Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख (Read 1484646 times)

Bhishma Kukreti · « **Reply #760 on:** February 14, 2012, 08:06:04 AM »

Garhwali Words, Now Getting Extinct -26

Presented by Bhishm Kukreti

Sources : 1-Shri Ramakant Benjwal and Shrimati Beena Benjwal , Garhwali Shabdkosh, Vinsar Publishing co. Dehradun

2- Late Kanhyaa Lal . Dandriyal Garhwali shabd Kosh (Series in Shailvani, Kotdwara )

3- Abodh Bandhu Bahuguna , Garhwali Vyakaran ki Rup Rekha

4- Rajni Kukreti , Garhwali Vyakaran

लंक/लंख = बहुत दूर

लंकोदय = उषाकाल

लंगलंगी =पतली व लम्बी

लंगसंग =संगति का प्रभाव

लंगोडि =ऐसा खेत जो चुअदा कम लम्बा अधिक हो

लन्ज्जन= लांछन , कलंक

लंठ =बदमाश/उत्तर्दायित्व्हीन

लग्गा = गाँव की सीमा के अन्दर मुख्य गाँव से हटकर वसे कुछ परिवार

लग्द - बग्द= जल्दी जल्दी

लग्यार = लगाव

लदेरू = लड्डू पशु

लपराळ =आग की लपट

लमाळा =फते पुराने वस्त्र

लींजी /लेंजी = चिपचिपापन

लौल्याट =जोर की खुजली

ल्वीणि =असह्य दर्द

कृपया ध्यान दें :

गढ़वाली व्याकरणनुसार व्यंजनान्त में बडी ई की मात्रा अधिकतर वर्जित ही है

क, का, को भी गढ़वाली व्याकरण सम्मत नही है

ष भी प्रयोग नही होता था प्राचीन काल में ष को ख पढ़ते थे

Curtsey to all

1-Shri Ramakant Benjwal and Shrimati Beena Benjwal , Garhwali Shabdkosh, Vinsar Publishing co. Dehradun
2- Late Kanhyaa Lal Ji . Dandriyal Garhwali shabd Kosh (Series in Shailvani, Kotdwara )

3- Abodh Bandhu Bahuguna , Garhwali Vyakaran ki Rup Rekha

4- Rajni Kukreti , Garhwali Vyakaran

Bhishma Kukreti · « **Reply #761 on:** February 14, 2012, 09:58:21 AM »

Grammar of Kumauni language
Grammar of Garhwali Language
Grammar of Languages of Uttarakhand
Grammar of Nepali Language
Grammar of Mid Himalayan Languages

मध्य हिमालयी कुमाउंनी , गढ़वाली एवं नेपाली भाषा-व्याकरण का तुलनात्मक अध्ययन भाग -28

Comparative Comparative Study of Grammar of Kumauni, Garhwali Grammar and Nepali Grammar ,Grammar of Mid Himalayan Languages-Part-28

सम्पादन : भीष्म कुकरेती

Edited by Bhishm Kukreti

गढवाली में प्रत्यय

अबोध बंधु बहुगुणा ने गढ़वाली भाषा में दो प्रकार के प्रत्ययों की विवेचना की है- १-कृत प्रत्यय और २- तद्धित प्रत्यय.

जब कि रजनी कुकरेती ने तीन प्रकार के प्रत्ययों की विवेचना की है- १-क्रिया प्रत्यय २- कृत प्रत्यय व ३-तद्धित प्रत्यय , . व्याकरणीय दृष्टि व सही प्रयोग की दृष्टि से रजनी की विवेचना तर्क संगत है

१- क्रिया प्रत्यय

धातु में जब प्रत्यय लगते हैं तो क्रिया बज जाय उसे क्रिया प्रत्यय खते हैं

आणु -- खाणु

आणि - कहानी

आन्दु -- खांदु

अन्दन - खान्दन

ऐगि - खैगि

एगेन - खैगेन

कृत प्रत्यय

जब शब्द कोई संज्ञा , विशेषण या क्रिया विशेषण बनाते है तो वे शब्द कृत प्रत्यय कहलाते हैं

वळु, वळा/ वळी --खाणवळु, खाणवळा, घटवळी

अन्दरू/अन्दरा - खन्दरु/खंदरा

आलु/ऐलु - झगडालू/झगडैलु /बिगडैलु

सार - मिलनसार

एकी- पकी

दिदां - देदिदां

तैं - जैकितैं

गिरि - पटवरिगिरि

कुछ शब्द भाववाचक संज्ञा बनाते है जैसे

चढ़न से चढ़े (ढ़ +ऐ)

