Author Topic: Uttarakhand Video Albums - गढ़वाली और कुमाउनी विडियो एल्बम और कलाकारों फोटो  (Read 85053 times)

Bhishma Kukreti

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Madan Duklan: A Passionate, Multifaceted Film, Theatre and Literature Activist   
Review of Development of Garhwali-Kumauni (Uttarakhandi) Films -9
                                               Bhishma Kukreti

            Parashar Gaur started Garhwali and Kumauni Film industry because of great passion, for Garhwali-Kumauni culture and language.  Madan Duklan is also an example of great passion for Garhwali-Kumauni culture and literature. Madan has many faces in film and literature creation. Madan is Garhwali language poet, Garhwali language magazine editor, film lyricist, film actor, film screenplay writer and dramatist and Hindi poet too.
                    Born in Khaneta village of Bichhla Bdalpur, Salan of Pauri Garhwal on 10/3/1964, Madan Duklan passed B.Sc .and MA (Public Administration) degree. From his childhood, Madan Duklan was involved in folk dramas and used to take part in many cultural activities of his village and area.                   
           Madan Duklan took professional training for theatre and film production as:



                                     
Madan Duklan a passionate, multifaceted film, theatre and literature activist has 25 years experience of script / song writing and Direction / Acting in Theatre and in Regional Cinema in Uttarakhand.
Madan Duklan a zealous, many-sided film, theatre and writing objector participated in a 45 days production oriented workshop at Dehradun conducted by Mr. Dinesh Khanna of National School of Drama, New Delhi (1993).
Madan Duklan a obsessive, versatile film, theatre and literature campaigner participated in a one month production oriented theatre workshop at Dehradun conducted by Mr. Punit Asthana and organized by Bhartendu Natya Academy, Lucknow in collaboration with Uttarakhand Sanskritik Morcha, Dehradun (1995).
Madan Duklan a loving, talented film, theatre and literature activist attended a one month production oriented theatre workshop at Dehradun conducted by Mr. Sirish Dobhal and organized by National School of Drama in collaboration with Vatayan (1998).
Madan Duklan a fervent, talented film, drama, theatre and literature activist Attended four days workshop on Folk Theatre at Dehradun conducted by Mr. Habib Tanveer and sponsored by Heritage Centre (2000).
Madan Duklan a passionate, multifaceted film, theatre and literature activist is Founder Member & Chief Trustee of Himalaya Lok Shahitya Evam Sanskriti Vikas Trust.
Madan Duklan a passionate, multifaceted film, theatre and literature activist is the Chief Editor of ‘Chithee-Patri’, quarterly magazine published in Garhwali since 1985.
Madan Duklan a passionate, multifaceted film, theatre and literature activist relayed Garhwali songs / poems from Doordarshan & All India Radio, Nazibabad and Lucknow since 1985.
Madan Duklan a passionate, multifaceted film, theatre and literature activist directed “Gattu Aur Kaljugi Debta” Garhwali Film released by “Swapn Films”;directed “ Jog Jaani” Garhwali Album released by “T Series”;acted in  “Teri Saun”  Garhwali Feature Film; acted in “Aunsi kee Raat”  Garhwali Feature Film;acted in “Shri Dev Suman” Hindi Feature Film;acted in “Garhwali Sholay” Film; acted in “Hantya”Garhwali Film; acted in “Ekhari Maya” Garhwali Film;acted lead role in “Yaad Aali Tehri”; acted in “Gaura”  Garhwali Film; acted in “Meri Tehri” Garhwali album;acted in “Mohna”  Garhwali album;acted in “Jago Jara”  Hindi Doordarshan serial 13 episode;acted in “Daanda Ka Saud Maa” Garhwali album; acted in “Hey Dhanee” Garhwali Album; acted in “Ab Ta Khulali Raat” Garhwali Film;acted in “Jai Kalu Sidh Baba” Hindi Film; acted in “Jhmki Mulaayulu” Garhwali Album
                    Madan Duklan a passionate, multifaceted film, theatre and literature activist has 25 years of working experience in the Garhwali & Hindi theatre;25 years of working experience in Song / Script writing; directed 8 Hindi / Garhwali Street Plays and acted in more than 25 Hindi / Garhwali proscenium / Street plays;acted in Seven Garhwali / Kumauni / Hindi / Himachali Feature and Digital films.
                       Madan Duklan a passionate, multifaceted film, theatre and literature activist conducted and Directed one month’s production oriented workshop in Oil & Natural Gas Corporation (ONGC) (1998).
                  Madan Duklan a passionate, multifaceted film, theatre and literature activist is Founder Member of ‘Uttarakhand Sanskrit Morcha” a common platform of theatre groups of Dehradun dedicated for the socio-cultural development of Uttaranchal.
                  Madan Duklan a passionate, multifaceted film, theatre and literature activist wrote songs for Teri Soun, Garhwali Sholay,  Hantya,  Gattu aur Kaljugi Debta,  Gaura,  Yaad Aali Tehri Garhwali films.
                    Madan Duklan a passionate, multifaceted film, theatre and literature activist wrote songs for Uttarakhand Ke Rangeet’, ‘Himalaya Kab Bwalalo’,  ‘Vigyan Chetna’ Jai Ganga Maee’, ‘Uttarakhand Das Baras’ Garhwali music albums.
                   Madan Duklan a passionate, multifaceted film, theatre and literature activist published In Dino’ (Hindi Poems); Andi Jaandi Saans’ (Garhwali songs & poems);‘Chehro Ke Ghere’ (Hindi Poems in Press);   ‘Gwathani Ka Gaon Bate’ ( A collection poem of 18 prominent Garhwali poets);Paryas’ (A collection of Hindi Poems);‘Apno Aina Apni Andwaar’ (A collection of Garhwali Poems, ready to release); ‘Angwal’ (A book of Garhwali poems collection with its history from 1850 to 2012).
                     Madan Duklan a passionate, multifaceted film, theatre and literature activist edited ‘Chithee-Patri’ (Garhwali Quarterly Magazine since 1985),‘Himigiri’ and ‘Uttarakhand Mahotsava-1988 & 2000’ souvenir, Co-editor of Gad-Jagar (Published by Akhil Garhwal Sabha, Dehradun) and Co-Editor of ‘Himnad’ a quarterly Hindi Journal focused on Uttarakhand and published from Delhi. Also edited ‘Gwathani Ka Gaon Bate’ ( A collection poem of 18 prominent Garhwali poets), souvenir on Silve Jublee of Uttrakhandi Cinema.
                         Madan Duklan a passionate, multifaceted film, theatre and literature activist was also associated with a fortnightly Hindi Journal JANPAKSHA AAJKAL as SAHITYA SAMPADAK and now associated as Literary Editor with Regional Reporter a monthly Hindi magazine.
  Garhwali and Kumauni film industry and literature is developing due to hard work and sacrifice of passionate personality as Madan Duklan.
                     Address of Multifaceted, All-round Film, Theatre and Literature Activist  Madan Duklan:
Chithi-PatriA-16, Rakshapuram (Ladpur)
P.O. Raipur, Dehradun – 248008
Phone- 0135-2788748, 9412993417

Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास
Copyright@   Bhishma Kukreti 4/3/2013

Review of Garhwali and Kumauni Films (Uttarakhandi) to be continued...10

Bhishma Kukreti

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   Mohit Kumar: The Most Prolific and Professionally qualified Garhwali-Kumauni (Uttarakhandi) Film and album Editor

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films -10
                                               Bhishma Kukreti
[Notes on the Most Prolific and Professionally qualified Film and album editor; the Most Prolific and Professionally qualified Garhwali Film and album editor; the Most Prolific and Professionally qualified Kumauni Film and album editor; the Most Prolific and Professionally qualified Uttarakhand language Film and album editor; the Most Prolific and Professionally qualified  Mid Himalayan regional language Film and album editor; the Most Prolific and Professionally qualified  Himalayan regional language Film and album editor; the Most Prolific and Professionally qualified north Indian  regional language Film and album editor; the Most Prolific and Professionally qualified  Indian regional language Film and album editor; the Most Prolific and Professionally qualified South Asian  regional language Film and album editor; the Most Prolific and Professionally qualified  Asian regional language Film and album editor; the Most Prolific and Professionally qualified  Oriental regional language Film and album editor]

                      Editing is very important aspect of post film production. Editor plays a dynamic role in film making. The film editor works with unprocessed film footage, selecting the shots-scenes and then combining the shots into sequences for creating finished film. The job of editor is an art, using technology and assembling shots logically. The editor works creatively with images, reimages, story, dialogues, music, visuals, performances of actors. The words and works –editor’s cuts, director’s cuts, final cut, montages, and montage sequences are very common in editing.
                          Initially there was no editing facility in Dehradun the film capital of Uttarakhand. Film makers had to come to Mumbai. However, after digitalization the editing started in Dehradun. There were editors of video films for marriage procession video shooting and they helped Garhwali- Kumauni film industry. However, after Mohit Kumar entering into editorial scene the professionalism took over unprofessionalism attitude in Garhwali-Kumauni film editing works.
               Mohit Kumar belongs to village Shirodi of Nainital . However, but the most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar was born in Paudi on 19/11/1975. After completion graduation, the most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film Editor Mohit Kumar took courses on animation and film editing. Since, there was not much scope in film animation, Mohit paid attention on film editing.
                The most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar is so perfect that every second Garhwali-Kumauni film is offered to Mohit for editing.
               The most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar is also credited to start dubbing in Garhwali-Kumauni film. The dubbing was first initiated in film ‘ Byau directed  by Hemant Sharma. The most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar took the dubbing technology with ease and his first dubbing work started from ‘Dagdya’ film.
           When was asked about the financial condition of Kumauni Garhwali film industry, the most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar sadly state that it is very poor as the  Garhwali-Kumauni film producers don’t get their money back. When the producers don’t get money back the Shaukiya (just for hobby) producers produce ‘Uyyad’ films.
   The most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar informed that usually by March many films or albums producers go for shooting tp Pahad but this year till date he did not get any information about launch or shooting of new Garhwali-Kumauni film.
            His views are that only society can protect the diminishing industry.   
                      Kumauni-Garhwali film industry is indebted to the most prolific and professionally qualified Garhwali-Kumauni (Uttarakhandi) film editor Mohit Kumar for his professionalism and hard work for fourteen hours per day.
[Based on telephonic talk with Mr. Mohit Kumar 09837726935]
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास
Copyright@   Bhishma Kukreti 5/3/2013

Review of Garhwali and Kumauni Films (Uttarakhandi) to be continued...11
Notes on the Most Prolific and Professionally qualified Film and album editor; the Most Prolific and Professionally qualified Garhwali Film and album editor; the Most Prolific and Professionally qualified Kumauni Film and album editor; the Most Prolific and Professionally qualified Uttarakhand language Film and album editor; the Most Prolific and Professionally qualified  Mid Himalayan regional language Film and album editor; the Most Prolific and Professionally qualified  Himalayan regional language Film and album editor; the Most Prolific and Professionally qualified north Indian  regional language Film and album editor; the Most Prolific and Professionally qualified  Indian regional language Film and album editor; the Most Prolific and Professionally qualified South Asian  regional language Film and album editor; the Most Prolific and Professionally qualified  Asian regional language Film and album editor; the Most Prolific and Professionally qualified  Oriental regional language Film and album editor to be continued…


Bhishma Kukreti

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Pradip Bhandari: A Prominent Film Personality of Garhwal-Kumaun, Uttarakhand
Review of Development of Garhwali-Kumauni (Uttarakhandi) Films -12
                                               Bhishma Kukreti

[Notes on works of prominent film figure-personality; works of prominent Garhwali film figure-personality; works of prominent Kumauni film figure -personality -; works of prominent Uttarakhandi film figure-personality; works of prominent Mid Himalayan film figure-personality; works of prominent Himalayan regional language film figure-personality; works of prominent North Indian regional language film figure-personality; works of prominent Indian regional language film figure-personality; works of prominent South Asian regional language film figure-personality; works of prominent Asian regional language film figure-personality; works of prominent Oriental regional language film figure-personality]

            Pradip Bhandari is one of the prominent figures of Hilliyood filmdom (Garhwali-Kumauni –Uttarakhandi film industry). Five VCD films and three documentary films are in his credit as film director. Garhwali film director Pradip is of opinion that Garhwali-Kumauni films require those stories –script writers accelerating films who know the tact of popular films.
             Born on 3/8/1971 in Ringoli, Lotsu, Tihri Garhwal, Pradip Bhandari has interest in folk culture and folk dramas. Pradip is also a journalist.  Pradip Bhandari edits and publishes a monthly Garhwali-Kumauni film magazine ‘Hillywood’ from Mussoorie. Pradip is also distributors for local language prerecorded VCDs.
 Pradip Bhandari wrote and directed following VCD films:
‘Kaika Ban’ (2004) is one of the hit films of Garhwali and Kumauni languages.
‘Jiya ki Ladi ‘(2007) takes the subject of woman struggle and her sacrifice.
‘Aj aur Abhi do’ (2008) is based on Uttarakhand movement.
 ‘Bhagat Ghandyal’ (2010) is based on the subject of Ghandyal deity.
‘Dhakkam Dhakka’ is a commedy VCD film.
  Pradip also wrote and directed three tourist and religious places based documentary VCD films. ‘Mai Mussoorie ‘was appraised by audience and critics too.
  Pradip Bhandari is busy in preparation of upcoming film based on the subject of corruption in rural Uttarakhand. Bhandari is also chairperson of Uttarakhand Film, Television and Radio Association.
[Based on telephonic talk with film writer, film and documentary director Pradip Bhandari- 09358103727
hillywood@rediffmail.com]
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

[Copyright@   Bhishma Kukreti 6/3/2013

Review of Garhwali and Kumauni Films (Uttarakhandi) to be continued...13
Notes on works of prominent film figure-personality; works of prominent Garhwali film figure-personality; works of prominent Kumauni film figure -personality -; works of prominent Uttarakhandi film figure-personality; works of prominent Mid Himalayan film figure-personality; works of prominent Himalayan regional language film figure-personality; works of prominent North Indian regional language film figure-personality; works of prominent Indian regional language film figure-personality; works of prominent South Asian regional language film figure-personality; works of prominent Asian regional language film figure-personality; works of prominent Oriental regional language film figure-personality to be continued…


Bhishma Kukreti

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                   Rajendra Chauhan:  a music director provided Music to 5000 Songs
Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -14
                                                Bhishma Kukreti
         [Notes on music director provided Music to 5000 Songs; Garhwali language music director provided Music to 5000 Songs; Kumauni language music director provided Music to 5000 Songs; Mid Himalayan language music director provided Music to 5000 Songs; Himalayan language music director provided Music to 5000 Songs; Himanchali language music director provided Music to 5000 Songs; Haryanvi language music director provided Music to 5000 Songs; Ladakhi language music director provided Music to 5000 Songs; Bhojpuri  language music director provided Music to 5000 Songs; North Indian regional language, Indian regional  language music director provided Music to 5000 Songs;  Asian  regional  language music director provided Music to 5000 Songs;   Oriental regional  language music director provided Music to 5000 Songs]   
         Many critics state that there is shortage of knowledgeable technicians in Garhwali and Kumauni filmdom (Hillywood). However, it is not so. There are well conversant film-creative in Kumauni-Garhwali filmdom (Hillywood) as Rajendra Chauhan who provided music for at least 5000 songs (Hindi, Bhojpuri, Ladakhi, Awadhi, Haryanvi, Himachali, Kumauni and Garhwali).
                     Rajendra’s forefathers settled in Kotdwara from Chakotiya, Masi, Almora, Kumaun long back. Born on 28/1/1967 at Kotdwara, Garhwal, Rajendra had attraction for music and songs. In his student life, Rajendra Chauhan used to participate in cultural programs regularly. After finishing his studies, Rajendra Chauhan came to Delhi and joined ‘T Series’ where Rajendra got  opportunities providing music for more than 5000 songs in various languages music albums or audio cassettes.
              Rajendra Chauhan provided music for Garhwali VCD films as ‘Bwari to ini (1998, director- B.s Negi); Satmanglya (1999, directed by Mahavir Negi); Bhagwani Beti (directed by Subhash sajwan, 2003) and Pativrta Rami (directed by Santosh Khetwal, 2010).
ब्वारी हो त इनि (निर्देशन -बी एस नेगी , १९९८ )
सतमंगऴया (महावीर नेगी , १९९९ )
भग्यानी बेटी (निर्देशन -सुभाष सजवाण , २००३ )
पतिव्रता रामी (निर्देशन संतोष खेतवाल , २०१० )
   Chauhan provided music in tens of Garhwali and Kumauni music albums. Very soon, Chauhan will release his own production music album ‘Vasanti’.
   Rajendra Chauhan is worried about worsening situation for Garhwali-Kumauni (Hillywood) films and music albums that the producers don’t get return in time or nor get return at all. Chauhan states that in long past, fifty music Garhwali-Kumauni (Hillywood) albums were being released every month and now, he does not get news of new release. However, Chauhan is optimistic that Garhwali-Kumauni (Hillywood) film creative will find the ways in nearest future and Garhwali-Kumauni (Hillywood) film industry will re-bloom.   

[Based on telephonic talk with film, music album -Music Director Rajendra Chauhan - 09810469382]
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

Copyright@   Bhishma Kukreti 10/3/2013

Review of Garhwali and Kumauni Films, music albums, documentary films (Uttarakhandi) to be continued...14
Notes on music director provided Music to 5000 Songs; Garhwali language music director provided Music to 5000 Songs; Kumauni language music director provided Music to 5000 Songs; Mid Himalayan language music director provided Music to 5000 Songs; Himalayan language music director provided Music to 5000 Songs; Himanchali language music director provided Music to 5000 Songs; Haryanvi language music director provided Music to 5000 Songs; Ladakhi language music director provided Music to 5000 Songs; Bhojpuri  language music director provided Music to 5000 Songs; North Indian regional language, Indian regional  language music director provided Music to 5000 Songs;  Asian  regional  language music director provided Music to 5000 Songs;   Oriental regional  language music director provided Music to 5000 Songs to be continued…


Bhishma Kukreti

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 Kanta Prasad Kothiyal: A Multi Talented Garhwali-Kumauni Film Activist

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -15
                                                Bhishma Kukreti
[ Notes on multitalented film personality, multitalented Hillywood film personality, multitalented Uttarakhandi film personality, multitalented Garhwali film personality, multitalented Kumauni film personality, multitalented Mid Himalayan film personality, multitalented Himalayan film personality, multitalented regional language film personality, multitalented north Indian regional language film personality, multitalented  Indian regional language film personality, multitalented Asian  regional language film personality, multitalented Oriental  regional language film personality]

             Kanta Prasad Kothiyal is multitalented Hillywood personality of Garhwali-Kumauni (Uttarakhandi) film industry.
               Born on 8/10/1975 in Narayan Bagad, Chamoli, Garhwal, Kanta Prasad Kothiyal completed diploma in Drama from NSD Delhi and diploma in music from Sangeet Academy Delhi after passing M.A degree. The attraction for music and drama by Kothiyal was from his child hood.
                    After completing professional training in film, drama and music Kanta Prasad entered in Hillywood or Garhwali Kumauni film industry.   
Kanta Prasad is screen playwright, actor, and director in film industry.
Kanta Prasad Kothiyal was assistant director to Pradeep Bhandari for films as  Bata ki Byoli and Pativrta rami Garhwali films.
Kanta Prasad was full time director of films as ‘ Kalchakra’  ‘Meru Kalya’ (2009),  ‘Shyam Dhaleni ch’) and he is screen playwright too.
 Kanta Prasad acted films as Kaiko Bana (direction- Pradeep Bhandari), Fyunli Javan hwe ge (direction- Mahesh Prakash) , Myaru Kalya and Kalchakra. Kanta Prasad Kothiyal also acted in well discussed Hindi film ‘Akhari Munadi’.
   Kanta Prasad acted in about 100 Garhwali Music albums and directed more than 30/thirty Garhwali music albums.
      Fully dependent on Hillywood for his earning, Kanta Prasad is of opinion that unless there is unity among Hillywood film activists the state government will not act upon the development of Kumauni-Garhwali film industry.
The drama culture creates future film activists. Kanta Prasad is sad that there is no Drama culture in modern Kumauni-Garhwali society.
[Based on telephonic talk with film, music album – Director, script writer and actor Kanta Prasad Kothiyal 09997777899, kantaprasad999@gmail.com]
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

Copyright@   Bhishma Kukreti 11/3/2013

Review of Garhwali and Kumauni Films, music albums, documentary films (Uttarakhandi) to be continued...16
Notes on multitalented film personality, multitalented Hillywood film personality, multitalented Uttarakhandi film personality, multitalented Garhwali film personality, multitalented Kumauni film personality, multitalented Mid Himalayan film personality, multitalented Himalayan film personality, multitalented regional language film personality, multitalented north Indian regional language film personality, multitalented  Indian regional language film personality, multitalented Asian  regional language film personality, multitalented Oriental  regional language film personality to be continued..


Bhishma Kukreti

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मूर्धन्य हास्य कलाकार घन्ना भाई: एक अतृप्त कलाकार

 

                                             प्रस्तुति : भीष्म कुकरेती 

 

               घन्ना भाई का नाम गढ़वाली सांस्कृतिक कार्यक्रमों व गढवाली फिल्मों में एक जाना पहचाना नाम है। घन्ना भाई अब गढवाली फिल्मों व ऐलबमों में भी जाना पहचाना नाम ह। 4/8/1953 को गंग्वाड़ा गाँव (पट्टी-गग्वाड़स्यूं, पौड़ी गढ़वाल) में जन्मे घन्ना भाई ने 1970  से स्टेज पर काम करना शुरू कर दिया था और दर्शकों को उनकी कॉमेडी पसंद आने लगी थी।  फिर 1980 से श्री नरेंद्र सिंह नेगी के संग जुड़ने के बाद तो घन्ना भाई गढवाली स्टेज के बताक बादशाह बन गये। आज भी गढवाली स्टेज को घन्ना भाई का हास्य में कोई विकल्प नही मिल पाया है। घन्ना भाई ने बीजेपी के टिकट पर   विधान सभा चुनाव लड़ा  किन्तु चुनाव में हार गये। हाँ एक बात आज भी गौरतलब  है कि लोगों यह पता है कि घन्ना भाई चुनाव हारे किन्तु उनके खिलाफ कौन चुनाव जीते  वह बहुसंख्यकों को नही पता।

 

      मेरी आज घन्ना भाई से फोन पर लम्बी बात हुयी जिसे मै साक्षात्कार रूप में प्रस्तुत कर रहा हूँ। बातचीत गढ़वाली में ही हुयी।

 


भीष्म कुकरेती- घन्ना भाई नमस्कार ! मै मुंबई से भीष्म कुकरेती बोल रहा हूँ और लेखक भी हूँ।

घन्ना भाई- नमस्कार नमस्कार। भै मैंने आपके लेख  लेख पढ़े हैं।

भीष्म कुकरेती- घन्ना भाई मै आज केवल गढ़वाली गढवाली फिल्मों और ऐल्ब्मों के बारे में बातचीत करनी है जो इंटरनेट में छपेगी।

घन्ना भाई- दा बवालों ! बड़ी बात! कहिये क्या बात करना चाहते हैं।


भीष्म कुकरेती- आपने कई ऑडियो केसेट भी निकाले हैं जिसमे आपकी  हास्य कला का अछा उभार है।

घन्ना भाई-याद ना दिलाओं उस बक्त की। केसेट का जमाना याने गढवाली संगीत और मिनी ऑडियो ड्रामाओं के लिए स्वर्ण युग।


भीष्म कुकरेती- जी आपने किन किन गढ़वाली-कुमांउनी फिल्मो-ऐल्बमों  में काम किया?   

घन्ना भाई- घरजवैं, कौथिग, बेटी ब्वारी, बंटवारु, ब्वारी हो इनि, सतमंगऴया, औंसी की रात, जीतु  बगड्वाळ,चक्रचाळ जैसी  फीचर फिल्मों में  काम किया।           


भीष्म कुकरेती- और डीवीडी फ़िल्में

घन्ना भाई- घन्ना भाई एम् बी बी एस ' घन्ना भाई चालबाज, 'घन्ना गिरगिट अर यमराज, भग्यान  बेटी, भजराम  हवलदार,  अबेर  आदि जैसी कई डीवीडी फिल्मों में बतौर हास्य कलाकार काम किया। 


भीष्म कुकरेती- फिर अलबमों का क्या हाल रहे?

घन्ना भाई-  दसियों गढ़वाली ऐल्बमों में कॉमेडी की।


भीष्म कुकरेती- आपने दर्द या मृत्यु पर कॉमेडी की है?

घन्ना भाई- मैंने मृत्यु आधारित हास -परिहास विषय पर शायद काम नही किया किन्तु मृत्यु पर भी दर्शक कैसे हंसते हैं की याद मुझे है।


भीष्म कुकरेती- यह कौन सा सिक्वेंस था कि ब्लैक कॉमेडी  पैदा हो गयी?

घन्ना भाई- मेरे पिता  जी की मृत्यु पर मैंने मुंडन किया हुआ था और उसी दौरान मुझे स्टेज पर कलाकारी करनी पड़ी। खल्वाट मुंड लिए मै जैसे ही स्टेज पर आया कि दर्शक हंसने लगे। जब उद्घोषक ने दुखदायी सूचना दर्शकों को दी कि  चूंकि मेरे पिताजी का देहांत हुआ है और घन्ना भाई को मुंडन करना पड़ा तो दर्शक और जोर से हंसने लगे।


भीष्म कुकरेती- क्या दर्शक इतने असम्वेदनशील होते हैं?

घन्ना भाई-नही वे मेरे प्रति सम्वेदनशील ही थे कि  मेरे दुःख से भी वो हंसना चाहते थे। हास्य कलाकार जब नामी कलाकार हो जाय तो दर्शक उसके हर मूवमेंट पर हंसना नही भूलते।


भीष्म कुकरेती- आपने किसी जाति  पर आक्षेप से हंसी पैदा की है? जैसे मुझे  याद है कि आपने एक नेपाली कुली  के किरदार की नकल स्टेज पर की थी।

घन्ना भाई-नहीं किसी जाति  पर आक्षेप याने रेसिज्म विषय पर मैंने कभी भी कॉमेडी नही की। जहां तक नेपाली करेक्टर की नकल का सवाल है वह दो भाषाओं गढ़वाली और नेपाली  बोलने के अंतर से उत्पन की गयी कॉमेडी थी।   


भीष्म कुकरेती- अवगुणों की खिल्ली उड़ाती कॉमेडी की?

घन्ना भाई- हाँ !स्टेज पर और कई फिल्मों-एल्बमों में कंजूस , पियक्कड़ प्रवृति के अवगुणों से उत्पन  हास्य में मै  साझीदार रहा हूँ।


 भीष्म कुकरेती- कभी कभी कलाकार को स्क्रिप्ट की जगह स्वयं ही हास्य पैदा करने के लिए इम्प्रोवाइज या सुधार करना पड़ता है

घन्ना भाई- यह तो रोजमर्रा का काम है। स्टेज और फिल्मों -ऐलबमों में अक्सर ऐसा होता है कि मुझे स्वयं ही सम्वाद और अदायगी में तुरंत बदलाव करना ही पड़ता है।


भीष्म कुकरेती- आपने किन किन फिल्मों -एल्बमों में व्यंग्यात्मक हास्य या वैकल्पिक हास्य पैदा किया है।

घन्ना भाई-वैसे तो हरेक हास्य रचना में दर्द व व्यंग्य छुपा ही रहता है किन्तु भग्यान  बेटी, अबेर में  व्यंग्य कोटि का हास्य है।


भीष्म कुकरेती- शारीरिक मूवमेंट गति या शरीर के अंगो से  से उत्पन हास्य के बारे में बताईये

घन्ना भाई- तकरीबन हरेक फिल्मों व ऐल्बमों में मेरे शरीर की गति व अंगो को अजीव तरह से गति देने से भी मैंने हास्य पैदा किया है।


भीष्म कुकरेती- उल जलूल परिस्थिति या परिधान से जन्मित हास्य भी आपने दिया है?

घन्ना भाई- हाँ ऊलजलूल हरकतें तो हास्य पैदा करती ही हैं तो स्टेज व फिल्मों में ऐसे किरदार निभाने ही पड़ते हैं। ऊलजलूल परिधान का एक उदाहरण 'बेटी ब्वारी' का है जिसमे मैं बुर्या (जुट का बड़ा बैग ) फना रहता हूँ।


भीष्म कुकरेती- कभी कभी कलाकार भावहीन होकर सम्वाद बोलता है और इसी भावहीन व संवाद अदायगी से हास्य उत्पन होता है।

घन्ना भाई- जैसे श्री सुरेन्द्र शर्मा कविता पाठ करते समय भावहीन चेहरा दिखाते है।


भीष्म कुकरेती- हाँ जी! अपने ऐसा किरदार किया है कि किरदार भावहीन हो किन्तु सम्वाद और भावहीनता हास्य पैदा करे।

घन्ना भाई-फिल्मों में तो नहीं किन्तु स्टेज में कभी कभी प्रयोग अवश्य किया है।


 भीष्म कुकरेती- सामयिक घटनाओं पर फिल्मों या ऐल्बमों में हास्य पैदा किया है क्या?

घन्ना भाई- हाँ श्री नरेन्द्र सिंह नेगी जी के कई ऐलबमों में सामयिक विषयों पर मेरे किरदार ने हास्य और व्यंग्य दोनों पैदा किये है।


भीष्म कुकरेती- शब्द जाल या अलंकृत भाषा से भी हास्य पैदा किया जाता है।
 
घन्ना भाई- वैसे अभी तक मुझे मेरे सम्वादों से संतोष नही मिला।


भीष्म कुकरेती- किसी की बेज्जती से भी हास्य पैदा किया जाता है।

घन्ना भाई-जी हाँ स्टेज में और कई फिल्मों में मेरा किरदार किसी अन्य किरदार की बेज्जती करता है या कोई और किरदार मेरे किरदार की खिल्ली उडाता है तो हास्य पैदा हुआ है। दर्वड्या डीवीडी फिल्म में यह सब आपको मिलेगा। 


