्की (Itki Pitki)

                          इटकी पिटकी   दूध की छिटकी
                           लवा लाशी पीतल  काशी
                           अरोड़ मरोड़ दैणी हथ्थी
                           तडक मोड़
                             --3 ---
                                   काकड बेकड (Kakd Bekad)

                          काकड बेकड़ कलमी यान मून
                          सुन्दर कपड़ा त्वे पर दूध
                                  ---4-----
                                  बूडा रांडा  (Booda randa)

                            बूडा रांडा बाटु बथै  दे
                             कंडाळी का जील
                                 ---5---
                             सुळबुळ संध्या (Sulbul Sandhya)

                                                  सुळबुळ संध्या
                              नौ चूळ पाणी
                              उतड़याँ  छ्वोरों न
                              संगरांद नि खाण                     
                 
                            ---6------
                                          बिराळी -बिराळी

                        बिराळी -बिराळी  कख जांदी ?
                                                 बल माछा मारणो कू
                       मारली कन ? छप छप छप छप
                       काटली  कन ? खर्स खर्स खर्स खर्स
                       पकैली कन? छ्याँ -म्यां
                       खैली कन ?  कुर-मुर - कुर मुर
                       तैबरी एक आयो कुत्ता
                      बिराळी भाजण बैठी सुरक सुरक
                       मै माछा मारणो जान्दो
(स्सभार : डा. नन्द किशोर ढौंडियाल, डा मनोरमा ढौंडियाल, गढ़वाली लोक बालगीत )
                      If the parents want that their children become successful sportsman they should pay attention on following aspects:
1- The parents should encourage children for going games or sports without pressure
2- the parents should understand the wishes of child from sports and the parents should behave always as healthy fan of their child.
3-Parents should help to children for providing respect and  values to opponents and competition
4-The parents always provide aplateform for children that they understand the core importance of team spirit in sports and in life
5- The parents should love children whether they win or loose and love should be unconditional
6-The parents should make clear that efforts and practices are equally important to the results
7-The parents should see that the child gets fun from sports
8- The parents should find the Guru or coach suitable to child for child
9-The parents should not impose on child for getting sports experiences but the experiences should be theirs only
   The ancestors of present communities were aware about the above sports psychological aspects and they were regularly creating songs related to games for children.

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Bhishma Kukreti

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           Study of Alphabet Learning Through Children Folk Songs from Domain of Learning Angle
 
                                                    Bhishma Kukreti
          No doubt, Garhwali language in old form or present form had been there for more than 2000 years in Garhwal (till British took over around 1815,  Garhwal was a sovereign nation and Garhwal was never ruled by Mogul). Garhwali was court and people’s language in Panwar dynasty for all time.  However, this author did not get any literature describing formal schools in the time of Panwar regime. British started formal schooling in Garhwal. British and even in independent India the governments never started teaching Garhwali citizens in Garhwali language. Even the present Uttarakhand government is indifferent to  teaching Garhwali language in formal ways. The Garhwali children learn Garhwali vocabulary through oral system existing in Garhwal for more than 2000 years.
   There is strong informal folk system of teaching vowels and consonants through oral ways and means in Garhwal.
 The following folk poems exist t from generation to generation with slight changes time to time  for teaching children the alphabets in Garhwali.
 The following Garhwali children folk songs are created by Garhwalis and it is not necessary that those were knowing to write script (Devnagari).
  After studying the following Garhwali children folk song for teaching alphabets, it may be said confidently that the poems are having aspects of children learning psychology.             

लोक गीतुं se   स्वर   सिखण (Learning Vowels through Folk Songs)
अ ,आ, कख आ
इ, ई,  सेंण दी
उ, ऊ, खाणा  कू
ओ, औ , जाणि द्यौ 
अं , अ: , अहा ह़ा SSSS

Vowel Learning in Garhwali Language
अ आ इ , इ , उ , ऊ , ए , ऐ
धारा माका गैणा से गे
, ओ ,औ, अं अ:
माद्यो जान्दन जोगी नगा
 
Consonant Learning  In Garhwali Language
कखडि ,गघडि गं
चछ्दी , जझडि यं
टठडि ड़ढडि ण
तथडि दधडि न
पफडि , बभडि म
यरडि लवडि शषडि
सहडि क्ष , त्र ज्ञं

 Consonant Learning in Garhwali Language
अ -आँदी गाडम फाळ नि मारणि
क - कुसंगी को संग नि करणु
ख़ -खार्रिक ठुपरी मुंड मा नि धरणि
ग- गलादारों दगुड़ नि करणि
घ- घरु घरु कुकुर जन नि फिरणि………
(Collected and edited by Dr. Nand Kishor Dhoundiyal and Dr. Manorama Dhoundiyal)
  To study the above Garhwali folk songs for alphabet learning from psychological point of view, it is essential to study the Domains of Learning principles.

                             Taxonomy of Learning Domains
           Benjamin Bloom ( 1956) is credited for formulizing taxonomy of learning domains
. Benjamin divided three domains of learning as:

                           A – The Cognitive Domain 
 The cognitive domain is about development of development of mental skill by child and acquisition of knowledge. There are six aspects of Cognitive Domain
1- Knowledge; the ability of child recalling data or information. The above Garhwali folk songs are so simple and taken from the day to day uses that child loves to recite repeatedly those songs.
2-Comprehension: The capacity for understanding what is known. In the case of Garhwali learning, the elders or care takers explain the meaning of folk songs to the child.
3-Application: To use knowledge in new situation. In case of Garhwali community in ancient time, the child care taker or elders used to  apply their learning of past while singing alphabet learning folk songs
4-Analysis: the ability to differentiate facts and opinions. From Garhwali community point of views, there was always dialogues between the informal teacher and child about folk song and words of folk songs.
5-Synthesis: The ability for integrating diverse elements or concepts in order for forming a firm system, pattern or structure that new meaning is established.
            In case of past ways of Garhwali teaching methodology in Garhwal, the informal teacher (elders or care takers) used to sing the song with dance or movement of hands or body that the child takes interest in learning.
6- Evolution: the ability for forming a judgment about concepts.
              In Garhwal of old time, the children used various methods for judging the teaching as singing the songs with other fellow children and knowing their views and listening same songs from other than past informal teachers etc. :
                         B Effective Domain 
                The effective domain engage the feelings, emotions, attitudes etc . There are following five aspects of effective domain
1- Receiving Phenomenon: the awareness of emotion or feelings as well as being attentive.
     There are two aspects in the above Garhwali alphabet teaching songs 1- the songs are melodious, lyrical and create attention of child 2- The care taker or informal teacher  sings songs with various movements that child gets attentive
2- Responding to phenomena: The learner participates in learning
        It is seen that the care taker or elder of Garhwali alphabet teaching takes care that the learner also sings the song or at least dance on the song
3-Valuing: the ability to see the value of something and expressing it.
      The child care taker encourages the child in singing and repeating the song and appreciating the child for singing or child’s movement at the time of singing the song by care taker or elder. The child is asked to sing before others than care taker and child express the learning before others by many means.
5-Characterization: “the ability to internalize values and let them control the personal behaviours”
              In the case of Garhwali alphabet learning practices, it is a fact that the child sings the learned songs which he likes the most before others and shows his liking for the specific song.
                              C Psychomotor Domain
          Utilizing motor skills and controlling them is called psychomotor domain and have seven aspects:
1- Perception: the aptitude to alter the sensory information to speed activity .
  It is experienced that while learning alphabets through Garhwali folk songs sung by a care taker of elder, the child changes the course of direction and body that the child could listen properly the song.
2- Set : readiness for act
   The child, while learning alphabets through Garhwali folk songs sung by care taker or elder shows various expression to act as per the instruction of elder or caretaker.
3-Guilded Response: the trial and error by learner
   Usually, the child sings alone or before others the songs listened by him/her from the care taker or elder
4-Mechanism: the ability to adapt learned response into habitual actions with skill and confidence
             If the Garhwali children teaching alphabets folk songs are still alive even after no formal schools to teach Garhwali language , that means the children adapted those folk songs, made a part of life and later on communicated to the next generation.
5-Complex over response: to perform the complex pattern skillfully.
          Many other Garhwali alphabet learning folk songs related to learning consonants are remembered by children and then passed to next generation
6-Adaptation: the ability to alter as per event
   In case of Garhwali language, the folk songs of teaching alphabets were changes according to time and era
7- Origination: creating new movements for new situation
         Definitely the care takers who learned folk songs in their childhood change the movement for teaching alphabets through folk songs
 Conclusion: 
                 It is a fact of life that the alphabet teaching Garhwali folk song creators never went to psychology schools but they were psychologists by experiences and they created folk songs suitable for children to learn the alphabets eagerly and then remember those songs for communicating those songs to next generation. Time to time as per need, the folk songs creator changed the songs too.

References
1- Bloom Benjamin et all, 1956 , ‘Taxonomy of educational objectives ; Handbook I’


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Bhishma Kukreti

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                      Comparative Study of Garhwali Folk songs  and Asian Folk Songs
                                              Bhishma Kukreti
           Taxonomy by Abodh Bandhu Bahuguna (1954): Analysis of Garhwali folk songs started by Abodh Bandhu Bahuguna: Dhunyal (1954) is first work of analyzing and classifying the Garhwali Folk Song . Abodh Bandhu Bahuguna classified Garhwali FolkSongs on the following types:
1- Mangal (auspicious songs)
2-Kula char (Introducing and description of family tree)
3-Panwada (praising achievers)
4-Khuded (sad song)
5-Jagar (Awakening songs sung in Ghadela)
6-Tantra Mantra
7-Hori (Humrous and sung at Holi time)
8-Chakhulya (Personification of animals)
9-Naya Geet (New)
The main flaw on this classification is that it is not analyzed on scientific basis but on conventional basis .Classification of FolkSongs by Dr Govind Chatak: Dr Shivanand Nautiyal appreciated the initiation of Dr Govind Chatak for his collection ,classification and popularizing Garhwal Folk Songs among Garhwalis and non-Garhwali literate intellectuals and regional language experts. Dr Nautiyal provided the reference of classification of Garhwali folk Songs by Dr Govind Chatak as :
1-Puja geet or songs of praying deities and goddesses
2-Mangal or auspicious songs
3-prem, Rup, Ras or love songs
4-Chhpati
5-Laman
6-Vasanti
7-Bajuband
8-Dampatya jeewan or songs related to family life
9-Khuded geet or sad songs
10-Chhuda
11-Samajik
12-Vividh or others
Dr Govind Chatak divides poetic folklore (Lok Gathayen) into:
1-Jagar Vartayen or religious folk lore
2-Panwade or chivalry folk lore
3-chaiti or love folk loreClassification by Dr Mohan Babulakar: Dr Babular (1967) classified Garhwal Folk Song as below in his famous boo ‘ Garhwali Lok Sahitya ka Vivechanatmak Adhyayan’ :
1-Sanskaron ke geet
2-Devi Devta stuti , Tyoharon ke Geet
3-Khuded geet
4-Ritu (season) and Virah (pain of separation)
5-samuhik Gey geet (group or community songs)
6-Tantra Mantra Geet
7-Laghu geet (short songs)
8-jatiyon ke geet (songs created and sung by specific class)Classification by Dr Hari Datt Bhatt ‘Shalilesh: In his book ‘GarhwaliBhasa aur uska Sahitya’ , (1964)D Bhatt bifurcated the folk songs of Garhwal into following categories:
1-Mangal: k-Awhahan Geet. Kh-Puja geet, G-Vivah Geet, H-Loriyan (very rare),
2-Jhumailo: (sad and Love songs): K-Jhumailo, Kh-Chhopati, G-Laman
3-Thadya ya Vasanti geet 1- Vasnti 2-Hori
4-Bajuband (Rhymical dialogues)
5-Chaufala ( Achieving right objectives, ambitions, economical benefits and final solutions)
6-Khded geet
7-Kulachar
8-Chaumasa (Songs of rainy season)
9-Baramasa (songs for every season)
10-par Updeshatmak (Inspirational)
11- Samayik (Songs of contemporary subject or happenings by Badis)
12-Rashtriya geet (Patriotic songs)
 
 Classification of Dance-Song (Garhwal ke nrityatmak lokgeeton ka sarvexnatmak vargeekaran) : Dr Shiva Nand Nautiyal opinioned with logical investigation that the classification of folk dance-song by Govind Chatak another profound expert is insufficient and finds that the classifications by renowned experts of Indian folk songs and dances as Projesh benerji, D Samar, Shyam Parmar , laxmi Narayan Garg do not fit with Garhwali folk dance-songs.
Nautiyal provides opinion that the following classification of Mohan Babulkar is comprehensive but strongly opposes the certain interpretation of Mohan Babulkar about Narsingh, nag raja, Bhairon, Bhagvati, Hntya are individualistic dance- song and not community folk dance-song.
1- Religious Garhwali dance-songs: Babulkar has opinion that only pandav dance-songs come under the category of ReligiousGarhwali folk Dance-Songs and under this category, arjun, Bhima, Ydhisther, Nakul, Shadev, Kunti draupadi dance-songscould be included
2-Community Folk Dance-Songs by professional class: Bbabulkar classifies this class into Badi-Badan and Lang dances-songs
3-Non Religious Folk Dance-Songs: According to Babulkar, there are two types of dance-songs --Thadya and Chaufula.




