Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख  (Read 724882 times)

Bhishma Kukreti

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 Country-of-Origin or Place-of-Origin and Uttarakhand Branding- 9
             
            Uttarakhandi Products were Strong Bases for Uttarakhand Branding in Mahabharata Era.
                 (Review of Uttarakhand Branding in Historical perspective, part -7)
           
                Notes on concept of Country-of-Origin or Place-of-Origin in place branding,  Importance of Country-of-Origin or Place-of-Origin for Asian Country Branding, Importance of Country-of-Origin or Place-of-Origin for South Asian Country Branding, Importance of Country-of-Origin or Place-of-Origin  for SAARC Country Branding, Importance of Country-of-Origin or Place-of-Origin  for Branding India, Importance of Country-of-Origin or Place-of-Origin for Branding North India, Importance of Country-of-Origin or Place-of-Origin for Branding Himalayan region, Importance of Country-of-Origin or Place-of-Origin for Branding Uttarakhand state, Importance of Country-of-Origin or Place-of-Origin for Branding Garhwal region, Importance of Country-of-Origin or Place-of-Origin for Branding Kumaun region


                                                           By:  Bhishma Kukreti

                   Derrick Daye & Brad VanAuken (Country of Origin as Brand statement),  Andeh Mikael  & Berg per Olof (  Place –of-Origin Effects), R.P.Hamlin (Studying the Country –of- Origin);, H.A.Kent (Place of Origin: Towards Reconciling the Requirement..) ; Frank Go & Robert Govers (International Place Branding (, Zerrilo & Thomas (Developing brands and emerging markets) ; Bojan Dordevic (Corporate Strategic branding); Dentoni (Building individual brand..)or S.Anholt  ( Place branding and Public diplomacy) suggest strongly that there is relation between place branding, country branding, nation branding or region branding with the concept of Country-of Origin or Place of Origin.
    For thousands of years Garhwalis were conscious of concept of Country-of Origin or Place of Origin. Mahabharata is proof that Garhwalis were conscious of concept of Country-of Origin or Place of Origin.


Uttarakhandi Products were Strong Bases for Uttarakhand Branding in Mahabharata Era.
   In Mahabharata, there is complete record or products used for indigenous uses and products being exported from Garhwal, (Adiparv:- 69/17-18,70/2,70-4,70-7,70-21,70-14,74-1to 2, 158/55; Vanparv : 158/51-52,158/49-51,38/17,119/11 etc; Sabhaparv:28/6 to further ..)
   Garhwal was a famous exporter of in Mahabharata time. That is the reason Mahabharata appreciated the following products of Garhwal.  Garhwal was exporting following products in Mahabharata era:
1-Trees, Plants and vegetarian products- Bamboo (bans,  ringal kutans, devbans),  Acacia, Shal, Babadghas, berries, resins, Bhojpatra, Ringal and pine products(DevDar). The descriptions in Vanparv of Mahabharata is nothing but a statement that concept of Country-of Origin or place of Origin was paying to the people of Garhwal for the place branding and prosperity of place-Garhwal.
2-Medcininal plants and medicines- Garhwal used to export various herbs and medicines to plains (Vanparv, 145/50). The account of medicinal plants and medicines in Garhwal and export from Garhwal in Vanparv, Adiparv, Sabhaparv of Mahabharata is the confirmation that the concept of Country-of Origin or Place of Origin plays a great role for place branding or country branding.
3-Minerals: Garhwal was prosperous in mineralogy and used to export minerals of gold, copper, sulfur, or finished products of those minerals (Vanparv 145/50, karnparv85/4-5). The narrative of minerals, metals found in Garhwal and export from there in various chapters of Mahabharata attestation that the notice of Country-of Origin or Place of Origin is essential for place branding or country branding.
4- Woolen cloths or wool products- Garhwal used to export woolen produces, leather, live stocks, Avery, precious stones in very good quantity (Vanpire and Karnparv of Mahabharata). The detailing of above products of Garhwal in couple of chapters is the verification that the concept of Country-of Origin or Place of Origin is a compulsion for branding of region, place branding country branding or nation branding.
                   Paying attention on the concept of Country-of Origin or Place of Origin by Uttarakhand Stakeholders:
            The Uttarakhand Branding Stakeholders should pay much attention on the concept of Country-of Origin or Place of Origin for place branding in Uttarakhand branding. The Uttarakhand Branding Stakeholders should create awareness of the concept of Country-of Origin or Place of Origin for place branding among people, administration, diplomats , businessmen, exporters , and politicians about the concept of Country-of Origin or Place of Origin for place branding.
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                Notes on concept of Country-of-Origin or Place-of-Origin in place branding,  Importance of Country-of-Origin or Place-of-Origin for Asian Country Branding, Importance of Country-of-Origin or Place-of-Origin for South Asian Country Branding, Importance of Country-of-Origin or Place-of-Origin  for SAARC Country Branding, Importance of Country-of-Origin or Place-of-Origin  for Branding India, Importance of Country-of-Origin or Place-of-Origin for Branding North India, Importance of Country-of-Origin or Place-of-Origin for Branding Himalayan region, Importance of Country-of-Origin or Place-of-Origin for Branding Uttarakhand state, Importance of Country-of-Origin or Place-of-Origin for Branding Garhwal region, Importance of Country-of-Origin or Place-of-Origin for Branding Kumaun region to be continued……