मुतण से मुताड़

गाण से गवय्या

रुण से रुताडु

जग्वळण से जग्वाळ

, हुणमांग, बरज़ात आदि

तद्धित प्रत्यय

वळु - घौरवळु

अरु - म्यारु

गुणु -दुगुणु

अङ्गत - पंगत

या - दुघर्या

अणि - सलाणि

याण - सड़याण

दां - तेरिदां

सन्दर्भ :

- अबोध बंधु बहुगुणा , १९६० , गढ़वाली व्याकरण की रूप रेखा, गढ़वाल साहित्य मंडल , दिल्ली ( Structure of Garhwali Grammar)
२- बाल कृष्ण बाल , स्ट्रक्चर ऑफ़ नेपाली ग्रैमर , मदन पुरूस्कार, पुस्तकालय , नेपाल (Structure of Nepali Grammar)

३- डा. भवानी दत्त उप्रेती , १९७६, कुमाउंनी भाषा अध्ययन, कुमाउंनी समिति, इलाहाबाद (Study of Kumauni Language Grammar)

४- रजनी कुकरेती, २०१०, गढ़वाली भाषा का व्याकरण, विनसर पब्लिशिंग कं. देहरादून ( Grammar of Garhwali Language)

५- कन्हयालाल डंड़रियाल , गढ़वाली शब्दकोश, २०११-२०१२ , शैलवाणी साप्ताहिक, कोटद्वार, में लम्बी लेखमाला (Garhwali- Hindi Dcitionary)

६- अरविन्द पुरोहित , बीना बेंजवाल , २००७, गढ़वाली -हिंदी शब्दकोश , विनसर प्रकाशन, देहरादून (Garhwali hindi Dictionary )

७- श्री एम्'एस. मेहता (मेरा पहाड़ ) से बातचीत

८- श्रीमती हीरा देवी नयाल (पालूड़ी, बेलधार , अल्मोड़ा) , मुंबई से कुमाउंनी शब्दों के बारे में बातचीत

९- श्रीमती शकुंतला देवी , अछ्ब, पन्द्र-बीस क्षेत्र, , नेपाल, नेपाली भाषा सम्बन्धित पूछताछ

१० - भूपति ढकाल , १९८७ , नेपाली व्याकरण को संक्षिप्त दिग्दर्शन , रत्न पुस्तक , भण्डार, नेपाल (Briefs on Nepali Grammar)

११- कृष्ण प्रसाद पराजुली , १९८४, राम्रो रचना , मीठो नेपाली, सहयोगी प्रेस, नेपाल (Nepali Grammar)

१२- चन्द्र मोहन रतूड़ी , गढ़वाली कवितावली ( सं. तारा दत्त गैरोला, प्र. विश्वम्बर दत्त चंदोला) , १९३४, १९८९

Comparative Study of Kumauni Grammar , Garhwali Grammar and Nepali Grammar (Grammar of , Mid Himalayan Languages ) to be continued ........

. @ मध्य हिमालयी भाषा संरक्षण समिति

Bhishma Kukreti · « **Reply #762 on:** February 14, 2012, 11:25:17 AM »

Marketing Guru -11
Sales Guru-11
विपणन गुरु-11

लैर्री फ्राइडमैन :वितरण रणनीति कार

Larry/Lawrence Friedman : Sales Channel strategist

( Notes on , Marketing Gurus, Advertising Guru , Sales Guru, Internet Marketing Gurus, Consumer Loyalty Guru, Branding Guru, Market Research Guru, Marketing Strategy Guru , General Management Guru, , Management Thinkers and Bright Management Practices,Management Gurus, Marketing management Guru, Human Resource Development Management Guru, Quality Management Guru, Operation Management Guru, )

Bhishm Kukreti

लैर्री फ्राईड मैन को मनण च बल जथगा महत्व प्रोडक्ट, प्रोडक्सन डिजाइन आदि क च उथगा इ महत्व वितरण को बि च अर वितरण कुव्यवस्था से कथगा इ समस्या अन्दन अर सुव्यवस्थित वितरण व्यवस्था से आधा से जादा समस्याओं निदान ह्व़े जान्द

अमेरिका ऑनलाइन कु पधान स्टीव केस कु बुलण च बल लैर्री फ्राईड मैन की किताब विपणन सिखाण मा कामयाब छन .

आजौ तेज हुन्दा बदलाव की स्तिथि मा कने चेंनेल मनेजमेंट मा गति ल़ाण चयेंद पर लैर्री फ्राईड मैन को बड़ो ध्यान च.

लैर्री फ्राईड मैन को बुल ण च बल अच्छो प्रोडक्ट तैं सही तरां से विपणन करणो बान सही वितरण व्यवस्था होण जरूरी च.