            Asian Folk Songs
                                               Folk Songs of Afghanistan
                                                      ( World Folk Music series
     Afghanistan has a rich history has Pashtun, Tazik, Uzbek, Hazara, Turkmen, Nuristains, Baluch as major ethnic groups, and Aimaks, Brahui, Qizibash, Hindu Sikhs, as minor ethnic groups . Thus all ethnic groups have been  making Afghanistan rich in cultural heritage.  In Afghanistan, there are more than 40 languages and more than 200 dialects spoken .  Pasto and Paersian dari are official languages while, Ozebki, Torkmani, Baluchi, Pashayi, Norestani, Ashkunu, kamkata, Vasi-vari, Tregami etc are minor languages in the country. Due to varied cultures and languages, there are varieties of folk songs in Afghanistan.
  Eshan M Entezar in his book ‘ Afghanistan 101: Understanding Afghanistan Culture’ writes that there are love folk songs in Afghanistan in different regions and different culture of Afghanisatan. Eshan provided an love song example as “ You are like a Rose for me to Smell, When Would I Marry You?”
 Erin Banting (Afghanistan : The Culture), Alison Behnike (Afghanistan in Picture), Hufizulla Emadi  (Culture and  Cuatom of Afghanistan) detailed  various love folk songs of Afghanistan
                                            Folk Songs , Music of Pakistan
                                   
                 Pakistan was part of India , hence the folk culture of Pakistan is same of Indian. There are hundreds of love folk songs sung in Pakistan .
   The books Folk Heritage of Pakistan, Culture and Customs of Pakistan (by Ifitikar Haider Malik), Pakistan : its People , its Society , its Culture (by Donald Newton et all), Popular Poetry of Buloches  ( M.L. Damees ) deals with various types of love folk songs of Pakistan.
                         Love Folk Songs, Music  of Iran
   Andrew Burk and Mark Elliot ( Iran( sate about different regional  folk songs and music that Azans, Turkmen  have an unique style of music basically based on love and relationship between lovers, while Kurds have different style of folk music.. Stacy Taus  Bolstad ( Iran in Picture) also describe about love folk songs of Iran. Atulla Fazal details in his book Politics of culture in Iran about folk song in Iran. The people created tens of folk songs in memory of their beloveds lost their lives in war in recent past
                     Love  Folk Songs, Music  in Iraq Folks
    Iraq has a rich culture and is treasure of folk literature . there are various types of folk songs found in Iraq . Iqis love poetry from the beginning and that the the reason that around 1200 AD , there have been a great poetess Arib who created folk 1000 poems . Al Badar Ahmad provides the knowledge of The Musical characters of Folk Songs of South Iraq and provides the characteristics of love songs too. In each territory people created songs in memory of warriors lost their lives in recent wars.
                                 Love Folk Songs of Turkmenistan
     The folk songs, poems and music of rural and nomadic Turkmenistan is similar to Kyrgyz and Kazakh folk forms.  Carole Blackwell describes many types of love folk songs in Turkmenistan in her research  book ‘Traditions and Society in Turkmenistan.  Carole states that in Turkmenistan, the women folk songs instead of heroic folklores there have been women oriented folk songs and she classified them into five stages of a woman –young girls, proceeding to be bride, married woman, mother and old woman. Therefore the love songs are according to unremarkable acts of  daily life of women. The male oriented songs are political and heroism oriented.
                                    Love Folk Songs of Uzbekistan
 Uzbekistan has a rich history about their brevity and boldness . The folk songs , music and dance represent the reflection of the culture of the region. Their folk songs or poetry are as per theme of  wedding, family, history, agriculture, works,  social protests, and many other arenas.  Love songs are sung is lapar style  that is dialogue between girl and a boy . In this style wit show by another is important
 Boy: They say you have long hair
My dear sister , yar yar
Black hair sister yar ,yar
Show me your hair
Let me see it just once , yar yar
The girl replies
Why do you want to see my hair
Dear Brother yar yar
Sweet brother yar yar
There are wigs in the bazaar yar yar
Haven’t you seen them yar yar
Like that there will be talk of other body parts of the girl’s black eyebrow of girl, doe’s eyes, rosy cheeks, These are lovely humorous witty love folk songs
Another style is where similes are used with nature (upma alankar)
As
My love has a face like moon
My love’s eyebrows are like dark night
My love is like rose among  other girls
 The dance and singing may be solo or in groups
                        Folk Songs of Kazakhstan
    Kazakhstan had a rich history of folk songs or folk literature but invasion of Russia (communist regime)  put a gap . however, the people kept the folk literature alive orally and the songs are lively . The love songs are live and dances are more agile. The are solo as well as group love songs in the folk literature of the country . Bella waters ((Kazakhstan in Picture) .There are folk songs of work, birth, marriage ceremony ( match making , engagement , presenting gifts, actual wedding , other processes and songs for lament  (The Columbia Anthology of Chinese Folk and Popular Literature, Kuzk chapter , by Mair and Bender) ) . Besides  the cited songs there are verities of love folk songs created and sung by various ethnic groups/regions of Kazak community in various countries.  One of lament song  resembles with Khuded Geet (remembering somebody)  of Garhwal and a Jagar of  Nada Jat wherein nada remembers her home village.
                     Folk Songs of Kyrgyzstan
     The folk music of Kyrgyzstan revolves around the ir people’s beloved epic ‘Manas’. Due to unavailability of translation facilities, there is less knowledge of Folk Songs of this country elsewhere.  However, Reule Kanks tried to offer a  extract t of folk culture of Kyrgyzstan in his research book Central Asia: Global Studies Handbook.
                     Folk songs of Yemen
 In Yemen there are folk songs for every occasion as body growth, , marriage, women working, funeral,  family tradition etc and a few folk songs related to love rapture. (Al-Yemen : A General , Social, Politica and Economic  Survey, a Book by James H Dunne) . The folk songs are sung as per the occasion are called “Homayani”
                        Syrian Folk Songs
   Syria has same musical culture as its neighboring countries have. Syrian folk songs are not limited to Syria only but are sung in the territories as Palestine and Lebanon too. Simon Jargy classified Syrian folk songs into four classes in his article ‘The Folk Music of Syria and Lebanon ‘(1978)
1- Rhythmically free songs
2- Syllabic Songs
3- Metrical Songs
4-Meloddic frameworke songs
               Rawey the free style format is sung in villages of Syria and Iraq and is related to love . the themes of thse folk songs may be daily life, love, pain and suffering
                    Marshal  Cavendish informs in his book World and its People’ that a genre emerged called Ataba which, was initially for friendship and later on became love folk songs in Syrian culture.
                      Folk Songs of Palestine
 The culture of Israel and Arabian countries is same  Hence, there is difficulty to differentiate  many genre  of literature. Dr Abdulatif Barghauti published oral folk songs of Palestine. In this collection, there are love folk songs, love songs for family , friends and country.
                              Folk Songs of Armenia
    The books Hnots –norots ‘ (1874) and manana (1876)details about folk songs and tradition of old Armenia. The epic love story of Siamanto and Khaje Zare, an Armenian girl and a Kurdish boy. Deals with various finer points of love and zeal.
    The scholars classify the Armenian Folk songs into following divisions
1- Epic Songs
2-Work Folk songs ( agriculture related songs)
3-Ceremonial Folk Songs as songs of wedding, funeral
4- Historical- related to historical aspects, legendary songs
5- Humorous Folk Songs contains humor in contents
6- Anduni or  Folk Songs of Emigrants
7-Dance and Game Folk Songs
8- Lullabies Folk Song
9- Lyric and Love Folk Songs: Lyric songs are traditional songs related to love, family, suppression from foreigners, social issues etc.
Usually, Rabiz music is related to love songs in Armenia or outside Armenia.
  The following part of a poem is good representation of love folk songs of Armenia :
“As the beats the sun from mountain crest
With pretty-pretty
…….
Yet hastenethe she to me and mine

