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Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Started by एम.एस. मेहता /M S Mehta 9910532720, July 26, 2009, 12:54:53 PM

Bhishma Kukreti

                  Tinchari: A Garhwali Drama Explaining Harmful Effects of Alcohol Consumption 

(Review of a Garhwali Drama 'Tinchari '(9176) by Chintamani Barthwal)

Notes on Dramas Explaining Harmful Effects of Alcohol Consumption, Dramas Explaining Harmful Effects of Alcohol Consumption, South Asian Dramas Explaining Harmful Effects of Alcohol Consumption, SAARC Countries Dramas Explaining Harmful Effects of Alcohol Consumption, Indian Dramas Explaining Harmful Effects of Alcohol Consumption, North Indian Dramas Explaining Harmful Effects of Alcohol Consumption, Himalayan Dramas Explaining Harmful Effects of Alcohol Consumption, Mid Himalayan Dramas Explaining Harmful Effects of Alcohol Consumption, Uttarakhandi Dramas Explaining Harmful Effects of Alcohol Consumption, Kumauni  Dramas Explaining Harmful Effects of Alcohol Consumption, Garhwali   Dramas Explaining Harmful Effects of Alcohol Consumption   
शराब के अवगुणों /नुकसानों को दर्शाते नाटक, शराब के अवगुणों /नुकसानों को दर्शाते एशियाई नाटक,शराब के अवगुणों /नुकसानों को दर्शाते दक्षिण एशियाई नाटक,शराब के अवगुणों /नुकसानों को दर्शाते सार्क देशों के नाटक,शराब के अवगुणों /नुकसानों को दर्शाते भारतीय नाटक,शराब के अवगुणों /नुकसानों को दर्शाते उत्तर भारतीय नाटक,शराब के अवगुणों /नुकसानों को दर्शाते हिमालयी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते मध्य हिमालयी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते उत्तराखंडी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते कुमाउनी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते गढवाली नाटक लेखमाला

                                   Bhishma Kukreti

                Alcohol consumption is not suitable for country as India. Alcohol consumption or alcohol use does much harm to the individuals and society as a whole. Alcohol consumption is responsible for disorders as fatty deterioration of the lever; alcohol consumption may bring infection of the lever, sleeping disorder; infection of the pancreas, stomach, esophagus. The alcohol consumption brings diseases as mental instability, loss of memory, premature dementia. It is a known fact that alcohol consumption also may create cancer of mouth, larynx, intestine, throat and breast. Alcohol consumption may create hypertension and heart problems.
           There are examples of violence during alcohol consumptions. The alcohol consumption is also responsible for loss of money, loss of social prestige. Alcohol consumption is also responsible for bringing irresponsible characteristics to the alcohol users.
         From Garhwali drama point of view, the drama 'Tinchari' is still relevant and dramatist Girish Sundariyal wrote two dramas on harmful effects of alcohol consumption in Garhwali. The drama 'Ye bwe daru Pilai de' conceived by Bhishma Kukreti and Surendra Bisht was staged in 1970-1971 in Bhandari Baug Dehdradun
           The Garhwali drama' Tinchari' by Chinta Mani Barthwal about harmful effects of alcohol consumption was staged in Delhi in 1976. Chinta Mani Barthwal was successful in showing the harmful effects of 'Tinchari', Kacchi Daru or fermented alcohol without proper technique.  Dr Sudharani a Garhwali drama historian and Parashar Gaur a prominent figure of Garhwali drama of Delhi state that the audience appreciated the drama 'Tinchari' written by Chinta Mani Barthwal.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti
   
           



Notes on Dramas Explaining Harmful Effects of Alcohol Consumption, Dramas Explaining Harmful Effects of Alcohol Consumption, South Asian Dramas Explaining Harmful Effects of Alcohol Consumption, SAARC Countries Dramas Explaining Harmful Effects of Alcohol Consumption, Indian Dramas Explaining Harmful Effects of Alcohol Consumption, North Indian Dramas Explaining Harmful Effects of Alcohol Consumption, Himalayan Dramas Explaining Harmful Effects of Alcohol Consumption, Mid Himalayan Dramas Explaining Harmful Effects of Alcohol Consumption, Uttarakhandi Dramas Explaining Harmful Effects of Alcohol Consumption, Kumauni  Dramas Explaining Harmful Effects of Alcohol Consumption, Garhwali   Dramas Explaining Harmful Effects of Alcohol Consumption   to be continued....

