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Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख  (Read 732343 times)

Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5130 on: October 12, 2016, 11:25:16 AM »
             Thokdar, Kamin, Sayana and Padhan in Ibbetson Settlement in Garhwal
   
                     

                 Characteristics of Ibbetson Settlement in Garhwal -9

                            British Administration in Garhwal   -65       
       -
History of British Rule/Administration over Kumaun and Garhwal (1815-1947) -83
            History of Uttarakhand (Garhwal, Kumaon and Haridwar) -920
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                              By: Bhishma Kukreti (History Student)
-

                       Thokdari System (Land lordship)
       
    In Garhwali Kingdom and Gurkha rule, Kamin or Sayana were supposed to do same work as Jamindar or Thekedar used to collect tax from cultivators or land owners. Ramsay stated that in Garhwal Kingdom, the king was free for appointing Sayana/Kamin for a particular region that used to collect tax from Khaikar (actual cultivators). Ramsay commented that due to that Sayana/Kamin system, the moral esteem of cultivators was nil in Garhwal. Garhwalis assumed themselves as slave of tax collectors.
 In Traill settlement, British had agreement (Kaul Karar) with Sayana and Kamin. Those Sayana and Kamin were called Thokdar or landlord of the region.  Those Thokdar started collecting ‘Hak-Dastur’ from those villages too those were not under them in Garhwali Kingdom-Gurkha periods
   At British initial period, Kamin or Sayana were very powerful as they were in previous regimes. Kamin or Sayana used to collect tax either themselves or they appointed ‘Padhan’ for collecting tax.
  Thokdars were very cunning. There is a folk story about Thokdar-
  One day, settlement officer reached to a village. Thokdar called his shareholders or cultivators before the settlement officer. Thokdar asked the cultivator, “How are you?” The farmer answered either by force from Thokdar or in his simple way, “Malik Tumari diyun Khana Chhanvan –Master! We are living on your offerings”. Thokdar told to settlement officer, “See he is calling me Master (Malik)”. That way, Thokdar proved that he (Thokdar) was owner of whole region. (Dabral, page 228-29)
  Pauw stated that he got Garhwal Kingdom records of words ‘Kamin from South Garhwal and ‘Sayana’ from north Garhwal. Pauw stated that he did not get any written record for Thokdar word.
Though Kamin and Sayana were having same meaning but those have differences too. Kamin used to collect tax but he did not have any shareholding on the land. Sayana was having shareholdings on some villages and from other villages, Sayana used to collect tax too without shareholding on land.
 Sayana were of two types- small and big. Big Sayana were usually the heirs of ministers or higher cadre officers in the Garhwal Kingdom (Batten). Those proved in initial British period that they were Sayana they used to get ‘hak-dastur’ directly or through Padhan.
       
 

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 12/10/2016
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -921
*** History of British Rule/Administration over British Garhwal (Pauri, Rudraprayag, and Chamoli1815-1947) to be continued in next chapter
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
XX   
References 
 1-Shiv Prasad Dabral ‘Charan’, Uttarakhand ka Itihas, Part -7 Garhwal par British -Shasan, part -1, page- 226-29
2-Ibbetson, A.W., Revenue Settlement of Garhwal District, pages 1 to 11
3-Pauw, Garhwal settlement report, page 39
4-Stowell, V.A., Manual of Land Tenures in Kumaon division page 121
5- Atkinson, Himalayan Districts, Vol.3, page 22, 318
6- Batten, Settlement report of District Garhwal page 534
Xx
 
History of British Rule, Administration , Policies, Revenue system,  over Garhwal, Kumaon, Uttarakhand ; History of British Rule , Administration , Policies Revenue system  over Pauri Garhwal, Udham Singh Nagar Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Chamoli Garhwal, Nainital Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Rudraprayag Garhwal, Almora Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Dehradun , Champawat Kumaon, Uttarakhand ; History of British Rule, Administration, Policies, ,Revenue system  over Bageshwar  Kumaon, Uttarakhand ;
History of British Rule, Administration, Policies, Revenue system over Haridwar, Pithoragarh Kumaon, Uttarakhand;   









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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5131 on: October 12, 2016, 11:51:30 AM »
Uma Bhatt: Expert of Creating Images of Rural Garhwali Females in Poetries
Critical and Chronological History of Modern Garhwali (Asian) Poetry – 127

                    Literature Historian:  Bhishma Kukreti
After initiation of Uttarakhand movement, many female poets came in Garhwali poetic field. Uma Bhatt is one of the female poets who impressed the intellectual thinkers by her portraying a common Garhwali village, the social, religious and spiritual culture of Kedar valley and Nagpur area of upper Garhwal. Uma Bhatt has a specialty as Beena Benjwal that she uses the dialects of upper Garhwal in her literature and this makes her different than others.
Uma Bhatt was born in village, Andrvadi, Guptkashi , Rudraprayag Garhwal as Saklani girl in 1960. Now She is in Dehradun
After passing Shashtri and M A degree, she joined education department and she teaches in a school. She is also editor of two magazines and writes Hindi poetry in Hindi language.
             Recently, she published her poetry collection Dwi Akhar a Garhwali language. Learned critics and writers as Dr Data Ram Purohit, Shri Dhar Khali, Om Prakash Semwal and Prem Singh Gusain appreciated her efforts. Dr Purohit remarks that she is the expert of creating real images of a Garhwali women engaged in her struggle for benefiting her family and the society. Uma Bhatt uses symbols of rural Garhwal and those were not used in Garhwali poets before Uma could do so. The experts of folk literature of upper Garhwal Dr Purohit further elaborates that she is remarkable in using proverbs and figures of speech effectively to describe her subject in poetic form.
     भौत जरूरि   (गढ़वाली कविता )