Ah pretty –pretty
The poem is very touchy and uses of similes are good example of similes in folk songs which also found in Garhwali folk songs   
                      The Folk Songs of Azerbaijan       
The folk tradition of Azerbaijan goes to around 1000 years  The folk songs of Azerbaijan are influenced by its classical music Mugam. Usually, the love folk songs are shorter and more basic than classical ones.     
The Azeri folk songs are classified as historical-legendary songs, labour songs, ceremonial songs, household songs and lyrical songs. The lyrical genre is wonderful genre    The lyrical songs deal with pure love, bodily love, separation, meeting , successful meeting, beauty of love, pain of separation     
                           Folk Songs Georgia
                  Georgia is known for its rich folk music, folklores and exclusive types of traditional music. Georgians are famous for love for music and dance
 Georgia is also known for having the oldest  polyphonic music in the world  predating introduction of Christianity . Handrik van der Werf, Margret Bent, Albright Denial explained the historical aspects of polyphonic music. Victor Belaeive showed similarities between music instruments of India and Georgia as Drum called Dholi in Georgia
 The folk songs of Georgia are centered on Supra (a feast). The  Supra songs are of following main types
1- Toast to God
2-Long life, Healing Songs Plwing songs
3- Lyrical love songs (satrpialo)
4-Zamatri or winter songs
5- Maravalzhmaier or Work Songs
6- Rituals or religious songs
7- dance songs
8-Lullabies
9-Travelling Songs
 There is tradition of recording of folk love songs in Georgia and you can get many love songs as Perad sindi, Piruzi, Patara Saqvarelo
                Folk  Songs of Bahrain, Kuwait, Cyprus, Lebanon, Oman,   and Neighboring  Arabian Regions
  Frm ancient times, folk-dance-songs have been a part and partial   of Arabian society . Scholars divided the folk song and dance  as one genre (As Dr Sivanand Nautiyal classified Garhwali dance-Song as one genre) :
1- Wedding Song-dance s: Al-Fann , Al-Sameri
2- Al Khamary or solo dance by a female dancer shaking her shoulders
3- Religious and feast dance-song Al-Fareesa
4- Kuwaiti sailer’s dance-song : Al-Arda Al-Bahariya
5-War and peace dance-song : Al-Arda Al-bariya
6-Sailer Dance-song : Al-Nahama
7-Chatting by men or Night dance-song by men : Al-Sout
8-Mawleds or  religious ceremonial songs for religious performances
Love songs are sung at wedding time with sophistication and in sophisticated language 
                Folk Music of Turkey
                      Turkey folk music is rich and due to immigrants settling in Turkey or folks from other countries travelling Turkey, the music is influenced by east Asian country folk methodology, Arabic music, Central Asian  folk Music , Persian folk Music, Greek’s Byzantine Folk Music, Balkan Folk Music and European Folk Music .
  The folk music of Turkey is divided as
1- Religious solo songs, dance oriented songs
2-  The songs pertaining to real stories and vary from region to region, family to family or village to village. In Garhwal (India) , every family have family stories and many sing the story in poetical form.The Jagrs of Ranraut, Hari Hindwan, Suraju Kaunl the legendary stories are sung in Ghadel a religious ritual of Garhwal.
3- Funeral songs . In Garhwal (India) , the funeral songs are sung in Sanskrit by Pundits
4- Wedding songs as found in Garhwali  (Indian) culture too . The wdding rituals are sung in Sanskrit by Pundits and folk  songs as Mangal (auspicious songs) , Gali (a fun with in laws party ) , blessing by mother to daughter, see off songs by friends of bride are very common folk songs
5- Festive  folk Songs : There are varied festival songs in Turkey . This is common in Garhwal (India ) too.
6- Regional folk songs : depending upon the exclusivity of region, there are many regional based folk songs too in Turkey
7- Emotional Songs as Love, sadness, happiness , description of beauty, description of macho character etc
 There are varied types of folk love songs in turkey and there is variation in region wise emotional songs too.
  The love folk songs have variation in terms of poetic forms and structure as there  are imagery, uses of figure of speeches, similes, conflicts, s etc  Symbolic Love Folk Songs are vaery common as love between two nuts of tree branch, love between two trees standing opposite of each other and river is between them etc
    Katip, Ayziz are very famous folk love songs of Turkey.  Aman Avei is symbolic love folk song where deer loves the hunter for her life and this lia a ight folk songs though the subject is complex
                                     Folk Songs of Russia
          Famous Russian writer Nikolai Gogla (1809-1852) wrote that the Russian folk Music is lively, tells history , represents its true colour of culture, and life.
 Vadim Prokhorov details about folk music of Russia in his book  “Russian folk Songs : Musical genres and History ‘and suggested that ancient folk Music of Russia should be seen from two prospective – Urban and rural folk Music and songs
Russian folk music is characterized by more of vocal music than instrumental ones
From ethnic group point of view , there are 300 ethnic areas in present Russia but main regions are as:
Adygea, Altay , Bashkir, Buryatia, Chechnya, Dagestan, Karelia, Ossetia, Russia, Sakha, tatrastan, Tuva, ukrain and many others as Gypsy songs and music
 There are basic two groups of rural folk songs Ritual and Non ritual Folk Songs of Russia
 The non ritual folk songs of Russia are
1-Ancient folk songs
2- Historical folk songs
3- Works songs : such as Barge  hauling , carpenter
4- Family Folk songs
5- Soldier Folk Songs
6- Recruit folk Songs
7-Robbery and prison folk Songs
8- Children folk songs
9- Many seasonal agricultural folk Songs as Spring, calling for  Good harvest
10- Love Folk Songs
11- Love folk Somgs
12- Purely humorous and satirical folk  songs
                                              Folk songs of Mongolia
Mongolians are famous for their attachment to folk songs and music. There are main ethnic groups in Magnolia asBurytes, Barga, Danganga, Ddarhad, Hotogoid, Kazakhs, Oirats, Tsaatan, Uzemchnics. Thse groups have varied folk songs and music across Mongolia.
1- Hunting songs which have three main formats – Primitive Hunting folk songs, animal related songs and Fable related narrative songs
2- Paen or Folk songs of public gathering and celebrations,
3-Homesick Folk songs as soldier’s homesickness, girl’s homesickness in in laws house and found as Khuded Geet of Garhwal
4-  The banquet folk songs
5- Wedding songs is as per program and wedding processes as welcome, toasting, wedding, happy dance-song, leaving dialogues between daughter and mother and her friends, seeing off
6- Soul consoling folk song sung in funeral
7- Narrative style songs
8- Lullabies Folk songs or folk songs for children
9- Etiquette folk song
10 Wrestling folk songs
11- Religious and other songs
12- The specific folk songs for dances as Milking dance, Rainbow dance, bowl dance, chopstick dance
13- The love folk songs are short in version and there are dialogues between girl and boy, pursuing for free and wishing their happy life  The love songs in most of the group are vibrant, energetic, agility and with imagery and with similes of their own characteristics.
                                      Folk Songs in China
   Since, 93 percent of Chinese population belongs to Han nationality , people outside china refer folk songs of China as major folk culture.  Eminent ethnomusicologists Miao Jing and Kiao Jianzong  (a987) divide Han folk music or culture  as per territories  :
1--A Plains of northeast
2-  Folk songs of Northwest plains
3- Folk Songs of Jiang Huai Plateau
4- Folk Songs of Ziang ze Plains
5- Folk Songs of Taiwan
6- Folk songs of yue
7- folk Songs of Jiang Han
8- Folk Songs of Xiang
9- Folk Songs of Gan
10- Folk songs of Southwest plains
11- Folks songs of Hakka people scattered in various places of China
This author advises the she scholars to classify the folk songs of China according to recognized ethnic groups by government and minority ethnic  groups
            Classification of Chinese Folk Songs as per Ethnic Groups:
The ethnic groups recognized by Chinese government are Achang, Bai, Buyei, Blang,Bonan,  Dai, Deang, Derung, Dong, Dongxiang, Ewenki, Gaoshan, Gelao,  Gin,  , Man,Miao , Mongol, Hui, Han,  Hi, Hani, Hezhen, Jino, Kazak, Li , Lisu, Lhoba.Luhu, Momba, Mulao, Naxi,  Oroqen, Pumi, Qiang, Qroqin, Russ, Salar, Tatar, , Sui, tajik, Tujia, Tu, Uyghur, uzbek, Ya, Yi, Yungur, Zang,  Zuang
   There is no doubt that each ethnic group has rich and exclusive folk songs and heritage and so is the case of love folk songs in ethnic groups in China
Apart from the above , there are tens of ethnic groups in China as Tibet which has their own folk culture in regards to folk music
  The scholars also classify Chinese folk songs as per subjects as
 

   The Love folk songs of China vary from the point of views of contents, raptures, emotion , place and situations
As found in a music disc released by   Lyrichord discs USA
1-Joyful a songs as Picnic in spring
2- Wishing a faithful lover as in Choice of a Lover. This song is similar to old Swayamber style song of Mahabharata era. In Garhwali language, there are many folk songs related to Rituals for wishing faithful husband
3- The sorrow of lady Wang chao Sun a Famous Chinese Sad song is about for fearing leaving her Kingdom by a queen who is being taken forcibly by other strong King. The sad love song has similarity with Jaysi’s Padmavati a Indian saga of Indian mid evil era. There is similarity of sadness of female lover between this Chinese songs and  Garhwali folk songs as Surji Kaunl, Ranrautu and Kantura Jagars
4- Songhai’s Autumn , Lake Song
5- Heavenly song wherein there is description of beauty of a heavenly woman and mankind
6-  Three staged Love is about three stages of love – delight in first meeting, bliss from commitment and responsibility for marriage and  love.  Famous Folk Song Singer of Garhwal Chandr Singh Rahi collected this type of love folk song though in humorous manner deals with growing of a girl and love by a boy for her beauty and blossom
There are tens of folk songs in each ethnic c groups of China which, deal with love . there are folk love songs depending upo the stages as desire for loving, looking for lover, union, remembering union, pain of separation,  meeting, dating, sounding out, extra martial relations and daring, reunion, parting, cross culture love, no marrying even after love etc .
                   Folk Songs of Macao
  Macao’s traditional songs were as Chinese except regional legendary songs . Later in eighteenth century the folk music and songs were influenced by Portuguese music.
   

            Love folk songs of Hong-Kong
             The folk music songs were as Chinese in all sense in hongkong except regional colour . Later on British music effected music and songs on HongKong  music .
                                           Taiwanese  Folk Songs
            Taiwan has two basic regions in terms of folk songs and music – mountainous and plains. The different ethnic groups as Han, Tsou, Zangzhou, Tukai, Amis, Bunum,  Paiwan, have their exclusive folk music and folk song culture .
    From classification point of view these are as similar to Chinese folk songs except regional color and history, The love folk songs have difference from Chinese mainland songs in terms of territorial similes and comparisons, territorial symbols, local legendary or village characters, dialectical differences, . otherwise from energy , active participations of lovers in dialogues etc have similarity between the two Chinese regions.
              A folk songs of Hakka culture “  Thiu…” describes the wishes of a boy that his lover should not have umbrella if he puts hat . There is similes describing wish of boy for faithful love that there cant be two kinds of  flowers in one baskets, there cant be different kinds of wine in one bottle, The ancient love folk song  “ Thiu song tai, lit mok khia tsa……  it sun nan khol liong long fa “ of Hakka culture in one of the finest poem among folk songs wishing the faithful lovers.  Gifting to lovers is also found in many love folk songs of Taiwan as in Gaoshan heritage. In book ; Sudies of hakka Folk Tales ‘ by Wolfram state provide many examples that using symbols from nature and  similes with nature is very much found in many ethnic love folk songs of Taiwan  as “ Moon is shining ….when leek is in blossom , he will marry” of Hakka folk song
 


 
                   

                   


                       Tibetan  folk Songs 
                Tibet has a rich heritage of folk songs as Palace folk Songs, Ritual Folk Songs and Folk Songs of common people.
 The folks songs are as
1- Work Folks songs
2- Children folk songs
3- Pastoral folk Song
4-Drinking Folk Songs
5- Love folk Songs
  The love folk songs deal with loyalty, affection, sadness due to setbacks in love , conflicts due between love and  religion , conflicts between love and social norms,.
 The Tibetan love folk songs are exclusive in their forms, structure, style, metaphor, symbols, imagery, figures of speech, language uses
                              Japanese  Folk Songs
     Japan has rich heritage from folk music but is also complex in many terms.  Japanese folk songs are classified   as
1- Work Songs
2- Religious Folk songs
3- Gathering folk songs as wedding, funeral, festivals
4- Children folk songs
              In many respects , the style and subjects are same as Chinese language folk songs   
 Professors Akhihero Kawase and  Akifumi Tokosumi  divided the Japanese folk music on 11 (eleven) regional basis due to musical preferences