लैर्री फ्राईड मैन नामी गिरामी कम्पन्यूँ सलाहकार च

Books By Friedman

1- Go to Market Startegy

2-The channel Advantage

3-Getting Partnering Right (Co-authors- Rackham and Ruff

Notes on , Marketing Gurus, Advertising Guru , Sales Guru, Internet Marketing Gurus, Consumer Loyalty Guru, Branding Guru,Market Research Guru, General Management Guru, , Management Thinkers and Bright Management Practices,Management Gurus, Marketing management Guru, Human Resource Development Management Guru, Quality Management Guru, Operation Management Guru to be continued........

Copyright@ Bhishm Kukreti

Bhishma Kukreti · « **Reply #763 on:** February 14, 2012, 10:38:18 PM »

Satire only
My Workplace Romance

(Satire on Social Issues, Satire on Political Issues, Satire on Red Tapes, Satire on Economical Issues)

Bhishm Kukreti

The wife asked, “Tell me name of your office colleague with whom you’ve been romancing for so many years.”
I asked,” Why is there sudden interest on my romance in workplace?”
She replied,” Chhaunu and Chinkhu ke papa! I am serious to know about your workplace romances.”
I answered,” Having you as beautiful wife, I am not so lucky to have time for workplace romance.”
Annoyingly, she said,” I am not in mood to have jolly talks. It is very much essential for me to know about your extra marital romances.
I pleaded,” I don’t have any ...”
She shouted,” it is just impossible that you will not have workplace romance and will not have a couple of female lovers. As usual, you are fooling me. There is report in Economic Times that fifty percent (50%) of people had office romance and fifty one percent (51%) people have affairs with colleague only. You must be among those fifty percent (50%) or among fifty one percent.”
I said, “I don’t have any female romancing partner in my workplace.”
She said,” Don’t you have affairs with your juniors?”
I answered,” No! God did not provide me such character that I had affair with my juniors.”
Gallingly, she said,” However, ET’s survey reveals that 34.3 percent people have affair with their juniors.”
I answered,’ I am sorry I am not so lucky.”
She said, “Since, you are a senior executive you will be among those 14.6 percent people.”
I asked,” What is there among 14.6 percent?”
She answered,” ET’s report says that 14.6 percent have affair with their seniors. You must be romancing with your seniors.”
I said,” Madam! I am the senior most executive in my workplace in Mumbai region.”
Joyfully, she said,’ Oh! Then you will be among 12.5 percent who took transfer due to workplace romance. You shifted first to Aurangabad and later on returned back to Mumbai. Definitely, you had strong affairs either with your juniors or with seniors.”
I answered,’ It was not because of my insistence that I got transfer but because my boss wanted me at Aurangabad.”
Pitifully, she said,” You don’t have any extra marital affair in work place. How could I face my Kitty Party members?”
I asked,” What do you mean by facing Kitty Party members?”
She replied more miserably, “Today, we have kitty party and all of us will reveal the workplace love affairs of our husbands.”
I asked,” I did not get you.”
She explained,” In kitty party, we all will reveal the workplace love affairs of our husbands. Mrs. Barasyun ki Bagni got all information about her husband’s affair; Mrs. Chaundkot ki Band dig up the details of her husband’s involvement with his female colleagues; Mrs. Bagargadhya Bigraili has video clips about her husband’s love affairs with his junior colleague; Mrs. Chipli-Chakori of Bhilangana Ghati knows about her husband being taken on dating by his senior woman friend; I am ashamed that I could not get any clue about workplace affair of my husband.”
I said,” Darling! You are lucky that your husband is Patnivrta.”
She said sadly,” No, these days the society norms are changed. You were very much ‘Dilfenku’ in your student life in Dehradun. You used to take all my female friends to Nepoli for coffee party. How come! You don’t have any extra marital affairs with your juniors and seniors?”
I answered,” Because, in Videocon group, there is seldom any female staff in marketing.”
She left the bed-room and went to kitchen which is other side of our bedroom.
After she left, I called, “Yes! Mrs.Chhkchhatya! My Bulbul! My sweet heart! As planned we shall meet at lunch at revolving restaurant. Don’t worry I have booked a cabin there and we shall not have any disturbance.”

Copyright@ Bhishm Kukreti

Satire on Social Issues, Satire on Political Issues, Satire on Red Tapes, Satire on Economical Issues to be continued …..