शराब के अवगुणों /नुकसानों को दर्शाते नाटक, शराब के अवगुणों /नुकसानों को दर्शाते एशियाई नाटक,शराब के अवगुणों /नुकसानों को दर्शाते दक्षिण एशियाई नाटक,शराब के अवगुणों /नुकसानों को दर्शाते सार्क देशों के नाटक,शराब के अवगुणों /नुकसानों को दर्शाते भारतीय नाटक,शराब के अवगुणों /नुकसानों को दर्शाते उत्तर भारतीय नाटक,शराब के अवगुणों /नुकसानों को दर्शाते हिमालयी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते मध्य हिमालयी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते उत्तराखंडी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते कुमाउनी नाटक,शराब के अवगुणों /नुकसानों को दर्शाते गढवाली नाटक लेखमाला जारी .....





 
 






Bhishma Kukreti

Modern Hindi Poem by Dr Narendra Gauniyal






A series on Modern Hindi Poems by Asian poets, Modern Hindi Poems by South Asian Poets,

Modern Hindi Poems by SAARC Countries Poets,Modern Hindi Poems by Indian Poets,
Modern Hindi Poems by North Indian Poets,Modern Hindi Poems by Himalayan Poets,

Modern Hindi Poems by Mid Himalayan Poets, Modern Hindi Poems by Uttarakhandi Poets,

Modern Hindi Poems by Kumauni Poets, Modern Hindi Poems by Garhwali Poets 

आधुनिक हिंदी कविताएँ , एशियाई कवियों की आधुनिक हिंदी कविताएँ , भारतीय  कवियों की आधुनिक हिंदी कविताएँ ,

हिमालयी कवियों की आधुनिक हिंदी कविताएँ ,उत्तराखंडी कवियों की आधुनिक हिंदी कविताएँ ,कुमाउनी कवियों की आधुनिक हिंदी कविताएँ ,

गढ़वालीकवियों की आधुनिक हिंदी कविताएँ  लेखमाला
     
Modern Hindi Poem by Dr Narendra Gauniyal






A series on Modern Hindi Poems by Asian poets, Modern Hindi Poems by South Asian Poets,

Modern Hindi Poems by SAARC Countries Poets,Modern Hindi Poems by Indian Poets,
Modern Hindi Poems by North Indian Poets,Modern Hindi Poems by Himalayan Poets,

Modern Hindi Poems by Mid Himalayan Poets, Modern Hindi Poems by Uttarakhandi Poets,

Modern Hindi Poems by Kumauni Poets, Modern Hindi Poems by Garhwali Poets







******कलियुग के कंस ********

कवि- डॉ नरेन्द्र गौनियाल




नहीं मालूम था
इस युग में
बचा होगा
तुम्हारा अस्तित्व
समझा था
मिट चुका होगा
तुम्हारा नाम
भूल चुके होंगे लोग
द्वापर में कृष्ण द्वारा
उद्धार करने पर
मुक्ति मिल गयी होगी
छल-कपट,स्वार्थ-क्रूरता
झूठे माया मोह से

ऐसा न हो सका
तुम्हारा दंभ ,फरेब
कुटिलता -मदान्धता
एहसास कराती है
इस युग में भी
तुम्हारी उपस्थिति का

कलियुग के कंस
प्रायश्चित कर लो
अपने दामन पर लगा
दाग धोकर
इतिहास बदल दो
अन्यथा
इतना तुम भी जान लो
दुष्टों का नाश करने
हर युग में
अवतरित होते रहेंगे
कृष्ण .....
Copyright@ डॉ नरेन्द्र गौनियाल



Modern Hindi Poems by Asian poets, Modern Hindi Poems by South Asian Poets,

Modern Hindi Poems by SAARC Countries Poets,Modern Hindi Poems by Indian Poets,
Modern Hindi Poems by North Indian Poets,Modern Hindi Poems by Himalayan Poets,

Modern Hindi Poems by Mid Himalayan Poets, Modern Hindi Poems by Uttarakhandi Poets,

Modern Hindi Poems by Kumauni Poets, Modern Hindi Poems by Garhwali Poets -Series to be continued ...