                      Korean Folk Songs   
       Korea has a territorial and historical exclusivities  as there have been rules of Chinese/Japanese dynasties, war among their own folks, less immigrations both way, purely agrarian  country , rice being main food item, winter is adverse, river playing a great role in the livelihood  of ancient Koreans and still rive plays great role in economical sustenance in North Korea. The strict disciplines  for conducting Buddhist and Confucius philosophies  by many rulers of various dynasty also played a major role for non developing variation in style or formats and lyrical style of Folk Songs of Korea.
     Jae-ho lee a scholar classified Korean folk songs from various angles.
  From occasion wise there are following types of Korean Folk Songs
1- Work Folk Songs as rice sowing, rice planting, rice thrashing. Garhwal has remarkable tradition of singing in agriculture works in gathering and the songs are sung while working in field. This agriculture work  folk song of Garhwal ( India) is called Saheli. Two  orators sing the song and  at the same time they play Daunru (small drum) and Thali . The people enjoy the songs and music while working the agriculture field jobs.
2- Drinking Songs
3- Ritual or Religious songs
4- Folk songs related geographical aspects as river, winter, season,
5- Marching Folk Songs
6- dance folk songs of varied nature
7- Love Folk Songs
8- Philosophy of Life Songs
                   Since, there was taboo on love (As modern society  perceive love differently than past regulations of communities) , the love songs are different in descriptions but there beautiful, emotional love songs in all territories of both the Korean nations. Mostly, the love folk songs are related to joy of brighter life, love for love. The dream emotion as suggested in naty Shashtra (Bharat , before 3000 BC) are common in l Koren folk songs as in a lyrical  Arirang song. In Garhwali (Indian) language, the characters see the dream and find their love in dream as found  in Kaintura, Surji Kaunl jagar. Many folk songs related to Pandav of Mahabharata  of Garhwali  (Indian ) folk songs have love scenes where characters go in dreams and many extravagant scenes are created brilliantly by folk creators.
                          Folk Songs of Brunei
  The folk music is always mixture of neighboring countries as Malaysia, Thailand, Indonesia, Singapore and Philippines but with its own exclusivity. Being an Islamic settled country, the scope is les of loud songs and music
                Love folk Songs of Malaysia 
  Malaysia being a country of various religions Buddhist, Hindu, Islamic and multi linguistic country, the folk music varies from the old time . The music has influences of India, China, Indoanesia, and Islamic culture and it is right to say Malaysia is Truly Asia
   The Malaysian folk music /song can be divided into following broad categories
1- Religious songs by various sects
2-Ritaulas
3-Non festive social songs of each ethnic groups
4- Festive songs of each ethnic groups
5- Children oriented songs
In the article “ Malay Traditional Songs in DluTembling : Its Potentiality fo Comprehensive Study”,   Professor  Chan Cheong jan of Putra University , Malaysia  classified Malay folk music /songs as per occasion to in the following manner
1- Working music
2-Curing
3-Celberation/Entertaining (Mayang)
40 Celebration/Entertaining ( Limbung)
5- Celebration/Entertainment (Lukah)
6- Lullabies
7- Songs in story telling ( afamily’s individual songs)
8- Playing
9-Celbration/Entertainment ( Ddikir rebena )
 From love folk point of view the Malay language has a name for love folk song – ‘Rasa Sayang’ .  “Rasa Sayang”  means that “ I feel Love “  There is dispute about origin place of Rasa Sayang between Indonesia and Malaysia
Rasa sayang, hey!,
Rasa sayang sayang hey,
Hey lihat nona jauh,
Rasa sayang sayang hey!
Translation of part of long poetry/song is as
feel love, hey!,
I feel love love hey,
Hey when I look at that girl,
I feel love love hey!,

   In Garhwali (Indian)  Bajuband Poems the shortest form of poem in thw orld literature are also termed as ‘Love Song’ or it may be said that Bajuband Kavya of Garhwal (India) or Songs are equal to Malay’ Rasa Sayang.
 Arpin Said provides many Pahang Folk songs of varied subject and occasions in his write up “ Portrayal of Malay Culture in Malaysian Traditional  Song . The folk poem Lagu Orang Muda ‘  tells the need or romance and  the necessity of love between man and woman . At the same time the song also indicates that old age is part of life (as described by Arpin)
        Folk Songs of Laos
 There is complete influence of Thailand and neighboring areas as Cambodia on Laos folk music and culture. There are main three ethnic groups in Laos ‘Lao Lum’ (Lowland Lao) , ‘Lao Theung’ (Tai and Khmer people, ‘lao sung’ (Khmu, Hmong and Yao communities) . Laos is supposed to be the preserver of traditional custom of India and its own territory.
There are following major type (broader classification) songs in Laos
1- Epic base or based on Ramayana stories (as In Garhwal I (an Oldest Indian language) many folk songs are taken from Mahabharata and Puran stories)
2-  Children or Lullabies
30 entertaining and work songs
4- Flirting /teasing songs which may be love songs or flirting songs
5- Songs from recent event in each region of Laos
  Love songs either sung by single singer or male –females in gathering etc or in Rice plantation, rice Thrashing , wedding  ( In Garhwal many love songs are sung at the time of rice plantation by orators who also play Dhol-Raunteli/Damau) .  As the Lao people sing love folk songs while doing agriculture works same way, folk love songs are also sung in Garhwal (India) by shepherds  while taking animal for grazing in grassland.
                   Folk Songs of  Thailand
 The Indian and Chinese cultures clearly reflect in Thai folk music and songs. Apart from Thai a major ethnic group the other minority ethnic groups as Akha, Khmer, Hmong,  Karen, Lao, Lawa, Lisu,lahi have their own traditional folk songs/music survived in Thailand.
 The scholar divides Thai folk music into three regional music
1-Luk Thung or main Thai country Music
2- Mor Imam or Isan  music
3- Kantrum by many sub ethnic groups and nearby Cambodian boarders.
In her book, Music of Many Culture: an Introduction, part -1 ,  Elizabeth May classified Folk Songs of Thailand into two categories Cant like songs and free or general type of folk songs
                             Folk  Songs  of Singapore
 Singapore has urban music and the folk music depends on tamil, Malaya and Chinese folk music for all purposes.
                        It is like as happening in Dehradun city the capital of Uttarakhand province of India. Though, it has been a part of Garhwal region  (India) but its folk music depends on rural Garhwal and now Punjabi, Nepali , Braj (khadi boli of Baniya groups, ) sindhi folk music are also the folk music of Dehradun.
                Folk songs  of Cambodia
             Once, Cambodia was part of India (then Jamboodweep) and was called Kamoj ( Kalidas literature )  therefore, the folk music , song is based on Hindu mythology and Chinese effects too
 The folk songs are related to dances – Trot dance-song, Sneak Toseae dance- song, Robam Kom Areak dance song, Chhayam dance song,
 (Dr Shiva Nand Nautiyal divided Garhwali folk songs as per particular dance related to song )
Apart from the above there are temple or religious songs, ghost songs  (as ranbhoot, sayedwali, anchheri songs  of Garhwali , India) wedding songs of varied stages of wedding, Silent songs, songs related to agriculture activities, lullabies songs, love songs and many types of ethnic songs.
                      Vietnamese Love Folk Songs     
  The Vietnamese folk songs is always been influenced by other territories as China, Japan, Mongolia Korea , Indonesia and even by Indian culture  . Therefore, the music has many varieties and contents too. 
              One example is enough showing the effect of Indian culture on Vietnamese culture . In the wedding ceremony of Vietnam, there is one part called le An hoi wherein the bride side takes gifts of odd numbers (5 or 7, 11 , 15  ) . Usually the gift is nuts, tea, cake , fruits, sweets and money. In Garhwali (Indian) wedding groom side presents before marriage tie the gifts for bride side too and numbers of items should be in odd and never even numbers. The gifts are nuts, fruits, sweet, and money. In both countries such gifts is wrapped by auspicious cloths or now paper (mostly red colour rapping)
 The Vietnamese folk music is rich, diverse and varied in subject, poetic form, solving the purpose of occasion, musical instruments, tones etc
The scholars divide the Vietnamese folk music as
1- Dan ca
2-Ca Tru : Initially was  court music and the trained female dancers and singers used to entertain elite class of the court /kings . The ca Tru music/song seems to be similar to  Badi Badan song and dance of  Garhwali (India) society, have been  common for many centuries
3-Hat Chau Van is spiritual music and song. The Hat Chau Van music and songs used to invoke spirit as found in many Garhwali Jagar –Ghadela  music songs
4-Ho :  Female and male sing Ho in dialogue and the common theme is LOVE
5-Hat Xam is performed by blind artists for their living. These singers/musicians used to wander village to village and entertain the society.
6-Quan Ho : The improvised Quan Ho are  mostly courtship rituals
7-Cheo : is outdoor  music. Is sung by semi skilled singers in courtyard and in terms of social status is as Thadya Geet of Garhwal sung in courtyard of a village
Lately, the ‘antiwar folk songs became very common in Vietnam .
   Ho or quan ho songs are related to LOVE songs usually sung as in Lim  festival  (13 – 15 January) . the farmers create duet songs and then they sing in the festivals. The songs are energetic with lot of human emotions, praise to other party of couple,  Mostly the love duet (Quan Ho ) are sung by professional and skilled singers in festivals.
 Definitely these songs and festivals are somehow similar (except that in Garhwal, the songs are not meant for finding the marriage partners by unmarried boys and girls) as in Garhwal, Chait month (13 th March to 13 th April) is the month of Songs and in each village songs are sung in evry night till 15th April (Bikhot) . Love songs are very common . In the  festival of Bikhot  , Badi Badan  ( a Professional cast/community of Garhwal  engaged in singing and theater only) mostly sing love song
                        Indonesian  Folk Songs
  Indonesia is an exclusive region of the world in terms of music. Indonesia is having 17500 islands, 300 languages, numerous sects and religions and thus, Indonesia is having wealth of varied music as India has.
 Indonesia has following major ethnic groups which make the Indonesian music so sound , rich and diverse
1- Javanese
2- Sudanese
3- Malay
4- Chinese
5-Madurese
6- Batak
7-Bugis
8- Minangkabau
9- Arab
10- Banjarese
11-Bantenese
12- Acehnese
13-Balinese
14- Sasak
15-Mkassarese
16- Cirebonese
17-Indeginious groups scattered in java, Madura, Sumatra, Kalimantan, Sulawesi, Lesser Sunda Island,  The Moluccas and Papua
18- Chinese
19- Indian
20- Japanese
21-Korean
   Most of the above groups have been protecting their exclusive folk music heritage for centuries. Therefore, the scholars first try to divide Indonesian folk music according to ethnic groups folk music  .  Due to speedy  of information and communication and migration in and out , the exclusive heritage have started fracturing or diminishing as also happening in Garhwal (India) .
     735 languages spoken in Indonesia. Hence, the folk songs are also sung in those languages. The scholars also try to divide folk songs as per languages too . following languages are main languages of Indonesia spoken by major populations :
1- Bahasa Indonesian is nation national language.
2- Javanese
3- Sundanese
4- Madurese
5- Minangkabau
6-Musi
7-Bugis
8- Banjarese
9-Betawi
10-Sasak
11- Batak Toba
12-Makassarese
13- Batak Dairi
14- Batak Simalungan
15-Batak Mandailing
16-jambi Malay
17-Mongodndow
18-Gorontalo
19-Ngaju dayak
20-lampung Api
21-North Muluku Malay
22-Chinese Hokkein
23-Chinese Hakka
24-Batak karo
25-Uab meto
26-Bima
27-Manggari
28-Torajan sadam
29-Komering
30-Tetum
31-Rejang
32-Muna
33-Basa Semawa
34-Bangka
35-Osing
36- Gayo
37- Tolaki
38-Lewotobi
39-Toe
40-Ambonese malay
41-Old Tamil and Sanskrit for Indian origin used for rituals
42- English
    By the above count of ethnic groups and 735 languages (630 languages are endangered class) there is bound to be richness in folk literature in Indonesia
     Broadly, scholars divide Indonesian music into the following categories:
1- Gamelan: In each area and ethnic groups, Gamelan music is different and exclusive
2-Tembang  Sunda
3-Kroncong is influenced by Portuguese music
4-Angklung
5- Tanjidor (Urban)