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Ban Mantra: A Mantra from Kumaun and Garhwal

               Presented on internet by Bhishma Kukreti
                 Mantra or spiritual sayings for autosuggestion were common before Vedic era. The creators of Vedas and other mantras collected the contemporary mantras of that time and translated into more refined language or the language of elite class ’Vedic Sanskrit. ’
             In Garhwal and Kumaun, Mantras were there in Khas, Kanaiti or Kainturaai languages. After the emergence of Nathpanth, Mantras in Braj/Rajsthani languages started getting more popular than Garhwali or Kumauni languages. 
              It is the saddest part on scholars as Abodh Bandhu Bahuguna, Dr. Shiva Nand Nautiyal, Dr. Vishnu Datt Kukreti, Chandra Pal Singh Rawat; Dr. Nand Kishor Dhoundiyal, Dr. Manorama Dhoundiyal and Dr. Krishna Nand Joshi (Kumauni Lok Sahitya fame) called these imported mantras of other languages as Garhwali or Kumauni language mantras.
  These Mantras of Braj/Rajashthani languages are performed as Garhwalis or Kumaunis perform Sanskrit Mantras for Karmkand rituals.
  The following Ban Mantra is very old and popular mantra of Garhwal or Kumaun regions. The Mantra has been changed with some phrases of Garhwali language. However, it can’t be said pure Garhwali language Mantra                 
कुमाऊं व गढ़वाल में प्रचलित बाण मंत्र
Ban Mantra: A Mantra from Kumaun and Garhwal
ओम नमो आदेसा,
माता पिता गुरु देवता को आदेसा,
ओम नमो आदेसा,
ते आई सावा लड़ी सुरता बैणि क्या क्या लाणो,
क्या क्या खाणों,
सिर की सिंधोर ,
पाँव का पोल्या ,
सिर की सिंगार सुफेद लाणो,
मिठाई मुंडा की बाजी उखेल रे मंत्र
गली का बाण उखेला ,
जिकुड़ी का बाण उखेला
हाड का सांट दिऊलो
मास का सांट दिऊलो
मै तेरी भाई टु मेरी बैणि
जंहाँ चलाऊ तहाँ नी जेता
गुरु महादेव की आण पड़ी ,
फ़ोर मंत्र इश्वरो वाचा:


Mantra from Garhwal source: Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mvalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal

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Fulmundi Sasu: A Garhwali Social drama about Struggle of Daughter in Laws

(Review of a Garhwali Social drama ‘Fulmundi Sasu’ by Nitya Nand Maithani)