आधुनिक हिंदी कविताएँ , एशियाई कवियों की आधुनिक हिंदी कविताएँ , भारतीय कवियों की आधुनिक हिंदी कविताएँ ,

हिमालयी कवियों की आधुनिक हिंदी कविताएँ ,उत्तराखंडी कवियों की आधुनिक हिंदी कविताएँ ,कुमाउनी कवियों की आधुनिक हिंदी कविताएँ ,

गढ़वालीकवियों की आधुनिक हिंदी कविताएँ लेखमाला जारी ...

Bhishma Kukreti

Babhoot Mantra- II:  A Folk Rite/Traditional ritual popular in Garhwal and Kumaun for Driving out Demons, driving out evil spirit

 
Notes on folk rite for driving away evil spirit; Asian folk rite for driving away evil spirit; South Asian folk rite for driving away evil spirit; SAARC Countries folk rite for driving away evil spirit; Indian folk rite for driving away evil spirit; North Indian folk rite for driving away evil spirit; Himalayan folk rite for driving away evil spirit; Mid Himalayan folk rite for driving away evil spirit; folk rite popular in Uttarakhand for driving away evil spirit; folk rite popular in Kumaun for driving away evil spirit; folk rite popular in Garhwal for driving away evil spirit     
भूत-पिचास भगाने के एशियाई बभूत मंत्र, भूत-पिचास भगाने के दक्षिण एशियाई बभूत मंत्र,
भूत-पिचास भगाने के भारतीय बभूत मंत्र, भूत-पिचास भगाने केउत्तर भारतीय बभूत मंत्र,
भूत-पिचास भगाने के हिमालयी बभूत मंत्र, भूत-पिचास भगाने केमध्य हिमालयी बभूत मंत्र,
भूत-पिचास भगाने के उत्तराखंड में प्रचलित बभूत मंत्र ,भूत-पिचास भगाने के गढवाल में प्रचलित बभूत मंत्र,
भूत-पिचास भगाने के कुमाऊँ में प्रचलित बभूत मंत्र पर लेखमाला


     
                                      Bhishma Kukreti
                 There are hundreds of mantras or folk rites or traditional rituals popular in Garhwal and Kumaun as making water holy; removing misfortunes, healing headache, healing stomach ache;  healing jaundice; healing a pimples, healing injuries; healing eye soaring ;  healing tongue soaring; healing a boil; healing a abscess; healing other skin diseases; breaking curses,  protecting  harm spell from other person; purifying emotions; driving away evil ; moving away move unseen, driving away witches, driving away negative energy, etc.
              The Mantrik, Tantric or healer chants the following folk rite and at the same time he touches the ash on a leave or paper. When the ash is purified by Mantras, the purified ash is applied on the forehead of the ailing or effected person. The ash is also distributed on the four corners of room where the effected person sleeps and the portion of ash is also kept below the pillow used by the effected person. The mantra has influence of Mogul culture and spirituality too.

कुमाऊं व गढ़वाल में प्रचलित बभूत मंत्र - ३
Babhoot Mantra- II:  A Folk Rite/Traditional ritual popular in Garhwal and Kumaun for Driving out Demons, driving out evil spirit 
ओउम नमो आदेशा, माता पिता गुरु देवता को आदेस, गुरूजी को जुहारा विद्यामाता
को नमस्कारा , लाल रे वीर अर्जुन का सुत वेलकर खम्बा कौन कौन देश ते आयो,
मै मनदागनी का तूरखणी का जाया , क़ाली सिला मत फिर्न्तो आयो, घोरंतो आयो,
गाड्न्तो आयो, मार पार बाज्न्तो आयो, बांद बादंतो आयो, इस पिण्डा ने कौन कौन से भूत को मारा .
प्रेत को मारा , आकाश की आंछरी को मारा, पाताल की नागणी को मारा, दिन दोपरी बाण को मारा, बलदा रथ को मारा,
सैद सैदास को मारा, मुगल पठान को मारा, छिद्र को मारा, Bhoot  को मारा, प्रेत को मारा, दाग को मारा, दोष को मारा ,
वार विथ्या वार बलाई को मारा, लाल वाम को मारा, छिया छाये को मारा, मुर्दा की हाड को मारा, मसान खपड़ा को मारा ,
दुश्मन की आस, अगुरु खेगदास की आण , राजा दुल्लासाही की कारा, मिकवा ठौली लाख लाख दूवाई,
पढ़ जाई नी संख्या मोहर भाई की दुवाई,
फोर मंत्र ऐश्वरो वाच्या
References:
1-Abodh Bandhu Bahuguna
2-Dr Vishnu Datt Kukreti
3-संकलन व सम्पादन - डा. नन्द किशोर ढौंडियाल
गढवाली लोकमंत्र , हिमाद्री प्रकाशन, कोट्द्वारा
मूल स्रोत्र - संदीप इष्ट्वाल , इसोड़ी,मवाळस्यूं
धैर्यराम बौड़ाई , भरपूर, साबळी
गिरीश डबराल, डाबर, डबरालस्यूं
प.केशवानंद मैंदोला , रिखणि खाळ
घुताराम जागरी , बिल्कोट नैनीडांडा
4- Dharma Nand Jakhmola's collection as informed by Satya Prasad Kukreti (Jaspur, P Garhwal)