                  Folk Song of Philippines
   Philippines are fortunate to have rich heritage in terms of folk music and culture. There is clear influences of hindhu culture and Chinese culture on Philippinese folk music and literature. The folk songs are influenced by Spanish and Mexico too .There are four broader form of folk music in the country
1- Unitary form
2- Binary form
3-Ternary form
4- Rondo form
   The folk songs of Philippines vary depending upon religion, language and territorial groups. The ethnomusicologist Mauricia Borromeo divides Philippine folk songs into four categories
1-Western types of Folk Songs
2-Narrative Psalm
3- Secular songs of indigenous groups
 The ethnic groups as Bicolano, Ibanag, Ilocano, Ivatan, Kapampangan, Moro, Pangasinense, Sambal, Tagalog, Visayan,  Chavacanos, Igorots, Ilongots, Lumad, Mangyan, Palwan, Batak, Kangayanen, Molbog, Tagbanwa tawibato, Tumandok and othe tribal groups have the rich heritage of folk music and songs
       From application point of view , the scholars divide Philippinese folk songsas
1- Rreligious song, ritual songs,
2 Community/Territory or family heroic songs,
3- Work songs,
4- Parental love or children songs,
5- Patriotism or community belonging songs,
6- Entertaining songs, 
Love folk songs are found in each ethnic groups of Philippine. The subjects of love songs vary as depends upon the social structure of the ethnic group and the scope of language to application. Yes the description of  nature, geographical objects as symbol is common in each ethnic love folk songs. The examples of love folk songs are ‘No te vayas’, si nanay, si tote dico babyan,
      Sri Lankan Folk Songs/Poems
   The Sri Lankan folk music has rich tradition first taken from India, later influenced by Portuguese and there is strong presence of Tamil folk tradition in culture and art
   Sri Lankan folk song could be divided into following categories
1- The songs for occasions as birth, marriage, puberty etc
2- The songs related to customs and ceremonies
3-Dual Songs
4-Recreational songs
6-Occupational songs as created and sung by farmers, house builders, iron smith, carpenters
7-Ritual Songs
8-The obscene songs
9- Narrative songs /Ballads song
10- Riddles songs
11- Love songs 
 Love songs are as found in India that is Tamilnadu, Kerala 
                               Folk Songs of Bhutan
                             The scholar divide Bhutanese music into Zhungdra, Boedra and recent genre Rigsar genres based upon the style, tone, form and subjects. Bhutan has both types of folk songs vocal and dance oriented folk songs.  There are ethnic groups as Hindus in Bhutan they have their own ethnic folk songs but very rarely now, the people perform.
 Besides, general folk songs, Bhutanese folk songs have a characteristics and that is sport songs sung in heroic stories of folk song as archery game
  Bhutan is a small country and don’t encourage migration. Therefore, its folk music is limited and the poetry is also limited to religion, rituals, work songs, ceremonial, territorial,  and family relationship.                                                         
                                Folk Songs of Myanmar
          Burmese or Myanmar folk music is varied due to the various ethnic groups in Myanmar. there are 135 distinct ethnic groups in Myanmar and the following eight groups are major groups :
1- Bamar
2- Chin
3-   Kachin
4- Kayah
5- Kayin
6-Mon
7-Rakhin
8-Shan
Therefore, the folk music has variation as per territory and the culture of each ethnic group besides influences of Indian, Chinese and Thai culture. British culture also effected folk music of Myanmar
  The folk music is melodious and enjoyable. The songs pertain to the subjects of heroic narrations, territorial exclusive past or contemporary events,  religion, rituals, working activities especially rice planting, rice harvesting, lullabies, funeral, wedding , love and entertaining
  Scholars divide folk songs as per subject and dance
As per dance, the folk songs have following division:
1-Ou:zidance-song
2-Dou:ba dance-song
3-Bjo
4-Boun gyi dance-song
5-Naban zan dance-song
6- U Shway  Yoe dance-song : This dance-song  has some similarity with the dance-song  Sangramu Budhya of Garhwal (India) . In both cases, the old man begs for partnership with a pretty girl. The performance of old character creates laughter.
                     Nepalese  Folk Songs
 Nepal played an important role in Himalayan region socially and politically in the history og Himalyan regions. There are more than 50 ethnic groups in Nepal which, make the folk music and culture of Nepal vibrant and varied.
 The scholars divide the music of Nepal as per major ethnic groups as
1- Newari Folk Music
2- Khas Folk music
3-Deuda folk music
4- Gurung folk music
5-Kirant folk music
6-Tamag folk music
7-Magr folk music
8- Maithali folk music
9- Other ethnic group’s exclusive folk music which, is not included in the above categories.
  The Nepalese folk music are solo and group songs without dance or with dance  The scholars also divide folk songs as per dance as :
1-Jhyaure dance song: this is love song and dance
2-Newari dance-songs
3-Tappa dance-song
4-Sorathi dance-song
5-Sherpa dance-song
6-Tamang selo
7-Kuraha
8- Bhojpuri
9-Dhimal
10-Ghatu
11-Khali
12- sangini
13-Jhiyajhiya
14-Chandi
15- Mor or peacock dance-song
16- Yak Yati
17-Jhankari
18-Lakhe
                 In many respects, Nepalese folk songs are having similarities in terms of tunes, style, forms and even subjects of work, agriculture; with Kumauni and Garhwal folk songs as Nepal is neighboring country with these two regions.
  Nepalese specially Newari language folk songs and the love folk song sung on the border of Kumaun (India) have many similarities in terms of content, form, tunes  and style with love folk songs of Kumaun and Garhwal (India) . 
                         Folk Songs of Maldives
   There are total effects on folk song of Maldives from India and east Africa in all terms.  Boduberu is oldest form of folk song –dance of Maldives (11 century old).Boduberu song have many subjects and there are many meaningless syllabus as found in first stanza of Bajuband Kavy of Garhwali language (India)
    The following dance-song are also there in Maldives :
1- Thaara (came from Arab in 17th century)
2-Ga Odi lava
3-Bolimallafath
4-Maffathi Neshun
5-Fathgandu  Jehun
6- Bandiya jehun
7-Kullhudhuffushi
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Bhishma Kukreti

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              Differentiating Prepositions of  Garhwali folk songs and African Folk Songs                      
                         
                                          Bhishma Kukreti
                            Exclusivity of Garhwali folk songs
           Taxonomy by Abodh Bandhu Bahuguna (1954): Analysis of Garhwali folk songs started by Abodh Bandhu Bahuguna: Dhunyal (1954) is first work of analyzing and classifying the Garhwali Folk Song . Abodh Bandhu Bahuguna classified Garhwali FolkSongs on the following types:
1- Mangal (auspicious songs)
2-Kula char (Introducing and description of family tree)
3-Panwada (praising achievers)
4-Khuded (sad song)
5-Jagar (Awakening songs sung in Ghadela)
6-Tantra Mantra
7-Hori (Humrous and sung at Holi time)
8-Chakhulya (Personification of animals)
9-Naya Geet (New)
The main flaw on this classification is that it is not analyzed on scientific basis but on conventional basis .Classification of FolkSongs by Dr Govind Chatak: Dr Shivanand Nautiyal appreciated the initiation of Dr Govind Chatak for his collection ,classification and popularizing Garhwal Folk Songs among Garhwalis and non-Garhwali literate intellectuals and regional language experts. Dr Nautiyal provided the reference of classification of Garhwali folk Songs by Dr Govind Chatak as :
1-Puja geet or songs of praying deities and goddesses
2-Mangal or auspicious songs
3-prem, Rup, Ras or love songs
4-Chhpati
5-Laman
6-Vasanti
7-Bajuband
8-Dampatya jeewan or songs related to family life
9-Khuded geet or sad songs
10-Chhuda
11-Samajik
12-Vividh or others
Dr Govind Chatak divides poetic folklore (Lok Gathayen) into:
1-Jagar Vartayen or religious folk lore
2-Panwade or chivalry folk lore
3-chaiti or love folk loreClassification by Dr Mohan Babulakar: Dr Babular (1967) classified Garhwal Folk Song as below in his famous boo ‘ Garhwali Lok Sahitya ka Vivechanatmak Adhyayan’ :
1-Sanskaron ke geet
2-Devi Devta stuti , Tyoharon ke Geet
3-Khuded geet
4-Ritu (season) and Virah (pain of separation)
5-samuhik Gey geet (group or community songs)
6-Tantra Mantra Geet
7-Laghu geet (short songs)
8-jatiyon ke geet (songs created and sung by specific class)Classification by Dr Hari Datt Bhatt ‘Shalilesh: In his book ‘GarhwaliBhasa aur uska Sahitya’ , (1964)D Bhatt bifurcated the folk songs of Garhwal into following categories:
1-Mangal: k-Awhahan Geet. Kh-Puja geet, G-Vivah Geet, H-Loriyan (very rare),
2-Jhumailo: (sad and Love songs): K-Jhumailo, Kh-Chhopati, G-Laman
3-Thadya ya Vasanti geet 1- Vasnti 2-Hori
4-Bajuband (Rhymical dialogues)
5-Chaufala ( Achieving right objectives, ambitions, economical benefits and final solutions)
6-Khded geet
7-Kulachar
8-Chaumasa (Songs of rainy season)
9-Baramasa (songs for every season)
10-par Updeshatmak (Inspirational)
11- Samayik (Songs of contemporary subject or happenings by Badis)
12-Rashtriya geet (Patriotic songs)
 
 Classification of Dance-Song (Garhwal ke nrityatmak lokgeeton ka sarvexnatmak vargeekaran) : Dr Shiva Nand Nautiyal opinioned with logical investigation that the classification of folk dance-song by Govind Chatak another profound expert is insufficient and finds that the classifications by renowned experts of Indian folk songs and dances as Projesh benerji, D Samar, Shyam Parmar , laxmi Narayan Garg do not fit with Garhwali folk dance-songs.
Nautiyal provides opinion that the following classification of Mohan Babulkar is comprehensive but strongly opposes the certain interpretation of Mohan Babulkar about Narsingh, nag raja, Bhairon, Bhagvati, Hntya are individualistic dance- song and not community folk dance-song.
1- Religious Garhwali dance-songs: Babulkar has opinion that only pandav dance-songs come under the category of ReligiousGarhwali folk Dance-Songs and under this category, arjun, Bhima, Ydhisther, Nakul, Shadev, Kunti draupadi dance-songscould be included
2-Community Folk Dance-Songs by professional class: Bbabulkar classifies this class into Badi-Badan and Lang dances-songs
3-Non Religious Folk Dance-Songs: According to Babulkar, there are two types of dance-songs --Thadya and Chaufula.
                  Burundi Folk Songs
 There are three major ethnic groups in Burundi –Bantus, Tutsis and Twa.  Burundi ha s rich tradition of of folk songs. There is no difference between poem and song in the region.  The themes of folk songs are epic stories, mythological stories, history, dynasty, family heros, cattle, travel and other work subjects . Rwanda and Burundi have common language and culture, Samaadri is popular hero of Burundi and Rwanda who was revolutionary and could make fun of rich could insult the cattle wealthy person.
Cattle herders do contest for creating and singing the songs of accomplishments. There are number of epic poems related to cattle.
 Reviewing Garhwali  (Indian) folk songs from cattle point of view, iIn Garhwali language too, there are many folk songs wherein cattle are  referred. The caw in many religious songs is worshipped in Garhwali  (India) songs. 
                               Folk Songs of Rwanda
  Except local heroes or stories  and dominancy of European nations, the culture and language of Rwanda is similar in many ways.  One of the most popular music of Rwanda is Ikinimba . The music has many songs of heroes and legends of Rwanda.  The songs range from agriculture related songs, children song, family songs, heroic songs and humorous songs cum dramas.
                   Folk Songs of Comoros
    Comoros is a groups of islands in Indian ocean . The music is influenced by other African countries and Arab, Malaysian ethnic group. The folk music are also similar to other countries with French influence too. The  Zanzibar origin - Tarab is most popular type of folk songs in Comoros
                            Folk Songs of Djibouti
 There are two ethnic groups in Djibouti Afar and Somalis. The Afar  music and songs are similar to Ethiopia influenced by Arab and  Somali music is influenced by Sufism. The traditional songs are related to work, war, wedding, love and boasting.
                          Folk Songs of Eretria
 The Eritrean music has unique rhythm  which,  separates its music  from rest of Africa. Eretria got independence from Ethiopia in 1991 . Therefore, the music is similar to Ethiopia and other neighboring countries. The major languages are Tigrinya (50 %) , Tiger (40%, Afar, Bilen, Saho, Bega, Bilen, Nara etc and thus, making the folk music of Eretria  varied .
                           Folk songs of Ethiopia
         There are Oromo, Sidamo, Somali, Afar, Nilotic, Falasha Guarage ethnic groups in Ethiopia and each group has dinstinct ethnic music, songs, subjects of songs. This situation make the country varied in terms of folk music.  There are 77 individual languages 9some are in the verge of extinction) in Ethiopia and each language has its own folk music in sense of folk songs . Thus Ethiopia is having varied folk literature.
                                            Folk Songs of Kenya