Bhishma Kukreti · « **Reply #764 on:** February 15, 2012, 05:42:02 AM »

Psychological Aspects in ‘Lalsa’ a Social Drama by Lalit Keshwan

(Review of Garhwali Drama, Review of Kumauni Drama, Review of Uttarakhandi drama, Review of Himalayan language Drama)

Bhishm Kukreti

Lalit Keshwan is famous Garhwali poet who along with Kanhaiya Lal Dandriyal and Jaya Nand Khuksal Baulya brought realism in Garhwali poetry.
Lalit Keshwan wrote dramas too. He published recently a collection of five Garhwali plays – Jai Badri Narain (2011). Lalsa is one of the plays from Jai Badri Narain.
Lalsa means desire. ‘Lalsa’ drama is nearest to extreme realism in Garhwali drama or could be classified as naturalistic drama.
The drama is very simple and there is hardly a big twist in the play ‘Lalsa’ except in the last stage. The story of Lalsa drama is about a migrated Garhwali family living in Delhi in poor condition. Daulat Singh is an old man and ailing for long. His son Beeru a government servant is sole runner of the family needs but his income is not sufficient to cope with the increasing financial requirement. Beeru’s young children are studying in colleges. Beeru had to take loans from friends for running the house. Daulat Singh has a strong desire to see his village in Garhwal before he dies but due to poor condition of his son, Daulat Singh is unable to fulfill his desire to visit his ancestral place. Shila the wife of Beeru tries to accommodate the circumstances. Sheru comes to Delhi from village to watch 26th January. Daulat gets money. Now the drama is about – whether Daulat Singh would visit his ancestral place or not?
Lalit Keshwan being a poet has full knowledge of human behaviors and there are psychological aspects in his realistic play ’Lalsa’
Asmus- Daulat Singh is a patient of asthma and all the time, he behaves as happens in ‘asmus’ conditions.
दौलत सिंह - (दवै की गोळि गिच्चा मा धारद अर पाणी पेंद )- यूँ दवैयुं तैं खांदु -खांदु मैनो बेटी गेन पर यू रोग बीसौ उन्नीस नि ह्व़े या दमै बिमारी दमि लेकी राली. I have been taking medicines for asthma but there is no relive for a cent.
Aboulia- Aboulia means chronic indecision, with eventual loss of initiative. There are signs of aboulia in Daulat Singh, Beeru and Shila; due to lack of money they are showing indecisiveness too.
There are dialogues between Beeru and his wife Shila for buying a television. The question was whether buying on loan TV was right move or not. They bought TV on loan but till date the decision is not resolved.
शीला - मिं क्या गलत बोली? नौना पड़वस्यों की देळयूँ मा खड़ा रौंदा छा. ...
बीरू - यानं पढे को कथगा नुकसान होणु च, यू णि देखी.
शीला- मेरा समझणन अर न समझणन क्य होंद , जब बच्चा समझुन.
Potentiality verses Accomplishment: The playwright Lalit Keshwan showed the problem of actual accomplishment and potentiality of accomplishment y way of direct dialogues and indirect methodology for viewers to understand.
दौलत - ब्यटा मेरी या आखिरी इच्छा च म्वन से पैलि गां देखी ल्यूं . बोली बोली मी थकी ग्युं
बीरू- बाबा जी आप समझदा किलै नीन ? गौं जाणो तैं पैसा बी त भौत चयेणु च . जब पैसा ह्व़े जाला त आप तैं गाँ क दर्शन करै द्योलू
There are dialogues following the above scene showing potentiality and the actual accomplishment.
Algedonic phase of life: Algedonic is pertaining to pleasantness and unpleasantness dimension of feeling or emotion.
Daulat Singh sold the ‘Sagwad’ (a small land before the house and courtyard for growing vegetables) to Sheru at a reasonable price. The money would solve temporary economical problem, by all means Daulat Singh could go to his native place in Garhwal from Delhi. However, there two pains attached to selling ‘Sagwad’. Daulat Singh had to sell his ancestral land and there is another reality waiting about Daulat Singh (last part of one scene act ‘Lalsa’) which, is definitely painful for audience.
Bond and bonding: there are many examples of bond and bonding in the drama’ Lalsa’. The bond between Beeru and his ailing father, bond between Daulat Singh and the ancestral place.
The behavior of Daulat Singh about visiting his native place is nothing but an example of bovarism too and Lalit shows the same very successfully.
Body Language: No doubt, wisely, Lalit Keshwan left space for director and performers for showing body language while playing the roles in drama. However, most the time, Lalit Keshwan showed the body languages of characters by describing the situation and most of the time dialogues create images of body languages of the drama’s characters.
There is a scene that guests from village left the house of Beeru for watching 26th January procession and there is scene ---
(सब लोग रोटी खैकि सेइ जान्दन .)
(रात को समय )
दौलत (खंसणु रैंद )
सुबर उठिक सब लोग तैयार ह्वेकि छबीस जनवरी द्यखणु चली जान्दन)
(सब बच्चा टेलीविजन द्यखणा छन )
(दौलत अर शेरू भैर चाय पेणा छन )
The above scene proves the capability of Lalit Keshwan for his complete awareness about human behaviors. For example, when elders are worried or active for other jobs the children are busy in watching television. This scene is enough to show that Lalit has knowledge of psychology.
In most of the scenes, Lalit has been successful for showing contact, contact comfort and semantic content.
Lalit Keshwan knows the importance of values and compatibility in the social circle of Daulat Singh and the circle of his age.
The ‘Sagwad’ before the house of Sheru belongs to Daulat Singh and when the deal of selling ‘Sagwad’ by Daulat Singh is over. There is a talk between Sheru and Daulat.
दौलत - खैर भुला अब यो च कि हम सग्वड़ कै हैंका देंदा , त वो बि ठीक नि छौ. मोर ऐथर हैका जमीन हो त वो बि बार बार चुभणि रौंद
शेरू- हाँ , ये बात त सच च .
The writer is successful in showing wish and wish fulfillment aspects of life in the drama. Many times, Daulat Singh behaves non-rational too and it is the proof of Lalit Keshwan knowing human behaviors very well.
The above examples show that Lalit Keshwan not only created a realistic drama but he has been successful in using perfect psychological aspects of characters of drama ‘Lalsa’.
‘Lalsa’ a Garhwali drama from ‘Jai Badri Narain’
(A Five Stage Plays collection)
By Lalit Keshwan
Published by Next Era Print and Publication
Delhi, India