Copyright@ Bhishma Kukreti
Notes on folk rite for driving away evil spirit; Asian folk rite for driving away evil spirit; South Asian folk rite for driving away evil spirit; SAARC Countries folk rite for driving away evil spirit; Indian folk rite for driving away evil spirit; North Indian folk rite for driving away evil spirit; Himalayan folk rite for driving away evil spirit; Mid Himalayan folk rite for driving away evil spirit; folk rite popular in Uttarakhand for driving away evil spirit; folk rite popular in Kumaun for driving away evil spirit; folk rite popular in Garhwal for driving away evil spirit to be continued...           
भूत-पिचास भगाने के एशियाई बभूत मंत्र, भूत-पिचास भगाने के दक्षिण एशियाई बभूत मंत्र,
भूत-पिचास भगाने के भारतीय बभूत मंत्र, भूत-पिचास भगाने केउत्तर भारतीय बभूत मंत्र,
भूत-पिचास भगाने के हिमालयी बभूत मंत्र, भूत-पिचास भगाने केमध्य हिमालयी बभूत मंत्र,
भूत-पिचास भगाने के उत्तराखंड में प्रचलित बभूत मंत्र ,भूत-पिचास भगाने के गढवाल में प्रचलित बभूत मंत्र,
भूत-पिचास भगाने के कुमाऊँ में प्रचलित बभूत मंत्र पर लेखमाला

Bhishma Kukreti

Kanshanukram/Kanshvadh: A Garhwali Drama about Political Satire through Mythological Characters

(Review of a Garhwali drama about Political Satire through Mythological Characters 'Kanshanukram '(1979) written by Kanhaiya Lal Dandriyal )

        Notes on Dramas about Political Satire through Mythological Characters, Asian Dramas about Political Satire through Mythological Characters, South Asian Dramas about Political Satire through Mythological Characters, SAARC Countries Dramas about Political Satire through Mythological Characters, Indian Dramas about Political Satire through Mythological Characters, North Indian Dramas about Political Satire through Mythological Characters, Himalayan Dramas about Political Satire through Mythological Characters, Mid Himalayan  Dramas about Political Satire through Mythological Characters, Uttarakhandi Dramas about Political Satire through Mythological Characters, Kumauni Dramas about Political Satire through Mythological Characters, Garhwali Dramas about Political Satire through Mythological Characters
           प्रशासकीय भ्रष्ट तन्त्र दर्शाते नाटक, प्रशासकीय भ्रष्ट तन्त्र दर्शाते एशियाई नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते दक्षिण एशियाई नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते सार्क देशीय नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते भारतीय नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते हिमालयी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते मध्य हिमालयी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते उत्तराखंडी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते कुमाउनी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते गढ़वाली नाटक लेखमाला

