Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख (Read 725999 times)

Bhishma Kukreti · « **Reply #840 on:** March 11, 2012, 11:40:59 AM »

Ghat: A Garhwali Drama Attacking Blind Faith

(Review of Garhwali drama ‘Ghat’ written by Dr Govind Chatak)
(Notes of Garhwali dramas, Uttarakhandi dramas, Himalayan dramas, Indian dramas)

Drama Reviewed by: Bhishm Kukreti

When medical facilities were available with scarcity, there is no proper formal education and right social education in any society, the blind faith persists for curing the diseases. In old age, instead of calling medicine practitioner, people used to call ‘Mantrik’ for curing the patient. Dr Govind Chatak deals the problem of people believing on ‘Mantrik’ in Ghat drama (1956)
A patient is affected by cold and day by day the disease is enhancing. The kind doctor come for taking care of the patient but the parents of patient ignore the doctor and provide priority and importance to Mantrik-Tantrik. In this way the patient dies.
The dram is simple and was very much relevant in fifties. It is also observed that still many types of blind faiths exist in all the societies. The dram seems to be relevant in many cases.
The dialogues match and les conflict is shown between the characters. Abodh Bandhu Bahuguna appreciates the dramas of Dr.Chatak for depicting real life of rural Garhwal in his dramas.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti
Notes of Garhwali dramas, Uttarakhandi dramas, Himalayan dramas, Indian dramas to be continued……

Bhishma Kukreti · « **Reply #841 on:** March 11, 2012, 09:31:07 PM »

Dwi Hajar ki Dwi Ankhee: A Garhwali Drama about Woman Psychology

(Review of a Garhwali Drama ‘Dwi Hajar ki Dwi Ankhee’ written by Dr. Govind Chatak)
(Notes on Woman Psychology in Modern Dramas, Woman Psychology in Modern in Indian Dramas, Woman Psychology in Modern in Himalayan Dramas, Woman Psychology in Modern in Uttarakhandi Dramas, Woman Psychology in Modern in Garhwali Dramas)

Bhishm Kukreti

Barring ‘Pankho’ , ‘Vasanti’ dramas, there has been less importance on the subject of women in Garhwal before Dr. Chatak. Dr. Chatak repeated ‘Pankho’ subject but differently. In this drama the heroin revolt against the situation. Pankho was written in 1932 and Dr Chatal created ‘‘Dwi Hajar ki Dwi Ankhee’ in 1956. Garhwali dramas are mirror for informing the social changes taken place time to time. In ‘Pankho’, the woman takes the situation as it is but in ‘Dwi Hajar ki Dwi Ankhee’ the woman character is more rebellion and wants to be heard.
The story is not complex in ‘Dwi Hajar ki Dwi Ankhee’ drama by Dr. Govind Chatak. Vasanti a young girl is married to an old man. Physically and psychologically, Vasantis is dissatisfied from her old husband. Vasanti runs away from her husband with her cunning boy friend. He takes her to a Hotel in city. He sells her to the hotel owner for two thousand bucks. The writer informs audience symbolically the hotel owner wants to us Vasant as call girl in his hotel. When Vasanti becomes annoyed on hotel owner the owner replies teasingly her,” dwi hajar ma t teri ankhi I chhan” and dram ends here.
The drama is memorable for character Vasanti. At one point Vasanti leaves her husband and runs away with a cunning boy for the better physical and mental pleasure. However, when she comes to hotel she is worried about her old aged husband about his problem of cooking food and many other his problems due to his old age. This the best part of the drama which shows another aspect of a woman as a real care taker of this earth.
The drama is simple and is able in creating curiosity among audience about ‘what happened next?’.

References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Woman Psychology in Modern Dramas, Woman Psychology in Modern in Indian Dramas, Woman Psychology in Modern in Himalayan Dramas, Woman Psychology in Modern in Uttarakhandi Dramas, Woman Psychology in Modern in Garhwali Dramas to be continued…….

