Author Topic: Superhit Garhwali Kumauni Films - सुपर हीट गढ़वाली और कुमाउनी फिल्में  (Read 31986 times)

Bhishma Kukreti

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Anuj Joshi: The Most Sensible Garhwali Film Director about Social and Cultural (Messages) Issues
Review of Garhwali-Kumauni (Uttarakhandi) Films -3
                                               Bhishma Kukreti
[Notes on Sensible Film Director about Social and Cultural (Messages) Issues; Sensible Garhwali Film Director about Social and Cultural (Messages) Issues; Sensible Kumauni Film Director about Social and Cultural (Messages) Issues; Sensible Uttarakhandi Film Director about Social and Cultural (Messages) Issues; Sensible Mid Himalayan regional language Film Director about Social and Cultural (Messages) Issues; Sensible Himalayan regional language Film Director about Social and Cultural (Messages) Issues; Sensible North Indian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Indian regional language Film Director about Social and Cultural (Messages) Issues; Sensible South Asian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Asian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Oriental regional language Film Director about Social and Cultural (Messages) Issues]
                             Garhwali or Kumauni literature does not provide name, fame and monitory benefits to Garhwali and Kumauni literature creative. However, there are Garhwali and Kumauni language lovers who ignore benefits from creating other language literature and stick to local language literature. There are sensitive Garhwali and Kumauni film makers those leave Hindi filmdom for the sake of local language promotion.
                      Anuj Joshi is one of the sensible persons that left Hindi filmdom for promoting Garhwali-Kumauni language films.  Kathud Bada (Malla Dhangu, Gangasalan, Pauri Garhwal) is second oldest village of Dhangu after village Jaspur. Anuj Joshi belongs to Kathud Bada village. His father is Udai Ram Joshi and mother’s name is Kamla Joshi. Anuj was born on 19/11/1972 in Shimla (HP). When Anuj was studying in Dehradun he used to read story books and was inclined to analyze various storytelling methods. Anuj Joshi was mesmerized film as the best medium of storytelling medium.  In his graduation, Anuj used to see dreams of becoming film director of Garhwali films. When his intimate friends used to caution him that being Garhwali film director means no name, Joshi used to tell that he would not become Garhwali film director for name and money but for a definite and focused cause –thousand years old Garhwali language should be protected.
                   Anuj had clear objective that for film direction he must get knowledge of film direction and in 1995, Anuj Joshi reached Mumbai. In Mumbai Anuj worked with famous film directors as assistant as Jeet, ham Dil de Chuke Sanam etc. he joined television serial making and wrote story, script for Jameer serial. Anuj Joshi wrote and directed Hindi serials as Jameer, Babul ki Dua le ja and Saturdays suspense serials for Doordarshan. Later on, he joined Ekta Kapoor (Bala ji production) and wrote many serial’s stories. Joshi wrote and directed ‘Kasauti Jindgi ki’   
                 His first Garhwali film venture is ‘Teri Saun’. ‘Teri Saun’ is based on Muzaffar Nagar incident of Uttarakhand movement (Joshi was witness there as movement activist).  The movie was produced financed by him and his family. The film was also made in Kumauni language. From exhibition point of view, ‘Teri Saun’ created many records from audience point of view. This is the only film that was run for three prints in Delhi (two Garhwali versions and one Kumauni version). However, Anuj and his family did not get return due to Chalaki of cinema hall owners. 
   Anuj Joshi directed Garhwali VCD/DVD film ‘Garhwali Shole’ (2004).
Anuj Joshi directed Garhwali VCD/DVD film ‘Hantya’ (2005)
 Anuj Joshi directed Garhwali VCD/DVD Play ‘Kya Kan tab’
‘Gullu ‘(2010) is first Garhwali children film and credit goes to Anuj Joshi for its direction.
Anuj Joshi directed other children BDVD/VCD films as ‘Kamli (2011) and ‘Kafal’ (2013). ‘Kafal’ discusses about the worrying position of Garhwali language.
Anil took social issues in his directed films as ‘Kab Khulai rat’ and ‘Kabi t Holi suber’’
‘Ghana Girgit and yamraj’ directed by Anuj Joshi is comedy film.
‘ Gundaru ban gaya Hero’ comedy and serious VCD film directed by Anuj Joshi is about the desire of a young boy to produce films in Garhwali, exploitation by crooked  people and message that Garhwali society should take films seriously and should spend money on films as religious cause. 
‘Manswag’ (2012) VCD film directed by Joshi discusses the issue of Tiger, environment and the problems of villagers together
         When asked about worsening position of Kumauni and Garhali film industry, Anuj Joshi states that he does not have any hope from political leadership of Uttarakhand as politicians and bureaucrats are totally indifferent o Kumauni and Garhwali languages.  However, Anuj is of firm opinion that only society can take the language issue by itself as Laddaki people boycott pirated and the businessmen those do pirating of Ladaki films
  Anuj Joshi requested media also to take the issues to the general public not to buy pirated product at all (pirated CD ko pap samjhen).
 Noted film personality Madan Duklan states that Anuj Joshi is the most sensible Garhwali film director.
* (Based on telephonic talks with Anuj Joshi and Madan Duklan)
Reference: Bhishma Kukreti, 2013
Copyright@   Bhishma Kukreti 1/3/2013
Review of Garhwali and Kumauni Films (Uttarakhandi) to be continued...4
Notes on Sensible Film Director about Social and Cultural (Messages) Issues; Sensible Garhwali Film Director about Social and Cultural (Messages) Issues; Sensible Kumauni Film Director about Social and Cultural (Messages) Issues; Sensible Uttarakhandi Film Director about Social and Cultural (Messages) Issues; Sensible Mid Himalayan regional language Film Director about Social and Cultural (Messages) Issues; Sensible Himalayan regional language Film Director about Social and Cultural (Messages) Issues; Sensible North Indian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Indian regional language Film Director about Social and Cultural (Messages) Issues; Sensible South Asian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Asian regional language Film Director about Social and Cultural (Messages) Issues; Sensible Oriental regional language Film Director about Social and Cultural (Messages) Issues to be continued..

Bhishma Kukreti

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उत्तराखंड फिल्म असोसिएसन


                                              भीष्म कुकरेती     


   सन १९ ८ ३ में प्रथम जग्वाळ फिल्म  प्रदर्शित होने के बाद गढ़वाली -कुमाउनी फ़िल्में बनने का सिलसिला शुरू हुआ। फिर फिल्मों के रचनाधर्मियों को संगठित कर काम करने की भी आवश्यकता महसूस हुयी। इसी आवश्यकता पूर्ति हेतु सन २००१ में देहरादून में उत्तराखंड फिल्म असोसिएसन की नींव पड़ी जिसके अध्यक्ष श्री एस . पी . एस नेगी को बनाया गया. श्री एस . पी . एस नेगी ही वर्तमान अध्यक्ष हैं। इस संगठन में निर्माता, निर्देशक, लेखक कलाकार, गीतकार, स्म्गीत्कार, सम्पादक व अन्य तक्नीसियन हैं। 

 उत्तराखंड फिल्म असोसिएसन  देहरादून के कई उद्दयेश हैं

सर्वप्रथम उद्देश्य उत्तराखंड फिल्म उद्यम का सुचारू रूप से विकसित करना है

फिल्म विकास सम्बन्धी सृजान्त्म्क कार्यों को सम्पादन करना फिल्म उद्यम विकास को संबल देने हेतु सृजान्त्म्क कार्यों का सम्पादन

अन्तराष्ट्रीय व राष्ट्रीय फिल्म-कर्मियों व रंगकर्मियों की संगोष्ठी करना जिससे आवश्यक सुचना व ज्ञान का प्रभाव हो सके और उत्तराखंडी फिल्म उद्यम की बातें अन्तराष्ट्रीय मंचो पर हो सके

उत्तराखंड फिल्म असोसिएसन यह बात जानता है कि क्षेत्रीय फ़िल्में उत्तराखंड पर्यटन को विकसित करने में सहायक होंगी और इसी मुड़े को मद्दे नजर रख असोसिएसन राष्ट्रीय व अंतर्राष्ट्रीय फिल्म निर्माताओं-निर्देशकों  के साथ सूचना आदान प्रदान कर उन्हें उत्तराखंड में फिल्म निर्माण के लिए प्रेरित करता है . राष्ट्रीय अथवा अन्तराष्ट्रीय फिल्मो की शूटिंग उत्तराखंड में होने से स्थानीय कलाकारों व तकनिसियनो को काम ही नही मिलता अपितु नई तकनीक का भी ज्ञान व अनुभव मिलता है।

   उत्तराखंड फिल्म असोसिएसन   उत्कृष्ट कार्य करने के लिए निर्देशकों, कलाकारों, लेखकों, संगीतकारों  व तकनीसियनो को समय समय पर सम्मान करता है और उन्हें प्रेरित भी करता है।

 उत्तराखंड फिल्म असोसिएसन   अपना सांस्कृतिक दल देस विदेस भेजता है जिससे सांस्कृतिक व तकनीकी ज्ञान का आदान प्रदान किया जा सके व उत्तराखंड संस्कृति का प्रचार प्रसार भी किया जा सके।

 उत्तराखंड फिल्म असोसिएसन  समय समय पर असहाय व अस्वस्थ फिल्म रचनाधर्मियों व तकनीसियनो की सहायता भी करता है।

समय समय पर उत्तराखंड फिल्म असोसिएसन   उत्तराखंड फिल्मों की समस्यायों से सरकार व अधिकारियों को अवगत कराता रहा है।

उत्तराखंड फिल्म असोसिएसन  वर्तमान पधाधिकारी -

श्री हेमंत कोचर- संरक्षक

श्री बलराज नेगी संयोजक व संरक्षक

 श्री एस . पी . एस नेगी - अध्यक्ष

श्री गोविन्द राणा -उपाध्यक्ष

श्री राजेन्द्र सिंह रावत -महासचिव

श्री मदन डुकलाण -कोषाध्यक्ष

श्री मणि भारती -सांस्कृतिक सचिव

श्री हेमंत बुटोला -सह सांस्कृतिक सचिव

श्री जॆ. एस. थापा -प्रचार -प्रसार सचिव


[ यह लेख उत्तराखंड फिल्म असोसिएसन  के कोषाध्यक्ष श्री मदन डुकलाण से बातचीत पर आधारित है)



 Copyright@ Bhishma Kukreti 1/3/2012 

Bhishma Kukreti

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Madan Duklan: A Passionate, Multifaceted Film, Theatre and Literature Activist   
Review of Development of Garhwali-Kumauni (Uttarakhandi) Films -9
                                               Bhishma Kukreti

            Parashar Gaur started Garhwali and Kumauni Film industry because of great passion, for Garhwali-Kumauni culture and language.  Madan Duklan is also an example of great passion for Garhwali-Kumauni culture and literature. Madan has many faces in film and literature creation. Madan is Garhwali language poet, Garhwali language magazine editor, film lyricist, film actor, film screenplay writer and dramatist and Hindi poet too.
                    Born in Khaneta village of Bichhla Bdalpur, Salan of Pauri Garhwal on 10/3/1964, Madan Duklan passed B.Sc .and MA (Public Administration) degree. From his childhood, Madan Duklan was involved in folk dramas and used to take part in many cultural activities of his village and area.                   
           Madan Duklan took professional training for theatre and film production as:



                                     
Madan Duklan a passionate, multifaceted film, theatre and literature activist has 25 years experience of script / song writing and Direction / Acting in Theatre and in Regional Cinema in Uttarakhand.
Madan Duklan a zealous, many-sided film, theatre and writing objector participated in a 45 days production oriented workshop at Dehradun conducted by Mr. Dinesh Khanna of National School of Drama, New Delhi (1993).
Madan Duklan a obsessive, versatile film, theatre and literature campaigner participated in a one month production oriented theatre workshop at Dehradun conducted by Mr. Punit Asthana and organized by Bhartendu Natya Academy, Lucknow in collaboration with Uttarakhand Sanskritik Morcha, Dehradun (1995).
Madan Duklan a loving, talented film, theatre and literature activist attended a one month production oriented theatre workshop at Dehradun conducted by Mr. Sirish Dobhal and organized by National School of Drama in collaboration with Vatayan (1998).
Madan Duklan a fervent, talented film, drama, theatre and literature activist Attended four days workshop on Folk Theatre at Dehradun conducted by Mr. Habib Tanveer and sponsored by Heritage Centre (2000).
Madan Duklan a passionate, multifaceted film, theatre and literature activist is Founder Member & Chief Trustee of Himalaya Lok Shahitya Evam Sanskriti Vikas Trust.
Madan Duklan a passionate, multifaceted film, theatre and literature activist is the Chief Editor of ‘Chithee-Patri’, quarterly magazine published in Garhwali since 1985.
Madan Duklan a passionate, multifaceted film, theatre and literature activist relayed Garhwali songs / poems from Doordarshan & All India Radio, Nazibabad and Lucknow since 1985.
Madan Duklan a passionate, multifaceted film, theatre and literature activist directed “Gattu Aur Kaljugi Debta” Garhwali Film released by “Swapn Films”;directed “ Jog Jaani” Garhwali Album released by “T Series”;acted in  “Teri Saun”  Garhwali Feature Film; acted in “Aunsi kee Raat”  Garhwali Feature Film;acted in “Shri Dev Suman” Hindi Feature Film;acted in “Garhwali Sholay” Film; acted in “Hantya”Garhwali Film; acted in “Ekhari Maya” Garhwali Film;acted lead role in “Yaad Aali Tehri”; acted in “Gaura”  Garhwali Film; acted in “Meri Tehri” Garhwali album;acted in “Mohna”  Garhwali album;acted in “Jago Jara”  Hindi Doordarshan serial 13 episode;acted in “Daanda Ka Saud Maa” Garhwali album; acted in “Hey Dhanee” Garhwali Album; acted in “Ab Ta Khulali Raat” Garhwali Film;acted in “Jai Kalu Sidh Baba” Hindi Film; acted in “Jhmki Mulaayulu” Garhwali Album
                    Madan Duklan a passionate, multifaceted film, theatre and literature activist has 25 years of working experience in the Garhwali & Hindi theatre;25 years of working experience in Song / Script writing; directed 8 Hindi / Garhwali Street Plays and acted in more than 25 Hindi / Garhwali proscenium / Street plays;acted in Seven Garhwali / Kumauni / Hindi / Himachali Feature and Digital films.
                       Madan Duklan a passionate, multifaceted film, theatre and literature activist conducted and Directed one month’s production oriented workshop in Oil & Natural Gas Corporation (ONGC) (1998).
                  Madan Duklan a passionate, multifaceted film, theatre and literature activist is Founder Member of ‘Uttarakhand Sanskrit Morcha” a common platform of theatre groups of Dehradun dedicated for the socio-cultural development of Uttaranchal.
                  Madan Duklan a passionate, multifaceted film, theatre and literature activist wrote songs for Teri Soun, Garhwali Sholay,  Hantya,  Gattu aur Kaljugi Debta,  Gaura,  Yaad Aali Tehri Garhwali films.
                    Madan Duklan a passionate, multifaceted film, theatre and literature activist wrote songs for Uttarakhand Ke Rangeet’, ‘Himalaya Kab Bwalalo’,  ‘Vigyan Chetna’ Jai Ganga Maee’, ‘Uttarakhand Das Baras’ Garhwali music albums.
                   Madan Duklan a passionate, multifaceted film, theatre and literature activist published In Dino’ (Hindi Poems); Andi Jaandi Saans’ (Garhwali songs & poems);‘Chehro Ke Ghere’ (Hindi Poems in Press);   ‘Gwathani Ka Gaon Bate’ ( A collection poem of 18 prominent Garhwali poets);Paryas’ (A collection of Hindi Poems);‘Apno Aina Apni Andwaar’ (A collection of Garhwali Poems, ready to release); ‘Angwal’ (A book of Garhwali poems collection with its history from 1850 to 2012).
                     Madan Duklan a passionate, multifaceted film, theatre and literature activist edited ‘Chithee-Patri’ (Garhwali Quarterly Magazine since 1985),‘Himigiri’ and ‘Uttarakhand Mahotsava-1988 & 2000’ souvenir, Co-editor of Gad-Jagar (Published by Akhil Garhwal Sabha, Dehradun) and Co-Editor of ‘Himnad’ a quarterly Hindi Journal focused on Uttarakhand and published from Delhi. Also edited ‘Gwathani Ka Gaon Bate’ ( A collection poem of 18 prominent Garhwali poets), souvenir on Silve Jublee of Uttrakhandi Cinema.
                         Madan Duklan a passionate, multifaceted film, theatre and literature activist was also associated with a fortnightly Hindi Journal JANPAKSHA AAJKAL as SAHITYA SAMPADAK and now associated as Literary Editor with Regional Reporter a monthly Hindi magazine.
  Garhwali and Kumauni film industry and literature is developing due to hard work and sacrifice of passionate personality as Madan Duklan.
                     Address of Multifaceted, All-round Film, Theatre and Literature Activist  Madan Duklan:
Chithi-PatriA-16, Rakshapuram (Ladpur)
P.O. Raipur, Dehradun – 248008
Phone- 0135-2788748, 9412993417

Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास
Copyright@   Bhishma Kukreti 4/3/2013

Review of Garhwali and Kumauni Films (Uttarakhandi) to be continued...10

Bhishma Kukreti

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Jiwan Singh Bisht: The First Kumauni Feature Film Producer

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -27
                                                Bhishma Kukreti
[Notes on first regional language film producer; first Kumauni language film producer; first Uttarakhandi regional language-Kumauni film producer; first Mid Himalayan regional language-Kumauni film producer; first Himalayan regional language-Kumauni film producer; first North Indian regional-Kumauni language film producer; first Indian regional language-Kumauni film producer; first South Asian regional language-Kumauni film producer; first Asian regional language film producer; first Oriental regional language-Kumauni film producer]   
                   Whenever, there will be discussion of film, history will always remember Jiwan Singh Bisht. Jiwan Singh Bisht produced first ever Kumauni language feature film Megha A.
   Jiwan Singh Bisht was born in village Lwali, Salan Patti, Almora of Uttarakhand in 1950.  His father was in Indian army and wanted that Jiwan join the army. Jiwan Singh Bisht had other plan. Young Jiwan was interested in theatre in his college time. His father never wanted Jiwan to join theatre and Jiwan joined State Bank of India after graduation.
  When this author asked Jiwan Singh about his entry into Kumauni film production Jiwan Singh Bisht disclosed that he was inspired by Garhwali feature films as Jagwal, Ghar Javain. One day, he read that the language lovers of Tulu a regional language of Karnataka produced film in Tulu too. Bisht became eager to produce Kumauni feature film.
  Jiwan Singh started to conceptualize the film. He met friends as Rajendra Bora who wrote story on the concept of Jiwan Singh. Sheel Chaudhary (a Haryanvi and Hindi film activist) wrote the script in Hindi. This author was surprised to know that the script was written in Hindi. Bisht explained that it is difficult for average artist to read Kumauni or Garhwali script. Therefore the script was written in Hindi and given to the artist to understand well. At the time of shooting, the Kumauni dialogues were handed over to artist.
  The story is about the grandfather insisting his grandson for joining army (though old man lost his son in war). The film deals the subject of worsening position of hills due to migration very effectively.  The leading male character of first Kumauni feature film is Kumauni and female leading charter is Garhwali.
 
   Kaka Sharma (non Kumauni) was director for the first Kumauni feature film ’Megha A’. Kumauni music expert Hem Singh (resides in Lucknow) was the music director of first Kumauni feature film ‘Megha A’. Jiwan Singh Bisht himself wrote lyrics for first Kumauni feature film Megha A’.
     The first Kumauni feature film ‘Megha A’ was first released in Ranikhet in 1987 and later on various cities of Uttarakhand. The response was overwhelming where ever the film was released. Bisht confesses that film did good business. However, Jiwan Singh Bisht did not get back his investment due to middlemen.
  Jiwan Singh did not produce another Kumauni film because he says that Phadis are not wealthy that they could invest in loss making adventure. Bisht has written poetries, tens of stories and novels. After producing first Kumauni feature film, Jiwan Singh produced telefilms, documentary films for Doordarshan and documentary films for other government departments.
   Recently Jiwan Singh produced a religious VCD Hindi film based on the story of Goril /Gwill deity. He is waiting to distribute it very soon.
    Jiwan Singh Bisht says that the biggest hassles for regional films as Kumauni or Garhwali feature or VCD films is the problem of distribution. Till the problem of distribution is solved Bisht does not see great future for regional films as Kumauni or Garhwali films.
   Jiwan Singh Bisht is happy family man. His three daughters are married and son is well settled in Delhi. Jiwan Singh lives in Delhi.
  The history will remember Jiwan Singh Bisht for his initiative for producing firs t ever Kumauni feature film.
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास
[Based on Telephonic Talk had with Mr. Jiwan Singh Bisht 09310233343]

Copyright@   Bhishma Kukreti 22/3/2013

Review of Garhwali and Kumauni Films, music albums, documentary films (Uttarakhandi) to be continued...28
Notes on first regional language film producer; first Kumauni language film producer; first Uttarakhandi regional language-Kumauni film producer; first Mid Himalayan regional language-Kumauni film producer; first Himalayan regional language-Kumauni film producer; first North Indian regional-Kumauni language film producer; first Indian regional language-Kumauni film producer; first South Asian regional language-Kumauni film producer; first Asian regional language film producer; first Oriental regional language-Kumauni film producerto be continued…

 

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