रचना --  उमा भट्ट   ( जन्म  - 1965 ,  अंद्रवाणी , गुप्तकाशी , रुद्रप्रयाग   गढ़वाल  )
Poetry  by - Uma Bhatt

( विभिन्न युग की गढ़वाली कविताएँ श्रृंखला )
-
इंटरनेट प्रस्तुति और व्याख्या: भीष्म कुकरेती
-
तु  सुबेर बट्टि लेकी  रात ह्वोण तक
चुल्लू जगोण बटि पन्देरा जाण तक
भैंसी पिजाण बटि इस्कूल्यूं  खलाण तक
चौक डंड्याळी स्वन बटि सानी  मौळ   स्वन तक
तु  सुबेर बट्टि लेकी  रात ह्वोण तक
चार कितला उमाळन बटि छांच छ्वळन तक
भात पकाण बट्टि भांडा मंजाण तक
करछि दाथडु कुच्याण बटि कुटळ चलाण तक
घास पूळि  बट्टि लखड़ भारा  तक 
तु   सुबेर बट्टि लेकी  रात ह्वोण तक   
तिन सब्बु कि पूछि , तेरी कैल पूछि
खाण बट्टि स्योण तक ?
तिन सब कू ख्याल राखि , तेरु कैल राखि ?
 सुबेर बट्टि लेकी  रात  तक ?
सबु कि सुख सुबद्यानि सोचण खुणि
सब्बु का स्वीणा वीणा होण खुणि
सब्बु मा अपणा  पराण राखण , खुणि
तेरु पराण राजि खुशी बच्यूं राण
भौत जरूरि  च माँ भौत  जरूरि ।
 

( साभार --शैलवाणी , अंग्वाळ )

.


उमा भट्ट की  गढवळि मायादार /प्रेम युक्त गजल
तुमारि नजर का हम त वां हकदार इ नि छा
भले दुनया मा हमारा कदरदार कम नि छा ।
हार मानि हमुन अपडि  जिन्दगी से अफ़्वी
निथर हमारा खरीददार दुनिया म कम नि छा ।
ये ! दगड्या   त्वे मिल ण से पैल मेरी दुनिया मा
यकुलास त छै पर क्वी रंज गम नि छा ।
अब रुड्यू राति बि लम्बी लगदी
त्यरा मिलण से पालि क्वी यन  बात नि छै  ।
काटण च पड़नि कै दोषी की सिं चार
तनै त दुनिया मा हमारा तरफदार कम  नि छा ।
तुमारि नजर का हम त वां हकदार इ नि छा
भले दुनया मा हमारा कदरदार कम नि छा ।
Copyright@ Uma Bhatt Dehradun /Rudrprayag
              Her poetries are published in many newsletters, magazines and Akashvani relayed her many Garhwali poetries
Copyright @ Bhishma Kukreti Mumbai, 2016
Asian  Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Asian Modern Poetries, Poems Contemporary Poetries, Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs, Poems, South Asian    Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems , Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Chamoli Garhwal; Asian Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian Modern Poetries, Asian Poems, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets, Famous South Asian Poet , Famous SAARC Countries Poet , Famous Asian Poets of Modern Time,
पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;   Asian Poems for ; South Asian Poems for  ; Indian Poems for  ; North Indian Poems for   ; Himalayan Poems for

  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल




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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5132 on: October 12, 2016, 11:53:30 AM »
Dwi Akhar : Insight about Rural Garhwal
(A review of Dwi Akhar a poetry collection of Uma Bhatt)