                                         Bhishma Kukreti
                      It was common culture in past that the mother in law would treat her daughter in law adversely. The mother in law would make sure that her daughter in law would get less food, low nutrient food and get insulted as and when opportunity was there.
                       The Garhwali Social drama ‘Fulmundi Sasu’ by Nitya Nand Maithani is about the torture of a mother in law to her daughter in law. There is a social organization in the village and writers shows the importance of Gram Sudhar Samitis in villages.
     However, from story point of view Nitya Nand Maithani is not successful in providing perfect treatment for which Nitya Nand Maithani is famous.
                Dialogues are as per the prolific nature of Nitya Nand Maithani as playwright.
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                            मोंळ अब समस्या च


                    भीष्म कुकरेती


          हौलैंड वळ अफ्रिका देसूं से घास आयात करदन अर मोंळ  समोदर मा चुलान्दन.विचारा ! अफ्रिका मा

मोंळै कमी च.

       एक टैम इन थौ जब मोंळ गढवाळ का वास्ता समाधान छौ. अच्काल मोंळ गढवाळ का वास्ता समस्या च. ना ना

गढवाळ  अर हौलैंड मा अंतर या च कि हौलैंड मा  दुधाळ गोरुं तादाद बढ़ी च,खेती बढी च    अर तबी बि उख मोंळ बची जांद.

 गढवाळ कि समस्या कुछ बिगळि  च, कुछ अलग हि च। गढवाळ मा खेती तकरीबन ख़तम इ च, गोरुं तादाद बि कम इ होणि च

अर अब मोंळ गढवाळ का वास्ता समस्या ह्व़े गे.

     उन समस्या पैल बि छे कि सन्नी/छनी/गौसाला बिटेन   मोंळ ठुपर्युं मा भोरिक डांड , या दूर पुंगड़ो  मा लिजांदा छया .

जैक जथगा मोंळ वैकी उथगा खेती. जैक जथगा जादा खेती वैक उथगा गोर अर फिर वैक इक उथगा जादा मोंळ.

अब पुंगड़ त बांज पोड़ी गेन  त मोंळै जरुरात इ कख रै गे. पुंगड़ नि कमाओ त नि कमाओ पण ए भै ! अब जु ड्यारम छन

 त वूनका  एकाद या द्वी तीन गोर त ह्वाला कि ना. अब दूध च, दै च, छांच घी चयेन्दू  च  त चैण चम्वळ त रखणि पोड़दन .अब जब

चैण चम्वळ (गोर) ह्वाला त ये भै ऊन हगणि च कि ना? अब पैलाकी सी बात त छ कि ना मोंळ ह्वेई अर  कुछ दिन ढेर राई

फिर काळो  मोंळ तैं पुन्गड़ पौंचाओ। अब नजीकौ पुंगडु मा मोंळै ढेर कि ढेर लगीं छन. गाँव भेळ अब भेळ नि रै गेन बल्कण

मा मोंळौ पाख पख्यड़ बणि गेन. गौं क आस पास अब  मोंळ इ मोंळ दिख्यांद.

     अब जादा मोंळ बि ठीक नि होंद. जादा मोंळ आस पास होण सग्वडु मा कीड़ बिंडी होण लगी गेन अर याँ से फसल सग्वड़

मा थ्वडा भौत खेती होंदी च वाँ पर बि फरक पोड़णु च.

   पैल लोग सैत च   मोंळौ चोरी करदा ह्वावन अब त जरा कैक पुंगडु  मा मोंळ डाळि दिखावादी भंयकर लडै ह्व़े जांदी.

 निर्यात की या गोबर गैस  निर्माण एक समाधान च पण निर्यात या गोबर गैस निर्माण मा बि कति समस्या छन. 

हाँ अब इन होण वाळ च कि जु अबि बि गोर पळणा  वो अब गोर पळण बंदी कुआरी द्याला .