                                 Bhishma Kukreti

          Initially Kanhaiya Lal Dandriyal wrote a drama 'Kanshvadh' drama based on famous mythological story of Kansh and Krishna. Famous Garhwali dramatist and Garhwali theatre activist Rajendra Dhashmana rewrote the drama and named it as 'Kanshanukram '. The Garhwali Drama 'Kanshvadh' about Political Satire through Mythological Characters was staged in 1979 in Delhi.
          The characters of 'Kanshvadh' are the powerful bureaucrats of Kansha. Kansha is a mythological charater of Krishn Leela or Shrimad Bahgwad.
         The drama 'Kanshvadh' successfully exposes the tricks of politicians, bureaucrats, and their relatives. The drama 'Kanshvadh' shows the methodologies of authorities of higher management hierarchy indulging in grabbing power, indulging in nepotism, favoritism, discrimination, partiality and ignoring the real issues of common people.
         The political satirical drama 'Kanshvadh' attacks on how people become corrupt as soon as they get power.
      The drama 'Kanshvadh' is still relevant in showing corruption, nepotism, partiality, favoritism, discrimination at high power corridor. The drama 'Kanshvadh' shows brilliantly the ministers and bureaucrats becoming corrupt due to selfish nature of the  highest authority (Kansh the king).
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti

Notes on Dramas about Political Satire through Mythological Characters, Asian Dramas about Political Satire through Mythological Characters, South Asian Dramas about Political Satire through Mythological Characters, SAARC Countries Dramas about Political Satire through Mythological Characters, Indian Dramas about Political Satire through Mythological Characters, North Indian Dramas about Political Satire through Mythological Characters, Himalayan Dramas about Political Satire through Mythological Characters, Mid Himalayan  Dramas about Political Satire through Mythological Characters, Uttarakhandi Dramas about Political Satire through Mythological Characters, Kumauni Dramas about Political Satire through Mythological Characters, Garhwali Dramas about Political Satire through Mythological Characters to be continued.....
प्रशासकीय भ्रष्ट तन्त्र दर्शाते नाटक, प्रशासकीय भ्रष्ट तन्त्र दर्शाते एशियाई नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते दक्षिण एशियाई नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते सार्क देशीय नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते भारतीय नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते हिमालयी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते मध्य हिमालयी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते उत्तराखंडी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते कुमाउनी नाटक,प्रशासकीय भ्रष्ट तन्त्र दर्शाते गढ़वाली नाटक लेखमाला जारी

Bhishma Kukreti

Hindi Poem by Dr.Narendra Gauniyal


A Series on Hindi Poems depicting Nature, Hindi Poems depicting Nature by Asian poets, 


Hindi Poems depicting Nature by South Asian poets,Hindi Poems depicting Nature by Indian  poets,

Hindi Poems depicting Nature by North Indian poets, Hindi Poems depicting Nature by himalayan  poets,

Hindi Poems depicting Nature by Uttarakhandi  poets,Hindi Poems depicting Nature by Kumauni poets, 

Hindi Poems depicting Nature by Garhwali  poets,

हिंदी कविताओं में प्रकृत वर्णन, एशियाई कवियों द्वारा  हिंदी कविताओं में प्रकृत वर्णन, दक्षिण एशियाई कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

सार्क देशीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, भारतीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, उत्तर भारतीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

हिमालयी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, मध्य हिमालयी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, उत्तराखंडी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

कुमाउनी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, गढ़वाली कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, लेखमाला



*******हरियाली और सड़क *******



चौमास का
भरपूर यौवन
बादलों का घिराव
तेज बारिश
मूसलाधार

घने कोहरे के साथ
बादलों के बीच
लुका-छिपी करता
सूरज
एक नन्हा सा शिशु
इंद्र धनुष
सतरंगी
मनमोहक

हल्की-हल्की फुहारें
आल्हादित करती
हरी चादर
प्रकृति की
ढकती
धरती को 
पूरी तरह

हरियाली को
बेरहमी से चीरती
एक सड़क
निर्दयी
जिसकी चौड़ाई को
समेटकर रखा है
हरियाली ने
किन्तु लम्बाई
अनंत
असीमित
बे सिर-पैर..
Coyritght @   डॉ नरेन्द्र गौनियाल . 




A Series on Hindi Poems depicting Nature, Hindi Poems depicting Nature by Asian poets, 

Hindi Poems depicting Nature by South Asian poets,Hindi Poems depicting Nature by Indian poets,

Hindi Poems depicting Nature by North Indian poets, Hindi Poems depicting Nature by himalayan poets,

Hindi Poems depicting Nature by Uttarakhandi poets,Hindi Poems depicting Nature by Kumauni poets,

Hindi Poems depicting Nature by Garhwali poets to be continued......


हिंदी कविताओं में प्रकृत वर्णन, एशियाई कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, दक्षिण एशियाई कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

सार्क देशीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, भारतीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, उत्तर भारतीय कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

हिमालयी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, मध्य हिमालयी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, उत्तराखंडी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन,

कुमाउनी कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, गढ़वाली कवियों द्वारा हिंदी कविताओं में प्रकृत वर्णन, लेखमाला

Bhishma Kukreti

Kafan: An Adapted Garhwali Drama based on the story 'Kafan' by Prem Chand



Bhishma Kukreti

There had been attempts for adaptation of famous stories written by famous writer or famous drama in Garhwali Drama world as 'Chatti ki ek rat' or 'Natak Band karo'.
There had been attempt for adaptation of famous Hindi story 'Kafan' written by Prem Chand in Garhwali drama. The story is about two agriculture workers father and son. The wife of son dies at the time of delivering child. Both father and son were busy in satisfying their two days hunger by one potato bulb while the woman was crying for delivery pain. In morning, they find that the woman is no more they go to Jameedar for money for buying 'Kafan'. The jameedar pays them money for 'Kafan'. Instead of buying 'Kafan', both son and father spend money on wine and munching.
The story deals with escapism among field workers and the reason for their emotion less behavior.
From record point of view, Bhishma Kukreti and Sapurn Singh Bisht adapted this story nto Garhwali drama and staged in 1970 in a local social-cultural function of Bhandari Baug residents, Dehradun. Sampurn Singh played father's role and Bhishma Kukreti played son's role. Bisht and Kukreti transformed the second half of story into hum our and satire form. The first half of story 'Kafan' does not resembles with Garhwali environment. The dialogues by Sampurn Bisht and Bhishma Kukreti of second half of the story suited to Garhwali environment than first half.  There was one dialogue which attracted the attention of audience by son. The father narrates the 'terhaveen' feast when Padhan's mother dies. Then son asks to his father," ab yi padhanu naunu roj roj kilai ni mardan? Are kuch jeeman khano t mildi!'.
The well known Garhwali story writer Kusum Nautiyal also adapted 'Kafan' story. She changed the story for clear expression of sensitivity of the subject. The adapted version of   'Kafan' by Kusum Nautiyal was staged in 1980 in Delhi. 
The biggest problem of adaptation of    'Kafan' in Garhwali is that the environment of villages narrated by Prem Chand in the original story does not suit to rural Garhwal. For example, Prem Chand shows the environment of autumn season and the characters spend night outside of room. In rural Garhwal, nobody spends night out of room in autumn season.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)

Copyright@ Bhishm Kukreti


Bhishma Kukreti

                    Brief about Rongpa or Bhotiya Language of Garhwal

                                Original writer: Kedar Singh Foniya
                                Transliteration by Bhishma Kukreti

                  (At the time of Vedic era and thereafter, there were two types of languages in India -the local languages and cultured language- Vedic Sanskrit and Sanskrit. The knowledgeable personalities call the local languages as Prakrit or natural one.  There is no single Prakrit but there were hundreds of Parkrit languages in India before Vedic era and thereafter too. -Bhishma Kukreti)
        From the beginning of civilization initiated in Neeti-Mana area of Garhwal, Bhotiya or the inhabitants of this area had been a type of gypsies who used to travel to Tibet and other parts of India (Jamboodweep). These inhabitants of Tibet border of Garhwal were businessmen. These Garhwali Bhotiyas y cultured a language which was a secrete language for their business purpose. The language is more of SIGN language. That is why the language of Bhotiyas of Neeti-Mana of Garhwal does not match with the languages of other Bhotiyas as Bhotiyas of Neelang pass or Bhotiyas of Pithoragarh.
                 Two hundred years back, Tibet came in existence and Tibet a trading business centre which was meeting place for the businessmen of China and Jamboodweep (India). The Bhotiyas of Neeti-mana of Garhwal used to do business with businessmen of both territories. These Bhotiyas used to travel China, Burma, Java, Sumatra and Indonesia.  The secret language of Bhotiyas of Neet-mana region is Rongpa. Rongpa is more than two thousand year old language.
          Rongpa has the words of Sanskrit, Garhwali, Chinese or Tibetan, Burmese, Java, Malay, Sumatran and Indonesian languages. The script of Rongpa language is Devnagari. There is more effect of Tibetan language on this Bhotiya language-Rongpa. Sanskrit affected Rongpa as it affected other Indian languages.
Curtsey: Dastak, Lok Bhasha Visheshank, 3:2011, Agyastmuni, Rudrparayag (editor-Deepak Benjwal)

नीति माणा कि भोटिया या रोंग्पा भाषा कि कविता
हिन्नी नीति घाटी

कविता - रोमी राणा , केदारनाथ

इन्न हिन्नी नीती घाटी च रम्पा
स्वर्ग समान इन्त नीती घाटी
रोफू किस्म जड़ी-बूटियाँ
स्वास्थ्य तै लाभदायक याँ
इन्न हिन्नी नीती घाटी च रम्पा
कटुकी इन्त नीती घाटी हुन्न
धौरू त्वींज-खौच दर्द ओर हुन
इन्न हिन्नी ..
चौरू इन्त नीती घाटी हुन्न
धुरु इन्न दाल छंवाम पर चरासिन
इन्न हिन्नी ...
जड़ी शरीर स्वस्थ गुस्कन
इन्न नीती घाटी स्वर्ग समान
इन्न हिन्नी ...
शब्द रूपांतर
हिन्नी=- हमारि
रौग्पा = भोटिया
इन्त = यह
रोफू = बहुत
हुन्न - होता है
त्वींज खौच = पेट दर्द
छंवाम/छावामा = दाल या साग
चरासिन = तड़का /छौंका
गुसकन = ठीक होंना


साभार: दीपक बेंजवाल सम्पादक, दस्तक, २०११ अंक ३ अगस्त्यमुनि , रुद्रप्रयाग

Bhishma Kukreti

Swayambar: A Garhwali  Social Drama Criticizing Satirically Taking Dowry for the Bride from Groom

(Review of a Garhwali Drama 'Swayambar' written by Kanhaiya Lal Dandriyal)

Notes on Social dramas criticizing wrong customs, Asian Social dramas criticizing wrong customs, South Asian Social dramas criticizing wrong customs, SAARC countries Social dramas criticizing wrong customs, Indian Social dramas criticizing wrong customs, North Indian Social dramas criticizing wrong customs, Himalayan Social dramas criticizing wrong customs, Mid Himalayan Social dramas criticizing wrong customs, Uttarakhandi Social dramas criticizing wrong customs, Kumauni Social dramas criticizing wrong customs, Garhwali Social dramas criticizing wrong customs,

                                 Bhishma Kukreti

                     In old rural Garhwal, there was a rude custom for father taking money from bride side for daughter's marriage and many times marrying daughter with widower or old age male for the sake of money.
             Kanhaiya Lal Dandriyal wrote a drama 'Swayambar 'criticizing this old custom.  'Swayambar 'was staged in Delhi in 1983.There is auction of a girl in the drama. The drama is successful in showing the basic qualities of human being as greed, instability myopic thinking, and deceiving characteristics.
  The drama is humorous and satirical in nature. The dialogues are humorous and touch the heart of audience. The drama contains sound text of sociology. Kanhaiya Lal Dandriyal uses direct method for criticizing the custom of selling daughter in the name of marriage. 

Source: Personal Discussion with Parashar Gaur is his visit to Mumbai

Copyright@ Bhishma Kukreti

Notes on Social dramas criticizing wrong customs, Asian Social dramas criticizing wrong customs, South Asian Social dramas criticizing wrong customs, SAARC countries Social dramas criticizing wrong customs, Indian Social dramas criticizing wrong customs, North Indian Social dramas criticizing wrong customs, Himalayan Social dramas criticizing wrong customs, Mid Himalayan Social dramas criticizing wrong customs, Uttarakhandi Social dramas criticizing wrong customs, Kumauni Social dramas criticizing wrong customs, Garhwali Social dramas criticizing wrong customs to be continued...