 Kenya is multilingual country and there are 69 languages spoken in Kenya . The major languages are Kikuyu, Kamba, Ekegusy, Kimuru, Oluliyia, Dholuo, Kalenjin, Maasai,  The major ethnic groups of Kenya are Kikuyu, Luo,  Luhya, kalenjin, Kamba, Kasil,  Mijikenda, Somali, Tukana , Masi and many other ethnic groups .  Each group has its own traditional music and folk songs .  Kenya is the most diverse rich country among African countries in terms of folk and traditional music and songs.
           In his book, Folk Music of Kenya, George, W Senoga-Zake divided the Kenyan folk songs as
1-Courtship folk songs
2- Marriage/wedding folk songs
3-Lullibies
4- Birth songs
5-Circumcison and manhood songs
6- Funeral songs
6-Field work songs
7- Canoeing songs
8- Praise Folk songs
9- Songs of scorn
10 Grazing songs
11- Watering animal songs
12- Prayer Songs for raining
13-Song for stopping flood/rain
14- Songs for children
15- Season or occasional songs
16- Drinking songs
17 Various teaching/preaching songs
 As far as love folk songs are concerned, Kenya is rich in love folk song  literature.
The love songs are definitely different than other parts of world as in many parts of Kenya, girls are not allowed to see her husband before certain age or a specific ceremony.
 Many work songs as Grazing, watering to animals, prayer songs for raining or stopping raining of Kenya have some similarity in terms of struggle and preaching with Garhwali (Indian) work songs. In Garhwali (Indian) , there is one folk  poetry that cloud go away from the area
Kuyadu dada teri bhuli k kari anguli kateen ch ……kuydu dada faad faad …
( O cloud ! there is injury in your sister’s finger. Go away ! Go away )
 The language or wording may differ but the emotions are same in this folk Garhwali poem  and stopping rain or flood praying song of Kenya.
                                         Folk Songs of Madagascar
       Afro Malagasy, Malaya Indonesian, Merina, Betsileo, Cotiers, French, Chinese, Indian are major ethnic groups in Madagascar and making the country very rich in terms of folk music and songs. In Madagascar, there are Standard Madagascar , English, French, many types of Comolian , various  types of Malgasy, etc are main languages of Madagascar to suggest about varied folk music of Madagascar  Each region represents specific and exclusive traditional music and folk songs. The different community settlers at different time influenced Madagascar music and made it exclusive from other African countries
  From dance point of view, the following dance-music are major dance-songs of Madagascar
1- Tromba or salamanga is religious and magical dance-song
2-Fampithan –assurance of social relationship
3-Joro a sacrifice song-dance
4-Hira gasy (varied forms)
5- Latsitanana
6-Dihi Soroka
7-Salegy
8-Kahhotri-Imitates environment
9-Jabana- imitates environment
10-Tsinjaka type dance
11- Jihi
12- tsingory
In an article, Traditional dances of Madagascar,Mireilli  Rokotomalala  that the lyrics in these dance aim to transmit the traditional history, culture, mythical knowledge, other knowledge .
 There are many types of regional songs sung in festivals of various ethnic groups.


                                       Folk songs of Malawi
                         There are Chewa, Nayanja (Malawi ), Lomwe, Tumbuka, Tonga, Ngonde, British, Indian ethnic groups in Malawi and major group is Malawi or Maravi.
 English, Kochchi, Kokola, Lambya, Lomwe Malawi, Ndali, Nyakyusa-Ngonde, Nyiha Malawi, Nyika, Sena Malawi, Tonga, Tumbuka,  Yao, Zulu languages are spoken in Malawi . By knowing ethnic groups and languages , the readers may easily guess about varied folk music and song found in Malawi
                             Folk songs of Mauritius
                          Mauritius is a country of immigrants . Therefore, the folk songs are also borrowed by immigrants from their native countries as there  many folk songs in Bhojpuri, folk songs in Telugu and Tamil , sailor’s songs of European countries still exist in the country. Chinese brought folk songs from China.  There are English, Bhojpuri, French, Mauritius Creole Rodriguan Creole languages in Mauritius ,
    Saga is an exclusive music of Mauritius and the music changes time to time because new generation fuse the music Saga with new tunes. 
                              Folk songs of Mayotte
   Mayotte is a small country and French is official language of the country.  Bushi, Maore , Swahli , Arabic are other main languages spoken in the country. The folk songs of the area are borrowed from natives of immigrants .
                                           Folk Songs of Mozambique
         There are Shangan, Chokwe Manyika, sena, and makua are major ethnic groups in Mozambique.  Mozambique is multi languages country , Emakhua, Cisena, Xichangana, Elomwe, Echuwabo, Cishona, Xitswa, Xironga, Cinyanza, Mozambican Portuguese, Cinyungwe, Cicopi are major languages of Mozambique. 
 The ethnic groups and more than 47 languages in Mozambique made the country rich in folk literature. The Portuguese culture, customs, language and its folk music influenced the folk music and tunes of all languages .music tunes.
 Fiona MacDonald et all in their book ‘People of Africa’  state that  Mozambique has been always the land of music (songs) with soulful Fado and each ethnic group has their own unique folk music, dance, songs and other folk genres.
 The following traditional dance-song provide us the glimpse of folk songs in Mozambique
1- Makway isa joyful, electrifying  traditional dance-song for entertaining  the guest by men
2-Xigubo is a waarior dance and song to motivate the soldiers. In Garhwali (Indian) , the RanRaut, Kaintura song-dance may be compared with Xigubo .
3- samba : is passionate , love song-dance performed by young as many love-song –dance in Garhwal (India)
4- Niquexe is mourning song –dance performed after the burial. The dance-song is also expression of plantation workers under Portuguese regime.
                       Folk Songs of Seychelles
     Seychelles is smallest country of Africa is having African, Indian, Chinese and French ethnic groups . English, French and Seselwa Creole French are major languages of the country.  The folk music of Seychelles is unique that is influenced by music of france,  English contredanse , polka; French , Polynesian, Indian Mauritius ,Chinese,  many African areas . saga dance and nusic is very lively and many songs are sung in the tune of Saga music.
                                       Somalia Folk Songs
      The original Somalia ethnic groups are – Samal ( Darod, Isaaq, Hawiye, Dir sub groups) and Sab (rahanweyn and Digil). There are small groups as Bantu,  there are non non-indigenous groups as Italian, Indian and Arabic people in Somalia.
  Somali is main language of indigenous Somali people apart from Indian, Arabic and Italian languages of other groups.
 The somlai folk music is rich heritage and is centered on  Somali folklores. There is similarity between Somali music and folk music of Sudan, Ethiopia, and Arabia .
 The folk songs are expression of love, bravery and joy. The Somali people pay attention on legends.
                      Folk songs of Tanzania
 There are 120 ethnic groups in Tanzania . Sukama, Nyamwezi, Chaga are major ethnic groups in Tanzania. It may be said that there are more than hundred languages  spoken in Tanzania. The main contact language of Tanzania is Swahili. Bemba, Goga and haya are also spoken by large population. The ethnic groups and their languages are the gauze that Tanzania is very rich in traditional songs , dances and culture.
                      Folk Songs of Uganda
         Bangada, Iteso, Basoga, Banyankore, Banyaruanda, Bakiga, Lango are the major ethnic groups in Uganda. There are tens of languages spoken in the country. However, Bantu, Nilotic, central Sudanic , Kuliak are four families of all languages .English is also prominent language of Uganda.
There are all types of folk songs in Uganda from the past.
 From the dance point of view , the following folk songs are important types of folk songs in Uganda.
 
1-Bakisiimba, Nankasa is Atraditional joyful songs-dance and is sung –danced in gathering and is developed in palace of king. Both men and women sing the song
2- Ammagunju dance-song is also a song-dance developed in the palace. This song-dance is created to make happy (smile) the crowned prince child.
3- ironogo , Nalufuka Tamenaibuga,  dance-song is from Basoga people. The dance-song is for friendship among community members. The sole purpose of dance-song is to unite people, therefore song wording is also motivating
4-Mwaga dance-song is ceremonial initiating  dance-song of Bagisu community . The dance song is aimed to for circumcision ceremony for young boy .
5-Akembe dance-song is traditional dance-song of  Iteso people and is courtship dance-song similar to Runeyege of Bantu people.
6-Bwola dance-song is court dance of Acholi people which, run for many hours and many activities are performed in palace.
7-Larakaraka courtship dance:  This courtship dance-song is performed by Larakaraka people in wedding ceremony.
8- Gaze is the traditional dance-song of Lugbara region
9-Agwara is dance-song of Lugbara and Kebu people
10-Adunga song-dance is traditional dance-song of Alur people and young boys and girls perform the dance-song.
11- Runyege is traditional courtship song-dance of Bunyoro and Buntooro kingdoms. The dance-song is courtship dance-song to choose partners for marriage. This very special dance-song of the regions and is similar to Larakaraka courtship dance-song.
12-Ekitagurire : the Ekitagurire dance-song belongs to Ankola region and is to demonstrate to love for cattle. The music and sound is similar to various activities of cattle as milking sound. In old age, Badi-Badan a professional class of Garhwal used to play lyrical folk play and used to use cattle characters in the drama sequence.
13-Kimandwa dance-song is a religious song-dance to worship god Okubandwa  and the spirit of Okubandwa god comes at the dance-song performances. The dance-song sequence is similar to many Ghadelas or Pando  Nachan dance-song  of Garhwal (India)
14-Ekigina is the court dance-song of Bakiga people .
15- Oware song-dance is ceremonial dance-song of Samya –Bugwe region.
                      Folk Songs of Zambia
                     There are more than 90 ethnic groups in Zambia. The main ethnic  groups are Bemba, Tonga, lLunda , Nyanja, Mambwe,  Lozi. There are also European, Indian and other Asian immigrants in Zambia too.
     There are more than 80 living languages spoken in Zambia. The major languages are Bemba, Kaonde, Lozi, Lunda, Luvale, Nyanja, Tonga and English.
     Each ethnic group and language has its own various types of folk songs, music and traditional dances. The purpose of folk songs was to teach, to preach, to heal, to pray, to call spirit, to communicate expression, songs of various ceremonies,  and for enjoyment. As found in all African traditional music, song in Zambia too ‘Call and Response ‘ is main characteristic of folk song and music.
                                         Folk Songs of Angola
                          Beside mestico , and other ethnic groups ,  Obimbundu, Kimbundu, Bakongo are major ethnic groups (   75 % of population) are major ethnic groups of Angola.     
        Portguese, Bantu language and its various dialects   , Khoisan, Umbundu, Kimbundu, Bakongo, Kikongo, are major languages of Angola.
  Semba,  Kizomba, Kuduro, are major types of folk music style . practically all ethnic groups 9more than 60 major and smaller groups) cherish their folk music, folk songs and folk dances and thus, making Angola rich in varied folk music, songs and dances. Practically in every event-child birt, religious ceremonies, human related events, marriages, engagements, festivals, grieving occasions,; , there is music, song and dance in Angolan life. If there is music and song, then there is dance in Angola.  The individual characteristics of each ethnic group reflect in each folk song of each ethnic group. Therefore,  to classify the Angolan folk songs , it requires to study the folk songs of each ethnic group .
                                         Folk Songs of Cameroon
                   There are 250 ethnic groups in Cameroon . Cameroon highlanders, (Bamilike, Bamoun) , Bassa, Douala, Ewondo, Bulu, Fang, Maka, Bakas, Fulani , Kirdi are major ethnic groups in Cameroon. There are more than 230 languages spoken in Cameroon.
                     Akoose,Wandela, Arabic, Vute, Shuwa,Babanki, Gidar, Tibea, Gbaya,Fulfulde, Suga,gie,Giziga,Gyele,Kako,Isu,Koonzime,Mundang,Ngamambo, Vengo are major languages out of 250 languages spoken in Cameroon.
            The above information is sufficient to suggest the varied characteristics of folk music, folk songs and traditional dances of Cameroon.
   The culture and customs of Cameroon is also varied due to so many ethnic groups and it implies tha you can not characterize the folk music or songs for whole of Cameroon in one line. Each group has specific folk songs, music and dance .
             For study purpose the music is divided into two major parts
1- Ekang Phase : when the imagery, mythology, lends is discussed
2- Bikutsi phase : when the real life issues are discussed.
 There are 250 types of dances in the country . Hence, depending upon the custom, event, structure of the ethnic group , there are more than 250 types of folk songs .and there may be tens of folk song one one type of song style.