Bhishma Kukreti · « **Reply #842 on:** March 12, 2012, 03:08:39 AM »

Kumaoni Grammar,Garhwali Grammar,Uttarakhandi Grammar,Nepali Grammar ,Grammar of Himalayan Languages-Part-56

कुमाउंनी , गढ़वाली एवं नेपाली भाषा-व्याकरण का तुलनात्मक अध्ययन भाग -56

सम्पादन : भीष्म कुकरेती

Edited by Bhishm Kukreti

हिंदी, कुमाउंनी और गढ़वाली भाषाओँ में वाक्य भेद

१-हिंदी - तुम पुस्तक पढ़ रहे थे

कुमाउंनी -तुम किताब पड़णौ छिया

गढ़वाली - तू किताब पढ़णु छौ /छयो

तुम किताब पढ़णा छ्या

२- हिंदी - मै फल खा रहा था .

कुमाउंनी -मै फल खाणौ छियुं

गढ़वाली - मि फल खाणु छौ

३- हिंदी - मैं पढ़ने जा रहा हूं

कुमाउंनी - मै पड़णहूं जाणयूँ

गढ़वाली -मी पढ़णो जाणु छौं

४- हिंदी - तुम घर जा रहे हो

कुमाउंनी -तुम घर जाणौ छा

गढ़वाली -तू घौर /ड़्यार जाणु छे /तुम ड़्यार जाणा छ्न्वां

५- हिंदी - वह बाजार जा रहा है

कुमाउंनी - ऊ बजार जाणौ छ

गढ़वाली -वु बजार जाणु च

६- हिंदी - वे मनुष्य पढ़ रहे हैं

कुमाउंनी -ऊँ मैश पड़णाईं

गढ़वाली - वो/वु मनिख पढ़ना छन

सन्दर्भ-

1- अबंधु बहुगुणा , १९६० , गढ़वाली व्याकरण की रूप रेखा, गढ़वाल साहित्य मंडल , दिल्ली ( Structure of Garhwali Grammar)

२- बाल कृष्ण बाल , स्ट्रक्चर ऑफ़ नेपाली ग्रैमर , मदन पुरूस्कार, पुस्तकालय , नेपाल (Structure of Nepali Grammar)

३- डा. भवानी दत्त उप्रेती , १९७६, कुमाउंनी भाषा अध्ययन, कुमाउंनी समिति, इलाहाबाद (Study of Kumauni Language Grammar)

४- रजनी कुकरेती, २०१०, गढ़वाली भाषा का व्याकरण, विनसर पब्लिशिंग कं. देहरादून ( Grammar of Garhwali Language)

५- कन्हयालाल डंड़रियाल , गढ़वाली शब्दकोश, २०११-२०१२ , शैलवाणी साप्ताहिक, कोटद्वार, में लम्बी लेखमाला (Garhwali- Hindi Dcitionary)

६- अरविन्द पुरोहित , बीना बेंजवाल , २००७, गढ़वाली -हिंदी शब्दकोश , विनसर प्रकाशन, देहरादून (Garhwali hindi Dictionary )

७- श्री एम्'एस. मेहता (मेरा पहाड़ ) से बातचीत

८- श्रीमती हीरा देवी नयाल (पालूड़ी, बेलधार , अल्मोड़ा) , मुंबई से कुमाउंनी शब्दों के बारे में बातचीत

९- श्रीमती शकुंतला देवी , अछ्ब, पन्द्र-बीस क्षेत्र, , नेपाल, नेपाली भाषा सम्बन्धित पूछताछ

१० - भूपति ढकाल , १९८७ , नेपाली व्याकरण को संक्षिप्त दिग्दर्शन , रत्न पुस्तक , भण्डार, नेपाल (Briefs on Nepali Grammar)

११- कृष्ण प्रसाद पराजुली , १९८४, राम्रो रचना , मीठो नेपाली, सहयोगी प्रेस, नेपाल (Nepali Grammar)

१२- चन्द्र मोहन रतूड़ी , गढ़वाली कवितावली ( सं. तारा दत्त गैरोला, प्र. विश्वम्बर दत्त चंदोला) , १९३४, १९८९

13- Notes of Dr Achla Nand Jakhmola on Grammar book by Dr Bhavani Datt Upreti

Kumaoni Grammar,Garhwali Grammar,Uttarakhandi Grammar,Nepali Grammar ,Grammar of Himalayan Languages to be continued .....