भीष्म कुकरेती- पैरोडी के बारे में

घन्ना भाई-यह तो स्टेज और कई फिल्मों में हुआ है।


भीष्म कुकरेती- चापलूसी से भी हास्य पैदा किया जाता है।

घन्ना भाई-जी हाँ ! .बथौं' फिल्म में आपको चापलूसी से पैदा किया गया हास्य मिल जाएगा। घन्ना भाई के सिक्वेल्सों  में भी कई जगह चापलूसी से मैंने हास्य पैदा किया है।   


भीष्म कुकरेती- कभी कभी टैक्नोलोजी या किसी अपरिचित कार्य से भी  हास्य पैदा किया जाता है।

घन्ना भाई-हाँ दोएक फिल्मों में जैसे  मैं खाना बनाना नही जानता फिर जब खाना बनाता हूँ तो किस प्रकार मुझे उलझने होती हैं से भी हास्य पैदा किया है। 


भीष्म कुकरेती- संगीत से भी हास्य पैदा किया जाता है।

घन्ना भाई-जी ! मेरे किरदार के कार्योकलापों  में बैक ग्राउंड म्यूजिक इस तरह दिया जाता है की हास्य भाव को बल मिले।


भीष्म कुकरेती- घन्ना भाई कभी कभी दृष्य  याने विजुअल्स ही हास्य पैदा क्र देते हैं।

घन्ना भाई-भीष्म जी ! गढ़वाली फिल्मों में मुझे ऐसे दृश्य याद  नही हैं। मै  तो फिल्मों में निर्देशक का शत प्रतिशत गुलाम होता हूँ। जो डाइरेक्टर कहता है मै अभिनय कर देता हूँ।


भीष्म कुकरेती- कभी कभी किसी वास्तु के पुनर्निर्माण में गलतियाँ दिखा कर भी हास्य पैदा किया जाता है, जैसे कोई चीज टूट जाय और उसे जोड़ना हो या ताजमहल को दुबारा बनाना जैसी घटनाओं से भी हास्य पैदा होता है। जैसे हिंदी में एक फिल्म बनी जिसमे फेक यूनिवर्सिटी बनाई जाती है और फिर हास्य व्यंग्य पैदा होता है।

घन्ना भाई-दा बवालों! ऐसे सोच के लेखक गढ़वाली फिल्म संसार में कहाँ हैं?


भीष्म कुकरेती- जी हमने हास्य के तकरीबन हरेक विधाओं पर बात की और यह साबित हुआ कि आपने हास्य की सभी विधाओं के किरदार निभाएं है। यह मेरा सौभाग्य है कि मुझे आपसे बात करनी का मौक़ा मिला।   

घन्ना भाई- दा ब्वालो! मुझे भी आपसे बात करने में आनन्द आया।


भीष्म कुकरेती- गढ़वाली फिल्मों का भविष्य क्या है ?

घन्ना भाई-अन्धकार, जब तक पाइरेसी और मुफ्त में डाउनलोडिंग बंद नही होगी गढ़वाली फिल्मों और ऐल्बमों का भविष्य है ही नही 


भीष्म कुकरेती- परिवार के बारे में भी बताइये

घन्ना भाई- पत्नी बीमार रहती है और घरेलू कार्य जैसे भोजन बनाना आदि का काम स्वयम मुझे करना पड़  रहा है। दो लडके इंजिनियर हैं और नौकरी करते हैं . मै  कभी देहरादून या पौड़ी रहता हूँ। 


भीष्म कुकरेती- क्या आप अपने हास्य कलाकारी काम से संतुष्ट हैं ?

घन्ना भाई-दा ब्वालो! मै  बहुत ही अतृप्त कलाकार हूँ अभी भी मै ऐसा  किरदार करना चाहता हूँ कि जो हास्य में अमर किरदार  बन जाय।


भीष्म कुकरेती- कोई ख़ास विषय पर  आप फिल्म बनाना चाहेंगे?

घन्ना भाई- जी मेरा सपना है कि मै ऐसी फिल्म में काम करूँ जिसमे मेरा  किरदार शराब के नशे का गढ़वाल से जड़ नाश कर  देता है। फिल्म को देखकर लोग पूरी तरह शराब पीना छोड़ दें।


भीष्म कुकरेती- घन्ना भाई आपने मुझसे इतनी देर तक बात की मै आपका आभारी हूँ

घन्ना भाई-  धन्यवाद कुकरेती जी  , फोन करदा रयां

 

Copyright@ Bhishma Kukreti 12/3/2013

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Ravi Bhatt: A Cinema Photographer Ambitious for Taking Garhwali -Kumauni Films on International Cinema Map 


Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -17

                                                Bhishma Kukreti

[Notes on Regional language Film Cinema photographers; Hindi Film Cinema photographers; Garhwali Regional language Film Cinema photographers; Kumauni Regional language Film Cinema photographers; Uttarakhandi Regional language Film Cinema photographers; Mid Himalayan Regional language Film Cinema photographers; Himalayan Regional language Film Cinema photographers; Punjabi Regional language Film Cinema photographers; North Indian Regional language Film Cinema photographers; Indian Regional language Film Cinema photographers; SAARC Countries Regional language Film Cinema photographers; Asian Regional language Film Cinema photographers; Oriental Regional language Film Cinema photographers]

                It is no surprise that effective and memorable film requires a good camera work but audience randomly know about cameraman. Most of the successful, unforgettable movies have excellent camerawork.
   Ravi Bhatt is one of the brilliant Cinema Photographer of Garhwali-Kumauni film world (Hillywood). Born on 12/7/1971 in Prem Nagar, Rudraprayag Garhwal, Ravi Bhatt came to Delhi in search of job after passing his Intermediate degree. He got job in Radha Entertainment Company (Punjab) an Audio Cassette company, where he learnt camera operation.
               Ravi Bhatt as cameraman worked in different fields of cinematography.
           Roadies (UTVbindass0 and Little Master Chef of Star Plus (Colosceum Pro. House Mumbai) are two profile shoot in the name of Ravi Bhatt as cameraman.
Ravi Bhatt was Cinema Photographer for a reality show called Mission Army for Geography channel.
                 The Cinema Photographer Ravi Bhatt also did shoot corporate films for Hevels, Microtack and Agrotak. 
        There was applaud appreciation for the work of Ravi Bhatt as cinema photographer in TV channel programs as  Apni Boli Apna Desh (ATN);Mele Punjab De (Lashkara);Ek Mulakat ( Lashkara);Akhara  ( channel Punjab).
  The famous regional film Cinema Photographer Ravi Bhatt has credentials in films as Majboor (Hindi, directed by- Gajender Malik);Ek Suhagan(Hindi, director- Shejad Akhtar); Kafan (Hindi, director- Gajender Malik); Tuti Churiyan (Hindi, director-Gajender Malik);Sikh Shahidi (Punjabi, director- Ranjit Singh);Rehat Payari Mujko (Punjabi, director, Tejender Sachdeva);Lungi Bau (Punjabi, director- Tejender Sachdeve).
          As a Cinema Photographer, Ravi Bhatt did shoot more than 55 Garhwali-Kumauni music albums and around 40 Punjabi music albums.
  The public and critics appreciated the work of Cinema photographer Ravi Bhatt for his camera work in Garhwali DVD films as Bakivat (directed by Devender Mundepi); Maya Ka Sauder (directed by Virender Sajwan);Fayouli Jawan Vahegi  (directed by Mahesh Prakash);Prem (directed by  Mahesh Prakash);Sankalp (directed by Mahesh Prakash);Main Sunder Shaon (directed by Mahesh Prakash);Teru Meru Saath (directed by Mahesh Prakash);Bhagirathi (directed by Mahesh Prakash); Sanchi Maya (directed by  Mahesh Prakash); Meru Jayo (directed by Ashok Chauhan); Meru Suhag(directed by  Anil Bisht); Janam Bhumi  (directed by Virender Sajwan);Shyam Dhalni Cha (directed by Kanta Prasad).;Ullar (directed by B.S Rawat).
             The cinema photographer Ravi Bhatt says that since there are no faculties available for cinema photography for Garhwali –Kumauni films in hills of Uttarakhand as trolley, rail or crane etc, the cameraman has to apply many tricks, methods and experiments to get the real effects as per film need or director’s need.
              Ravi Bhatt has ambition to take Garhwali-Kumauni films name from cinema photography angle to International film map. Ravi says that the camera can show best of Himalayan beauty and culture together for International audience as American Beauty, Memories of Geisha,The Godfather, Morte a Venezia, Barry Lyndon, Ben Hur,Wo HuCang Long, Shindler’s List, ShichininNo Samurai .


[Based on telephonic talk with film, music album –Cameraman Ravi Bhatt,HE-306 , phase -5
Mohali, (Punjab), 09815411831, ravibhatt71@gmail.com,)


Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

Copyright@   Bhishma Kukreti 13/3/2013

Review of Garhwali and Kumauni Films, music albums, documentary films (Uttarakhandi) to be continued...18
Notes on Regional language Film Cinema photographers; Hindi Film Cinema photographers; Garhwali Regional language Film Cinema photographers; Kumauni Regional language Film Cinema photographers; Uttarakhandi Regional language Film Cinema photographers; Mid Himalayan Regional language Film Cinema photographers; Himalayan Regional language Film Cinema photographers; Punjabi Regional language Film Cinema photographers; North Indian Regional language Film Cinema photographers; Indian Regional language Film Cinema photographers; SAARC Countries Regional language Film Cinema photographers; Asian Regional language Film Cinema photographers; Oriental Regional language Film Cinema photographers to be continued…

Bhishma Kukreti

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Mahesh Prakash Directed highest numbers of Garhwali –Kumauni Films

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -18

                                                Bhishma Kukreti

[Notes on film director directed highest numbers of regional language films; film director directed highest numbers of Garhwali language films; film director directed highest numbers of Uttarakhandi regional language films; film director directed highest numbers of Mid Himalayan regional language films; film director directed highest numbers of Himalayan regional language films; film director directed highest numbers of North Indian regional language films; film director directed highest numbers of Indian  regional language films; film director directed highest numbers of South Asian regional language films; Asian film director directed highest numbers of regional language films;  film director directed highest numbers of Oriental  regional language films]
   
         Mahesh Prakash is the film activist that directed highest numbers of Garhwali VCD film.  It is because his hard work in drama/theatre that made him famous Garhwali VCD film director.
            Mahesh Prakash was born on 6/4/1966 in Bhitkot village, Syunsi-Baijron, Dhoundiyalsyun, Pauri Garhwal. Mahesh Prakash who directed highest numbers of Garhwali VCD films is Art Graduate from Delhi University.
   At the age of twelve, Mahesh Prakash started performing in stage plays/drama. Mahesh Prakash acted in Hindi plays Khilone Sans ke,  Pahle aur Abhi, Kalakanta aur Kalakar, Jareena, Ek Foll ek Kuta, Bhagwan dekhta Raha, Maharaja sheikh Chilli, Ladli, Parat Dar Parat, Sabak. Mahesh Prakash directed Hindi stage play Maharaja Sheikh Chilli.
  Mahesh Prakash was always connected to Garhwali theatre of Delhi and acted in Garhwali stage plays as Abhagi Kamla, Ghat, Khichdi Khayin Khushi, Jua, Hari Hindwan, Mangtu Bualya and Adalat. Mahesh Prakash directed Garhwali stage play Mangtu Baulya (written by Swaroop Dhaundiyal) too.
   Mahesh Prakash acted in Hindi television films as Pyara Bachpan, Chitthi Ayi hai, Heera for Doordarshan.
  Mahesh Prakash produced and directed regional television serials for Doordarshan as Hamari baten Apki Yaden (100 episods), Khel khel me jito.   
     Mahesh Prakash directed highest numbers of Garhwali VCD films as:
 Mi Sundar Chaun a Garhwali film that talks about the real beauty is on characters of human being than physical beauty.
Garhwali film ‘Fyunli Javan hwe ge discusses the problems of mass human migration from hills of Garhwal. Tero Mero Sath Garhwali film provides alternate to settle in rural Garhwali youth by migrated Garhwalis (re-migration from plains to rural Garhwal).
Garhwali film Meri Pyari Bhauji is about sacrifice of two women.
The film makers on most of Indian languages made film on subject of Devdas as the story shows romance and love from different angle. Mahesh Prakash also made Garhwali film Prem on the subject of Devdas.
Garhwali film Adalat is adaption of Garhwali drama written by Swarup Dhundiyal.
 Dukh ka Knad Suckh ka Fool a Garhwali film discusses about the ups and downs of life.
Garhwali film ‘Byakhuni Jhanjh is about the social problem of alcoholism in rural Garhwal.
Ek Ma ki Beti a Garhwali film is about the love and many situations of woman in the human life. 
Mahesh Prakash also acted in Garhwali films as Jaunlya Bhai, Pardes.
    Mahesh Prakash is worried about decline in business of Garhwali-Kumauni film (Hillywood) industry. Mahesh blames for this worsening position of Garhwali-Kumauni film business to bad quality film making by many film makers, piracy at all levels, easy down loading technology. Mahesh urges state government to take many steps to protect Hillywood or Garhwali –Kumauni film industry. Mahess argues that the Garhwali-Kumauni film activists are divided and this is also one cause for diminishing position of Garhwali-Kumauni film industry.                   
[Based on telephonic talk with Garhwali-Kumauni film director Mahesh Prakash, Delhi, 09811953305. taniyfilms@yahoo.co.in )


Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

Copyright@   Bhishma Kukreti 13/3/2013

Review of Garhwali and Kumauni Films, music albums, documentary films (Uttarakhandi) to be continued...19
Notes on film director directed highest numbers of regional language films; film director directed highest numbers of Garhwali language films; film director directed highest numbers of Uttarakhandi regional language films; film director directed highest numbers of Mid Himalayan regional language films; film director directed highest numbers of Himalayan regional language films; film director directed highest numbers of North Indian regional language films; film director directed highest numbers of Indian  regional language films; film director directed highest numbers of South Asian regional language films; Asian film director directed highest numbers of regional language films;  film director directed highest numbers of Oriental  regional language films to be continued…



Bhishma Kukreti

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Vinod Balodi: First Leading Male Character of First Garhwali Feature Film

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -22
                                                Bhishma Kukreti
 [Notes on first leading male character of first regional language feature film; Leading Male Character of First Garhwali Feature Film; Leading Male Character of First Uttarakhandi Feature Film; first leading male character of first Mid Himalayan regional language feature film; first leading male character of first Himalayan regional language feature film; first leading male character of first North Indian regional language feature film; first leading male character of first Indian regional language feature film; first leading male character of first Asian regional language feature film; first leading male character of first Oriental regional language feature film]

   Much is talked about ‘Jagwal’ the first Garhwali feature film released in 1983. However, less is known to public about the character artists of ‘Jagwal’ baring Parashar Gaud.
  There were two male leading characters in ‘Jagwal the first Garhwali movie played by Parashar Gaur and Vinod Balodi. Vinod Balodi played the young Doctor Ajay in ‘Jagwal’ the first regional Mid Himalayan feature film. Ajay plays role of doctor who helps Prashar Gaur’s character in first Uttarakhandi feature film.
   Vinod Balodi belongs to Manjeli (Banelsyun, Pauri Garhwal) born in Mumbai on 20/71969. Vinod was active in Garhwali and Hindi theatre in his pre graduation time and in Wilson College. Vinod Balodi was still active in Hindi theatre in Mumbai.
   Vinod remembers that filming of Jagwal was exciting, happy experience and with some pain too. Local people provided their best cooperation in shooting of ‘Jagwal’ a historical first feature film of Garhwal, Kumaun and Himachal Himalayan region. The talk with Vinod reveals that the first Garhwali film crew was expecting no infrastructure for shooting in Buvakahl, Pauri and Shringar regions of Garhwal. However, there were no faculties available at that time for good staying, properties, transportation and even torch-batteries in the cited area. 
           Since, Vinod understood from first experience with Garhwali feature film that commercially an artist can’t survive on Garhwali filmdom he choose government service and was also involve in theatre in Mumbai.
  Vinod is still ambitious to do performance in other film.
  Vinod Balodi will always be remembered as leading male character of first Garhwali feature film ‘Jagwal’ along with another leading male character Parashar Gaur.

Based on telephonic talk with Vinod Balodi, 09820116099
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

Copyright@   Bhishma Kukreti 16/3/2013

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Notes on first leading male character of first regional language feature film; Leading Male Character of First Garhwali Feature Film; Leading Male Character of First Uttarakhandi Feature Film; first leading male character of first Mid Himalayan regional language feature film; first leading male character of first Himalayan regional language feature film; first leading male character of first North Indian regional language feature film; first leading male character of first Indian regional language feature film; first leading male character of first Asian regional language feature film; first leading male character of first Oriental regional language feature film to be continued…


Bhishma Kukreti

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Puran Chandra Balodi one of a Character artists of Firs Garhwali Movie

Review of Development of Garhwali-Kumauni (Uttarakhandi) Films, Music Albums, Documentary films -24
                                                Bhishma Kukreti
                 
         The first in any creation force people to talk about those who were involved in its creation. When there would be talk about ‘Jagwal’ the first Garhwali language feature film /movie, the involvement of Puran Chandra Balodi alias PC would also be there.
Puran Chandra Balodi is one of respectful and renowned name in Garhwali-Kumauni social circle in Mumbai. As social worker he was connected with the activities of Garhwal Bhratri Mandal (a seventy five years old social organization) Mumbai and headed the organizations for many years.  Puran Chandra Balodi never acted in any drama but he always supported the Garhwali theatre and cultural aspects in Mumbai.  Puran Chand Balodi is well known in Mumbai for his help to Garhwalis in getting suitable jobs when there was scarcity of jobs. Puran Chand Balodi was born o in 1942 in village Manjeri, Banelsyun, Pauri Garhwal. He served as General Manager, director in many corporate houses till he retired.
   Puran Chandra Balodi acted in ‘Jagwal’ as judge.
           However, Balodi will be remembered for helping Parashar Gaud in overcoming many legal hassles. Puran Chandra Balodi and his team members as Raman Kukreti, Geeta ram Bhatt, Rup Singh Rawat, Rajendra Sharma, Sain Singh Rawat helped the producer Parashar Gaud  not only  popularizing  first Garhwali film ‘Jagwal’ but also helped the producer in releasing it in Mumbai too.   
Reference: Bhishma Kukreti, 2013, उत्तराखंडी फिल्मों का संक्षिप्त इतिहास

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