                            Folk Songs of Chad
 The maor ethnic groups in Chad are -  Bagara Buduma, Hadda, , Fur, kanembu, Tupun,   Kim , Lisi, Bilala, , Kuka  , Maussei , masalit, Masalit, Sara ethnic group , Teda, Toubu, Massa, Daza,
 The main  languages spoken in  Chad are  the languages of  Niger Congo Languages, Nilo=Saharan languages, and thus comprising more than fifty languages.
 The folk music and dance and songs are depending upon the folk styles of each ethnic group and the speed of modernization of the area.
 Due to diverse in ethnic groups, languages, there is unique traditional music, song, dances in Chad.
                               Folk Songs of Congo (two countries)
  The major four ethnic groups of Congo –  Teke, Kongo, Sangha,  and M’Bochi comprises of more than 40 sub ethnic groups in Congo.
Munukutuba, Kongo, Lingala Teke,  Mbosi are major languages of  Congo. There are more than 60 other languages spoken in Congo . French is official language of Congo.
 Congo music has two genre Soukous and Congo music
               Folk Songs of Equatorial Guinea
               The largest ethnic group in E Guinea is Fang . Other ethnic groups are Riomunians, Bubi or Biokao, Fernadinos , Bisio, Bujeba, NDowe, and small European communities. Spainish is official language of the country, Bantu languages –Bubi, Ihni are other languages spoken in African Guinea. 
                  Music and dance is an integral part of people of Equatorial Guinea. The folk songs and dances are related to  religious beliefs, , rituals, rites, individual or community gatherings , animlas , working activities etc.
                                          Folk Songs of Gabon
        Fang, Haut Ogoouue  , Moyen Ogooue , Nguinie, Misogho, Nyanga are ethnic groups in Gabon ,    French is official language of the country. Fang (33 % ) , and more than 40 other languages are spoken in the country. Gabon is the centre of spirituality in Africa as Tibet in Asia.   The sacred  music is exclusivity of Gabon.
 The dance-song are related to welfare of society, individual development, rites, worship of ancestors, spirituality, protecting society from evil spirits  and calling favorable spirits.  domestic animals.
                                 Folk Songs of Algeria
                      Berbers, Arabs are major ethnic groups and Jewish (now fled from country) and European are minor ethnic groups in Algeria.
Major languages of Algeria are Arabic and Berber . The other languages as various dialects of Berber , dialects of Beni and other dialects  are also spoken in the country.
 Algerian music is virtually synonyms with Rai. The Al Andalus style is dominant music style of Algeria. Shaabi, Arabo Andalus, Bidouin, Kabyle types of music is popular music of Algeria. The folk songs, dances of Algeria  tally with the folk dances, music, folk  songs of its neighboring countries as Egypt, Libya. Yemen.
                          Folkloric dance and music is very popular in Algeria and other countries. Many dances and songs are fusion of Spanish style and Andalusia styles.
                                      Folk Songs of Egypt
   Egyptians and Arabic are major ethnic groups in Egypt. Arabic language is spoken by larger sections of Egyptians.
  Egypt is rich in tradition, art, literature and music from the beginning of modern human civilization.
 Egypt has long history in folk music and dance. Egyptian folk songs specially love folk songs were parallel to Oriental folk songs .Historians discovered three collections of Folk Love Songs of 1200BC . The folk songs consist of legends, tales and love story . Historian appreciate the style of many songs wherein there is praise of a beautiful woman .as
   “ The sweet one , sweet in love , the sweet one, sweet in love in presence of King, the sweet one, sweet in love before all men, the beloved before all women, the king’s daughter who is sweet in love; ….”
(Ref : A Weidemann, Popular Literature of Ancient Egypt) , The style of Egypt love songs developed further aesthetically advance in the Ethiopian era.  There is philosophy of life in those folk songs of that time in Egypt. There is justification of suicide in a poem. There are  discussion of many god, goddesses in those texts.
  From today’s point of view the following music  style exist in Egypt :
1-Bedouins
2-Saiyidis
3-Nubian
4-Shaabi
5-Coptic
6-Saidi
7-Nubian
  Rituals, Sufism dominate over the songs .There are work songs, agriculture, king palace , children related folk songs in Egypt.
                                          Folk Songs, Folk Music of Libya
 There are Arabs, Berbers, Tebo,  Jewish main ethnic groups in Libya. The main language of Libya is Modern Standard Arabic . The other versions of Standard Arabic  are Egyptian Arabic, Moroccan Arabic languages. Depending upon the regions, the folk music of each region is exclusive or distinct. The folk music Andalusi (Maluf)  Chhabi, Tuareg music are common folk music of Libya. The camel travelers have a specific song of Bedouin people which is called the mimic of camel walking.
 The folk songs are sung with dances. there are many dances according to festivals, social events and individual event. The folklore dance, the dance of girl being mature, Hagallah dance, is very common dance-song in matrimonial events. Guedra dance-song is exclusive dance-song of Berber population. Belly dance-song is as of Egypt people.
                       Folk Songs, Music of Morocco
              Arab , Berber communities are major ethnic groups in Morocco. Minor ethnic  group Jewish community played a great role in commerce  development of the country.  Moroccan Arabic is major language of Morocco while Berber language is also spoken in many regions.  French is unofficial second language of the country.
 The folk songs could be divided according to Music of Morocco as:
1-Berber Music: Village music , ritual music and music by professional class
2-Chaabi Music:  Mostly the songs were sung in market places but now are popular in events and celebrations.
3-Gnwa: The native of this music is Sub Sahara area. This is mystical or Sufi music. The rituals have strict rule in singing and music.
4-Malhun: The Malhun song-music is derived from al-ala music
5- Rai: Rai music style is closely to Algeria but now it has become part of ethnomusicology of Morocco too.
6-Tankas or Sufi brotherhood music-song: Sufi music is main spiritual music of the country . There are many variants of Sufi brotherhood music and songs
 Scholars can also divide folk songs of Morocco according to folk dances of the country as :
1-Shikat dance-song: is Moroccan style of belly dance-song
2-Guedra is folk dance-song of southern Morocco
3-Awash is the folk dance-song of hilly area of the country
4-Gnaona: the tradition came from Sub Sahara region
5-Houara : is dance-song of the Inezgane region
6- Ahidous : is the tribal dance-song of Middle atlas
7-Quais
8-Tskiouine is warrior dance-song as Kaitura or Pandon of Garhwal (india)
9-Haha is male dance-song
                                  Folk Songs of Sudan               
      Black ( 52 %),Arabs ( 39%), Beja (6%), foreigners (2 %)  and other s (1 %) are major ethnic groups but there are many sub ethnic groups in Sudan make Sudan as most diverse country in terms of culture and customs.
         The major languages of Sudan are Arabic , English, Nubian languages, Acholi, Dinka,  Madi, bari, Otuho, Lopit, Zande, Muru, Murule, Lango, Anywak,Shiluk, Buya, Toposa and many more languages
 Sudan is rich in heritage and folk music. According to music the scholars divide Sudanese folk Music as
1- Dervish Music and lyrics: The dervish music is Sufi music and very popular in each region. The songs are to awaken the consciousness of the person (Zikr).
            In Garhwali (India),  many Nathpanthi songs as Dalyaun ka Song are easily comparable to Sufi songs of Sudan
2- Southern Folk Music of Sudan: due to diverse culture of Southern Sudan, there are varieties of folk music and songs in the regions .There are songs related to beliefs, legends, work songs, songs related to culture and customs of the region.
3- Nubian Music and Songs : Nubba is central part of Sudan. The folk music has its exclusivity due to cultural and regional exclusivity of the region.
4-Haqibah:  This genre is found more in Northern Sudan. Haqibah has roots in Muslim song Madeeh
5- Northern Sudanese Lyrical music is basically the independence lyric music.
           There are many folk songs in Garhwali (Indian) too about freedom fights as about Gandhi and Nehru. Now these days, these songs are no more sung and hence, the songs are diminishing from the Garhwali society
                        Folk Songs of Tunisia
     Arab( 98%), Jewish and European are the ethnic groups of Tunisia. Standard Arabic, Judeo-Tunisia, French, Lingua Franca, Sened, Shilha, languages are spoken in Tunisia.
        From music point of view, Tunisian folk songs are as
1- Malouf
2- mezwed
3-Salhi
Raqs shabi is popular dance and on this basis the songs are sung in various occasions as entertainment, marriages, festivals, sports (Footbal games)  etc. The songs are related to love subject or flirty subject for  Raqs al Mehram dance. There are songs as per Memphis dances.  Since, pottery is major industry in Tunisia , most the dance-songs are having the subject or pottery as pottery dance-song . There are traditional songs on the subjects of
1-Sufi and religious songs
2- Love songs (libertine seduction, attraction)
3-Camal pleasures of life
4- Festival , marriage occasions
5- work related songs specially potteries
                          Folk Songs of Botswana
     Tswana(79%), Bamagwato, Bangwaketsi, Bakgatla, Barolong, Bamelete, Batlokwa, Kalanga,Basarwa are major ethnic groups in Botswana.
 Official language is English but 78 % population speak Tswana language and there are many  other languages spoken in various regions too.
 The folk music of Botswana is mostly vocal without drum in Botswana.
The folk songs as per folk music are as:
1- Huru
2- Tsutsube
3- Phathisi
4-Borankana
5-Mokomoto
5-Selete
6-Ndazola
7-Setapa
8-Chesa
9- Stibikoko
  Kwaito music of Johannesburg and Kwasa Kwasa , Kwaito Kwasa music also influenced the music of Botswana
 From dance point of view, the folk music and songs area sper dance
1- Borankana
2-Chesa
 3-Ndozola
 4- San dance.
                 Folk Songs of Lesotho
         99.7 percent population is Sotho and Sesotho is virtually spoken by all. In some regions, Zulu and Xhosa languages are also spoken.
 The songs are sun in churches, there are festive songs, work songs, kids songs, love songs, birth songs and entertaining folk songs in Lesotho . no marriage is complete without dance and songs in Lesotho
                     Folk Songs of Zimbabwe
 There are Bantu speaking, Shona, and Ndebele as major ethnic groups in Zimbabwe apart from 1 percent foreign origins groups. Shona, Ndebele, English, Kalanga, Tong languages are spoken in the country .
    In the famous book Nationalists, Cosmopolitans and Popular Music in Zimbabwe , Thomas Turino states that music is integral part of Zimbabwe ,
 From traditional dance point of view, the folk songs of Zimbabwe are
1-Jerusarema (shone culture, related to ceremonies, funeral, war ,
2-Shangara
3- Muchongoyo (military training , social, recreational song-dance)
4-Mbakumba
5-Dhinhe (Spiritual and religious song dance to talk with spirits)
6-Dandanda
7-Njari
8-Mbira (spiritual dance and song)
Chimurenga is popular music genre of Zimbabwe which means struggle.
 From music and instruments point of view the Zimbabwean songs could be divided as:
1- Mbira
2-Sungura
3-Tuku
4-Jit
5-rumba
6- Gospel (latest genre )
7- Bulawayo
                        Folk Songs of Namibia
In Namibia , there are Black (88%), White (6%), and mixed groups are 6 %. The ethnic groups are Ovambo (50%), Kavangos (9%),Herero (7%), Damara (7%), Caprivian (4% ), Bushmen ( 3%), Baster (2%), Tswana (0.5%).
                The English is official language of Namibia and local ethnic languages are Diriku, Herero, Kwangali, Kwanyama, Lozi, Mbukushu, Nama, Ndonga, Tswana. . The immigrant languages are  Chokwe , Fanagalo, Kgalagadi , Luchazi , Luyana , Nkhumbi , Nyemba , Standard German , Umbundu.
The following music or song style are major folk music of Namibia:
1-Kornsert music of Herero ethnic groups
2-Magasia music is famous in Damara community
3-Shambo is traditional music dance of Oshiwambo speaking community
4-Hukwa is combination of Hip Hop and Kwaito
5-Afrikan music is primarily European folk music and songs
              There are songs in Namibia for each stage of life as birth song, songs for children, teaching songs for youth, wedding songs, death songs, storytelling songs, legendary songs, work songs and songs for various ethnic festivals.
                             South African Folk Songs
                Ethnically, South Africa is diverse and complex country.  There are four major groups in South Africa –Black (75.2 %), White (13.6), Cape coloured (8.6%) and Asians (2.6)., Black community comprises of Zulu, Xhosa, Northern Sotho, Southern Sotho, Tswana, Shangana-Tsongo, and Swazi.
 From music style point of view the folk songs are as :
1-Boeremuseik:Initially this was European music but later on the South African communities adopt the same and changes as per regional needs . The music is related to social dancing-singing and entertainment in festivals and fairs.
2-Swazi Music: The original  music is of Swazi community but now the genre is popular in all regions of South Africa
3-Indlamu or Zulu is a war dance and performed at wedding.
4-Isicathamia: is Zulu song and dance
5-Kwaito is latest version of house song and is slow in manner but with shouting
6- Kwela is South African music but now the westernized music is also mixed with original Kwela music style.
7-Marabi music is local music and was intended to call for illicit drinks by liquor sellers
8-Maskanda is Zulu music and songs.
9-Mbaqanga :
10- Mbube is Zulu music genre
11-Mirabi is mixer of South African music and American Zaz is symbol of protest against Apartheid
12-Township music is urban indigenous music style
13-Tswana music is the regional music style of Tswana community
14-Xhoza music is mixer of American band and local music style
15-Zulu music is originally the music style of Zulu ethnic groups
            Folk Songs of Swaziland
  The Afrikaen, British, Colored, Comorian, Eurafrican colored, , Indians, Nyanja, Swazi, Tsonga and Zulu are ethnc groups in Swaziland
 The languages of Swaziland are English, Afrikans, Maore, Hindi, Nyanja, Swati, Tsongand Zulu.
 The music is Bantu and Swazi folk songs
 From dance point of view, the songs are Shibhaca, Reed dance festival songs,
                       Folk Songs of Benin
                     Africans are major groups (99%) in Benin and sub groups are – Fon,Adja,  Aizo, Goun, Bariba, Yoruba, Somba,
     The major languages are French, Fula, Gen, Ife , Aja language (Niger-Congo), Bariba language,Bariba people, Languages of Benin, Dendi language, Kabiyé language, Template:Languages of Benin, Phla–Pherá languages, Songhay languages, Yoruba langu
  There are more than fifty r languages spoken in Benin
 The folk songs are of various types as work songs, religious songs, recreational songs, feast songs, wedding songs, engagement songs , birth songs, songs for children, songs by children, specific dance songs, time pass songs, greeting songs  and funeral songs.
                          Folk Songs of Burkina Faso
              Mossi  is major group of Burkina Faso (40%) . Other ethnic groups are Bobo, Gurunsi, Senufo,Lobi, Mande and Fulani. There are more than other sixty ethnic groups in the country.
 There are more than fifty five languages are spoken in Burkina Faso and major languages are French, Mossi, Fula, Moore, Jula, etc
Djeli, Balfon,Fulbe music are traditional music
 Each ethnic group has specific folk song tradition and this factor makes Burkina Faso a major store of folk songs in types and subjects.
               Folk Songs of Côte d'Ivoire
 There are more than sixty ethnic groups and more than sixty languages in the country. The folk music and songs  of each ethnic group and language is unique and also similar to other neighboring countries.
                                Folk Songs of Gambia
 There are eight main ethnic groups in Gambia –Aku, Fula,Jola,Mandika, Serahule, Serer, Tukulor, Wolof, Each group preserve its own language, ethnic music and songs,
                    Folk Songs of Ghana
              In Ghana, there are are 100 cultural and linguistic groups .Themajor groups are Akan, Ewe, Mole-Dagbane, Guan, Ga-Adangbe .Gonja, Kasem, nzem. There are more than 100 languages spoken in Ghana.
               In a book “Folk Songs of Ghana”, Julia Christensen divided Ghana folk songs into following categories
1- Song by and  about the people of Mosomagor (Ghana)
2- Independent song
3-Love songs
4-Children songs
5-Religious Songs
                    General songs
6-Muslim greeting Songs (This is specific regional songs in terms of Islamic culture)
7-Songs taken from Burma (Myanmar)
8-apatampa’s funeral songs
9-Various songs on Orchestra
1- Work songs
                                          Folk Songs of Guinea
        Fulani, Malinke, Soussou are major groups and other tens of minor ethnic groups exist in the territory.
  Official language is French and there are more than 36 ethnic languages as Kissi, Kpelle, Maninkakakn, Pular, Susu, toma etc.
  The folk songs of the country are same as African songs and music
                                       Folk Song of Guinea Bissau
  The folk songs are Tina,  Tinga including religious , funeral, love, children, working and love songs .a genre Guinea Bissau Creole songs are  humorous and interesting genre
                                         Folk Songs of Liberia
     There are 28 main ethnic groups and languages in Liberia. The folk music and culture is same of African music with blend of regional color and the blending of American missionary rituals , Japanese influences.
                               Traditional Songs of Mali
                            The main ethnic groups of Mali are Mande (Bambara, Malinke, and Sarakole) Peul(Fulani), Voltaic, Songhai, Tuareg and Moor. French is official language of Mali. Other major languages are  Bambara  (is second language), Manding, Malinke, Kassonke, Jula, Soninke, Bozo, Senufo, Fulfulde , Mopti, Songhey, Tamasheqe, Arabic.
 It is said that without music, mali is nothing. The ethnic folk songs has a rich heritage in Mali. There  is influence of Mande empire on all music of Mali.The folk music groups can be divided as
1- Mande Music
2-Maninka Music
3-Bamana
4-Mandinka
5-Jeliya: Jeliya is a class of professional musicians and singers sponsored  by upper class of Horon class. Mostly Jeliya are craftsmen, blacksmith, coppersmith. Jeily are as Badi and scheduled caste of Garhwal (India)  . In Garhwal  (India) , Harijan and Badi have been the real creators of folk songs.
 There are poetic stories, folklores  musical epics, entertaining folk songs, love songs, various work songs, ritual songs, praise songs, morality teaching songs in mali culture.
  Griot Music :  the Griot professionals has very important position in King court. The Griot do not do any jobs but used to do praising the kings for his fame, used to create heroic songs, comical songs too, used to be mediators, they used to resolve disputes between families of villages . The praising in Mali culture is somewhat same  as in Garhwali Jagar, the heros are praised and worshipped.
 Surprisingly , Badis of Garhwal has same type of position as Griot of Mali  as Badis don’t do any agriculture works except singing or dancing and entertaining the people.
 In Mali,  every dance has specific rhythm and song.
                Folk Songs of Mauritania
      There is class and caste culture in Mauritania s found in India. Major groups in   Mauritania are Hassaniya, Haratine, Halpular, Peul, Soninke, Wolof, Maures, Toucouleure, Fulbe, Bambara and many more Quabilas
 The languages are  French, Hassaniya, Berber and its many dialects, Peul, Soninke, Wolof, Maures, Toucouleure, Fulbe, Bambara
 There are three ways of traditional music:
1- Al-babyda
2-Al-kahla
3-I’Gnaydiya
The lower caste people play the music and folk songs
                         Folk Songs of Niger
 The major ethnic groups of Niger are Hausa (55%), Djerma-Songhai (22%), Fulani (8.5%), Taureg (8%), Kanouri (4%), Arab, Tubou and many other smaller groups
     French is official language. The other ethnic languages are Hausa, Arabic, etc The court recognizes 21 languages as official languages of Niger. The languages and ethnic groups make Niger the never drying lake of folk music and songs.
The following main traditional music is popular in Niger
1-Hausa
2- Igbo
3-Yoruba
4-Children music
5-traditional Theatrical music
                           Types of Traditional Songs of Nigeria
Hausa, Fulan, Yuroba, Igbo, Ibibio, Kanuri, Annang Tiv, and Efik are major ethnic groups out of 250  ethnic groups in Nigeria.
 Hausa, Fulan, Yuroba, Igbo, Ibibio, Kanuri, Efik (Annang Tiv, and Efik) and English are major languages of the country
 The traditional music of Nigeria comprises of the following genre :
1-Hausa Music
2- Fulan, Yuroba, Music
3- Igbo, Ibibio Music
4- Kanuri, Annang Tiv, and Efik Music
5- Durbar music on festivals
The folk songs of Nigeria are
1- Work songs specially songs related to agriculture activities. There are restrictions on for which music should be played  during different parts of growing  season . 
2-Life span songs (birth, maturity of male and females , love, wedding , funeral etc)
3- Rituals and religious of each ethnic group
4- Regional heroes, exclusivity,  and acts oriented song of various ethnic groups
5- Children songs as call and response songs,
6- Songs and music about communication between living and dead
7- Mythological songs
                    Elements of Folk Songs of Senegal
           Wolof (43.3%), Pular (23.8%), Soninke (1.1%) are major ethnic groups of Senegal besides other twenty groups.
  There are songs, music for every ceremony and changes takes place in the lives of people in the country.
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Bhishma Kukreti