Critical and Chronological History of Modern Garhwali (Asian) Poetry – 127 A

                    Literature Historian:  Bhishma Kukreti

As British admire the female poets as Ann Taylor, Juliet Wilson, Adrienne Rich, Ruth Padel, Claire Nixon, Sophie Hanah, Helen Dunmore, jenny Joseph for enriching English poetry, Italians appreciate the work of Italian female poets as Alda Merini, Anna Cascella, Amelia Rosselli, Cristina Campo, Armanda Guiducci, Dacia Maraini, Daria Menicanti, Margherita Guidacci, Rosana Ombers, Luciana Frezza, Biancamaria Frabotta ; Germans are proud of their female poets as Igeborg Bachmann, Lisel Muller; French people respect Anais Nin, Leslie Kaplan, Michelle Grangaud, Anne Portugal, Josse Caperer , Jacqueline Risset ; Spanish think highly of Sapnish female poets Pilar de Valderrama; Elisabeth Mulder; Rosa Chacel; Josefina de la Torre Concha Méndez; and Ernestina de Champourcin or critics appreciate the works of Hispanic women poets as Sandra Cisneros, Julia Alvarez, Isabel Allende, Julia de Burgos, Dutch are proud of Fenny Sterenborg , Carla Boogaards, Anna Enquist and Elly de Waard ; Uttarakhandi are proud of Garhwali women poets Vasundhara Dobhal, Vidyavati Dobhal, Veena Pani Joshi, Neeta Kukreti, Beena Benjwal, Beena Kandari, Shakuntala Ishtwal and Uma Bhatt for providing vibrant, intuitive, varied subject Garhwali language poems.
There are sixty poems in the volume Dwi Akhar a first Garhwali poetry collection by Uma Bhatt . The poems are of varied subject and nature , insight, emontions but one thing is common in all the poems that all poems are regarding rural Garhwal or hills of Uttarakhand. However, most of the poems are related to a common rural Garhwali woman and the subjects surrounding her .
The readers may find the spiritual inclination of a female poet when Uma Bhatt prays Jalmukhi god (Village deity) for her creation and for benefiting the human beings and living organisms. The readers enjoy the symbolic and imagery poems of Uma Bhatt about villages, geographical description of Upper Garhwal and Kedar valley. The readers start viewing the hills, springs, woods, scanty or dense bushes, xerophytes and other plants of Upper Garhwal, valleys, rivers and rivulets, birds and Himalayan animals, tracking lanes of villages, hilly farming fields, all types of seasons in verses as ‘ Ar Hyun Galni ‘, Gham , Veen Barkha Ma’, Matu Dharti, Ganga Jamuna.
The poet is successful in portraying the life sketch of female from child to being mother or grand mother in her as poems Myar Balpan , Gon Mudi Dhari’
She describes the seasons of Kedar valley differently than the poets of south Garhwal in verses ‘Vee barkha Ma’ or meghdoot Aige’
In the introductory note of this volume , renowned folk literature expert dr Data Ram Purohit says that Uma Bhatt has been successful in describing Kedar valley village life and culture of Nagpur , Badhan , Rudraprayag regions and the poems are of world class ..
Uma Bhatt also created poems related to various relationship, wrong happenings in social lives and political circle of Garhwal.
Famous garhwali story writers congratulate Uma Bhatt for her depicting the village life, the insight of rural women, the struggles of females in Garhwal and her narration of philosophical subjects as in ‘Waqt Beej Ni Khand’.
As Dr Data Ram Purohit appreciates Uma Bhatt for using common Garhwali symbols, proverbs, images, shorter verses of Garhwali folk stories or poems in her poetry. Bhishma Kukreti appreciates loudly Uma Bhatt for using regional dialects and protecting linguistic exclusivity and characteristics of Chamoli and Rudrprayag regions (Upper Garhwal) in her all verse of this volume ‘Dwi Akhar’.
Uma Bhatt has been successful in creating varied emotions in each poems of this volume and she is not stereotype in any poem
Australians are proud of their women poets as Dame Mary Gilmore, Dorothia Mackeller, Chris Mansell, Judith Wright; Japanese have pride on their female poets as Kimiko Hahn, Fukao Sumako, Yosano Akiko, Yagi Mikajo, Nakamura Teijo, Hashimoto Takako, Mitsuhashi Takajo, Baba Akiko, Anryu Suharu , Hatsui Sizue, Okamoto Kanoko Chino Masako, Uyemaruko Shizuko, Kikusha ni ; Korean love their women poets as Yi Hyangji, No Hyangnim, Na Huidok, Ho Sugyong, Pak Sowon, Ko Chinghai , Kim Sanghui, Yi Chinmyong, Kim Hyson, Hwang Insuk, Chong Hwajin, kang Ungayo, Mun Chonghui, Yi Kyongnim; Malaysians love the poetries of Dan Ying, (Madame Lew Poo Chan) ; same way Himalayan people are proud of Uma Bhatt a Garhwali language poet for her work in Garhwali language poetic field.
Dwi Akhar a Garhwali poetry collection
Poet: Uma Bhatt
Year of Publication: 2010
Publisher: Winsar Publication,
K C City Centre Dehradun, UK, India

Copyright @ Bhishma Kukreti Mumbai, 2016
Asian  Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Asian Modern Poetries, Poems Contemporary Poetries, Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs, Poems, South Asian    Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems , Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Chamoli Garhwal; Asian Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian Modern Poetries, Asian Poems, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets, Famous South Asian Poet , Famous SAARC Countries Poet , Famous Asian Poets of Modern Time,
पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;   Asian Poems for ; South Asian Poems for  ; Indian Poems for  ; North Indian Poems for   ; Himalayan Poems for

  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल

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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5133 on: October 12, 2016, 01:06:22 PM »

Modern Garhwali Verses  Songs,  who will bell cat , बिल्ली  के गले में घंटी    Poems

 आखिर घण्डुलि को बांधलु ?  (गढ़वाली कविता )

रचना --   दिनेश कुमार सोनी  ( जन्म 1978 ,  बैड़हाट , पौड़ी   गढ़वाल  )
Poetry  by - Dinesh Kumar Soni
-
Critical and Chronological History of Modern Garhwali (Asian) Poetry – 211
-
साहित्य इतिहास , इंटरनेट प्रस्तुति और व्याख्या : भीष्म कुकरेती
-
 भ्रष्टाचार पर गौं -गळयाऊं /शैहर -बाजारों मा
देखि -सूणिक   कच्छड्यों थैं /सर्र याद ऐ जांद मि थैं
वा मूसों कि सभा /जैमा बिरळा से डैरि
अपुणु बिणाश चितैकी
वे का गौळा मा घण्डुलि बंधणकु प्रस्ताव
ध्वनि मत से पारित ह्वेगे /घण्डुलि बि ऐगे
पण /इत्यगी मा
सब्य  करीं धरीं रै गे
कि वे का   गौळा मा आखिर
घण्डुलि  कु बांधलु ?
उन्नी आज हम ,
सब्य मनिख मूसा बणिग्यो
भ्रष्टाचार हमखुणि/ बिरळु   ह्वेगे
जु खाणु छ / डराणु छ
हम थैं , हमरा मन का मनिख थैं 
यीं बात थैं स्वोचि -जाणिक
हमर गुसैंयूल भि /वे का   गौळ मा
 घण्डुलि बंधुणो प्रस्ताव
कै दे पास कैरि यलि
पण / रुणु फिर बि यांको ही छ
कि आखिर - बिरळाs गौळुन्द
 घण्डुलि को बांधलु ?
   

