Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख  (Read 1122573 times)

Bhishma Kukreti

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2nd List of Plants mentioned in earliest Buddhist literature

Flora in Early Buddhist Literature (Pali Tipitaka) -2
Botany in Mahajanapada Era or Buddhist Literature (1425 to 323 B.C.E) – 2
 BOTANY History of Indian Subcontinent –48
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By: Bhishma Kukreti M.Sc.
{(Botany), B.Sc. (Honours in Botany), Medical Tourism Historian)-
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S. Dhammika offers us detailed list of plants mentioned in various early Buddhist literature in title ‘Nature and the environment in early Buddhism ( 3) including following Jataka information -
 
Pali Common Name Plant ---------Botanical name ---------Reference
Ja= Jataka tales  (4)
Vin= Vinaya Pitaka (7)
M.=Majjhima nakaya  (6)
Th= Theragata  (8)
Ap= Apadana  (5)
A=Anguttara (9)
Vv= Vimanavatthu  (10)
Indavarunikarukkha -------------- Citrulus colosynthis ------- Ja, 4.8
Indasla (tree) -------------------------------------------------------Ja,IV 92
Isika ---------------------------------Celosia cristata --------------Ap 16.193
Ucchu -------------------------------- Sugarcane ---------------- Vin.III 59
Udumbara ------------------------ Ficus glomerata ------------ A IV 283
Uddala ----------------------------- Sterculia vilosa ------------ Ja, IV 301
Upparibhandaka -   a tree ----------------------------------------- Ja, VI 269
Udaropa --------------------- a tree ---------------------------------- Ja , II 345
Uppala ------------------------ Nymphea stellate ------------------ Vv, 45.5

 

1-Dhammika, S. (2015), Nature and the environment in early Buddhism, Buddha Dhamma mandala Society, Singapore pages 1to 206
4- Jataka with Cemetery, ed. V. Fauseboll PTS 1877 -97 
5-Ap =Apadana edited Marry E. Litty  PTS Oxford 2000
6- M= Manjhima Nikaya editor V. Trenckner , R Chalmers London 1887-1902
7- Vin =Vinaya Paitaka , edi . H. Oldernberg PTS London 1879-83
8- Th =Theragata  edi. H. Oldenberg, Pischel 2nd edi , London  PTS London 1966
9- A= Anguttara  Nikaya , ed. R. Moris , E Hardy PTS London 1885 -90
10 Vv = Vimanavatthu , ed. N.a jayvikarama , PTS Oxford , 1977

Copyright@ Bhishma Kukreti, bckukreti@gmail.com , Mumbai India, 2020 
History of Botany from Pali/Maghadi literature, Applied Botany in India in Buddhist literature, Plant Science in early Indian Buddhist Literature
 HISTORY of BOTANY in Indian Subcontinent will be continued in next chapter




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Marich Kashyap: The Father of Paediatric Science
 
Chapters /Sthanas in Kashyap Samhita /Bridha Jivaka and its main subjects: introduction -2
History of Medical Tourism, Health and Wellness Tourism in Nagavansha Period (176-340 A.D.) – 9
History of Medical Tourism, Health and Wellness Tourism in India, South Asia- 127 
(With Special mentions of History of Medicines in India)

 By: Bhishma Kukreti (Medical Tourism Historian)

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 There following chapters or section sin Kashyap Samhita –
Sutra Sthan of 30 chapters
Nidan Sthan of 8 chapters
Vimana Sthan of 8 Chapters
Shareer Sthan of 8chapters
Indriya Sthan of 12 chapters
Chikitsa Sthan of 30 chapters
Siddhi Sthan of 12 chapters
Kalpa Sthan of 12 chapters
And
Khil * Sthan of 80 Chapters
 Rai states (3) that it is s belived that Vatsya added Khil Sthan chapters as those chapters were not I original Kashyap Samhita.
 Rai offered the information of other 6 classics with title r Kashyap Samhita too (3).
 Kashyap Samhita is only available treatise for paediatrics   (Kumarbhritya) (3) .
          Rai offers following main subjects or contributions of Kashyap Samhita for medical world (3) –
Kumar Samhita takes Child diseases and cure at top among all Ayurveda Subjects 
Kashyap described eight types of sweda (Sudation)
Kashyap classified children as per financial conditions (Upper, Middle, Poor). This classification is still relevant for medical Tourism development factors analysis 
There is exclusive and separate chapter for ‘Karnavedhana, children ear lobe piercing ’.
Kashyap described drug doses for children according to age or weight,
Kashyap recommends Ghee for children as per age
and weight.
Kashyap Samhita classified breast milk feeding or breast into classes a s Shakuni, Putana etc . There is description of children consuming different types of breast milk in Kashyap Samhita
Kashyap described types of breast milk –formation, ejection, and qualities of breast milk. Kashyap offered suggestion for  mixing drugs with breast milk
Kashyap offered medicines for increasing breast milk
Kashyap offered; clinical features of children diseases;  relation of Shishya and Guru ; malnutrition; children skin diseases and divided  childhood into foetus,  infant and child.
 Therefore we without any doubt may conclude that Kashyap is the’ Father of Paediatrics or child disseises and cure   in the medical world’ 
No literature is available even in Greece or in Roma, we do not find literature exclusively devoted to children diseases and mother role in children disseises and cure so extensively as Kashyap.
When in any age a Father of any medical subject emerges that clearly means the place has expertise in the medical science related that subjects. And medical expertise attracts the medical tourism or become the base of medical tourism. Definitely, due to Kashyap ‘ work medical tourism would have developed  not only at his time but in coming years too due to his pupils.
References
1-Vidyalankar Atrideva,   Ayurveda ka Vrihat Itihas, Hindi Sahitya Samiti, Banaras pages -960, page 204-205
2- Kumar Dr. Ajay, Dr. Ttina Singhal, Kashyap Samhita: Kewal Mool Shloka , published by Dr. Ajay Kumar , 2001 , page 1 of Grantha Parichay
3-Rai Deepshikha, Kashyap Samhita, Kashyap Samhita: A review of History and its contribution to Kumarbhritya, International Jounral of Ayurveda and Herbal medicines 4.5 (2014) 1569-1578

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Marich Kashyap: The Father of Paediatric as indicator of medical tourism, Marich Kashyap: The Father of Paediatric  will be discussed in next chapter
  History of Medical Tourism, health Tourism and Wellness Tourism and History of Medicines in Nagavansha / Kashyap Samhita India will be continued in next chapter – 127


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कुठार (बिछला ढांगू ) में धीरेन्द्र भंडारी की चौखट तिबारी में काष्ठ कला उत्कीर्णन
ढांगू गढ़वाल , हिमालय  की तिबारियों पर अंकन कला -16
  Traditional House wood Carving Art of Kuthar,  Dhangu , Garhwal, Uttarakhand , Himalaya   -16
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  उत्तराखंड , हिमालय की भवन  (तिबारी ) काष्ठ अंकन लोक कला ( तिबारी अंकन )  -  25
Traditional House Wood Carving Art (Tibari) of Garhwal , Uttarakhand , Himalaya -  25
 
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 संकलन - भीष्म कुकरेती

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    कुठार  बिछला  ढांगू  का सम्पन , उर्बरायुक्त , समृद्ध गाँव  आज भी मन जाता है।  गंगा तट के निकट होने से भूमि उर्बर  थी व कर्मठ किसानों ने कुठार को नाम दिया।  निकटवर्ती गांव हैं हथनूड़ , तैड़ी , क्यार , दाबड़ आदि ,
    इस समृद्ध गाँव व कर्मठ किसानी गाँव से  इस लेखक को दो तिबारियों की  है।  कुठार में धीरेन्द्र भंडारी की तिबारी भी अब जीर्ण शीर्ण  अवस्था में है।  तिबारी दुभित्या मकान की पहली मंजिल पर है। 
तिबारी में चार स्तम्भ /खम्भे , सिंगाड़ /columns हैं व तीन मोरी /खुले द्वार  हैं।  तिबारी चौखट है व तिबारी /बैठक में कोई मेहराब /चाप / तोरण /वृत्तखंड /arch नहीं है।
किनारे दो स्तम्भ हैं जो प्राकृतिक कलायुक्त /नक्कासीदार कड़ी से दिवार सेजुड़े हैं।  प्रत्येक स्तम्भ उप छज्जे के ऊपर पाषाण आधार  पर टिके हैं।  अन्य तिबारियों जैसे इस तिबारी के स्तम्भ में आधार पर कुम्भी , उर्घ्वगामी पदम् पुष्प दल या डीला नहीं हैं।  अपितु सीधी हियँ व इन स्तम्भों पर  ज्यामितीय व प्र्रीति कला अंकन (natural  and geometrical motifs ) है।  कहीं भी मानवीय /पशु  /पक्षी (Figural motifs ) नहीं मिलते हैं यहाँ तक कि कोई शगुन प्रतीक  अलंकरण अंकन भी नहीं मिलता है। 
 स्तम्भ ऊपर स्तम्भ शीर्ष मुंडीर  कड़ी से मिलते हैं मुंडीर पर भी कोई विशेष अंकन आज नहीं दीखता है।  किन्तु प्राकृतिक अलंकरण अवश्य रहा होगा (natural motif ) . स्तम्भ शीर्ष कड़ी दास पट्टिका से मिल जाती है जो छत को आधार देती है।
   धीरेन्द्र भंडारी की तिबारी साधारण कला की तिबारी है।  मध्य हिमालय वास्तु कला ज्ञाता  मनोज इष्टवाल व पुरातन गढ़वाली शब्द ज्ञाता महेशा नंद इस स्ट्रक्चर को निमदारी  की श्रेणी में रखना पसंद करते हैं 
सूचना व फोटो आभार - अभिलाष रियाल व कमल जखमोला
Copyright @ Bhishma Kukreti , 2020
  Traditional House Wood Carving Art of, Dhangu, Garhwal, Uttarakhand ,  Himalaya; Traditional House Wood Carving Art of  Malla Dhangu, Garhwal , Uttarakhand ,  Himalaya; House Wood Carving Art of  Bichhala Dhangu, Garhwal  Himalaya; House Wood Carving Art of  Talla Dhangu, Garhwal , Uttarakhand  , Himalaya; House Wood Carving Art of  Dhangu, Garhwal, Himalaya; ढांगू गढ़वाल (हिमालय ) की भवन काष्ठ कला , हिमालय की  भवन काष्ठ कला , उत्तर भारत की भवन काष्ठ कला   


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गैंड -सौड़ (तल्ला ढांगू ) में लोक कला व भूले बिसरे कलाकार


 ढांगू गढ़वाल संदर्भ में हिमालय , उत्तराखंड  गढ़वाल की  लोक कलाएं व भूले बिसरे कलाकार श्रृंखला  -27
  Folk Arts  and Artisans of Dhangu Garhwal ,Folk  Artisans of Dhangu Garhwal  , Himalaya 27
(आलेख अन्य पुरुष में हैं )
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संकलन - भीष्म कुकरेती

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 गैंड -सौड़ तल्ला ढांगू में दूसरा ब्राह्मण बहुल गाँव है जहां गौड़ जाती के ब्राह्मण निवासी है तथा बिष्ट व नेगी जाति भी निवास करते हैं।  गैंड (तल्ला ढांगू ) के निकटस्थ गाँव कुंटी , उच्चाकोट , सिरकोट , जुंकळ , माळा बिजनी  आदि हैं। 
कृषि प्रधान गाँव होने के नाते कृषि संबंधी काष्ठ।  रेशा , पाषाण कला में प्रत्येक व्यक्ति पारंगत (स्व -जीवकोपार्जन ) ही था जैसे सेळु बटना, न्यार आदि बटना  , हौळ -जोळ -निसुड़  जुआ निर्माण , पगार लगाना , टाट पल्ल  , मुणुक निर्माण फौड़ में भोजन बनाना अदि कलाएं विकसित थीं।
   कुछ अन्य कलाएं व कलाकारों का ब्यौरा इस प्रकार है।
 दास या ढोल वादकव दर्जी  - झिरणखाळ के  शीतल दास , भरोसा दास
लोहार - गैंड के ही भद्वा , सतर्वा , टं खु , कीड़ू
ओड , मकाननिर्माण  मिस्त्री - सिरकोट के दौलत सिंह नेगी
टमटा - नए बर्तन हेतु ऋषिकेश पर निर्भरता  किन्तु घांडी व हुक्का निर्माण हेतु जसपुर पर निर्भरता
सुनार - उच्चा कोट के शिल्पकार परिवार या पाली गाँव पर निर्भर
पंडित - झैड़ (तल्ला ढांगू ) के मैठाणी परिवार जैस जनार्दन  प्रसाद मैठाणी
वैद्य - गैंड के भैरव दत्त गौड़ , महीधर प्रसाद गौड़
जागरी - झैड़ के मैठाणी या ढौंर से
बादी - -बिजनी के तूंगी बादी
रामलीला कलाकार - एक ही बार रामलीला खेली गयी थी।
1980 तक गाँव में चार पांच तिबारियां थीं अब सम्भवतया ध्वस्त हो चुकी हैं या अभी पूरी सूचना आनी बाकी  है


सूचना आभार -  रमेश गुड़ ( गैंड )
Copyright @ Bhishma Kukreti , 2020
Folk Arts of Dhangu Garhwal ,Folk  Artisans of Dhangu Garhwal, Uttarakhand , Himalaya  ;  Uttarakhand , Himalayan Folk  Art ढांगू गढ़वाल हिमालय की लोक कलायें , ढांगू गढ़वाल , हिमालय की  लोककलाएं व लोक  कलाकार  will be continued


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Geography and Regions  descriptions in Kashyap Samhita: Indicative Factors for Medical Tourism

Indicating Factors of Medical Tourism in Kashyap Samhita -3
History of Medical Tourism, Health and Wellness Tourism in Nagavansha Period (176-340 A.D.) – 10
History of Medical Tourism, Health and Wellness Tourism in India, South Asia- 128 
(With Special mentions of History of Medicines in India)
 By: Bhishma Kukreti
(Medical Tourism Historian)
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  Historians least paid attention on History of Medical tourism in India. As such,  medical tourism is a new subject for  this industrial. Therefore, for writing history of medical tourism , historians  need to find or search the indicating factors of medical tourism in any period or literature.
 Kashyap Samhita do not mention who travels for medical aid nor we have any historical records. However, Kashyap Samhita offers us ample of factors those indicate that there was well developed medical tourism in Kashyap creating period.
 First indicating factor is emergence of Kashyap sage as father of children illness and cure .
As Kashyap first for initiating for children illness cure, definitely not only parents of ill children from far way started visiting Kashyap and his disciples but  foreign scholars would have dropped Kashyapa and other experts of Paediatric science (disciples of Kashyap)  for getting new knowledge .
 Kashyap Samhita illustrating geography
  Kashyap Samhita illustrates Geography and the characteristics of people of different places the strong indicators of travels and medical tourism.
  Kashyap Samhita mentions following countries (1)-
Kurukshaetra , Kuru, Naimisaranya, Panchal, Manichar, Kaushal, Haritpada,
Shursena, Char, Matsya Dsharna , Shishiradri, Sarswat, Sindhu, Sauver, Vipad or Vyasa, Kashmir, China, Upper China, Khas, Vwahik, Dasrek, Shat Sar, Raman etc (kalpa Bhojan Kalp 41-43 )
  There are mentions of following different castes (Class as per family tree) in Kashyap Samhita (1) –
Sut, Maghad , Ven, Pukkas Prachyak, Chandal, Mushtik etc
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Medicines or Food Suitability as per geographical regions 
Kashyap had knowledge of characteristics and body suitability for medicines of  few  geographical regions and that means that  Kashyap  was a travelling physician too .
  Kashyap mentions in Kashyap Samhita that sour and spice (teekshna) medicines (dravya) for the people belonging to Kashi, Pundru, Ag, Kavaga,    kach, Anupak (Konkan) Kaushal regions (1). 
 Same way, Kashyap mention sin Kashyap Samhita that soft /normal medicines were suitable for   people of  Narmada, Kalinga, Pattvasin, south   regions (1).
The above description in Kashyap Samhita was possible only when physicians were travelling, curing,  getting knowledge of new medicines and properties  of regional specialities  and exchanging all knowledge to other knowledgeable  too. The above is sure that there was tour by ill people to doctors or medical centres and medical experts visiting to various regions for curing people and getting newer medical knowledge too.
 Strong Indicators of medical tourism in Kashyap Samhita
 

References
1-Vidyalankar Atrideva,   Ayurveda ka Vrihat Itihas, Hindi Sahitya Samiti, Banaras, (1960) pages -0, page 206
Medical Tourism Indicating factors in Kashyapa Samhita will be continued
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Faithfulness of  Sudarshan shah  for  British 

General Characteristics of Sudarshan Shah Administration -1
History of King Sudarshan Shah of Tehri Riyasat – 127
History of Tehri Kingdom (Tehri and Uttarkashi Garhwal) from 1815 –1948- 127 
  History of Uttarakhand (Garhwal, Kumaon and Haridwar) – 1356   


  By:   Bhishma Kukreti (History Student)
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    Sudarshan Shah got Kingdom back because the help by British. That was good reason to be faithful to British. This author’s general view is that many left wing historians or writers accuse Sudarshan Shah for faithful to British Raj. In my opinion that was not wrong on part of Sudarshan Shah.
  Sudarshan Shah mentioned 286 British officials whom he met before getting back Kingdom and after getting Kingdom. (1)
The king clearly sent order to all his servants for offering free Kulis or labours whenever any British official enters into their Kingdom {(Order copy for Gangram Rasoiya from Dyundi collection, (1)}.
      Dabral pointed out various incidents when the King offered facilities (Kuli Begar) to British officers in their visit to Their Kingdom region. The King used to men important officers (1) for showing his faithfulness to British raj.
  The conditions of Kulis were very terrible and heart breaking. (This author has discussed the subject in British Garhwal history 1815-1947).
   In next chapter , the role of Sudarshan  Shah will be discussed in 1857  Revolution period



References
1-Dabral, Shiv Prasad, (2009, Their Garhwal Rajya ka Itihas Uttarakhand ka Itihas part 1, (2nd edition) Veer Gatha Press, Garhwal India, page 121
Copyright@ Bhishma Kukreti, bjukreti@gmail.com
The write up is for general readers.
History of Their Garhwal to be continued in next chapter …



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3rd List of Plants mentioned in earliest Buddhist literature
 -
Flora in Early Buddhist Literature (Pali Tipitaka) -3
Botany in Mahajanapada Era or Buddhist Literature (1425 to 323 B.C.E) – 3
 BOTANY History of Indian Subcontinent –49
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By: Bhishma Kukreti
M.Sc. {(Botany), B.Sc. (Honours in Botany), Medical Tourism Historian)-
-    
    The work of Dhammika (2015) is very important for understanding the flora mentioned in various earliest Buddhist literature.
   Following is third list of plants mentioned in Earliest Buddhist Literature (1) –
Pali name --Common Name Plant ---------Botanical name ---------Reference
Ja= Jataka tales (4)
Vin.= Vinaya Pitaka (7)
M.=Majjhima nakaya  (6)
Th= Theragata  (8)
Ap= Apadana  (5)
A=Anguttara (9)
Vv= Vimanavatthu  (10)
Pv-a =Petavatthu Atthakattha ed.  (11)
Eraka -------------------A course Grass ----------------------------------Vin. I 196)
Eranda –Castor Oil plant –----Ricinus communis ---------------------M II, 152
Elembaraka – A type of creeper ------------------------------------------Ja.VI 536
Elegala –Sickle Sena --------Senna tora ------------------------------- Ja. III 222
Kakkarika –cucumber – Cucumis sativas -------------------------- Vin.III. 59
Kangu--- Millets------------------------------------------------------------ Ja.VI 581
Kacchikara – Uncertain ---------------------------------------------------- Ja. V 420
Kacchaka (probably dye fig-------------------------------------- Vin IV 34
Katukarohani –Himalayan herb ---------Picrorhiza kurro -------------- Vin I 201
Katerhua – a Bush ---------------------------------------------------------Ja.VI 537
Kanika --------------------------Premna integrifolia ----------------------- AP 17
Kanikara --------------------   Pterospermum acerifolium ------------------- A V 61
Kadamba –Kadamba ---------- Neolamarckia cadamba --------------- Ja.VI 535
Kadali – Banana --------------     Musa bulbisiana ------------------------Ja. V 195
Kappikachu ------Velvet Bean ---------Mucuna pruriens -----------Pv a 84 
Kappitha – wood apple ----------------Limonia acidissima    -------Ja.V 38
Kapasa ---Cotton -------------------- Gossypium sp. --------------------Ja. I 350
Kapura – Camphor tree -------------Cinnamomum camphora -------Ja.VI 537
Karanja ---Indian beach ----------------- Milletia pinnata ----------------Ja.VI 518
Karamadda ----------------------------- Carissa carandas ---------------  Ja.VI 536 
Karavira ---Oleander ---------------------Nerium oleander ------------- Ja. III 62
Kalmbuka –probably ----ipomoea aquatica ---------------------------------Ja. VI 535
Kalaya -----------------perhaps pigeon pea -------------------------------Ja II 370
Kalingu – a type of tree ---------------------------------------------- Ja.VI 537

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References
1-Dhammika, S. (2015), Nature and the environment in early Buddhism, Buddha Dhamma mandala Society, Singapore pages 1to 206
4- Jataka with Cemetery, ed. V. Fauseboll PTS 1877 -97 
5-Ap =Apadana edited Marry E. Litty  PTS Oxford 2000
6- M= Manjhima Nikaya editor V. Trenckner , R Chalmers London 1887-1902
7- Vin =Vinaya Paitaka , edi . H. Oldernberg PTS London 1879-83
8- Th =Theragata  edi. H. Oldenberg, Pischel 2nd edi , London  PTS London 1966
9- A= Anguttara  Nikaya , ed. R. Moris , E Hardy PTS London 1885 -90
10 Vv = Vimanavatthu , ed. N.a jayvikarama , PTS Oxford , 1977
11- Pv-a =Petavatthu Atthakattha ed E. hardy PTS London 1894

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History of Botany from Pali/ Maghadi literature, Applied Botany in India in Buddhist literature, Plant Science in early Indian Buddhist Literature ;  Flora mentioned in Buddhist literature  will be continued
 HISTORY of BOTANY in Indian Subcontinent will be continued in next chapter

Bhishma Kukreti

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भंवासी बागी (अजमेर )  गढ़वाल , उत्तराखंड की  लोक कलाएं व भूले बिसरे कलाकार   

 अजमेर , उदयपुर , डबरालस्यूं , ढांगू , लंगूर शीला पट्टी ,  गढ़वाल संदर्भ में हिमालय , उत्तराखंड  गढ़वाल की  लोक कलाएं व भूले बिसरे कलाकार श्रृंखला  28
  Folk Arts  and Artisans of Dhangu, Ajmer, Dabralsyun , Langur,Shila, Udaypur (Gangasalan )  Garhwal ,Folk  Artisans of Dhangu Garhwal  , Himalaya -28
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संकलन - भीष्म कुकरेती
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 भंवासी बागी  अजमेर पट्टी का एक नामी गाँव है।  मूनी बागी (छोटा बागी ) , जैं गाँव , भट्ट गां , गौळा , भसूळी निकटवर्ती  गाँव है और नदी हिंवल तटीय गांव हैं , सभी उर्बरक व समृद्ध गाँव थे।  आज सभी गाँव पलायन की मार झेल रहे हैं।  अजमेर पट्टी मालनी नदी की जन्मदात्री पट्टी है व शकुंतला दुष्यंत पुत्र भरत से संबंधित क्षेत्र है।  पौखाल निकटस्थ बजार है व हिंवल नदी डबरालस्यूं व् अजमेर की सीमा रेखा भी है।
   कृषक बहुल गाँव होने के कारण गृह व कृषि उपयोगी सभी कलाएं व शिल्प सभी परिवार पारंगत थे जैसे ब्वान निर्माण ; टाट -पल्ल , नकपलुणी , म्वाळ , स्योळबटाई ,  बटाई ,  , हौळ ज्यू ,   जोळ , नाड़ निसुड़ निर्माण आदि , पगार चिणायी।  जंदर छेदन आदि , यहां तक कि छत हेतु सिलेटी पत्थर (बड़ेथ के निकट - गयड़ गदन से ) निकालने में भी कईयों को सिद्ध हस्त थी।
     कुछ भूले बिसरे लोक कलाकारों के नाम इस प्रकार हैं।

ढोल वादक - बागी के ही भाग दास ; गुल्ली दास /प्रेमदास , मंगती बैसाखू आदि
बादी -बादण - द्यू ळा  की बालकुंवारी बादण
ओड /कूड़/मकान  चिणायी कलाकार - भाना मिस्त्री व परिवार -डक्खू , कृपाल , रैजा आदि
बढ़ई - उपरोक्त ही
लोहार - गाँव से ही हुस्यारू , पूर्णा
सुनार - मोहन बाग़ी पर निर्भर यहथा महेशुर , गंगा , महिपाल
टमटा - गड़सर कठूड़ के बादुर टमटा
पंडित - गौळा के बहुखंडी व द्यूळा के देवलियाल
जागरी।  तंत्र मंत्र - भरोसा आर्य
गणत - भाना आर्य
तिबारियां  - चार से अधिक तिबारीं थीं जिनमे थोकदार लाल सिंह , सौकार जीत सिंह  , बहुखंडी पंडित , सर्वाल नेगी की तिबारी ख़ास थीं।  अब एक भी नहीं बचीं हैं
घराट , घट्ट , पनचक्की - कभी हिंवल व वशिष्ठा नदी पर चार घराट थे।  हेवल नदी पर स्थित चमस्यूळ  के  कुंदू  गुसाईं का घट्ट सबसे अधिक चलता था। हिंवल नदी पर ही गअळी के रेवतराम का था व वशिष्ठा नदी के दो घराट में एक मास्टर चन्दर सिंह रव्वत व एक बागी के एक शिल्पकार का था। 

सूचना आभार -  धीरज नेगी (भंवासी -बागी )

Copyright @ Bhishma Kukreti , 2020
Folk Arts of udyapur, langur Dhangu Garhwal ,Folk  Artisans of Ajmer , Garhwal, Uttarakhand , Himalaya  ;  Uttarakhand , Himalayan Folk  Art of Udaypur, , Dabralsyun, Dhangu ,Shila ,  Langur ढांगू गढ़वाल हिमालय की लोक कलायें , ढांगू , उदयपुर, अजमेर , डबरालस्यूं , लंगूर , शीला पट्टियों , गढ़वाल , हिमालय की  लोककलाएं व लोक  कलाकार  will be continued ,

Bhishma Kukreti

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Sudarshan Shah as Poet and supporter of Artisans

General Characteristics of Sudarshan Shah Administration -2
History of King Sudarshan Shah of Tehri Riyasat – 128
History of Tehri Kingdom (Tehri and Uttarkashi Garhwal) from 1815 –1948- 128 
  History of Uttarakhand (Garhwal, Kumaon and Haridwar) – 1357
 
  By:   Bhishma Kukreti (History Student)
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    Sudarshan Shah was art and literature lover (1).  Sudarshan Shah got good education for Sanskrit and it is said that he used to offer problem for Sanskrit Pundits for creating poetries. Maularam praised Sudarshan Shah in Garhrajvansha Kavya (Varna  63)for his poetry creating abilities and supporting poets etc.
 Sudarshan Shah was having knowledge of Braja and he created poetries in Hindi and the poem are in one unpublished book Sabha  Sar  (1).There are 17 chapters in Sabha Sar. The poems are of love, neeti and Vairagya raptures. Mostly the poems are based on sayings of poets or philosophers. (1)
Sudarshan Shaah used to listen poets and scholars and used to support them too by monetary benefits or by  gifting (1) 
State scholar Hari Datt Sharma  mentioned Sabha Sar in his drama ‘Sabha –Bhushan ‘

References
1-Dabral, Shiv Prasad, (2009, Their Garhwal Rajya ka Itihas Uttarakhand ka Itihas part 1, (2nd edition) Veer Gatha Press, Garhwal India, page 113 
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The write up is for general readers.
History of Their Garhwal to be continued in next chapter …


Bhishma Kukreti

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More than 200  Plants mentioned in earliest Buddhist literature
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Flora in Early Buddhist Literature (Pali Tipitaka) -3
Botany in Mahajanapada Era or Buddhist Literature (1425 to 323 B.C.E) – 3
 BOTANY History of Indian Subcontinent –49
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By: Bhishma Kukreti
M.Sc. {(Botany), B.Sc. (Honours in Botany), Medical Tourism Historian)-

-   Following is fourth  list of plants mentioned in Earliest Buddhist Literature (1) –
Pali name --Common Name Plant ---------Botanical name ---------Reference
Ja= Jataka tales (4)
Vin.= Vinaya Pitaka (7)
M.=Majjhima nakaya  (6)
S=Smyutta Nikaya  (12)
Th= Theragata  (8)
Ap= Apadana  (5)
A=Anguttara (9)
Vv= Vimanavatthu  (10)
Pv-a =Petavatthu Atthakattha ed.  (11)
D= Digha Niakaya (12)
Kara –Curry leave tree ---------- Muarrya koenigii ------------- Ja.IV 238
Kalavali --- Black vine ------------------------------------------------Ja.VI 269
Kaliya – a type of sandalwood ------------------------------------------ Ja.VI  536
Kasa ------------------------------------ Saccharum spontaneum ----- S. III 137
Kasumari -------Ceylon Oak -----Schleichera trijuga -------------- Ja.V 234
Kimsuka ---Flame of the forest –Butea monosperma -----------------Ja II 265
Kimphala – same as mango but poisonous -------------------------  Ja I , 271
Kutaja ------- a medicinal plant -----Holarrhena pubescens  ---  Ja IV 92
Kuttha a type of Ginger –Costus speciosus --------------------------Ja. VI 535
Kudrusa –  Kodo Millet –Paspalum scrobiculatum ----------------DIII 71
Likewise there is description of more than 200 plants, trees in early Buddhist literature cited by Dhammika (1)
Read for getting list of the complete list of plants in early Buddhist literature ‘Nature and the environment in early Buddhism (1) 


References
1-Dhammika, S. (2015), Nature and the environment in early Buddhism, Buddha Dhamma mandala Society, Singapore pages 1to 206
4- Jataka with Cemetery, ed. V. Fauseboll PTS 1877 -97 
5-Ap =Apadana edited Marry E. Litty  PTS Oxford 2000
6- M= Manjhima Nikaya editor V. Trenckner , R Chalmers London 1887-1902
7- Vin =Vinaya Paitaka , edi . H. Oldernberg PTS London 1879-83
8- Th =Theragata  edi. H. Oldenberg, Pischel 2nd edi , London  PTS London 1966
9- A= Anguttara  Nikaya , ed. R. Moris , E Hardy PTS London 1885 -90
10 Vv = Vimanavatthu , ed. N.a jayvikarama , PTS Oxford , 1977
11- Pv-a =Petavatthu Atthakattha ed E. hardy PTS London 1894
12 Samyutta Nikaya ed. L. Feer PTs London 1884-1898
12- Dhiga Niakya – ed T W Rhys Davis ,PTS London 1890-1911

Copyright@ Bhishma Kukreti, bckukreti@gmail.com , Mumbai India, 2020 
History of Botany from Pali/ Maghadi literature, Applied Botany in India in Buddhist literature, Plant Science in early Indian Buddhist Literature ;  Flora mentioned in Buddhist literature  will be continued
 HISTORY of BOTANY in Indian Subcontinent will be continued in next chapter


 

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