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                        Garhwali Children Folk Songs for Alphabets Learning and Management Learning
                                           
                                      Presented by Bhishma Kukreti on Internet

                                           Collected and Edited by Dr Nand Kishor Dhoundiyal and Dr Manorama Dhoundiyal
                               
                  - आँदी गाडम  फाळ नि   मारणी
         क- कुसंगी को संग नि करणी
         ख़- खारिक ठुपरी   मुंड नि धरणी
         ग-   गलादारों दगड नि करणु     
          घ- घर घर  कुकुर जन नि फिरणु
         च - चोरी की चीज ड़्यार नि लाणी
        छ - छाणिक पीणु बरसाती पाणी
        ज - जान्दिक कबि संग नि जाणू
        झ- झिल्ली खाट मा कबि नि सीणू
        ट - टेडी लकड़ी काण्ड मा नि लाणी
        ठ - ठट्टा क मट्ठा ह्व़े जांद
        ड़- डौरिक रावा त बुरु नि होंद
        ढ- ढगढयादि ढुंग मा खट नि धरणि
        त - तातु पाणीन कूड नि फुकेंद
         थ- थुम थुम माणि दगड नि लाणी
         द- द्यौ दिबतौं करणी नि गाणी
         ध - धर्म की डाळी  क चलचला पात
         न - नखरी भाषा कबि नि बुलणी   
         प- पळत्यरों की कछड़ी नखरी
         फ- फसल पात को रखणी आस
          ब- बड़ा बड़ों की बड़ी बात
         भ- भितर की बात भैर नि लाणी 
          म- मिंढकूं से कबि हौळ नि लगदु
          य - यख की छ्वीं वख  नि लगाणी
         र- रवटि अपणि हत्थ कि खाणी
         ल- लंगलंगी   लांग कि सोराग  टांग   
         व- वख जाणू   जख हौंसिक आणू
        स - सबसे  बडू च घिन्द्वा पधान
        ह- हैंको बांठो कबि नि खाणों

 

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