(Ref-Angwal,2013)
Poetry Copyright@ Poet
Copyright @ Bhishma Kukreti  interpretation if any
-
 Critical and Chronological History of Asian Modern Garhwali Songs who will bell cat , बिल्ली  के गले में घंटी  ,  Poets   ; Critical and Chronological History of Modern Garhwali Verses ,  Poets ; Critical and Chronological History of Asian Modern Poetries  ,  Poets  ;  who will bell cat , बिल्ली  के गले में घंटी Poems Contemporary Poetries  ,   who will bell cat , बिल्ली  के गले में घंटी Poets  ; Contemporary Poetries from Garhwal; Development of Modern Garhwali Verses; Poems  ; Critical and Chronological History of South Asian    Modern Garhwali Verses  ; Modern Poetries  who will bell cat , बिल्ली  के गले में घंटी ,  Poets  ; Contemporary Poetries,  Poets  ; Contemporary Poetries Poems  from Pauri Garhwal; Modern Garhwali Songs  who will bell cat , बिल्ली  के गले में घंटी  ; Modern Garhwali Verses  who will bell cat , बिल्ली  के गले में घंटी  ; Poems,  Poets   ; Modern Poetries  ; Contemporary Poetries  ; Contemporary Poetries from Chamoli Garhwal  ; Critical and Chronological History of Asian Modern Garhwali Verses ; Modern Garhwali Verses,  Poets   ; who will bell cat , बिल्ली  के गले में घंटी  Poems,  Poets  ; Critical and Chronological History of Asian  Modern Poetries  ; Contemporary Poetries  , Poems Poetries from Rudraprayag Garhwal Asia   ,  Poets   ; Modern Garhwali Songs,  Poets    ; Critical and Chronological History of Asian Modern Garhwali Verses  who will bell cat , बिल्ली  के गले में घंटी  ; Modern Poetries  ; Contemporary Poetries ,  Poets   ; Contemporary Poetries from Tehri Garhwal  ; Asia  ; Poems  ;  Inspirational and Modern Garhwali Verses ; Asian Modern Garhwali Verses  ; Modern Poetries; Contemporary Poetries ; Contemporary Poetries fr who will bell cat , बिल्ली  के गले में घंटी om Uttarkashi Garhwal  ;  Modern Garhwali Songs; Modern Garhwali Verses  ; Poems  ; Asian Modern Poetries  ; Critical and Chronological History of Asian Poems  ; Asian Contemporary Poetries ; Contemporary Poetries Poems from Dehradun Garhwal; Famous Asian Poets  ;  Famous South Asian Poet ; Famous SAARC Countries Poet  ; Critical and Chronological History of Famous Asian Poets of Modern Time  who will bell cat , बिल्ली  के गले में घंटी  ;
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 पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; 
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  स्वच्छ भारत ; स्वच्छ भारत ; समर्थ गढ़वाल

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Raje Singh Karakoti

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Direct from Uttrakhand
« Reply #5134 on: October 12, 2016, 04:03:29 PM »
दशहरा महोत्सव समिति की बैठक में मंगलवार को होने वाले दशहरा पर्व पर कार्यक्रमों की रूपरेखा तय की गई। इस बार दशहरा महोत्सव में दर्शकों के लिए लेजर लाइट शो विशेष आकर्षण का केंद्र रहेगा।

तय हुआ कि 11.30 बजे जीजीआइसी तिराहे पर मां दुर्गा की शोभा यात्रा में शामिल दुर्गा प्रतिमाओं की महाआरती होगी। 12.30 बजे माल रोड स्थित पालिका कांप्लेक्स में दशहरा महोत्सव का शुभारंभ होगा। जिसमें रावण परिवार के पुतलों समेत रामडोला शामिल होगा। इसका शुभारंभ मुख्य अतिथि वरिष्ठ रंगकर्मी सदानंद पांडे करेंगे। तत्पश्चात सायं 7 बजे से स्थानीय स्टेडियम में सांस्कृतिक कार्यक्रम, रंगारंग आतिशबाजी व लेजर लाइट शो का आयोजन किया जाएगा। इस कार्यक्रम के मुख्य अतिथि मुख्यमंत्री हरीश रावत होंगे। अति विशिष्ट अतिथि के तौर पर केंद्रीय रक्षा राज्य मंत्री किरण रिजिजू व केंद्रीय कपड़ा राज्य मंत्री अजय टम्टा, तथा विशिष्ट अतिथि जिला पंचायत अध्यक्ष पार्वती महरा व पालिकाध्यक्ष प्रकाश जोशी होंगे। विधायक मनोज तिवारी, पूर्व विधायक रघुनाथ चौहान व कैलाश शर्मा, जिलाधिकारी सविन बंसल, एसएसपी डीएस कुंवर मौजूद रहेंगे। बैठक की अध्यक्षता विनोद वैष्णव व संचालन अशोक पांडे ने किया। इस मौके पर समिति के अनेक पदाधिकारी व सदस्य मौजूद थे।
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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5135 on: October 13, 2016, 09:44:35 AM »
             Hakk Dastur (Gifts) System in Ibbetson Settlement in Garhwal
   
                     