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Indian Mangement Guru- 58
भारतीय प्रबंधन गुरु - 58

 

                                                     चाणक्य: कूटनीति ,  राजनीति अर सामान्य प्रबंधन को महान गुरु

                                                     Chanyaka: The Ultimate Guru for Diplomacy Management and Statesmanship



Notes on Asian Management Gurus, South Asian Management gurus , Indian Sub Continet Gurus, SARC countries Management gurus Indian General management Guru, , Indian Managemnt Thinkers and Bright Management Practices, Indian Management Gurus, Indian Marketing management Guru, Indian Human Resourse Development Management Guru, Indian Qaulity Mangement Guru, Indian Operation Managemnt Guru, Indian Gurus, Indian political management gurus, Indian diplomacy management guru 

 



                                                          Bishma Kukreti



             चाणक्य: कूटनीति , राजनीति अर सामान्य प्रबंधन को महान गुरु छ. चाणक्य न मौर्य  शाशन कि नींव रख अर अपण च्याला चन्द्र गुप्त तैं राजा बणाई.

     चाणक्यक शास्त्रीय अर्थशास्त्र क नीति आज बि अर्थशास्त्र मा काम आन्द . उनी चाणक्यक सामान्य प्रबंधन का सूत्र आज बि उथगा कि काम का छन जथगा

    चाणक्यौ  समौ पर छया . चाणक्यक शास्त्रीय अर्थशास्त्र क नीति अर सामान्य प्रबंधन का सुत्रों पर महाभारत को पूरो असर च अर अदा से जादा सामान्य प्रबंधन सूत्र

विदुर नीति से लियां छन. य़ी सूत्र हरेक मनिखौ कुण कामक छन.

                                 


                            Chanakya, Vishnu Gupt or Kautilya (342-2893 B.C) is called ultimate guru of political science, diplomacy and general management. Chanakya was teacher at initial stage of great Indian king Chandra Gupt Maurya who ruled complete Indian subcontinent and later Chanakya was prime minister of his disciple.  his formulas in Neetishashtra are gem of formulas for all managers.


                                                               Books by Chanakya

1-Arth Shastra- is about classical principles of economics

2-Neetishashtram –is about formulas of general management



Notes on Asian Management Gurus, South Asian Management gurus , Indian Sub Continet Gurus, SARC countries Management gurus Indian General management Guru, , Indian Managemnt Thinkers and Bright Management Practices, Indian Management Gurus, Indian Marketing management Guru, Indian Human Resourse Development Management Guru, Indian Qaulity Mangement Guru, Indian Operation Managemnt Guru, Indian Gurus, Indian political management gurus, Indian diplomacy management guru  to be continued....

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Uttarakhand Branding -10
            Ganga Water: The Place Identity and Place Image Factors for Uttarakhand Marketing 


                     (Uttarakhand Place Branding in Historical Perspective-8) 

Notes on Importance of Place Identity and Place Image Factors for Asian country marketing; Importance of Place Identity and Place Image Factors for South Asian country marketing; Importance of Place Identity and Place Image Factors for SAARC country marketing; Importance of Place Identity and Place Image Factors for country marketing of India; Importance of Place Identity and Place Image Factors for North Indian region marketing; Importance of Place Identity and Place Image Factors for Uttarakhand as place  marketing; Importance of Place Identity and Place Image Factors for Garhwal for  place  marketing;  Importance of Place Identity and Place Image Factors for Kumaun for  place marketing   

                                                      Bhishma Kukreti


                      It is important for place branding for a place that there are products, geographical aspects etc those create unforgettable place identity and place image.
               Place marketing experts as   Seppo Rainsto (Success Factors of Place Branding); J.Lindsted (Place Branding and Diplomacy: Place, Identity, Image...); Marcus Andersson (Place Branding and Place promotion Efforts in The Baltic Sea Region);   W Olins; Kotler (The Marketing of nations and Marketing Places) ; Morgan, Pritchard et all( Destination Branding); Robert Govers &frank Go; Keith Dinnie; Moilanen; Eli Avraham; Bill Bakar; A.Mueller; Dumbraveanu; Florek, Insch and  Gnoth;  including Anholt vouch for importance of the products, service or heritage as tool for place identity and place image in place marketing.   
              Ganga had been there from thousands of years a strong factor for place image and place identity for marketing of Uttarakhand in terms of place marketing. There are details of Ganga, Bhagirathi, and Alaknanda Rivers in Mahabharata (Vanparv 107/66-69; Vanparv/10914and 16).
          These rivers have been providing positive images and creating distinct identity for Uttarakhand. 
             Need of sustaining Good Image and identity by Ganga, Alaknanda or other rivers :