Bhishma Kukreti · « **Reply #843 on:** March 12, 2012, 08:26:28 AM »

Ker: A Garhwali Drama for Human Right Fight

(Review of Garhwali Drama ‘Ker’ (1956) written by Dr. Govind Chatak)

(Notes on Dramas about Human Right, Social right; , Indian Dramas about Human Right Social right ; Himalayan Dramas about Human Right, Social right ;, Uttarakhandi Dramas about Human Right, Social Right Fight; Garhwali Dramas about Human Right , Social Right Fight)

Bhishm Kukreti

In old time even after independent, there were social norms for Shilpkars (Untouchables) that they could not enter into any temple and the bride-groom were not allowed to go by Dola-Palki /palanquin in their marriage procession through village boundary or near temple. Dr Chatak took the same subject of struggle for entry into temple by Shilpkars. Gyan Singh is the leader of Shilpkar who inspire his socially deprived community to enter into temple. In this process Gyan Singh and his community fellows get beaten by upper caste people.
Due to dialogues drama gets speed.
The drama is purely a propaganda drama and Dr Chatak avoids emotional scenes into drama. Dr Anil Dabral calls this drama ‘ker’ as ‘sarkari natak’.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Dramas about Human Right Fight, Indian Dramas about Human Right Fight, Himalayan Dramas about Human Right Fight, Uttarakhandi Dramas about Human Right Fight Garhwali Dramas about Human Right Fight to be continued……..

Bhishma Kukreti · « **Reply #844 on:** March 12, 2012, 10:09:36 PM »

Naunu Hondu t: A Garhwali Drama about Desiring a Son

(Review of Garhwali Drama ‘Naunu Hondu t’ (1956) written by Dr. Govind Chatak)
(Notes on Indian Dramas, Himalayan Dramas, Uttarakhandi dramas, Garhwali Drama, Hundred years of Garhwali dramas)

Bhishm Kukreti

There is acute desire to have son for carrying the family name in every society. Parents take help of Mahatmas, Babas and exorcist. Having a son or daughter is a biological process and there is no role of Babas or exorcist in getting son or daughter. However, people take help of Babas or mahatmas for having a son. In this process, crooked Babas exploit the people. Dr. Chatak convincingly shows the acute desire for son and bitter ways of exploitation of situation by cunning, crooked Babas, or so called mahatmas in the drama ‘Naunu Hondu t’. The drama is still relevant. The dialogues are taken from common life. Characterization is fair and characters are from average life. According to Dr. Anil Dabral, the writer did not use any imagination in creating situation or extraordinary characters. The drama is interesting to watch.

References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Indian Dramas, Himalayan Dramas, Uttarakhandi dramas, Garhwali Drama, Hundred years of Garhwali dramas to be continued …..

Bhishma Kukreti · « **Reply #845 on:** March 13, 2012, 12:48:26 AM »

Mundaro: A Garhwali Drama about Marriages by Parent’s Choice

(Review of a Garhwali drama ‘Mundaro’ (1956) written by Dr. Govind Chatak)
(Notes on Indian Social Dramas, f Himalayan Social Dramas, Uttarakhandi Social dramas, Garhwali Social Dramas, Hundred years of Garhwali dramas)

