Author Topic: उत्तराखंड पर लिखी गयी विभन्न किताबे - VARIOUS BOOKS WRITTEN ON UTTARAKHAND !  (Read 129918 times)

एम.एस. मेहता /M S Mehta 9910532720

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गढ़वाली कविता : "त्राहि माम "

धरती घैल च
घैल पोडयूँ असमान
रुणी डाली टूप टूप यखुली
चखुला रिटणा बौल्या समान

रूमुक्ताल प्वडी द्यैली मा सुबेर की
पंदेरा घाट श्मशान समान
थर्र -थर्र कौंपणी जिकुड़ी कुयेडी
बैठ्युं कक्ख लुकैकी मुख सुर्ज घाम

व्हेय गईं गदेरा रोई रोईऽ समोदर
रन्डे ग्याई फ्योंली भी ज्वान
लमडयूँ लतपत -लमसट्ट व्हेकि भ्यालूं
कक्ख प्यारु म्यारु लाल बुराँस

हर्च्यीं मौल्यार फूलोंऽ फर
भौरों पुत्लौं खुण शोक महान
ढून्गा अब सिर्फ ढून्गा रै गईं
विपदा मा देब्तौंऽ का भी थान

गलणु ह्युं लाचारी मा द्याखा
जाणु उन्दु काल समान
छित्तर छित्तर व्हे गईं बीज हिमवंती
हे विधाता ! त्राहि माम
त्राहि माम
त्राहि माम

रचनाकार : गीतेश सिंह नेगी ,सर्वाधिकार सुरक्षि

एम.एस. मेहता /M S Mehta 9910532720

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पलायन का डंक---------------
-----सुना पड़ा घर अपनों को बुला रहा है----
----------मेरे बच्चों अब आ जाओ----------
हजारों हैं मेरे फिर भी मैं अकेला रह गया.
उड़ गये पंछी खाली बसेरा रह गया.
जहाँ गुजती थी कभी किलकारी बच्चों की.
वो आगन आज खुद में अकेला रह गया.

बगिया थी जहाँ आज काँटों का डेरा.
मेरे चारों ओर आज सांपों का बसेरा.
तन्हायी में रोता हूँ आकर देख लेना.
टूट कर बिखर जाऊँगा तुम ये सोच लेना.

अमान्त है पूर्वजों की आकर के सभालो.
मेरी सूनी बगिया को फूलो से महका लो.
आम की डाली पर झूले तुम लगा लो.
वहाँ बैढ कर दादा दादी के किस्से गुनगुनालो.

सूना पड़ गया चुल्हा जरा आग तो जलालो.
सोंधी-सोंधी खुशबु से जरा घर को तो महकालो.
घर के एक कोने में दिया तुम जला लो.
अपने पूर्वजों को याद कर के सर को तुम झुका लो.

नहीं सहा जाता मेरे बच्चों अब आ जाओ.
मेरे सूने आगन में धमा चौकड़ी मजाओ.
एक कोने में बैढ कर गुड़ीयों का महल बनाओ.
ये तुम्हारा अपना घर है इसको तुम सजाओ.

ये पलायन का गहरा डंक इसको तुम हटाओ.
हर गाँव में बीजली पानी ये सब को समझाओ.
यहाँ नहीं हैं जो साधन उनको तुम बनवाओ.
सुन्दर उत्तराखन्ड है मेरा ये सब को दिखलाओ.
मेरे बच्चों अब आ जाओ------------------------
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Bhishma Kukreti

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Sudama Prasad Dabral ‘Premi’: A Garhwali Poet, Story Teller and Criticism Literature Creator of varied Subjects especially struggle of common man

               Bhishma Kukreti
 
  Life – 22/12/1931 -12/6/2014
                  Sudama Prasad never used ‘Dabral’ as his caste. Sudama Prasad Premi was born in Falda village, Patwalsyun, Kaljikhal block of Pauri Garhwal, Uttarakhand on 22/12/1931. Sudama Prasad left this world on 12/6/2014 at the age of 83in Ghaziabad, Uttar Pradesh. His forefather migrated from Dabralsyun to Patwalsyun as astrologer and Karmkandi Brahmin.
             His father name was Pundit Hari Ram Dabral. Pundit Hariram wanted that Sudama Prasad carries his r family tradition as astrologer and Karmkandi Brahmin. Pundit Hariram Dabral taught Sudama Prasad astrology and other Karmkand ritual performances at home. However, Sudama Prasad had to leave his ancestor village Falda for Delhi in search of job. Sudama Prasad Premi worked in a printing press and later on he established his printing press too. However, Sudama Prasad paid less attention in his business and paid more attention of creating literature. After retiring from printing works, Sudama Prasad returned to his native village Falda and he lived there till 2011 but again had to come to Ghaziabad due to his ill health. 
            Sudama Prasad Premi contributed much in making Delhi as capital of Garhwali language literature. He was also involved in organizing meetings of literature creators in Delhi. Once, he was a must Garhwali poet in every Garhwali Kavi Sammelan. Sudama Prasad was contemporary to Kanhaiya Lal Dandriyal, Baulya, Prem Lal Bhatt, Abodh Bahuguna and Jagdish Kiran.
  Sudama Prasad Premi published more than hundred Garhwali Poetries and his poetry collections are Dwee Ansu and ‘Agyal’ and other poems were published in various magazines. Premi published two story collections in Garhwali as Gaitri ki bwe and Ghanghtol. He also published a novel in Garhwali languge as Nata n Patha’.  Sudama Prasad also published a Poetic Drama in Garhwal as ‘Batwe’. His collection of Garhwali proverbs booklet ‘Garhwali Akhana Pakhana’‘was appreciated.
  Famous Garhwali literature reviewer Abodh Bandhu Bahuguna writes about his poetries that his poetries show the struggle of common man. His poetic construction was simple with easily under stable words.  His poetry has pathetic situations too.
               His stories are simple and subject taken from lives of common men of rural Garhwal. The language and style are simple. Morality in story is his specialty.
  Sudama Prasad wrote forwarding notes for many poetry and prose collections of various literature creators. Sudama Prasad published his analytical notes on Garhwali literature in ‘Khabr Sar’ a fornight periodical regularly.
  Sudama Prasad also contributed for Hindi literature too.
 Hindi Academy Uttar Pradesh awarded him for Pitambar Datt Barthwal award in 1985. Hindi Sahitya Akadami awarded him ‘Sahitya Akadami’ award for his life time achievement in Garhwali literature in 2010 along with Prem Lal Bhatt. He was also awarded by Adityaram Navani Award.
 Sudama Prasad Premi would be remembered for his immense contribution for Garhwali literature in poetry, story and critical prose.


Copyright@ Bhishma Kukreti 13/6/2014
ID bckukreti@gmail.com
Refrences-
Abodh Bandhu Bahuguna, Shailvani
Geetesh Negi on Facebook

Sudama Prasad Dabral ‘Premi’: A Garhwali Poet, Story Teller and Criticism Literature Creator of varied Subjects especially struggle of common man; Garhwali poems and stories about struggle of common man from Falda, Garhwal; Garhwali poems and stories about struggle of common man from Patwalsyun, Garhwal; Garhwali poems and stories about struggle of common man from Kaljikhal, Garhwal; Garhwali poems and stories about struggle of common man from , Pauri Garhwal; Garhwali poems and stories about struggle of common man from , Garhwal, Uttarakhand; Garhwali poems and stories about struggle of common man from , Garhwal, Central Himalaya; Garhwali poems and stories about struggle of common man from , Garhwal, North India; Garhwali poems and stories about struggle of common man from , Garhwal, South Asia;


Bhishma Kukreti

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Umar Bundi Ja: Garhwali Poetry collection of Intellectualism

Critical Review of Modern Garhwali Literature- 2276
(Review of Modern Garhwali Literature series)
Umar Bundi Ja a Garhwali Poetry collection by Pritam Apachhyan

 Review by: Bhishma Kukreti (Regional Language Promoter)

                Bhishma Kukreti is of opinion that there are two concepts of Poetry creation in Garhwali language. First is Bahugunaism and another is Dandriyalism way of Garhwali poetry creation. Pritam Apachyan is the poet of Bahugunaism. Kukreti’s view on Intellectualism in Garhwali poetry is about poems aimed for elites and written more by intellect facet of  mind (Bahugunaism) than heart (Dandriyalism).
      ‘Umar Bundi Ja’ is second poetry collection by Pritam Apachhyan. There are 41 modem Ganjeli (nearest to Ghazal) poems in this volume by Apachyan.
           The subjects Ganjeli verses vary from sensible mind; love; philosophy; putrefying politics; antisocial and antinational elements, changing social values. The poet also preaches readers in many verses.
  The exclusivity of Pritam is that he searches newer symbols for satisfying imageries.
 Pritam uses newer and or old symbols usually for intellectuals and educated readers and he is successful in doing so.
 The poems provoke readers, hit their intellects and tease too.
The language dialects are from Chamoli-Rudraprayag regions those bring freshness too.   The flows of poems are appreciable.
 Famous Garhwali poet and Editor Madan Duklan appreciate Pritam that his poems not only satisfy your heart but many times taunt and hit hard too.
 Overall, the Ganjeli poems of Pritam Apachyan fit to Bahugunaism defined by Kukreti.
Umar Bundi ja (Garhwali Poetry Collection)
Poet- Pritam Apachyan
Year of publication- 2010
Publisher- Himalaya Lok Sanskriti evam Vikas Trust , Faltu Line, Dehradun
Phone -0135-2658894

Copyright@ Bhishma Kukreti 19/6/2014
Critical Review of Garhwali Literature to be continued…
Critical Review of Garhwali Poetry Collection to be continued…
XX
Umar Bundi Ja: Garhwali Poetry collection of Intellectualism; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by a Garhwali Poet; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by a teacher; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by a poet from north Garhwal; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by poet from Garhwal –Tibet border region; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by poet of Uttarakhand; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by a Himalayan Poet; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism By a North Indian poet; Umar Bundi Ja: Garhwali Poetry collection of Intellectualism by South Asian poet;


Bhishma Kukreti

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             Manaskhand: A Must Book for Every Uttarakhandi

Review of book Manaskhand (Kumaon Itihas, Dharm, Sanskriti, Vastushilp evam Parytan) by Hema Uniyal

                 Reviewer: Bhishma Kukreti

         ‘Manaskhand ‘is third book of eminent Uttarakhand cultural, architectural structure expert Dr. Hema Uniyal. Before this publication well-read scholar Hema published Kumaon ke Prasidh Mandir (2005) and Kedarkhand (2011). Her all the books got appreciations from academicians and general readers with same enthusiasm and zeal.
         Hema Uniyal wrote the book after her visit to all major temples of Kumaon. The present book ‘Manaskhand’ takes readers to whole of Kumaon in terms of important temples with archeological structure with tour perspective too. The reader can get historical glimpses and historical-cultural aspects of Kumaon from ‘Manaskhand’. Hema Uniyal has been careful enough to offer today’s pattern of rituals to the reader about each temple she visited and described in this book. One of the remarkable researchers of Uttarakhand Dr Uniyal presents knowledge of more than one thousand temples of Kumaon in this volume.
            Before, Kumaon, Kurmachal became poplar names for east Uttarakhand, the region was called Manaskhand.
 The book has following chapters those provide the insight of Manaskhan-
1-Manaskhand ka Pauranik Avlokan or Review of Epic Period of Kumaon
2-Janpad Nainital ke Pramukh Mandir va Darshniya Sthal or Important Temples of Nainital and tourist places
3- Janpad Udham Singh Nagar ke Pramukh Mandir va Darshniya Sthal or Important Temples of Udham Singh Nagar Nainital and tourist places
4- Janpad Almora ke Pramukh Mandir va Darshniya Sthal or Important Temples of Almora and tourist places
5-- Janpad Bageshwar ke Pramukh Mandir va Darshniya Sthal or Important Temples of Bageshwar and tourist places
6- Janpad Pithoragarh ke Pramukh Mandir va Darshniya Sthal or Important Temples of  Pithoragarh and tourist places
7-- Janpad Champawat ke Pramukh Mandir va Darshniya Sthal or Important Temples of Champawat and tourist places
  Dr Hema Uniyal provides the folklore aspects, historical brief and its importance in history; architectural concise of each major temple in each district of Kumaon. She also provides the ritual performance system or custom and present priests of the temple. Dr Uniyal provides for all important knowledge about tour value as reaching and lodging facilities in the region. The tourist aimed information compels the readers to think for visiting the region.
         The biggest draw back in other books related to temples of Kumaon is that readers are confused by reading complex historian’s theories and architectural terms of temple. However, Hema Uniyal has been successful in using simple and easy to understand phrases that book becomes very interesting to finish from first page to the last page. The temple photographs and her date wise visit detailing of to each temple make the book more reliable. 
 All praises are for D. Hema Uniyal for offering such knowledgeable informative volume.
 The book is important for cultural, history research scholars and common people. This reviewer recommends every Uttarakhandi should read ‘Manaskhand’. 

                            Book Details
Manaskhand (Kumaon Itihas, Dharm, Sanskriti, Vastushilp evam Parytan)
Pages-512
Writer: Hema Uniyal
                  uniyalhema@gmail.com

Year of Publication: 2014
Publisher: Uttara Books
B4/310 C Keshav Puram,
New Delhi -110035
Phone: 01127103051
Price- Rs 1100/-

Copyright@ Bhishma Kukreti 18/62014
Email Id bckukreti@gmail.com

Review of Book on Culture, Religion, Architect, Tourism of Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Udham Singh Nagar Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Nainital Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Almora Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Champawat Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Ranikhet Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Bageshwar Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Dwarhat Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Pithoragarh Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Didihat Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Ramganga valley Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Kaliganga valley Kumaon, Uttarakhand, South Asia; Book on Culture, Religion, Architect, Tourism of Mansarovar road region Kumaon, Uttarakhand, South Asia;   
 
   
 
 
   
 
 
   
   
   
 
   

 

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         Kedarkhand: A Collector’s Book for Every Uttarakhandi Family
 
(Review of Kedarkhand (Dharm, Sanskriti, Vastushilp evam Paryatan) by Hema Uniyal)

                                         Review by Bhishma Kukreti 

                  Kedarkhand a book by famous temple of Uttarakhand scholar Dr. Hema Uniyal is one of the books that every Uttarakhandi book should have in their library. The Kedarnath book by eminent Uttarakhand Architecture expert Dr. Uniyal takes you a journey of temples, important places, brief historical aspects of religious places of all districts of Garhwal including Garhwal region. Before, writing this book, Hema published ‘Kumaon ke Prasidh Mandir’.
  Hema Uniyal did not write descriptions by just reading the books from other scholar’s writing but she visited each and every religious place she described in this book. Therefore this book is firsthand knowledge by Uniyal about spiritual and tourist world of Garhwal region.
                  Hema starts her book by historical period of Garhwal and provides main important characteristics of culture of Garhwal (including Haridwar).
                   When the readers come to the chapter of Haridwar district they get all information about temples and religious places as Akhada etc and the readers get all images of religious places of Haridwar.
  The readers get information about known and unknown temples, religious places of Dehradun including Jaunsar and Ravai region in the chapter of Janpad Dehradun ke Pramukh Mandir va darshniya Sthal.
                      Pauri Garhwal  is not perceived a region for temples and religious places. By reading the book Kedarkhand, readers come to know less heard but very important and old temples of Pauri Garhwal.

  Tehri Garhwal, Uttarkashi, Chamoli Garhwal and Rudraprayag districts are known for various temples and religious, spiritual places. In separate chapter for each district, Hema tells the readers about not only well known religious places but also those spiritual places to those seldom described by tourist guides. Hema tries to provide folk beliefs about each temple and also provides the priest family descriptions of temples. The author tries to provide necessary information about festivals and fairs related to temples and religious beliefs of each region.     
      Dr Hema Uniyal adequate provides information about most of the folk deities and goddess of Garhwal.
             Dr Hema Uniyal did not forget to analyze the science of Architecture and science of religious Images of Garhwal region in separate chapters. These two chapters are gems for Garhwal architecture and temple science.
          The book is also very important from tourist’s point of view as the learned author provides other important information to readers those are needful to tourists as boarding and lodging facilities in remote and less known spiritual places.
         The book has photographs of all temples described in the book barring exception for a couple of temples. There are geographical and religious activities photographs of many important places in the book those enhance the reader’s engagement for the book.
                     The book reveals many unknown about spiritual world of Garhwal. This author was amazed o know that Rawat families of Mudi Kheda are in charge of Bhuwaneshari temple near Neelkhanth and they get Chadhava (donation) offered to temples by devotees .   
        The author has problems while writing such books. Either the book becomes serious due to religious stories and architectural detailing or become a tourist guide. Hema is successful in keeping appropriate balance.
   Every Uttarakhandi would congratulate Hema Uniyal for her marvelous research and writing works on temples, religious and spiritual places of Garhwal with such vigor and in simple Hindi language.
 Every Uttarakhandi family should buy the book.
 Kedarkhand (Dharm, Sanskriti, Vastushilp evam Paryatan)
Author –Hema Uniyal
uniyalhema@gmail.com

Year of Publication- 2011
Language-Hindi
Publishers,: Takshshila Prakashan, 98A Hindi Park, Dariyaganj, New Delhi 110002
Phone 011-23258802
Price Rs 750/-

 
Copyright@ Bhishma Kukreti 4/1/2014
Review on Books on tourist places, temples, spirituality, religion, architecture, and culture of Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Haridwar Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Gangasalan Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Lansdowne Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Pauri Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Ravain region Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Jaunsar region Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Dehradun Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Gangotri Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Mandakini valley Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Neeti valley Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Alkananda valley Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Uttarkashi Garhwal; tourist places, temples, spirituality, religion, architecture, and culture of Garhwal; Books on tourist places, temples, spirituality, religion, architecture, and culture of Tehri  Garhwal; Books on tourist places, temples, spirituality, religion, architecture, and culture of Bhilangana-Bhagirathi valley Garhwal; Books on tourist places, temples, spirituality, religion, architecture, and culture of Chamoli Garhwal; Books on tourist places, temples, spirituality, religion, architecture, and culture of Rudraprayag Garhwal;



 
 
 
 
 




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Ganga ka Mait Biti: Garhwali Ecopoetry Collection about  Awakening Lyrics for Environment Protection 


Critical Review of Garhwali Literature- 2277
(Review of Modern Garhwali Literature series)
Ganga ka Mait Biti: A Garhwali Poetry collection by Ghanshyam Raturi ‘Shailani’
 Review by: Bhishma Kukreti (Regional Language Promoter)

Ghanshyam Raturi is the first Garhwali Poet whose Garhwali Poem ‘Chipko Song’ was read in international level on 5th June 1988 in International Environment Day Bangkok with English translation. Ghanshyam Shailani read his lyric and environmentalists appreciated the poem.
 
        The inhabitants of Garhwal have been conscious about saving environment by birth. There have been tendencies in Garhwal for creating proverbs, folk stories, phrases, folk songs, folk dramas for centuries.
             Chipko Andolan or Hugging Trees Movement caught attention in Garhwal and Kumaon due to culture of protecting environment by people of Garhwal and Kumaon.
        Ghanshyam Raturi ‘Shailani’ was one the front runners of Chipko Andolan with Gaura Devi, Chandi Prasad Bhatt, Sunder Lal Bahuguna and others. Chipko word was taken from the lyric of Ghanshyam Raturi ‘Shailani’.
              The ‘Ganga ka Mait Biti’ a Garhwali poetry collection by Ghanshyam Raturi is totally devoted to Environment and Humanity. Humanity and Environment protection are same and walk together.
 Chipko Andolan impacted deeply Garhwali poetry world and today, every Garhwali poet does not forget to create poem of Environment Protection. Ghanshyam Raturi was one of the poets who was taking parts in Chipko Andolan and was also creating Poems for accelerating the Chipko movement too. 
              There are forty four poems related mainly to Environment, forest, rivers, soil, trees, people and humanity. Ghanshyam also included his poems in this volume those he created for social awareness movement as family planning, alcohol prohibition, emergency, political pollution, greed for power, non inclusive development in rural and urban regions inhuman behavior of present society etc. There are poems about women empowerment too.
          Through his simple phrased poems, Ghanshyam is able to make understand readers about disasters due to sudden flood in rivers of Himalaya.
           The poems are easy to sing and were created for women who did not go to school for formal education. Therefore, all poems of Raturi are easily graspable. The reader would like to sing –
                   गीतकार घनश्याम रतूड़ी 'शैलानी ' के गीत
----------आवा धरती सजावा --

ओ हो नई डाळी नया बण लगावा,
धरती सजावा।
 ओ हो  धरती को संकट मिटावा,
मिली जुलीक आवा

----पेड़ की पुकार ----

खड़ु होयुं छौ जुग बिटीन,
तुम्हारा खातिर मै ज्यूण चांदौं. 
मै तैं न काटा मै छौं तुम्हारो
तुम तैं अग्वाड़ी कुछ देण चांदौं।।
            There is Hindi translation of each poem and there are three translations in English too those were sung in Environment day in Bangkok in 1988.
   The International Environmentalists will always remember the contribution of Ghanshyam Raturi ‘Shailani’ as they appreciate poets as A. R Ammons, Robert Bly, Dickinson, Whiteman, Steven, William C. William, Brenda Hillman, Juan Carlos-Galliano, Forest Gander, Cyrus Cassells , Loma Dee Cervantes, Plamela Uschek etc for their marvelous poetries about Environment Protection.

Book Details-
Ganga ka Mait Biti
Poet- Ghanshyam Raturi
Year of Publication -1988
Publisher- Sarvodaya Kutir
Asisangam, gangori
Uttarkashi, Uttarakhand
Pages- 116
 

Copyright@ Bhishma Kukreti 20 /6/2014
Bhishma Kukreti, 2013, Angwal, Garhwali Kavita Puran (History of Garhwali Poetry ), Dehradun, India 
Critical Review of Garhwali Literature to be continued…
Critical Review of Garhwali Poetry Collection to be continued…
XX
 Ganga ka Mait Biti: Garhwali Ecopoetry Collection about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by Ghanshyam Raturi about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by Chipko Activists about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by poet born in village Charigard, Kebhar  about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by poet born in Tehri Garhwal about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by Uttarakhand poet about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by Himalayan Poet about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by North Indian Poet about Awakening Lyrics for Environment Protection; Ganga ka Mait Biti: Garhwali Ecopoetry Collection by South Asian poet about Awakening Lyrics for Environment Protection;   
 

Bhishma Kukreti

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 Gaon ki Yad: A Garhwali Free Verses Collection of varied subjects

Critical Review of Garhwali Literature- 2278
(Review of Modern Garhwali Literature series)
Gaon ki Yad: A Garhwali Poetry collection by Kailash Bahukhandi ‘Jiwan’
 Review by: Bhishma Kukreti (Regional Language Promoter)

            Gaon ki Yad is free verse collection of Kailash Bahukhandi writing poems for more than thirty five years. Kailash Bahukhandi had been publishing his poems in various periodicals.
      The present collection of   Kailash Bahukhandi has 60 poems in this present collection of varied subjects and nature.
           There are poems about memorizing hills of Garhwal those Kailash left for years. There are poems of varied subjects as preaching, social awareness about alcoholism etc, philosophy, love, poverty, struggle for economic stability, various seasons and changing struggle, images of seasons in hills. The poet also wrote satirical poems too and those pierce the wrongs.
             A Garhwali poet and Story writer Ansuya Prasad Dangwal writes that present poetry collection deals with all dimensions of life and about various types of people.
  The language is simple and easily digestible by common readers.
  Kailash uses Garhwali words those create desirable images in the readers mind.


Poetry collection in Garhwali - Gaon ki Yad
Poet- Kailash Bahukhandi Jiwan
Pages -94
Year of Publication – 2012
Publishers- Shailvani Prakashan , Devi road, Kotdwara, Uttarakhand, India 
Price- 100/-
Copyright@ Bhishma Kukreti 26 /6/2014
Bhishma Kukreti, 2013, Angwal, Garhwali Kavita Puran (History of Garhwali Poetry) Dehradun, India 
Critical Review of Garhwali Literature to be continued…
Critical Review of Garhwali Poetry Collection to be continued…
XX


Bhishma Kukreti

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Baugalu Matu t: A Garhwali Poetry Collection about Span of Daily Life in Garhwal

Critical Review of Garhwali Literature- 2279
(Review of Modern Garhwali Literature series)
Baugalu Matu t: A Garhwali Poetry collection by Dr. Dinesh Chamola “Shailesh’

 Review by: Bhishma Kukreti (Regional Language Promoter)

                  Till date, Dr. Dinesh Chamola (born in 1964) published more than 71 (Seventy one) books in Hindi and four books in Garhwali.
                     Garhwali language poetry collection Baugalu Matu’ by Chamola illustrates many facets of life in rural Garhwal.
              The poems of present collection assures that  Dr Chamola is keen observer of rural Garhwal including images of nature (rivulets, hills etc), religion-rituals, food habits, changing society, women of Garhwal, animals, seasons, alcoholism in hills, environment, death and identity, aspirations from Uttarakhand and the reality after getting Uttarakhand  etc.  The poet has sense of humor too.
 The 63 poems are of free verses and are created in normal short form.
                   The poet uses simple Garhwali symbols, phrases for creating images of Garhwal, life and philosophy. Dinesh uses figure of speeches for creating desirable flow in poems. The metaphors create energy.   Mostly, the poet does not surprise at the end of poem or stanza ending.
 63 poems illustrate various facets of Garhwal life.
The collection is valuable in Garhwali language literature development.

Poetry Collection- Bauglu Matu t
Poet- Dr. Dinesh Chamola ‘Shailesh’
Numbers of poems- 63
Pages 150
Publisher- Adish Prakashan, Abhivyakti, Garh Vihar, Mohkampur, Dehradun, Uttarakhand
Price-200/-



Copyright@ Bhishma Kukreti 27 /6/2014
Bhishma Kukreti, 2013, Angwal, Garhwali Kavita Puran (History of Garhwali Poetry) Dehradun, India 
Critical Review of Garhwali Literature to be continued…
Critical Review of Garhwali Poetry Collection to be continued…
XX
Baugalu Matu t: A Garhwali Poetry Collection about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in village Kaushalpur  about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in Rudraprayag about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in 1964 about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in Garhwal about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in Uttarakhand about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in Himalaya about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in North India about Span of Daily Life in Garhwal; Baugalu Matu t: A Garhwali Poetry Collection by poet born in South Asia about Span of Daily Life in Garhwal;   

Bhishma Kukreti

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      'गढ़वाली भाषा अर साहित्य कि विकास जात्रा ' गढ़वाली साहित्य मा एक मील स्तंभ च।

                                       भीष्म कुकरेती

                आज विशेष्यगुं जमानु च, बड़ी जनसंख्या कि भाषाइ  साहित्य मा इतिहास विशेषज्ञ ही वीं भाषा साहित्य लिखणा छन । पर गढ़वाळि भाषा साहित्य मा बहुविधायी साहित्यकार ही तैं साहित्य बि रचण पड़द अर समालोचना -इतिहास बि खुज्याण पोड़द। गढ़वाली कवितावली बिटेन अब तलक इनी होणु च। श्री संदीप रावत एक कवि बि छन अर गढ़वाळी साहित्यौ समालोचक अर इतिहासकार बि छन।  या पोथी सदीप जीक परिश्रम अर टक्क लगैक काम करणो एक उदाहरण च।
गढ़वाळि  कवितावली से गढ़वाळि  कवियूं समालोचना अर  जीवन चरित्रो पवाण लग।  सन 1975 तक अधिकांशत: गढ़वाली साहित्यौ इतिहास अर आलोचना हिंदी मा ही ह्वे।  सन 1975 मा छपीं 'गाड़ म्यटेकि गंगा ' से भग्यान अबोध बंधु बहुगुणा जीन गढ़वाळि गद्य कु इतिहास अर समालोचना गढ़वाळि मा लिखणै आधिकारिक पवाण (शुरवात ) लगाइ।  सन 1980 मा अबोध जीन 'शैलवाणी' मा  आधुनिक गढ़वाळि  कवितौं ऐतिहासिक समालोचना की पवाण लगाइ।  फिर हिंदी मा डा अनिल डबराल की पोथी 'गढ़वाली गद्य की परम्परा ', डा कोटनाला की 'गढ़वाली काव्य का उद्भव '; अंग्रेजी मा भीष्म कुकरेतीन  इंटरनेट मा आधुनिक गढ़वाली का हरेक विधा कु  साहित्यौ अर किताबुं समलोचना  अर रचनाकारों क जीवन चरित्र पर हजार से बिंडि  लेख छपिन। इनी भीष्म कुकरेतीन गढ़वाळि मा 'अंग्वाळ ' पोथी मा 200 से अधिक कवियों कृतित्व पर इतिहास सम्मत भूमिका लेखि। गढ़वाली भाषा मा वीरेंद्र पंवार की समालोचना पोथी 'बीं'  गढ़वाळि समालोचना का वास्ता एक मील स्तम्भ च। युं समालोचकुं कार्य प्रशंसनीय च स्तुतीय च।  किन्तु हरेक कार्य अलग अलग विधा (गद्य या कविता ) कु इतिहास  समालोचना बतांद।  भीष्म कुकरेतीन सबि  विधाओं कु इतिहास ल्याख अर समलोचना कार किन्तु कुकरेती कु काम केवल इंटरनेट तक सीमित च अर फिर इंटरनेट की अपनी कमजोरी हूंद । इनी डा गुणा नंद जुयाल , डा गोविन्द चातक अर डा हरी दत्त भट्ट शैलेशन गढ़वाली भाषा विज्ञान कु काम मा अपणु अविषमरणीय योगदान दे.
       संदीप रावत पहला इन साहित्यकार छन  जौन एकी किताब मा समग्र रूप से गढ़वाली भाषा मा सबि विधाओं जन कि भाषा -विज्ञानं , पद्य, काव्य , कथा , व्यंग्य , व्यंगय चित्र, चिट्ठी पतरी , समालोचना जन विधाओं कु  इतिहास इकबटोळ कार,  समालोचना ल्याख। याने कि संदीप जी आधिकारिक रूप से पैला साहित्यकार छन जौन सबि विधाओं कु क्रिटिकल हिस्ट्री ऑफ़ गढ़वाली की पोथी 'गढ़वाली भाषा अर साहित्य कि विकास जात्रा ' गढ़वाली भाषा मा छाप। श्री रावत की जथगा बि बड़ै करे जावु कम पोड़ल। भाषा विज्ञान कु तजबिजु बि यीं कालजयी किताब मा मिल जांद।
         भाषा इतिहास खुज्याण मा रावत जीक परिश्रम एर नीयत कु परिचय साफ़ मिल जांद जब हम तैं गढ़वाली भाषा का सन चौदहवीं सदी से लेकि अब तलक का सबि मील स्तंभुं  सूचना यीं  ऐतिहासिक किताब से मिलदी।  इनी भाषा का समय समय पर बदल्यांद रूपों ब्याख्या अर उदाहरण बतांद कि संदीप जीन कथगा परिश्रम करी होलु। 
किताब माँ साहित्य समुचित कालखंडो मा बंटे गे अर हरेक विधा तैं महत्व दिए गे इलै इ मी बुलणु छौं कि गढ़वाली साहित्य कु ऐतिहासिक -समलोचना की या पैली समग्र किताब च।
'गढ़वाली भाषा अर साहित्य कि विकास जात्रा ' किताब से पता चल्द कि गढ़वालीन कै हिसाबन अर कौं परिस्थिति मा अपण रूप -स्वरुप बदल। शब्द असल मा समय कु ज्ञान दींदन अर इं  किताब से हम तैं अंथाज लग जांद कि कै समय पर गढ़वाल मा कैं संस्कृति अर भाषा कु अधिक प्रभाव  रै होलु।
              असल मा समालोचनात्मक इतिहास लिखण अपण आप मा भौति कठण काम च।  यदि इतिहासकार हावी ह्वे जावो तो पुस्तक नीरस व संदर्भ पुस्तक साबित ह्वे जांद अर यदि विवेचना जादा हो तो ऐतिहासिकता पर धक्का लगणो डौर रौंद। संदीप जीन एक सामंजस्य रैखिक काम करी।
                 समालोचनात्मक इतिहास कु लिख्वारौ समिण कथगा ही दुविधा आंदन। जन कि भौत दैं इन किताब मा इतिहास साधारण ह्वे जांद अर समालोचना समग्र रौंद  या इतिहास समग्र रूप से विकास बथान्द किन्तु समालोचना खंडों मा खंडित ह्वे जांद या कै काल मा समालोचना कु आधार याने आइना अलग त हैंक कालखंड मा समलोचना कु आधार ही बदल जांद ।  संदीप जीन हमेशा ख़याल राख कि ऐतिहासिक तथ्य ही समालोचना का आधार बणन। समग्र ऐतिहासिक समालोचना संदीप  जीक खासियत च। 
कबि कबि समालोचक इन साहित्यकार की छ्वीं लगाँद जौं तैं पारम्परिक आलोचक जादा महत्व नि  दींदन।  संदीप जीन भौत सा इन   साहित्यकारुं तैं समिण लैन जौंक कार्य महत्वपूर्ण छौ पर हमार समालोचकोंन यूं साहित्यकारूं अणजाण मा अवहेलना कार। जन कि कथाकार  भग्यान काली प्रसाद घिल्डियाल अर  बृजेन्द्र नेगी या गीतकार विष्णु दत्त जुयाल तैं समालोचकुंन उथगा महत्व नि दे जथगा की यो साहित्य्कार हकदार छा।  संदीप जीन इन साहित्यकारो तैं यथोचित महत्व दे।
कला लम्बी हूंद अर जीवन छुटु  इलै ही इतिहास अर समालोचना असल मा मौलिक ह्वेइ नि सकद अर इतिहासकार -समालोचक तैं रिकॉर्डों याने पुराण आख्यानो कु  आसरा लीण आवश्यक हूंद। संदीप रावत जीन अवश्य ही अफु से पैलाक साहित्यकारो  लेखुं या किताबुं आसरा ले पण फिर माप-तौल का वास्ता अपणा विशेष टिप्प्णी बि दे।   जगह जगह रिकॉर्ड्स, साक्ष्य  व अन्य साहित्यकार या समलचकों का कोटेसन से किताब मा ऑथेंटिसिटी पूरी तरह से रईं च. यदि संदीप रावत तैं लगद कि कै हैक साहित्यकार का विचार संदीप का विचारूं से मेल नि खान्दन तो संदीप अपनी विचार बताण मा नि झिझकदन।  फिर  संदीप जीकी टिप्प्णी नया तरह से सुचणो अवसर बि दींदी अर नई पीढ़ी वास्ता बाटु बथाणो काम बि 'गढ़वाली भाषा अर साहित्य कि विकास जात्रा ' करदि।
      रावत जीकी समालोचना मा  साफ़ साफ़ निर्णय , साहित्य दिखणो अपण ढंग , मीमांसा -विवेचना सब ठीक च।   साहित्यिक इतिहास अर समालोचना मा भाषा कु गरिष्ट होणो खतरा भौत हूंद पण रावत जीन सरल भाषा कु प्रयोग से विषय तैं गरिष्ट हूण से बचायी।
                     संदीप रावत जी को गढ़वाली साहित्य मा वो ही स्थान च जन साहित्यिक इतिहासकार -समलोचक  डेविड डाइसेस (अंग्रेजी );डा फ्रेडरिक बियालो ब्लोटज्की (जर्मन ); फ्रेडरिक ओटो व जॉर्ज कॉक्स (रुसी भाषा ); जॉर्ज सेन्ट्सबरी (फ्रेंच ); फ्रांसिस्को विजिलो बारबाकोवि  अर जिरोलामो तिराबोस्की )इटालियन ); कार्ल ऑलफ्रीड डोनाल्डसन (यूनानी ); जॉर्ज टिकनोर (स्पेनी ); मर्ल काल्विन रिक्लेफस (मलय );ताओ तैंग  (चीनी भाषा ); लॉरेंट क्जिगानी (हंगरी भाषा ) ;ताल्वज रॉबिन्सन (पोलिश भाषा ) ; फ्रेडरिक बॉटेविक (पुर्तगाली भाषा ) ; जूडिथ जैकोब अर डेविड स्मिथ (कम्बोडियाई भाषा ) कु भाषा -साहित्यौ समालोचनात्मक इतिहास विधा संसार मा स्थान च।
   इन तरां की किताब की गढ़वाली साहित्य तैं भारी आवश्यकता बि छे।  आशा च अग्वाड़ी संदीप रावत जी गढ़वाली साहित्यौ इतिहास अर समलोचना तैं नई नई दिशा द्याला। 
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 Garhwali Bhasha ar Sahitya  ki Jatra
historian- Sandeep Rawat
Language -Garhwali
Pages-192
Price-275
Vinsar Prakashan , faltu Line Dehradun
Contact 09720752367

 

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