              The stakeholders require sustain efforts for keeping good image of Uttarakhand by these reverend rivers. The stake holders of Uttarakhand marketing in terms of place marketing should keep in mind that Ganga and other rivers are having symbolic and social values for Uttarakhand and Indians. The symbol of Ganga and other rivers create feeling of belonging not only in the minds of Hindus but among all Indians.
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Notes on Importance of Place Identity and Place Image Factors for Asian country in terms of place marketing; Importance of Place Identity and Place Image Factors for South Asian country in terms of place marketing; Importance of Place Identity and Place Image Factors for SAARC country marketing; Importance of Place Identity and Place Image Factors for  marketing of India in terms of place marketing; Importance of Place Identity and Place Image Factors for North Indian region in terms of place marketing; Importance of Place Identity and Place Image Factors for Uttarakhand as place  marketing; Importance of Place Identity and Place Image Factors for Garhwal in terms of   place  marketing;  Importance of Place Identity and Place Image Factors for Kumaun in terms of place marketing to be continued……

Bhishma Kukreti

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               Chaubatiya Mantra: A Folk Mantra, Folk Rites or Folk Rituals about Demonology from Garhwal and Kumaun


Notes on Folk Mantra, Folk Rites or Folk Rituals about Demonology from Asia, Folk Mantra, Folk Rites or Folk Rituals about Demonology from south Asia, Folk Mantra, Folk Rites or Folk Rituals about Demonology from India, Folk Mantra, Folk Rites or Folk Rituals about Demonology from North India, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Himalaya, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Uttarakhand, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Garhwal, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Kumaun

                                                       Bhishma Kukreti

                   Demonology is very common in most of the societies and the belief on soul, ghost, bad spirit etc is common cultural aspects all over world. Following couple of examples are about folk rites and folk rituals in demonological beliefs in various regions-
                       Inna Golovakha-Hicks in his well researched article’ The Life of Traditional Demonological legends in Contemporary Urban Ukrainian communities’,  states, “In contemporary Ukrainian agrarian and urban folk communities, demonological beliefs   are as popular as vital as they were a century ago.”
           Gabor Klaniczay and Eva Pocs provide many examples of folk rites and folk rituals of purification against demons in their book ‘Demons, Spirits, Witches’.
             Petko Slaveykov (1827-1895) collected and published folk rituals and folk rites about demonology popular in Bulgaria
Chaubatiya Mantra: A Folk Mantra, Folk Rites or Folk Rituals about Demonology from Garhwal and Kumaun:
    Many times, the Mantrik performs the demonical folk rituals on the four way cross roads. Usually tantric or Mantrik buries some ritual items under exactly at cross road or many times the Mantrik or tantric kills a chicken and buries chicken at the cross road.
  The following mantra or folk rituals or folk rites is chanted by  the Mantrik or tantric when the ritual is about cross road.


कुमाऊं व गढ़वाल में प्रचलित चौबटिया मंत्र

Chaubatiya Mantra: A Folk Mantra, Folk Rites or Folk Rituals about Demonology from Garhwal and Kumaun