Bhishm Kukreti

Now, it is less in practice in urban life that parents wish marrying their children from their angles. A few years back, it was very common in rural Garhwal or India that parents used to force their children for marrying as per parent’s choices. It was customary that parents used to inform the boy/girl that they had been engaged.
Mundaro means a headache. Garhwali drama ‘Mundaro’ (1956) written by Dr. Govind Chatak is about various tactics used by a father for his son marrying by parent’s choice and not by son’s choice. In this way, the son faces many uncomfortable situations and awkward circumstances. The drama depicts the life style of Indian societies of sixties and is important to know the society of that time.
The situation and dialogues create speed for the drama.
From knowing the social norms of past point of view, the drama is important.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Indian Dramas, Himalayan Dramas, Uttarakhandi dramas, Garhwali Drama, Hundred years of Garhwali dramas to be continued …..

Bhishma Kukreti · « **Reply #846 on:** March 13, 2012, 04:12:54 AM »

Jangli Fool: A Garhwali Social Drama about Compromise and Lust

(Review of a Garhwali Drama ‘Jangli Fool’ written by Dr. Govind Chatak)
(Notes on Indian Social dramas, Himalayan Social dramas, Uttarakhandi Social dramas, Garhwali Social dramas, Hundred Years of Garhwali dramas)

Bhishma Kukreti

‘Jangli Fool’ a social drama is one of the seven dramas from Jangli Fool’ book drama collections by Dr. Govind Chatak published in 1956 from Dehradun.
‘Jangli Fool’ a social drama is the next step of ‘Mundaro’ drama by Dr. Govind Chatak. The story is about an educated, urbanized and well settled boy Ramesh who is married to an uneducated, rural inhabitant girl due to his parent’s forceful choice. Ramesh could not go against his parent’s will. Now, the problems between husband and wife come for compromises in the areas of education, social behaviors, and life styles. Ramesh dreamt for well educated and modern life styled wife (the flowers cultivated by a gardener) but in reality the girl is as raw as ‘flower of a forest’ (‘Jangli Fool’). The girl is very beautiful and slowly Ramesh comes in compromising situation. The writer had been successful in creating a panorama for realism, lust and psychological aspects of mismatched couples.
Dr .Anil Dabral calls the drama a classical drama and forever drama among Garhwali dramas. The dialogues and situations run together and as per characters.

References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti
Notes on Indian Social dramas, Himalayan Social dramas, Uttarakhandi Social dramas, Garhwali Social dramas, Hundred Years of Garhwali dramas to be continued….

Bhishma Kukreti · « **Reply #847 on:** March 13, 2012, 11:29:52 PM »

Nachi Narsing: A Patriotic Garhwali drama

(Review of ‘Nachi Narsing’ (1973) a Garhwali Patriotic Drama written by Jagdish Pokhariyal)
(Notes on Patriotic Indian drama, Patriotic Himalayan drama, Patriotic Uttarakhandi drama, Garhwali Patriotic Drama, Hundred Years of Garhwali drama)

Bhishm Kukreti

The theme of ‘Nachi Narsing’ (1973) drama written by Jagdish Pokhariyal is about the Bangladesh Independent war in 1972. An army cadre is s sending his holiday with leisure and pleasure. Suddenly the India-Pak war broke due to Bangladesh freedom from Pakistan. The army man Shuru shows his enthusiasm to fight for his country.
Before the news of war, the dramatist shows the weaknesses of village as alcoholism, gambling, in- activities of male inhabitants etc. There are situations affection between Shuru and his wife Maya or between Shuru and his sister.
Nursing is the deity and symbol of chivalry. The remarkable scene of this drama is nursing dance and Jagar. The symbolic use of Narsing dance is the central point of ‘Nachi Nursing’ (1973) drama.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Patriotic Indian drama, Patriotic Himalayan drama, Patriotic Uttarakhandi drama, Garhwali Patriotic Drama, Hundred Years of Garhwali Drama to be continued……

Bhishma Kukreti · « **Reply #848 on:** March 14, 2012, 04:47:07 AM »