Contact number of Garhwali dramatist Lalit Keshwan - 092116730207

Review of Garhwali Drama, Review of Kumauni Drama, Review of Uttarakhandi drama, Review of Himalayan language Drama to be continued….

Copyright@ Bhishm Kukreti

Bhishma Kukreti · « **Reply #765 on:** February 15, 2012, 09:15:39 AM »

Grammar of Kumauni language
Grammar of Garhwali Language
Grammar of Languages of Uttarakhand
Grammar of Nepali Language
Grammar of Mid Himalayan Languages

मध्य हिमालयी कुमाउंनी , गढ़वाली एवं नेपाली भाषा-व्याकरण का तुलनात्मक अध्ययन भाग -30

Comparative Comparative Study of Grammar of Kumauni, Garhwali Grammar and Nepali Grammar ,Grammar of Mid Himalayan Languages-Part-30

सम्पादन : भीष्म कुकरेती

Edited by Bhishm Kukreti

नेपाली में प्रत्यय उदहारण

ना --- गार्दैना , खादैना (सभी क्रियाएं )

लाइ - हरुलाई

ल़े - हरुले

बाट- हरुबाट

को - हरुको

मा - हरुमा

ऐ

इन

इस

यो

यौ

एन

एनौ

एनन

चाहि - ठुल़ोचाहि

होला - हाक्नुहोला

वार - आइतवार

आई- हंसाई

इलो- दुधिलो

आरि- भिखारि

एर- भुएर (हू + एर)

आड़ - दिपाड़

चा - क्याहचा

चा - बिराटचा

सन्दर्भ :

- अबोध बंधु बहुगुणा , १९६० , गढ़वाली व्याकरण की रूप रेखा, गढ़वाल साहित्य मंडल , दिल्ली ( Structure of Garhwali Grammar)
२- बाल कृष्ण बाल , स्ट्रक्चर ऑफ़ नेपाली ग्रैमर , मदन पुरूस्कार, पुस्तकालय , नेपाल (Structure of Nepali Grammar)

३- डा. भवानी दत्त उप्रेती , १९७६, कुमाउंनी भाषा अध्ययन, कुमाउंनी समिति, इलाहाबाद (Study of Kumauni Language Grammar)

४- रजनी कुकरेती, २०१०, गढ़वाली भाषा का व्याकरण, विनसर पब्लिशिंग कं. देहरादून ( Grammar of Garhwali Language)

५- कन्हयालाल डंड़रियाल , गढ़वाली शब्दकोश, २०११-२०१२ , शैलवाणी साप्ताहिक, कोटद्वार, में लम्बी लेखमाला (Garhwali- Hindi Dcitionary)

६- अरविन्द पुरोहित , बीना बेंजवाल , २००७, गढ़वाली -हिंदी शब्दकोश , विनसर प्रकाशन, देहरादून (Garhwali hindi Dictionary )

७- श्री एम्'एस. मेहता (मेरा पहाड़ ) से बातचीत

८- श्रीमती हीरा देवी नयाल (पालूड़ी, बेलधार , अल्मोड़ा) , मुंबई से कुमाउंनी शब्दों के बारे में बातचीत

९- श्रीमती शकुंतला देवी , अछ्ब, पन्द्र-बीस क्षेत्र, , नेपाल, नेपाली भाषा सम्बन्धित पूछताछ

१० - भूपति ढकाल , १९८७ , नेपाली व्याकरण को संक्षिप्त दिग्दर्शन , रत्न पुस्तक , भण्डार, नेपाल (Briefs on Nepali Grammar)

११- कृष्ण प्रसाद पराजुली , १९८४, राम्रो रचना , मीठो नेपाली, सहयोगी प्रेस, नेपाल (Nepali Grammar)

१२- चन्द्र मोहन रतूड़ी , गढ़वाली कवितावली ( सं. तारा दत्त गैरोला, प्र. विश्वम्बर दत्त चंदोला) , १९३४, १९८९

Comparative Study of Kumauni Grammar , Garhwali Grammar and Nepali Grammar (Grammar of , Mid Himalayan Languages ) to be continued ........

. @ मध्य हिमालयी भाषा संरक्षण समिति

Bhishma Kukreti · « **Reply #766 on:** February 15, 2012, 10:14:48 AM »

Marketing Guru -12
Sales Guru-12
विपणन गुरु-12

डेविड आकर : ब्रैंड इक्विटी बानो प्रसिद्ध

David Aaker: Famous for Brand Equity

( Notes on , Marketing Gurus, Advertising Guru , Sales Guru, Internet Marketing Gurus, Consumer Loyalty Guru, Branding Guru, Market Research Guru, Marketing Strategy Guru , General Management Guru, , Management Thinkers and Bright Management Practices,Management Gurus, Marketing management Guru, Human Resource Development Management Guru, Quality Management Guru, Operation Management Guru, )

Bhishm Kukreti

नोर्थ डकोटा मा जनम्युं डेविड आकर (१९३८) न पी एच. डी करणों बाद मैनेजमेंट कोलेज मा पढाई . वैकी प्रसिद्धि विपणन क्षेत्र मा ब्रैंड इक्विटी विचार/सिद्धांत लाणो बान ह्व़े. आकर ण अबि तलक दस से बिंडी मार्केटिंग विषय पर किताब लेखी आलीन अर भौत सी बड़ी कम्पन्यूँ मा विपणन सलाहकार बि च ,

मार्केटिंग रण नीतिकारों मा डेविड आकर को नाम ख्यातिप्राप्त च

Key Books by David Aaker

1- Brand Equity, 1992

2- Building Strong Brands,1995

3-Developing Business Strategies,2001

4-Brand Learship (coauthor-Erich) 2000

5-Strategic Marketing management

6-Brand Building and Social Media

7-Eight Characteristics of Retail concepts

8-Brand Portfolio Strategies

Notes on , Marketing Gurus, Advertising Guru , Sales Guru, Internet Marketing Gurus, Consumer Loyalty Guru, Branding Guru,Market Research Guru, General Management Guru, , Management Thinkers and Bright Management Practices,Management Gurus, Marketing management Guru, Human Resource Development Management Guru, Quality Management Guru, Operation Management Guru to be continued........

Copyright@ Bhishm Kukreti

Bhishma Kukreti · « **Reply #767 on:** February 15, 2012, 12:12:40 PM »

Fundyanath 420: One of the Great Satirical Poems of 21st Century of Poetry world

Bhishm Kukreti

A literature critic cicely A Richard rightly states that satire is a competent writing skill for exposing faults found in society and creative use humor as mirror to show the world their true face.
Famous poet G.G.L. Byron used satirical poems effectively for public to look at objectively at politics and politicians. However, Harish Juyal went ahead in using satirical words harsher than words used in poem ‘Don Juan’ by George G.L. Byron.
Fundyanath -420 poem by Harish is as critical against leadership as the poem ‘Re-Conferences’ by famous Russian poet Vladimir Mayakovski against bureaucracy at the time of Lenin in Russia.
Polish poet Antony Slonimski was also famous for criticizing harshly the leadership through satirical poems.
A Zimbabwe’s famous poet Chirikure Chirikure is famous for blending humor and anger, Harish uses humor and anger in his Fundyanath 420 poem.
The talent of Harish Juyal about humor, irony and political satire could be compared the raptures and emotions found in the stories of famous Nigerian creative Chinua Achebe.
Nobel Prize winner literature creative and Nigerian valiant writer Wole Soyinka states that the promise of pen belongs to take bulls by horns. Fundyanath a satirical and humorous poem by Harish Juyal fulfils the statement by great creative Wole Soyinka.

Style of poem: The style is different and is mixture of Hindi and Garhwali. This style is not new for Garhwali in our folk poetry. Rakhwalee is performed in the same manner i.e. mixture of Hindi and Garhwali

Phrases create Perfect and desired images: the specialty of the poet is that he uses local phrases for creating images of unthinkable leaders and their leadership of political arena and social field.

फुंड़यानाथ 420

कवि : हरीश जुयाल 'कुटज'

ॐ नमो गुरु को आदेशा
माता पिता को जुहारा
मिस्टर फुंड़यानाथ कू नमस्कार
पीले हाथ में एक्सपाईर्ड जूता लाऊं
फिर फुंड़यानाथ का इंट्रोड्क्सन इन्त्रोद्क्सन कराऊं
तू रै बाबा दुमुख्या गुरो
मुख मौल़ी पुछ्ड़ी बिसैली
गौन्छी को कीस छे
जौ कु झीस छे
चार सौ बीस छे
समाज कु खाज छे
ऑलरेडी बदमिजाज छे
तीन समाज को आपस में लड़ायो
पुब्लिक मा कच्यूळ करायो
अपणे आप छांटो हो जायो
गौं कु गलादार छे
ड़्यार कु फौंज्दार छे
मतलब से बोल्दू
मतलब से बच्यान्दू
तेरु रे फुंड़यानाथ
क्या -क्या खाणु
क्या क्या ल्ह़ाणु
खांदी रे घपरोळ का गुरमुल़ा
ल्ह़ाणु रे क्रिटिसाईंज कु कुर्ता
आंख्युं माँ सोर्स का चश्मा चम्कान्दी
कपल मा कूटनीती को तेल ,
जिकुड़ी मा जहर का ग्व़ाळआ
नजर माँ पालिटिक्स का फ़्वाळआ
रे बाबा--
क्या -क्या बूतदी
क्या क्या काटदी
तू ---
बुतदी रे जातिवाद का बीज, क्षेत्रवाद का म्याला
कटदी रे स्वार्थ की फसल
मन्ख्यात से तुझे खाजी हो जावै
गुंडों के फेस पे बोरोलीन लगावै
गरीबों को धमकाये , टुच्चों को चमकाए
फर्जी रिस्पेक्टेड छे बाबा
गढ़वाळ घाट को डौंडिया छे
कुमाओं घाट कु चौंडिया छे
पब्लिक तोड़ा , पब्लिक मोड़ा नरसिंघ छे
बोकसड़ी जाप कु मान जै
कांवर की विद्या कु मान जै
कुटज की भगती कु मान जै
चल - चल रे मेरे औफर पे चल
लाइन हाजिर हो जा
समाज का पिण्डा प्राणी को छोड़
पब्लिक को लड़ाना छोड़
जातिवाद करना छोड़
फ़ौरन कुकर सोसैटी मा जा
मेरे हुकम पे नी चली तो
तुझे संगाट प्याट के बिच्छी तडकाये
भैस्या मकडा तेरे फेस पे मूते
तुझे जूंक की हड्डी से मारूं
गंडेळ की सींग से मारूं
किदली की बैकबोन से मारूं
मछर की सीधी टांग से मारूं
करगंड में अक्सन का जुटा मारूं
बर्मंड में लखानी का चप्पल चलाऊँ
लगाऊँ दस गिनुं एक पडम पडम पडम
ॐ नमो गुरु का आदेशो

Copyright@ Bhishm Kukreti

Bhishma Kukreti · « **Reply #768 on:** February 16, 2012, 02:07:07 AM »

Satire only
Hitch To Speak before a Wrong Person

Bhishm Kukreti

These days, I am getting regular calls from my village and relatives living in Garhwal for solving common community properties problems.
Today, there was a call from Gajju Bwada,” Bhishm! Do you have any worry or not about your village? “
I asked,” Bwada Ji! What has happened?”
He said,” You migrated ones (deshval) have become so selfish that you don’t bother at all for wrong happenings in the village.”
I said,” Bwada Ji! Should I send donation for any new cause for the village?”
Bwada Ji answered,” Yes! Of course we need donation but I did not call you for donation. My mobile is pre-paid. So, you call from your mobile.” He put off mobile.
I called and asked,” What is the problem if not donation?”
He shouted,” You ‘desh vale’ (migrated ones) never want to know the problems of village.”
I once again requested,” Bwada Ji! Tell me the problem”
He explained,” Rvindra has started building house in Sanjait Jameen (common property of village). You all deshval (migrated ones) should act immediately for stopping Ravindra for his encroachment on village common property.”
I asked,” Gram Pradhan should act upon and should stop Ravindra Bhaiji for building the new house on the Sanjait Jameen.”
He said,” No! Gram Pradhan Ji can’t go against Ravindra. There is Gram Pradhan’s daughter marriage in the next season. You know Ravindra is the only expert of arranging everything for girl’s marriage in our village.”
I suggested,” Let Gobardhan kaka speaks with Ravindra Bhaiji.”
Bwada clarified,” Gobardhan can’t dream harming Ravindra. Gobardhan took fake buffalo buying loan for his son’s marriage and Ravindra is guarantor.”
I said,” Sohan Master Ji is the best person to tackle the situation. Let Sohan Master Ji speaks to Ravindra Bhaiji.”
Bwada simplified,” There are two three obligations of Ravindra on Sohan Master. Sohan master was caught twice for malpractices in Children Day Meal. Both the times Ravindra saved the skin of Sohan Master.
I said,”Bwada Ji! You are always straight forward and whenever somebody pushed your Vado (a dividing stone dividing the ownership of land) you used to slap the culprits.”
He answered,” That is different aspect of my principles. I will never allow anybody to snatch my right.”
I said,” Ravindra Bhaiji is encroaching into village property. You should act upon.”
He said,” First of all, Ravindra is not interfering into my individual’s right. Secondly, I am in negotiating point with Ravindra for a land deal. His land is just in front of my house and I want to buy that land. For village sake, I will never annoy Ravindra.”
I said,” It means there is no alternate.”
He said,” You should take the lead and should stop Ravindra for encroaching common village land. “
I answered, “Bwada Ji! I would be happy to do so. However, in the coming summer season, we all Mundit wale will visit village for our Sanjait Narsingh Poojan and nobody in my Mundit can dare to upset Ravindra Bhaiji as he will arrange everything for us for carrying Narsingh Poojan.”
Bwada shouted,” You all ‘deshVal’ (migrated ones) are selfish.” And he put off the phone.

copyright@ Bhishm Kukreti

Bhishma Kukreti · « **Reply #769 on:** February 16, 2012, 07:49:24 AM »

Garhwali Words, Now Getting Extinct -27

Presented by Bhishm Kukreti

Sources : 1-Shri Ramakant Benjwal and Shrimati Beena Benjwal , Garhwali Shabdkosh, Vinsar Publishing co. Dehradun

2- Late Kanhyaa Lal . Dandriyal Garhwali shabd Kosh (Series in Shailvani, Kotdwara )

3- Abodh Bandhu Bahuguna , Garhwali Vyakaran ki Rup Rekha

4- Rajni Kukreti , Garhwali Vyakaran

वंग - उनग, ओंग,

वंस - ओस

वगाण = फूलना ९रोति आदि)

वथ्यार = व्श्राम का कार्य खासकर बकरियों से समन्धित

वअण = बड़ा छेद

विखळाण/ विकुळ =अरुचि

वीटा= उलटा

वीणा= जागृत स्तिथि

वीर्यौण =किसी कार्य को शुरु करना

संगेठण =समेटना

संदौण =छोटे बच्चों को तेल मालिश कर गरम हाथों से सेकना

संतेण = घाव भरना

संवार = सामने

स्क्यावान = शक्तिशाली

सगळो =पूरा/समूचा

सगाती = सगोत्री

सतरौण =व्यवस्थित करना

सिनक्वाळ = अन्धेरा होने से पूर्व

समसूत= रात्री का सन्नाटा

सळकि =डींग

सांवा = कर्ज के रूप में दी गयी राशी

सिंगताळ = दो सींगो के बीच का भाग , माथा

सुकरौड़ =एकदम सुखा पड़ना

सुरता = इच्छा, आकांक्षा

सुराळि =रिश्ता, नाता

सुळया =कामुक

सेंजडि =हमउम्र

स्यमता =ऐसी इच्छा जो पूरी होना कठिन हो

हितराड़ =डांट

हुर्स्यौण =चिढाना

हेवार = पंक्ति

हेसणु =कष्ट भोगना

होकड़ = होड़, बाजी

होतिल = समृद्ध

ह्युंर =ग्लेशियर

कृपया ध्यान दें :

गढ़वाली व्याकरणनुसार व्यंजनान्त में बडी ई की मात्रा अधिकतर वर्जित ही है

क, का, को भी गढ़वाली व्याकरण सम्मत नही है

ष भी प्रयोग नही होता था प्राचीन काल में ष को ख पढ़ते थे

Curtsey to all

1-Shri Ramakant Benjwal and Shrimati Beena Benjwal , Garhwali Shabdkosh, Vinsar Publishing co. Dehradun
2- Late Kanhyaa Lal Ji . Dandriyal Garhwali shabd Kosh (Series in Shailvani, Kotdwara )

3- Abodh Bandhu Bahuguna , Garhwali Vyakaran ki Rup Rekha

4- Rajni Kukreti , Garhwali Vyakaran

MeraPahad Community Of Uttarakhand Lovers

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