ॐ नमो आदेस,
जै गुरु की विद्या तै गुरु को आदेस,
श्री गुरु दाता ज्ञान सौ वारौ,
डंक बजाओ बड़ा बेटा जोगणी सिद्ध,
उनके साथ कौन कौन चले,
काली कपाली उनके साथ चले
हाथ कालो, तेरो केश कालो ,
तेरो दंत कालो,
तेरा भाई कालो,
तेरा मित्र कालो ,
तेरे साथ में चौसठी जोगणी क़ाली,
माथे देऊ तेरे सिंदूरी की बिंदी
भेंट लगाऊं तेरे लौंग का जोड़ा,
कौणियूँ के ज्युन्दाल तेरे मस्तक लगाऊँ ,
चौबटिया मसाणी कु वेदी लाया लगाऊं
सवा पांच सेर तेरी पूजा लगाऊं ,
फोर मंत्र इश्वरो वाचा:

Reference: Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mvalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal
Abodh Bandhu Bahuguna- Gad matyki Ganga
Dr. Vishnu Datt Kukreti, Nathpanth

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Notes on Folk Mantra, Folk Rites or Folk Rituals about Demonology from Asia, Folk Mantra, Folk Rites or Folk Rituals about Demonology from south Asia, Folk Mantra, Folk Rites or Folk Rituals about Demonology from India, Folk Mantra, Folk Rites or Folk Rituals about Demonology from North India, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Himalaya, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Uttarakhand, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Garhwal, Folk Mantra, Folk Rites or Folk Rituals about Demonology from Kumaun to be continued….

Bhishma Kukreti

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                          Hari Hindwan: A Historical Garhwali Drama
(Review of a Historical Garhwali Drama ‘Hari Hindwan’ (1989) by Lalit Keshwan)

Notes on Historical Asian Dramas, Historical South Asian Dramas, Historical Indian Dramas, Historical North Indian Dramas, Historical Himalayan Dramas, Historical Dramas from Uttarakhand, Historical Garhwali Dramas

                                                 Bhishma Kukreti

                       It is difficult to write historical drama or drama on well known legend. Hari Hindwan and Asha Hindwan are well known folk legends of Garhwal. There are folk songs on the chivalry of Hari Hindwan and his brother Asha Hindwan. Famous satirical Garhwali poet Lalit Keshwan wrote and published ‘Hari Hindwan’ a historical Garhwali in 1989.
                             The time period is of the ruling time of Man Shah the king of Garhwal (1591-1611). The kingdom Sirmaur, Himachal Pradesh was affected by the violent acts of demon. The king of Sirmaur declared that he will offer thousands of golden coins, half of the kingdom and his daughter ‘Sukesha’ to the killer of demon. King of Garhwal sends Hari Hindwan a bravest of braves to Sirmaur for killing the demon.
                    Hari Hindwan kills the demon. King of Sirmaur becomes selfish and instead of rewarding, put Hari Hindwan into jail. Hari through dreams sends message to his brother Asha Hindwan. Asha comes to Himachal and fought with the Sirmaur army and won. The king of Sirmaur agreed to marry Sukesha with Hari. Hari Hindwan, Asha Hindwan and Sukesha come to Garhwal where Garhwali king welcomed them.
    Keshwan experimented modernity and jagar in the drama. The drama has huge potentiality for becoming hit stage play. The dialogues are of daily uses.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary  Garhwali Dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (for finding Hurting by Old Tradition and Agonizing from Changes in Contemporary Garhwali dramatists or theatres playwrights till 1985
8- Abodh Bandhu Bahuguna,1986,  ‘Chakrchal’ , 16 Contemporary  Garhwali Drama collection for finding Hurting by Old Tradition and Agonizing from Changes in , B2 -B48, Janakpuri, New Delhi -110058

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Notes on Historical Asian Dramas, Historical South Asian Dramas, Historical Indian Dramas, Historical North Indian Dramas, Historical Himalayan Dramas, Historical Dramas from Uttarakhand, Historical Garhwali Dramas to be continued……





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                    गाऊं  मा हनीमून हॉउस की भारी जरोरात च

                    भीष्म कुकरेती


         ना, ना मि बेसुद नि छौं, ना भै ना, मिं सुबेर सुबेर मि शराब नि पीन्दो.