                 Characteristics of Ibbetson Settlement in Garhwal -10

                            British Administration in Garhwal   -66     
       -
History of British Rule/Administration over Kumaun and Garhwal (1815-1947) -84
            History of Uttarakhand (Garhwal, Kumaon and Haridwar) -921
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                              By: Bhishma Kukreti (History Student)
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   ‘Hakk Dastur ’means the culture, tradition or system for getting gift as right.  Khaykar (the cultivators but not owners of land) used to pay gift to owners, owners used to pay gifts to Padhan and Padhan used to pay gifts to Thokdar (old version -Sayana, Kamin) and that gift was called “Hakk Dastur’.
  The Hakk Dastur was as-
A thigh to owner , Padhan or Thokdar on killing lamb for meat
One Mana (app kilo) Ghee or edible oil in Shravan month
One basket (Kandi) maize in maiz season
One or two Rupees as Pithai in daughter’s marriage

In Bhabhar, the following Dastur was there –
Koot- 1/3 of production
Sirti- normal land tax
Hal Kar- tax on plough
Apart from the above the land cultivators used to pay tribute as gifts, najarana, Saugpatt etc.
  Traill declared three % tax for Thokdar from land owners but ‘Hakk Dastur’ culture remained there for long. Beckett changed Hakk Dastur in rupees. (Batten)

                 Rights of Thokdar
    Beckett wrote-
        Initially, government handed over responsibilities to Thokdar/Sayana/Kamin for collecting tax, maintaining law and orders/judiciary. However, from police activities point, all failed miserably. They used to pave way for criminals escape.
           In 1856, the assistant commissioner suggested for abolishing rights of Thokdars for police activities. Therefore, in Pauw settlement, there were no names of many Thokdars on ‘Dastur’ list. On that time, Thokdars were paid 3, 6 or 20% from tax (Batten).
 The 1857 revolution affected the administration system. Henry Ramsay suggested for abolishing Thokdar system. However, Ramsey wrote in 1874, “Now I am changing my views on abolishing Thokdar positions. It is now, essential for keeping Thokdar post for keeping eyes on Padhan for law and order. Only Swarajvadi (freedom fighters) are against Thokdar and not common people. Thokdars are essential for controlling ‘Freedom Fighters’. Many Thokdars are gentleman and people respect them as King.
  In Traill settlement, the importance of Thokdar came down as agreement was with Padhan (village chiefs). By first part of twentieth century, the Thokdar position became as decorative post. The position was on heir based system. Elder son used to take the post after his father death. Jethunda (extra land for elder) was offered to Thokdar at initial time for their tax collection and law and order jobs.



Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 13/10/2016
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -922
*** History of British Rule/Administration over British Garhwal (Pauri, Rudraprayag, and Chamoli1815-1947) to be continued in next chapter
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
XX   
References 
 1-Shiv Prasad Dabral ‘Charan’, Uttarakhand ka Itihas, Part -7 Garhwal par British -Shasan, part -1, page- 230-231
2-Ibbetson, A.W., Revenue Settlement of Garhwal District, pages 1 to 11
3-Pauw, Garhwal settlement report, page 39
4-Stowell, V.A., Manual of Land Tenures in Kumaon division page 121
5- Atkinson, Himalayan Districts, Vol.3, page 22, 318
6- Batten, Settlement report of District Garhwal page 534
Xx
 
History of British Rule, Administration , Policies, Revenue system,  over Garhwal, Kumaon, Uttarakhand ; History of British Rule , Administration , Policies Revenue system  over Pauri Garhwal, Udham Singh Nagar Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Chamoli Garhwal, Nainital Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Rudraprayag Garhwal, Almora Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Dehradun , Champawat Kumaon, Uttarakhand ; History of British Rule, Administration, Policies, ,Revenue system  over Bageshwar  Kumaon, Uttarakhand ;
History of British Rule, Administration, Policies, Revenue system over Haridwar, Pithoragarh Kumaon, Uttarakhand;   










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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5136 on: October 13, 2016, 10:48:34 AM »
 Om Prakash Semwal: A Multitalented Garhwali Literature Creative
Critical and Chronological History of Modern Garhwali (Asian) Poetry –-128
                    Literature Historian:  Bhishma Kukreti
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   Though, Omprakash is Physics teacher but by heart, he is very tender and creates various types of Garhwali poetries. His subject varies from the pain of a Garhwali woman of Garhwal to natural beauty of rural Garhwal. Simplicity is his way of narrating poems but keeps a mystery too.
  His subjects fo poems are mainly philosophy, nature, images, love, wrong happenings in the society, administration and cultural.
 Twee, aige samo, Vasant, Bhol, Pahadai Nari, Baudik Aijai, Nayo saal are his reprehensive poems in Garhwali language
Date of birth: 10th Novemebr, 1965
Place: Village-Darmwadee, Rudra Prayag
Education: M.Sc. (Physics), B Ed
Writing: Published poems, articles, stories, lyrics in Garhwali in many local periodicals.
             A book of Garhwali poems based on Man Bhagwati Nada , “Kalsudee” /Kalsuri is published
    Om Prakash Semwal published two Garhwali short story collections too.
Om Prakash Semwal  is a famous literature movement activist of Rudraprayag.
Om Prakash Semwal created dozens of dramas in Garhwali.
Singer: He is also famous singer and released an audio cassette of Falasi Devi is available in market and this cassette became a rage when it was released.
Profession: Physics lecturer in Inter College, Chopta -Jakhani, Rudra Prayag

माछा पकड़ माछा पकड़ डौंका------------------

ये डांडा रिक्ख लग्यूं वै डांडा बाघ
तेरा गौं बंदरों डौर मेरा गौं मा स्याळ
रौल्यूं सुंगूर सौला बैठ्यां छां दोब
जै की च पौंछ राजा तलक वैकि मौज
माछा पकड़ माछा पकड़ डौंका--------
हाल बुरा छिन हमरा गौं का-------------
कुकुरु मूं कबास यख बंदरों मूं नर्यूळ
आम टटमरा ह्वयां तिमला नी पक्यूळ
तौंकि पुंगड़्यों कूल हमरि रूड़ च पड़ीं
सरकारि खजनै कि बांठि छिन बणी-----------
महलों अजगर हमरा भितरों छिन गुरौ
सूखु पड़ी संगति दिदा अब त ना झुरौ
गाजि-पाति मनखि डाळा ब्वटळा थूसणा
क्वे भक्वर्दा आम हमुतैं ढेला चुसौणा----------
लोखों नि बरगलौंदा लोण तेल पुगौंदा
खालि अपड़ि नी कबरि हमरि हमरि बी स्वचदा
हमुन ल्वे बगै त तुमुन सोची रंग च
तुम पर त चढ़्यूं सदानि राजरंग च-------------
कबरि हम सणी बि राज भाषा बिंगौंदा
शिकार तुमू खांदा हमुतैं बास सुंघौंदा
दिन हमरा बि ठ्यलेणा छिन सस्ये सस्येक
चुनौं का बगत छां ठाठ दिन द्वियेक ------------
अब त ना तिबार सजीं खोळि चमकणी
सल्यों कि कळजुग मा क्वैई गिण्ति नी
म्वारा रिटदा खंद्वरों रोंदा सौत बणदै नी
चकड़ेतों अड्यौण वळों का पसिना छूटीनी--------
हे राम फिर ले जनम !
(कविता )
त्रेता मा एकी तबै मारि सकि छौ तिन रावण हे श्रीराम
जख देखा रावणै रावण भौत ये कळजुग हे श्रीराम
बणौ फेर पलटण सजौ सेना हनुमान सुग्रीव हे श्रीराम
जु छन बैरि दुष्ट समाजा सिखौ तौं सबक मार हे श्रीराम
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बाल्मीकि (कविता )
बाल्मीकि छा कुटिल अभागी,
ज्वानि तलक कवि हृदय नि जागी।
जनि सुमिरे दिवा राम को बाळी,
"रामायण"अद्भुत रंचि डाळी।।
-

Copyright @ Bhishma Kukreti Mumbai; 2016
Critical and Chronological History of Asian Modern Garhwali Folk Songs,  Poets   ; Critical and Chronological History of Modern Garhwali Folk Verses,  Poets ; Critical and Chronological History of Asian Modern Poetries,  Poets  ; Poems Contemporary Poetries,  Poets  ; Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs ; Poems  ; Critical and Chronological History of South Asian    Modern Garhwali Folk Verses  ; Modern Poetries ,  Poets  ; Contemporary Poetries,  Poets  ; Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs; Modern Garhwali Folk Verses  ; Poems,  Poets   ; Modern Poetries  ; Contemporary Poetries  ; Contemporary folk Poetries from Chamoli Garhwal  ; Critical and Chronological History of Asian Modern Garhwali Folk Songs  ; Modern Garhwali Folk Verses,  Poets   ; Poems,  Poets  ; Critical and Chronological History of Asian  Modern Poetries; Contemporary Poetries , Poems folk Poetries from Rudraprayag Garhwal Asia,  Poets   ; Modern Garhwali Folk Songs,  Poets    ; Critical and Chronological History of Asian Modern Garhwali Folk Verses  ; Modern Poetries  ; Contemporary Poetries,  Poets   ; Contemporary folk Poetries from Tehri Garhwal; Asia  ; Poems  ;  Inspirational and Modern Garhwali Folk Songs  ; Asian Modern Garhwali Folk Verses  ; Modern Poetries; Contemporary Poetries; Contemporary Folk Poetries from Uttarkashi Garhwal  ;  Modern Garhwali Folk Songs; Modern Garhwali Folk Verses  ; Poems  ; Asian Modern Poetries  ; Critical and Chronological History of Asian Poems  ; Asian Contemporary Poetries; Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets  ;  Famous South Asian Poet ; Famous SAARC Countries Poet  ; Critical and Chronological History of Famous Asian Poets of Modern Time  ;
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  स्वच्छ भारत ; स्वच्छ भारत ; समर्थ गढ़वाल




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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5137 on: October 14, 2016, 11:08:39 AM »
        Duties, Responsibilities and Administrative Rights for Padhan in Ibbetson Settlement in Garhwal
   
                     

                 Characteristics of Ibbetson Settlement in Garhwal -11

                            British Administration in Garhwal   -67     
       -
History of British Rule/Administration over Kumaun and Garhwal (1815-1947) -85
            History of Uttarakhand (Garhwal, Kumaon and Haridwar) -922
-
                              By: Bhishma Kukreti (History Student)
-

           In Traill settlement, government used to fix tax for a region (Thok) for Kamin or Sayana. Sayana or Kamin used to collect tax from cultivators or used to appoint Padhan for a particular area (village or villages). Padhan used to collect tax from villagers and used to pay to Kamin/Sayana. Sayana/Kamin had rights for appointing and dismissing Padhan.
  In third Traill settlement, government had agreement (Kaul-Karar- Patta) directly with Padhans. Now, the Padhan position in administration and among villagers increased. Padhan became free from Kamin/Sayana and was reporting directly with the government. However, due to old custom, Thokdar or Kamin/Sayana were getting Hakk-Dastur. Padhan was called Malgujar (tax collector). In initial Traill period, Malgujar word was also used for Sayana and Kamin. Later on in Becket and Ramsey settlements, each owner became Malgujar and Padhan was named as ‘Sadar Malgujar’.
  Traill wrote (Stowellpage18) –
  “Padhan is for tax collection and keeping law and order in the village. In a way Padhan is government servant.
  Padhan collects tax from owners and also pay his land tax. Padhan is given extra land (Jithana) for his services. Villagers pay tribute to Padhan at festive, auspicious or marriage time. Though, Padhan is not offered as per dynasty system but the custom is that the eldest son gets Padhan position.
    Padhan had many Khaykars (cultivators but not owners). If there are all Khaykars in a particular village, Khaykar choose their Khaykar Padhan. However, when there are owners and Khaykar in a village, Khaykar can’t be Padhan.
  Padhan is also responsible for looking after Banjar land. He can offer land to ‘Paykast’ for cultivating the land. Padhan also manages the Kuli begar for officials. “
  Batten offered free hand for choosing two Padhans from big village (as till 60, there were two Padhans in Kathur Bara, Malla Dhangu, Pauri Garhwal). A Padhan could be Padhan for many villages (Example, Gweel Padhan (Malla Dhangu) was having eight nine villages (Gweel, Jaspur, Saur, Chhatinda, Metha, Kharik) under him).
            Deputy Commissioner had rights for dismissing Padhan on following grounds (Stowell, page 113)-
Criminals proved by court
Under heavy debts
Pledging  villages to money lenders
Sold villages land
Bad character
Making losses to government resources

                  Padhan Hakk (rights)

   Government offered Padhan a tax free land (Jithanu, Jethunda or Padhanchari khet) in exchange of tax collection. Padhan was Sirtan of Kesar –E-Hind for that land. If the tax calculation on ‘Jethunda’ land was less than five percent of total determined tax by Padhan, the Padhan used to get balance money from tax (to make five percent). Padhan family was free from Kuli Bardayast. It was great honor for Padhan family.  Thokdar were free from kuli Bardayast too.

                              Gharpadhan of Khaykar villages


       If in a village, all are Khaykar and no owners were there, villagers had a Gharpadhan in such villages. Gharpadhan was elected by concurrences of all villagers. Usually, deputy commissioner and Malgujar used to select ‘Gharpadhan’. He used to collect tax from Khaykars (non owners but had right on land) and deposited to Patwari.  Gharpadhan was exempted from Kuli Begar.
          Where, Hiissedar (owners) and Khaykar were there in a village, Malgujar /Padhan used to select a person as Gharpadhan. However, his position was more than Khaykar Gharpadhan as he was owner of land too.


Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 14/10/2016
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -923
*** History of British Rule/Administration over British Garhwal (Pauri, Rudraprayag, and Chamoli1815-1947) to be continued in next chapter
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
XX   
References 
 1-Shiv Prasad Dabral ‘Charan’, Uttarakhand ka Itihas, Part -7 Garhwal par British -Shasan, part -1, page- 231-32
2-Ibbetson, A.W., Revenue Settlement of Garhwal District, pages 1 to 11
3-Pauw, Garhwal settlement report, page 39
4-Stowell, V.A., Manual of Land Tenures in Kumaon division page 18, 124
5- Atkinson, Himalayan Districts, Vol.3, page 22, 318
6- Batten, Settlement report of District Garhwal page 534
Xx
 
History of British Rule, Administration , Policies, Revenue system,  over Garhwal, Kumaon, Uttarakhand ; History of British Rule , Administration , Policies Revenue system  over Pauri Garhwal, Udham Singh Nagar Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Chamoli Garhwal, Nainital Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Rudraprayag Garhwal, Almora Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Dehradun , Champawat Kumaon, Uttarakhand ; History of British Rule, Administration, Policies, ,Revenue system  over Bageshwar  Kumaon, Uttarakhand ;
History of British Rule, Administration, Policies, Revenue system over Haridwar, Pithoragarh Kumaon, Uttarakhand;   











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Bhishma Kukreti

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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5138 on: October 14, 2016, 01:06:40 PM »
Shiv Dayal Shailaj: A Garhwali Poet of Psychology, Subconscious Mind and Unconscious Mind
Critical and Chronological History of Modern Garhwali (Asian) Poetry – 129

                    Literature Historian:  Bhishma Kukreti
 Shiv Dayal Shailaj has been publishing his Garhwali poems in periodicals and poetry collections.
  Shiv Dayal Shailaj was born in 1965, in Meldhar village of Dhoundhiyalsyun, Pauri Garhwal.  The poems by Shiv Dayal Shailaj deal with today’s social and administrative issues, psychology, and confusion in sub conscious and unconscious mind.
  Shiv Dayal create Gazal too. His style is conventional and free verses. Totaram Dhoundiyal appreciated poems by Shiv Dayal in terms of serious issues in his poems and poetry style. Shiv Dayal uses common symbols for creating images. His many poems are symbolic in a sense that the symbols create psychological images.
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मेरि जिन्दगी की आस छै
रचना :- शिवदयाल शैलज
मेरि जिन्दगी की आस छै ।
मेरि जिन्दगी की सांस ।।
बणि घुघती बसि। जा गौलि मा।
मेरि जिकुडि की तू हिलांस छै।।
तू प्रेम की ह्यूंचुलि कांठी छै ।
तू माया की गैरी घाटी छै। ।।
तू म्यारै मुल्का की माटी छै।
तू तीलू रामी की सुबास छै।।
तू बाला कि सि आंखि छै।
तू ज्वान मन की पांखि छै।।
तू बुढेन्दी दौं की लाठी छै।
तू शरद रितू पैलो। मास छै।।3।
मी खरडू पूसा कि डालि छौं।
तू माया को मौल्यार छै ।।
त फ्यूंलि फागुण फुल्यार छै ।
तू रितू बसन्तै बुरांश छै ।।4।।
मन रूडि घामल सूखिगे।
चोलि पराण बि रूठि गे।।
तू सात सौण लेकि औ।
मेरि तीसी को चौमास छै।।5।।

आस की दिवडी"
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बिरड्यां लोग घार आला कबि न कबि ।
तू आस कि दीवडी न बुझैइ अबी ।।
बसगल्या बात ह्वैग्या; घनाघोर रात ह्वैग्या।
पेट भोरण्या बात ह्वैग्या ;लाटौं को साथ ह्वैग्या।।
मैर बंसला बिवैण्या आलो कबि न कबि ।
तू आस की दिवडी न बुझैई कबि ।।1।
फौंकी तेरी कटे गैंईं ; पात सबि झैडी गैंईं।
खरडू पूस लगि ग्याई ; चखुला सबि उडि गैंईः।।
सूखी डांडि हैरी ह्वैली कबि न कबि ।
तू माया को मौ ल्यार न लौटै अबि ।।2।।
भड॔ग रूडी पोडिग्याई ; खैरियं को लगि ग्याई घाम ।
बांजा कि जैड्यूं को पाणि ; गौलि उबाली आलि फाम।
तिसला लोग दौडि दौडि आला कबि न कबि ।
तू प्रीति की नवली न सुखैई कबि ।।3।।
बिरड्यां लोग घार आला कबि न कबि ।
तू आस की दिवडी न बुझैई कबि ।।
काॅपी राईट @शिवदयाल शैलज ।

Copyright @ Bhishma Kukreti Mumbai, 2016
Asian  Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Asian Modern Poetries, Poems Contemporary Poetries, Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs, Poems, South Asian    Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems , Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Chamoli Garhwal; Asian Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian Modern Poetries, Asian Poems, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets, Famous South Asian Poet , Famous SAARC Countries Poet , Famous Asian Poets of Modern Time,
पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;   Asian Poems for ; South Asian Poems for  ; Indian Poems for  ; North Indian Poems for   ; Himalayan Poems for

  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल




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Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख
« Reply #5139 on: October 14, 2016, 04:14:46 PM »

Modern Garhwali Verses  Songs,     Poems

 चखुली जनी माया  (गढ़वाली कविता )

रचना --   महेंद्र सिंह राणा  ' अडिग '  ( जन्म  1988,  सोल डुंगरी ,  बधाण , चमोली  गढ़वाल  )
Poetry  by - Mahendra Singh rana 'Adig'
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Critical and Chronological History of Modern Garhwali (Asian) Poetry – 213
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साहित्य इतिहास , इंटरनेट प्रस्तुति और व्याख्या : भीष्म कुकरेती
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 धार -चौबाटा
सैरा -सपाटा
ढैsपुरी -धुरपाsड़ा
गौं -गौळा - गोरबटा
बsणौ   -बुज्याsणा
 छान्यूं कोल्यणा
मेरी चखुली जनी माया
वीं तैं खुज्याणी रे ,
सेरा   गौं
म्यरा नौ का पिछाड़ी
बौड्या लगाणी रे ,
रात त सद्यनी आंद पर
'आजाद ' तैं जनू नि दिखे।

(Ref-Angwal,2013)
Poetry Copyright@ Poet
Copyright @ Bhishma Kukreti  interpretation if any
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 Critical and Chronological History of Asian Modern Garhwali Songs ,  Poets   ; Critical and Chronological History of Modern Garhwali Verses ,  Poets ; Critical and Chronological History of Asian Modern Poetries  ,  Poets  ; Poems Contemporary Poetries  ,  Poets  ; Contemporary Poetries from Garhwal; Development of Modern Garhwali Verses; Poems  ; Critical and Chronological History of South Asian    Modern Garhwali Verses  ; Modern Poetries ,  Poets  ; Contemporary Poetries,  Poets  ; Contemporary Poetries Poems  from Pauri Garhwal; Modern Garhwali Songs  ; Modern Garhwali Verses  ; Poems,  Poets   ; Modern Poetries  ; Contemporary Poetries  ; Contemporary Poetries from Chamoli Garhwal  ; Critical and Chronological History of Asian Modern Garhwali Verses ; Modern Garhwali Verses,  Poets   ; Poems,  Poets  ; Critical and Chronological History of Asian  Modern Poetries  ; Contemporary Poetries  , Poems Poetries from Rudraprayag Garhwal Asia   ,  Poets   ; Modern Garhwali Songs,  Poets    ; Critical and Chronological History of Asian Modern Garhwali Verses  ; Modern Poetries  ; Contemporary Poetries ,  Poets   ; Contemporary Poetries from Tehri Garhwal  ; Asia  ; Poems  ;  Inspirational and Modern Garhwali Verses ; Asian Modern Garhwali Verses  ; Modern Poetries; Contemporary Poetries ; Contemporary Poetries from Uttarkashi Garhwal  ;  Modern Garhwali Songs; Modern Garhwali Verses  ; Poems  ; Asian Modern Poetries  ; Critical and Chronological History of Asian Poems  ; Asian Contemporary Poetries ; Contemporary Poetries Poems from Dehradun Garhwal; Famous Asian Poets  ;  Famous South Asian Poet ; Famous SAARC Countries Poet  ; Critical and Chronological History of Famous Asian Poets of Modern Time  ;
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 पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली पद्य  , कविता ; 
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  स्वच्छ भारत ; स्वच्छ भारत ; समर्थ गढ़वाल

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