Phuldei sangrand : a Garhwali folk Song for the new year celebration
Bhishm Kukreti
Phuldei sangrand means the first day of Phulun maina of the month of flower. The first day of Chait is called Phuldei sangrand .
There are many folk stories related to phulsangrand celebration of phulunmaina Maina celebration.
Goddess Parvati worshipped lord Shiva by different kinds of flowers and on this phulsangrand (Chait ki sangrand lord Shiva and goddess Parvati got married.
That is why the unmarried girls put flowers on the both corners of front door (deli/Dehri) or doorsill from this date till Baishakhi. The unmarried girls pluck flowers in the evening and put flowers on the doorsills. After plucking flowers, unmarried girls worship Lord Shiva. Children ( male and female) also put flowers on the doorsills .
Another folk story states that Rati offered flowers of adu and panyan to Kamdev and they got married. In the song-dance of Phuldei the words’ raimasi’ and ‘painyaan’ are compulsory in the song. Chait is the month of songs.
The following folk song is very common song sung on the day of phulsangrand.

फूल देई फूल देई संगरांद

फूल देई फूल ल देई संगरांद

सुफल करो नयो साल तुमकु श्रीभगवान

रंगीला सजीला फूल ऐगीं , डाळा बोटाला ह्र्याँ व्हेगीं

पौन पंछे दौड़ी गैन, डाळयूँ फूल हंसदा ऐन,

तुमारा भण्डार भर्यान, अन्न धन्न कि बरकत ह्वेन

औंद रओ ऋतु मॉस . होंद रओ सबकू संगरांद .

बच्यां रौला तुम हम त , फिर होली फूल संगरांद

फूल देई फूल देई संगरांद

स्रोत्र : डा शिवा नन्द नौटियाल

Bhishma Kukreti · « **Reply #849 on:** March 14, 2012, 11:53:30 AM »

**********बसंत कि बयार ********

कवि -- डा. नरेंद्र गौनियाल

बसंत कि बयार आज,वार-पार देखिल्या.
नया कुंपला नया फूल,वार-पार देखिल्या.
रंग-बिरंगी धरती या,रंग-बिरंगो आसमां.
रंग-बिरंगा मन्खी आज,वार-पार देखिल्या....बसंत कि बयार ..

डालि-बूटी सबी खिलिगिन ,ऐगे हर्याल भूमि माँ.
सुकिं डाली हैरी ह्वैगिन, नयी पाति ऐगेना .
आडू पयां निम्बू किम्पू ,सबी डाली फूली गिना.
बसंती रंग माँ रंगी गिन सब्बि,ऋतू बसंत ऐगेना ..बसंत कि बयार ..

नस-नस माँ नयो खून ,नयो जोश ऐगेना .
नयो रंग नै उमंग ,अंग -अंग ऐगेना ..
सुख का बाद दुःख ,दुःख का बाद सुख .
यी रैबार लेकी यो,ऋतू बसंत ऐगेना ......बसंत कि..

बांस -रिन्गाले फूल कंडी,नौनी फूल टिप्दिना.
मोल-माटन लीपि पोती,फूल कंडी सज्दिना.
कमेड़ा कि बिंदी लगै ,नौन्याल फूल ख्यलदिना.
सुख-समृधि को रैबार लेकी,फूल सक्रांद ऐगेना....बसंत कि .

फूलो बुरांश फूलो ग्वीराल ,सीमल डाली फूली गैना.
टेशू का फूलों को रंग,ल्हेकी होलि ऐगेना...
खेलो होलि डालो रंग,भट औंगल डाली कि.
प्यार-प्रेम को रैबार,ल्हेकी होलि ऐगेना..................बसंत कि

Copyright@ Dr. Narendra Gauniyal , Jadaaun khand , Pauri Garhwal
narendragauniyal@gmail.com

MeraPahad Community Of Uttarakhand Lovers

News:

Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख (Read 725999 times)

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti

Re: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख