Author Topic: Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख  (Read 1117156 times)

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History of Botany in India in Kushan period

BOTANY History of Indian Subcontinent –98
   
By: Bhishma Kukreti M.Sc. {(Botany), B.Sc. (Honours in Botany), )
   Kushan period is one of the important historical periods for Indian History.  The Chinese historians tell us that Kushan were section of Yuch-Chi race. (1)
 From Indian history point of view following rulers are important to cite in this subject of Medical tourism History -
  Kadaphises (15-65 AD)  - Dabral states that his rule was spread from March to Taxila . Historians found copper coins of Kadaphises or Kujula (3). He was Buddhist follower.
   Vim Kadaphises II (65 -75 AD)- The son of Kadaphises I Vim Kadaphises extended his territory towards east and ruled over Onrth India from Gandhar to Kush, Panchal, Banras (3).
 Vim issued various types of coins. Coins indicate that Vim was Shaivya follower
                   Kanishka (78-101 AD)
  Kanishka was from the family or Kul of Kadaphises and had been the most powerful and influential ruler in Kushan period. His rule was extended from Bihar, Konkan and Khorasan Khotan, Uzbekistan, Kazkistan and touching south border of Uttarakhand too.(Dbaral page 218)
 There was high progress in Art , architecture , science in Kanishka period as Mathura art, Gnadhar Art 
 Kanishka established his capital at Purushpura or Modern Peshwar
    Dr. Lohuizen has given following chronology of Kanishka successor(6)
   Kanishka I – 78-101 AD
Vasishka -102-106
Huvishika -111-138
Kanishka II- 119
Vasudeva I- 152-176
Kanishka III – 192
Vashudeva II 200
 After Vashudeva death, Kushan family kingdom fell (Dabral page 223)     
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References –
1-Atrideva, ibid, page 
2- Mahajan V.D., 1998, Ancient India , S Chand & Company Limited Delhi, chapter Rise and Fall of Kushan Empire page 425 454
3-Dabral Shiv Prasad , 1969 Uttarakhand ka Itihas bhag 3  , Veer Gatha Press, Dogadda Uttarakhand  page 215   
5- Dabral ibid page 225
6- Mahajan V.D., 1998, Ancient India, S Chand & Company Limited Delhi, chapter Rise and Fall of Kushan Empire page 439

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CEO should never have wicked /toxic friends and leave wicked friend immediately

Guidelines for Chief Executive Officers (CEO) series – 60
(Guiding Lessons for CEOs based on Shukra Niti)
(Refreshing notes for Chief Executive Officers (CEOs) based on Shukra Niti)   

By: Bhishma Kukreti (Sales and Marketing Consultant)

ग्रीष्म सुर्यांशु  संतप्तं उद्वेजनं  अनाश्रायम्    I
मरुस्थलमिवोदाग्रं  त्यजेद् दुर्जन  संगतम्      II(163)
 नि:श्वासोद्नीण  हुतभुग धूमधूम्री कृताननै:   I
  वरमाशीविषै: संगं कुर्यान्न त्वेव   दुर्जनै:    II164II (  Shukra Niti  Rajkrityadhikar Nirupan,163-164  ) 
Translation:-
 The person should leave the company of wicket person immediately as persons leave the hot sandy desert that has been hot and unbearable due to summer sun rays
The person should accompany the snake spreading poisonous gas r rays but should not accompany wicket person. 
(  Shukra Niti  Rajkrityadhikar Nirupan,163-164  ) 
The wicked friends are dangerous   for any person.
 The signs of toxic/wicked friends are –
Wicked /crooked /toxic friends are inconsistent and criticize all the time.
The wicked friends usually, are jealous or covetous
The wicked friend discredits the friends and takes advantage but does not give anything. .
The wicked or crocked friend wants sympathy from friends but by his /her own lacks empathy and is not trustworthy.
The crocked friend is always unhappy and makes other unhappy.
The wicked friend is self- centred, big headed  and bullies others  too.
Crocked friend is judgemental and lair.
The crooked friend is fussy, stubborn and talks in cheap language 
 The above points are clarify the CEO must eave crooked/wicked  friends or associates immediately without second thought.

References
1-Shukra Niti, Manoj Pocket Books Delhi, page 40
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Family Life of Pratap Shah and his Personality
History of Tehri King Pratap Shah Period – 5
History of Tehri Kingdom (Tehri and Uttarkashi Garhwal) from 1815 –1948- 171
  History of Uttarakhand (Garhwal, Kumaon and Haridwar) – 1417     
  By:   Bhishma Kukreti (History Student)
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 Pratap Shah had uncle Sher Singh and step mother Khaneti Rani. Pratap Shah looked after them well and paid them due respect too. . Pratap Shah had amicable relation with his bothers. Pratp Shah had good relation with scholar Minya Prem Singh from Mandi Himachal. He always respected his mother Mandiyali Rani. (1)
        Marriages and Children of Tehri King Pratap Shah:-
  Pratap Shah had four queens. Third queen (the princess of Kumarsen Thakurai, Himachal) delivered two sons and a daughter. The sons died at early age. His mother Mandiyali rani arranged his fifth marriage with a Guleria girl from Himachal. This girl became famous as Guleria Rani (1). Guleria queen delivered following children
Kirti Shah was born 19th Januarys 1874 and later became King.
Bichitra Shah was born in 1880 and Surendra Shah in 1882.
Pratap Shah married his both daughters in Royal families of Kangra and Lakhimpur Kheeri respectively (1).
  Daily life of Tehri King Pratap Shah:-
  Pratap Shah was a religious man and fooled strict rule for life. After finishing basic needs, Pratap Shah used to visit court daily. He had hobbies for as fishing, hunting deer, hunting birds and bird games,. Pratap Shah enjoyed race, hunting and music and dances. Pratap shah followed Sudarshan Shah and Bhavani Shah for having amicable relation with British and pleasing British Officials at any cost (1).
  Pilgrimages by Tehri King Pratap Shah;-
Pratap Shah along with family visited Badrinath-Kedarnath shrine in 1879 and Gangotri –Yamunotri in 1884. (10).
Pratap Shah used to respect scholars and used to pay them gifts. 
 
References
1-Dabral S.P, Tehri Garhwal Rajya ka Itihas Bhag 1 (new edition), Veer Gatha Press, Dogadda, (1999) page 182 
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Charaka Samhita: Introduction and Creators

History of Botany in India in Kushana period -2
BOTANY History of Indian Subcontinent –98
By: Bhishma Kukreti
-
 Charaka Samhita one of the oldest Treatises of Indian Medical Science the 'Ayurveda ' had been stirring Indian medical world till date.
    Chrak Samhita initiated professionalism in Ayurveda medical practices in India. Charka Samhita also influenced foreign country medical practices  apart from India subcontinent countries.
 Charaka Samhita was originally cited by Guru Atreya to his disciple Agnivesha (1). Ahgnivesa wrote the teaching of his teacher around first  century . There are Pali or Buddhist words in Charaka Samhita as Avakranti, Jatank, Bhangodan , Khaddank , Bhutdhatri(sleep0. By that it is concluded that the oral Charaka Samhita was created after Upnishada period and before Buddha . Agnivesa codified the oral teaching of Atreya around 1000BCE (2) and then revised by Charaka in around Kanishka period ( 2). The original Charaka Samhita was then edited by Dridhbala around 400AD (2). Dridhbala added other sthana or chapters in original Charaka Samhita
          Dridhbala   supplemented   Charaka Samhita
 Dridhabala supplimented 17 chapters of Chikitsa Sthana and 12chapters of Kapil Sthana and Siddhi Sthanas . (3)
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References –   
1-Atrideva, 1960, Ayurveda ka Vrihad Itihas, Hindi Samiti Banaras,   page  151    
2-Bhavana KR. and Shrivattsa (2014), Medical geography in Charaka Samhita 'Ayu' 35 (4) Page 371-377
3-Richa Vishwakarma and P.K Goswami A Revew through Chaaraka Uttara-Tantra   ( 2013),Ayu Jan-March 34(1) 17-20
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डाबर (डबराल स्यूं ) में  कैप्टेन राम कृष्ण डबराल     बंधुओं  की तिबारी में काष्ठ  कला, अलंकरण
 
ढ़वाल, कुमाऊं , उत्तराखंड , हिमालय की भवन  (तिबारी, निमदारी , जंगलादार मकान , बखाई , मोरियों , खोलियों   ) काष्ठ अंकन लोक कला ( तिबारी अंकन )  - 107

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 संकलन - भीष्म कुकरेती

जैसा कि पहले एक अध्याय में  उल्लेख किया गया है कि  डबरालस्यूं ( दक्षिण , पौड़ी गढ़वाल ) में डाबर डबरालों का  पहला गाँव है जहां डबरालों की बसाहत शुरू हुयी थी  . हर्ष डबराल ने  डाबर से डबराल बंधों की  एक तिबारी की सूचना भेजी है जो वहां   एक रीछ पकड़ते से समय फोटो  ली  गयी थी (27 नवंबर 2018 ) । 
 दुखंड /तिभित्या , एक मंजिला वाला मकान में तिबारी स्थापित है व पहली मंजिल में स्थापित चार काष्ठ स्तम्भों व तीन खोली , द्वार वाली तिबारी है। तिबारी साधारण तिबारी है।  चारों स्तम्भ व मुरिंड  सपाट हैं व कोई कलाकारी  कहीं भी नहीं दिखती है।
   इस तिबारी में एक अनुत्तरित प्रश्न है कि साइड की दीवाल में खड़िकी के ऊपर नहीं बल्कि कुछ दूर उप्पर एक छोटा छज्जा बंधा है , इस छज्जे का उपयोग क्या रहा होगा का प्रश्न अभी भी  अनुत्तरित है। 
     यद्यपि आज तिबारी /निमदारी बड़ी साधारण लग रही है  किन्तु जब रुपया उपलब्ध न था , तकनीक  , उपकरण व कलाकार सरलता से सुलभ न थे तब ऐसी तिबारी निर्मित करना बड़ी सोच व धनी लोगों के ही बस की बात थी। तिबारी में काष्ठ  कला कम है किंतु मकान व तिबारी में टिकाऊपन पूरा है। 

सूचना व फोटो आभार : हर्ष डबराल

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डबरालस्यूं संदर्भ में गढ़वाल , हिमालय  की तिबारियों/ निमदारियों / जंगलों  पर काष्ठ अंकन कला /लोक कला  -
House Wood Carving  Art (ornamentation ) in Dabralsyun  Garhwal , Uttarakhand  -
  Traditional House wood Carving Art of West Lansdowne Tahsil  (Dhangu, Udaypur, Ajmer, Dabralsyun,Langur , Shila ), Garhwal, Uttarakhand , Himalaya   
  दक्षिण पश्चिम  गढ़वाल (ढांगू , उदयपुर ,  डबराल स्यूं  अजमेर ,  लंगूर , शीला पट्टियां )   तिबारियों , निमदारियों , डंड्यळियों  , बखाईयों , मोरियों  , खोलियों में काष्ठ उत्कीर्णन कला /अलंकरण   
Traditional House Wood Carving Art (Tibari) of Garhwal , Uttarakhand , Himalaya -     107

  Traditional House Wood Carving  (Tibari ) Art of, Dhangu, Garhwal, Uttarakhand ,  Himalaya; Traditional House Wood Carving (Tibari) Art of  Udaipur , Garhwal , Uttarakhand ,  Himalaya; House Wood Carving (Tibari ) Art of  Ajmer , Garhwal  Himalaya; House Wood Carving Art of  Dabralsyun , Garhwal , Uttarakhand  , Himalaya; House Wood Carving Art of  Langur , Garhwal, Himalaya; House wood carving from Shila Garhwal  गढ़वाल (हिमालय ) की भवन काष्ठ कला , हिमालय की  भवन काष्ठ कला , उत्तर भारत की भवन काष्ठ कला   


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धारकोट (उदयपुर ) में महीधर मारवाड़ी  परिवार की जंगलेदार निमदारी  में काष्ठ  कला [/size][/color]

 गढ़वाल,  कुमाऊँ , उत्तराखंड , हिमालय की भवन  (तिबारी, निमदारी , जंगलादार  मकान , बाखई , खोली  , काठ बुलन ) काष्ठ कला अलंकरण अंकन  - 109 

 संकलन - भीष्म कुकरेती -

पिछले एक अध्याय में यमकेश्वर अंतर्गत डाडामंडल  अंतर्गत धारकोट व मरोड़ा क्षेत्रों में महीधर मारवाड़ी शर्मा की तिबारी पर चर्चा व विवेचन अहो चुकी है।   आज इन्ही महीधर मारवाड़ी परिवार के एक जंगलेदार निमदारी  की काष्ठ  कला पर चर्चा होगी।

प्रथम दृष्टि से तो  महीधर मारवाड़ी परिवार की इस  दुखंड /तिभित्या  /दुपुर निमदारी   में विशेष कला नहीं दीख रही है।    निमदारी  में पहली मंजिल के काष्ठ छज्जे  के ऊपर  कुल  बारह स्तम्भ हैं जिन पर कोई उल्लेखनीय काष्ठ कला उत्कीर्ण नहीं हुयी है।  स्तम्भ सीधी छज्जे से ऊपर मथिण्ड  के कड़ी से मल जाते हैं और ना ही काष्ठ  छज्जा न ही स्तम्भ व नाही मथिण्ड की कड़ी में कोई कला दर्शन होते हैं।

  निष्कर्ष में कहा जा सकता है है कि  धारकोट में महीधर मारवाड़ी परिवार की यह  जंगलेदार निम दारी कला दृष्टि से साधारण निमदारी  है।  अपने समय में इस निमदारी की विशेष पहचान थी व उपयोग भी था। 

 

सूचना व फोटो आभार : सुमन कंडवाल कुकरेती

 

* यह लेख  भवन  कला संबंधित  है न कि मिल्कियत हेतु . मालिकाना   जानकारी  श्रुति से मिलती है अत: अंतर हो सकता है जिसके लिए  सूचना  दाता व  संकलन कर्ता  उत्तरदायी  नही हैं .

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 Traditional House wood Carving Art of West South Garhwal l  (Dhangu, Udaypur, Ajmer, Dabralsyun,Langur , Shila ),  Uttarakhand , Himalaya   

  दक्षिण पश्चिम  गढ़वाल (ढांगू , उदयपुर ,  डबराल स्यूं  अजमेर ,  लंगूर , शीला पट्टियां )   तिबारियों , निमदारियों , डंड्यळियों, बखाइयों ,खोली, कोटि बलान मकान में  काष्ठ उत्कीर्णन कला /अलंकरण  श्रृंखला  -

  गढ़वाल,  कुमाऊँ , उत्तराखंड , हिमालय की भवन  (तिबारी, निमदारी , जंगलादार  मकान , बाखई , कोटी बलन मकान    ) काष्ठ कला अंकन   - 

Traditional House Wood Carving Art (Tibari) of Garhwal , Uttarakhand , Himalaya -   

  Traditional House Wood Carving  (Tibari ) Art of, Dhangu, Garhwal, Uttarakhand ,  Himalaya; Traditional House Wood Carving (Tibari) Art of  Udaipur , Garhwal , Uttarakhand ,  Himalaya; House Wood Carving (Tibari ) Art of  Ajmer , Garhwal  Himalaya; House Wood Carving Art of  Dabralsyun , Garhwal , Uttarakhand  , Himalaya; House Wood Carving Art of  Langur , Garhwal, Himalaya; House wood carving from Shila Garhwal  गढ़वाल (हिमालय ) की भवन काष्ठ कला , हिमालय की  भवन काष्ठ कला , उत्तर भारत की भवन काष्ठ कला

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Unhappy Last days of King Pratap Singh
History of Tehri King Pratap Shah Period – 7
History of Tehri Kingdom (Tehri and Uttarkashi Garhwal) from 1815 –1948- 173
  History of Uttarakhand (Garhwal, Kumaon and Haridwar) – 1419   
  By:   Bhishma Kukreti (History Student)
 King Pratap Shah died with unhappy and disgusting feelings. There had been factionalism in his bureaucracy from top to bottom.  Most of administrators were corrupt and wanted to loot the subject and kingdom wealth by all means.
The people were unhappy with the new forest laws and state taking major forests portion from the villages.
   Many states men provoked the Jagirdar and 9ncited people for revolt. Referring Minya Prem Singh a court  historian, Dabral informs that The king fell ill in 1886 and many administrators started provoking the people .A fraction of state administration sent a complaint letter to Kumaon Commissioner  against the king (1). Kumaon commissioner Henry Ramsey informed the King about complaint letter and the King found that administrators as Shridatt Sakalnai, Banwari lal Painyuli,  Mukundram Painyuli, Salagram Painyuli, jagannath painyuli , Keshar singh rautela Dhanariwala, Fttesingh Rautela were involved in sending the complaint letter. Pratap singh was ill and could not take any action against them.(2)
   Pratap Singh had a severe pain on his leg in November 1886 and started respiratory problem too. Surgeon Hori lal was called from Shrinagar. Hori Lal medicated the king but there was no improvement. Hori Lal left the palace as he knew Pratap  Shah was witnessing last days of his life.
 Pratap Shah became aware that he had last days of his life and he asked his subordinates to give him paper and pen but they did not give him anything (3).
  Tehri King Pratap Shah died on February 1887 at 3.54
 
References
1-Dabral S.P, Tehri Garhwal Rajya ka Itihas Bhag 1 (new edition), Veer Gatha Press, Dogadda, (1999) page 184-85 
2- Minya Prem Singh, Guldasta –E- Tavarikh page 190-91
3- Minya Prem Singh, Guldasta –E- Tavarikh page 201
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CEO must understand the importance of Sweet words

Guidelines for Chief Executive Officers (CEO) series – 62
(Guiding Lessons for CEOs based on Shukra Niti)
(Refreshing notes for Chief Executive Officers (CEOs) based on Shukra Niti)
 
By: Bhishma Kukreti (Sales and Marketing Consultant)

 नित्यं  मनोपहरिणया वाचा   प्रहलादयेज्जग्त I
उद्वेजयति भूतानि क्रूर वाग्धनदोअपि सन्न   II(  Shukra Niti  Rajkrityadhikar Nirupan,166  ) 
Translation:-
The person should make all happy by sweet words. Even if the donor is Kuber (Wealth God) and uses harsh words, he makes people unhappy by those harsh words. (  Shukra Niti   Rajkrityadhikar Nirupan,166  ) 
  CEOs should always remember that words spoken or written affect the more than beating the persons.
CEO must follow a best proverb in Sanskrit – सत्यं ब्रूयात प्रियं ब्रूयात, न ब्रूयात सत्त्यम अप्रियम, प्रियं च नानृतम् ब्रूयात .  (The universal truth is that speak truth and speak sweet words, However, don’t speak truth those are harsh and don’t speak sweet words if those are lies . )
CEOs should keep always in mind the words of Rachel Wolchin,“ Be mindful when it comes to your words. A string of some that don’t mean much to you may stick with someone for a lifetime”
Perhaps Rumi reminded CEOs only by saying,“  Raise your words not your voice. It is rain that grows flowers and not thunders.”
CEO must keep in mind a Hindi saying (   वाणी से निकला शब्द व बाण से निकला तीर वापस नही आता) before speaking. The saying means that the words from tongue and arrow from bow once leave don’t return.
Pearl Strachan Hurd rightly defines the words,  “ Handle them carefully , for words have more power than atom bomb”
Mother Teresa rightly said , “ Kind words can be short and easy to speak but their echoes are truly endless.”.
CEO whether speaks with r  colleagues , employees, stakeholders and or competitors should speak sweet words as sweet words are positive characters for CEO.
 
References
1-Shukra Niti, Manoj Pocket Books Delhi, page 39
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Guidelines for speaking sweet words for Chief Executive Officers; Guidelines for speaking sweet words for Managing Directors; Guidelines for speaking sweet words for Chief Operating officers (CEO); Guidelines for speaking sweet words for  General Mangers; Guidelines for speaking sweet words for Chief Financial Officers (CFO) ; Guidelines for speaking sweet words for Executive Directors ; Guidelines for speaking sweet words for ; Refreshing Guidelines for speaking sweet words for  CEO; Refreshing Guidelines for speaking sweet words for COO ; Refreshing Guidelines for speaking sweet words for CFO ; Refreshing Guidelines for speaking sweet words for  Managers; Refreshing Guidelines for speaking sweet words for  Executive Directors; Refreshing Guidelines for speaking sweet words for MD ; Refreshing Guidelines for speaking sweet words for Chairman ; Refreshing Guidelines for speaking sweet words for President



Bhishma Kukreti

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अमाल्डू    में   उनियाल बंधुओं के दो  तिपुर व एक चौपुर  भवनों में काष्ठ  कला , अलंकरण

गढ़वाल, कुमाऊं , उत्तराखंड , हिमालय की भवन  (तिबारी, निमदारी , जंगलादार मकान , बाखाई , मोरियों , खोलियों   ) काष्ठ अंकन लोक कला ( तिबारी अंकन )  -- 111
 संकलन - भीष्म कुकरेती
 डबराल स्यूं पौड़ी गढ़वाल में अमाल्डू  एक महत्वपूर्ण गाँव है।  भवन निर्माण  शैली की दृष्टि से भी  अमाल्डू  गंगासलाण  में अभिनव गाँव है।  इस गाँव में अन्य गाँवों की तुलना में तिपुर (तल + दो मंजिल )  भवन अधिक हैं और लगभग सभी भवनों  पर  उनियालों  की कुलदेवी राजराजेश्वरी तिपुर शैली दरबार भवन (देवलगढ़ ) का प्रभाव है।
प्रस्तुत  तीन जंगलेदार तिपुर भवनों  पर  भी परोक्ष व अपरोक्ष  रूप से राजराजेश्वरी दरबार (देवलगढ़ ) का प्रभाव है।
तीनों भवन दुखंड /तिभित्या  हैं।  तल मंजिल से पहली व दूसरी मंजिल तक जाने हेतु आंध्र ही अंदर रास्ता है व खोली  मुख्य प्रवेश द्वार है। तीनों भवनों की खोली में मुरिन्डों  में में अष्टदलीय  पद्म पुष्प  शोभित हैं।       पहली  व मंजिल में  काष्ठ जंगले स्थापित हैं। सूचना अनुसार तीनों तिपुर  भवनों के जनले के काष्ठ   स्तम्भों में ज्यामितीय अलंकरण हिअ हिअ व कहीं भी प्राकृतिक या मानवीय अलंकरण उत्कीर्ण नहीं हुआ है। 
  अमाल्डू  के अशोक उनियाल ने तीनों भवनों के मूल मालिकों या निर्माण कर्ताओं के नाम दिए उनका आभार किन्तु कुछ   नाम  इधर से उधर न हो  जाय इसलिए  प्रत्येक  तिपुर के मालिकों का अलग अलग नाम नहीं दिया जा रहा है।
अशोक उनियाल ने - चौपुर  (1 +3 ) मंजिल की मिलकियत में तोता राम उनियाल व अन्य दो हेतु  स्व  . हीरा मणि उनियाल , स्व . राघवा नंद उनियाल , स्व देवकी नंद उनियाल व कालिका नंद उनियाल का नाम सूचित किया है।
 अशोक उनियाल ने सूचना दी कि भवन  मिस्त्री स्थानीय थे व  स्व चित्र मणि व  भाना राम भवन मिस्त्री   काष्ठ कला निर्देशक भी थे। 
 आज तो तीनों तिपुर अपनी जीर्ण शरण वस्था में हैं किन्तु डबराल स्यूं के पुराने लोग आज भी कहते हैं बल कभी ये तिपुर अमाल्डू  ही नहीं डबरालस्यूं की भी शान थे व लैंडमार्क  थे।  तीनों तिपुर में ज्यामितीय व कमल पुष्प अलंकरण ही हुआ है। 
 
 सूचना व फोटो आभार :  जग प्रसिद्ध सांस्कतिक फोटोग्राफर बिक्रम तिवारी
 सहयोगी सूचना : अशोक उनियाल  अमाल्डू

* यह आलेख भवन कला संबंधी है न कि मिल्कियत संबंधी . मिलकियत की सूचना श्रुति से मिली है अत: अंतर  के लिए सूचना दाता व  संकलन  कर्ता उत्तरदायी नही हैं .
Copyright@ Bhishma Kukreti  for detailing

डबरालस्यूं संदर्भ में गढ़वाल , हिमालय  की तिबारियों/ निमदारियों / जंगलों  पर काष्ठ अंकन कला /लोक कला 
House Wood Carving  Art (ornamentation ) in Dabralsyun  Garhwal , Uttarakhand  -
  Traditional House wood Carving Art of West Lansdowne Tahsil  (Dhangu, Udaypur, Ajmer, Dabralsyun,Langur , Shila ), Garhwal, Uttarakhand , Himalaya   111
  दक्षिण पश्चिम  गढ़वाल (ढांगू , उदयपुर ,  डबराल स्यूं  अजमेर ,  लंगूर , शीला पट्टियां )   तिबारियों , निमदारियों , डंड्यळियों  , बखाईयों , मोरियों  , खोलियों में काष्ठ उत्कीर्णन कला /अलंकरण   
Traditional House Wood Carving Art (Tibari,bkaahai   ) of Garhwal , Uttarakhand , Himalaya -     

  Traditional House Wood Carving  (Tibari ) Art of, Dhangu, Garhwal, Uttarakhand ,  Himalaya; Traditional House Wood Carving (Tibari) Art of  Udaipur , Garhwal , Uttarakhand ,  Himalaya; House Wood Carving (Tibari ) Art of  Ajmer , Garhwal  Himalaya; House Wood Carving Art of  Dabralsyun , Garhwal , Uttarakhand  , Himalaya; House Wood Carving Art of  Langur , Garhwal, Himalaya; House wood carving from Shila Garhwal  गढ़वाल (हिमालय ) की भवन काष्ठ कला , हिमालय की  भवन काष्ठ कला , उत्तर भारत की भवन काष्ठ कला   
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Bhishma Kukreti

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Administration by Queen Guleria
History of Administration by Tehri Queen Guleria – 1
  History of Tehri King Kriti Shah    -1
History of Tehri Kingdom (Tehri and Uttarkashi Garhwal) from 1815 –1948- 174
  History of Uttarakhand (Garhwal, Kumaon and Haridwar) – 1420     

  By:   Bhishma Kukreti (History Student)

   First official Act by Queen Guleria to satisfy unsatisfied people:-
  The day King Pratap Singh died, 2000 -2550 people came to meet Pratap Shah for informing their distress and corrupt methods of state administrators. However, when they learnt the information of death of King they were undecided.
 The crowned prince Kriti Shah was only 13een years old boy .The queen Guleria came to rescue the difficult situation. Queen Guleria came out the palace and met main representatives from people and she assured that very soon, She would meet them again and would end the people’s difficulties or distress. (2) 
    Theft in Summer Capital Pratap Naga:-
 In past at the times of deaths of Sudarshan Shah and Bhavani Shah, there was theft from Treasurer in Tehri  There was no theft from treasurer in Tehri as  at the time of death of King Pratap Shah , the King family members were alert .  However, Minya Prem Singh offered information about theft in Pratap Nagar the summer capital.  There was theft of cash and some valuables from the palace. (2)
References
1-Dabral S.P, Tehri Garhwal Rajya ka Itihas Bhag 1 (new edition), Veer Gatha Press, Dogadda, (1999) page 186-187 
2- Minya Prem Singh, Guldasta –E- Tavarikh page  221
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