त नशा मा लिखणो सवाल इ नी च भै. हाँ हाँ मि भंग्ल्या या चरसी बि नि छौ बल

सुबेर सुबेर लगायो सुट्टा अर कुछ बि लेखी द्याई. ना ब्याळि क्या ! परसि बि मीन

शराब नि पे भै ! त झांझ मा होणो सवाल बि नी च. ना डौक्टरन परसि इ चेक करी थौ

 बल मै पर भुलमारै बिमारी  बि नी च . ठीक ठाक छौं.

              जी हाँ, मि सुद मा, चित्वळ हेकी, बुलणु छौं ब्वालो या लिखणु  छौं बल हरेक

गाँ मा अब हनीमून हॉउस होण जरोरी च. जी !  हनीमून हॉउस इज द नीड औफ़ एवरी विलेज.

ओहो! तुम बि ना ! शिमला, कश्मीर, मसूरी , ऊटी मा हनीमून हाउसूँ क्वी कमी नी पोड़ बल

अब गढवाळ का  गाऊँ मा हनीमून हॉउस चिणे जावन !

     अब द्याखो ना ! शहरूं मा रौण वळा  प्रवासी ब्यौ करणा इ छन, हनीमून मनाणो  पहाड़ी जगा मा

जाणा इ छन. वा बिगळि  बात च बल इ हनीमून मनाण वळा प्रवासी अपण  पहाड़ तै हौर पहाडु से

 हीण माणदन. पण एक हैंकि बात बि आपन नोटिस करी  होली कि जादातर नवाड़ी ब्यौथा

ब्यौ उपरान्त एक साल या दुसर साल कुलदिवता  पुजै बान गाँ आँदी छन. त इन बथाओ यी ब्यौथा

ब्यौ टैम पर इ किलै अपण गाँ नि आन्दन भै?

           सीदी सी बात च हनीमून मनाण वळा प्रवासी अपण गाँ इलै नि आन्दन बल गाँ मा हनीमून

हाउस नी छन. जै दिन गांऊं मा हनीमून-हाउस बौणि जाला तब द्याखो कन ना नया नया ब्यौथा

गाँ आन्दन  धौं! 

    अब आपन पुछण बल गाँ मा हनीमून हॉउस कन होण चएंद?

   ए भै म्यार बथाणो जरूरत च बल हनीमून हॉउस कन होण चएंद?

भै एक रूम त ब्योली ब्योला कुण होण इ चयेंद. फिर जब क्वी बि प्रवासी गाँ आलो  त वैका

रिश्तेदार बि त आला, आला  कि ना? त एकाध कमरा या द्वीएक कमरा पौणु कुण बि चएंदन. नि बोल जाण ?

अर ये भै मनिख छन त खाणा बि चएंद  त एक रूस्वड़ बि हनीमून हॉउस मा हूण इ चयेंद कि उख प्रवासी ब्यौथा

बान खाणै व्यवस्था ह्व़े जाओ . अब कति लोग गाँ वळु तै जीमण बि खलाण चान्दन त  हनीमून हॉउस मा चौक

हूण इ चयेंद.


             अब सवाल यो नि च बल खाली  प्रवास्युं तै इ मोडर्न झाड़ाघर/ट्वाईलेट अर नयाणोघर/बाथरूम चयाणो ह्वाऊ.

अब त गाँ वळ क्वीबि  नि चान्दन बल कळि-कंडाळि, कुर्र- काँडु बीच मा झाड़ा करे जाओ. अर बीच बजार मा नहाए  जाओ.

हनीमून हॉउस मा झाड़ाघर/ट्वाईलेट अर नयाणोघर/बाथरूम बि हूण जरूरी छन.


        मी तुमारो इ सौं घौटिक बुलणु छौं बल जैदिन तुमर गाँ मा हनीमून हॉउस बौणि जालो वै दिन तुमर  बि दुबारो

हनी मून मनाणो इच्छा जागृत ह्व़े जाण . अरे हम प्रवासी पहाड़ी छंवां त अपणो गाँ से उथगा इ प्रेम

करद वां जथगा कि गाँ वळ पहाड़ी अपण गाँव से प्रेम करदन. अब जु कुछ मूल भूत सुविधा गाऊँ मा

ह्व़े जवान त ए भै किलै ना प्रवासी गाँ जाला? अब लोगूँ मा विलेज लव बि बढ़ी गे. पैसा बि आई गेन

त प्रवासी गाँव जाण चाणा बशर्ते गांऊं मा हनीमून हॉउस ह्वाऊ.

     अब समस्या च कि हरेक गाँ मा हनीमून हॉउस बौणल ? भै गाँव का प्रवासी अर गाँव वळ मिल  बैठिक मिळवाक 

कौरिक हनीमून हॉउस बणावन बार क्या जन देवी या नागराजा क मन्दिर बणान्दन.  हनीमून हॉउस बि त

एक मन्दिर इ होलू जु प्रवास्युं तै गाँ लाण मा सहयोगी होलू.


            ओहो! तुम बि ना !  शब्दुं तै उनि लीणा छंवां. हनी मून हॉउस को मतलब च पर्यटक घर . अब प्रवास्युं क घर त या त

खंद्वार ह्व़े गेन या फिर ठीक ठाक घरों कि साफ सफाई मा टैम लगद त प्रवास्युं कुण हरेक गाँ मा पर्यटक घर  एक

जरोरात इ बौणि गे.

त ब्वालो ! आप कब छन अपण गाँ वळु मीटिंग बुलाणा कि जां से आपक गाँ मा भोळो साल पर्यटक घर बौणि जाओ?


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Bhishma Kukreti

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Historical details of ‘Chakrvyuh’ Drama in Garhwal
 
                                    Bhishma Kukreti
                          These days, ‘Chakrvyuh’ a Garhwali poetic or lyrical-prose drama is in news in Mumbai. The Garhwali and Kumauni audience is very much curious to watch the well liked drama ‘Chakrvyuh’ being staged in Kauthig.
                However, there is a long astounding history of dramatization of Chakrvyuh theme in Garhwal.
                     Mahabharata is never-ending mine for dramas in modern days. Chakrvyuh episode of Mahabharata attracted many dramatists for writing and staging plays in their own languages.  ‘Chakrvyuh’ is based on the sacrifice and chivalry of Abhimanyu in   Kurukshetra battle.
                         Chandra Singh Butola and Bachan Ram Gairola ‘Arya’     wrote ‘‘Chakrvyuh’ drama   in Hindi. The drama was definitely fully based on the Parsi theatre style. Hindi version ‘Chakrvyuh’ was first staged in 1901 in Kandara village of today’s Rudraprayag district. People took interest in the drama and started to take shape into folk drama in Kedar valley.
               In seventies,  Pratap Singh Bisht of Barasnadi wrote ‘Chakrvyuh’ script again in Hindi and staged it  in his village Barsnadi, Rudraprayag district. Credit goes to Pratap singh Bisht for popularizing the drama ‘Chakrvyuh’ in Keadr valley.
     Dr.Data Ram Purohit, Shri S. Karnpal and Krishna Nand Nautiyal wrote a script of ‘Chakrvyuh’ in Garhwali and staged it in the year 2001 in Jamohari village, Rudraprayag. 
                The Garhwali version of ‘Chakrvyuh’ dram is gigantic from production point of view. There were 300 performers for the drama when it was staged in Mangoli, Ukhimath.   The Garhwali version drama   ‘Chakrvyuh’ is staged in Shrinagar, Dehradun too and got appreciation from the audience for its proffesonalistic approach and giganticness.   
     The above scripted drama    ‘Chakrvyuh’   was staged in Delhi in 2011 in Mahabharata Utsav of 2011.

     Garhwalis will always remember the contribution of playwrights Dr.Data Ram Purohit, Shri S. Karnpal and Krishna Nand Nautiyal for conceptualizing and writing ‘Chakrvyuh’   drama in Garhwali.
Curtsy to Dr D.R Purohit
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