Bhishma Kukreti

Chhal Mantra: A Folk Rite popular in Garhwal-Kumaun for Protection or Defense

Notes on Mantra or Folk Rites popular in Asia for Protection or Defense, Mantra or Folk Rites popular in South Asia for Protection or Defense, Mantra or Folk Rites popular in SAARC Countries for Protection or Defense, Mantra or Folk Rites popular in India for Protection or Defense, Mantra or Folk Rites popular in North India, Asia for Protection or Defense, Mantra or Folk Rites popular in Himalaya, Asia for Protection or Defense, Mantra or Folk Rites popular in Mid Himalaya, Asia for Protection or Defense, Mantra or Folk Rites popular in Uttarakhand, Asia for Protection or Defense, Mantra or Folk Rites popular in Kumaun, Asia for Protection or Defense, Mantra or Folk Rites popular in Garhwal, Asia for Protection or Defense

एसिया में प्रचलित छल का मंत्र, दक्षिण एसिया में प्रचलित छल का मंत्र,
सार्क देशीय में प्रचलित छल का मंत्र, भारत में प्रचलित छल का मंत्र,
उत्तर भारत में प्रचलित छल का मंत्र, हिमालय में प्रचलित छल का मंत्र,
मध्य हिमालय में में प्रचलित छल का मंत्र, उत्तराखंड में प्रचलित छल का मंत्र,
कुमाऊं में प्रचलित छल का मंत्र, गढ़वाल में प्रचलित छल का मंत्र, लेखमाला

                             Bhishma Kukreti

          The mantra is in fact crisis rites. Such ritual arises due to sudden crisis as natural disaster, individual pain disorders, or loss, community loss etc. the following folk rite popular in Garhwal-Kumaun is purely a Nathpanth ritual and there is main deity 'Narsing' in the folk rite for protection. There is clear influence of Islamic rites on this folk rite for protection or defense.


कुमाऊं व गढ़वाल में प्रचलित छल का मंत्र

Chhal Mantra: A Folk Rite popular in Garhwal-Kumaun for Protection or Defense


ॐ नमो आदेशा, माता पिता गुरु देवता को आदेशा , नाद बुड भैरों को आदेशा,
बैरागणी माता को आदेशा, ॐ नमो आदेशा, तकपीर को आदेशा, तक्ताने पीर
को आदेशा, मोटे पीर को आदेशा, फाड़ पीर को आदेशा, औत्या पीर को आदेशा,
परिवाच्छा को आदेशा, नादा बुद्ध भैरों का आदेशा, वार विथ्या वार दलाई को आदेशा,
वार्पंथ सन्यासी को आदेशा, चन्द्र सूर्य पौन प्राणी को आदेशा, अघोरनाथ भैरों
को आदेशा, पाई माई धरती को आदेशा, ब्रह्मा की वेदी कालिनका को पुत्र को आदेशा,
कलिनका को पुत्र काल भैरों को आदेशा, चौंसठ जोग्णी को आदेशा,
समुद्र की खाड़ी , छार खाशी को आदेशा, दूधाधारी नरसिंग को आदेशा, बाबा नरसिंग को आदेशा,
विला नारसिंग को आदेशा, दूधाधारी नरसिंग को आदेशा,झनामिरी नारसिंग को आदेशा,
उदागिरी नारसिंग को आदेशा, बुदागिरी माता मन्दोदरी शराग गढ़ी हस्ती, आली चाम मैमन्दा
सिधि जायो , खंडारो चौबाट खंडारो , चारकोश पूर्व को बंथो, चारकोश पश्चिम को बंथो,
चारकोश उत्तर को बंथो, चारकोश दक्षिण को बंथो, ॐ नमो आदेशा नारसिंग चले आयो,
अस्सी कोष चले आयो, अस्सी कोश से सीधो सर्व काटें, जापत भाई भरली उभाड़ा
गृहते गोपी का खीला खोरे दे , बावन बीरा बावन भैंसा भी काटे, छटा संक्रा मारे,
संसारी मासाणी , काल़ा गोरखा क्षेत्र पाल, जंतर हमारा मन्त्र तुमारा , श्री गुरु पाद्काओं फोर
मन्त्र इश्वरो वाचा.
Mantra from Garhwal source:
Abodh Bandhu Bahuguna (Jhala, Chalansyun)
Dr. Vishnu Datt Kukreti (Barsudi, langur)


Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mvalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal
Dharmanand Jakhmola'patwariji', village Jaspur , Garhwal


Copyright@ Bhishma Kukreti

Notes on Mantra or Folk Rites popular in Asia for Protection or Defense, Mantra or Folk Rites popular in South Asia for Protection or Defense, Mantra or Folk Rites popular in SAARC Countries, Asia  for Protection or Defense, Mantra or Folk Rites popular in India, Asia  for Protection or Defense, Mantra or Folk Rites popular in North India, Asia for Protection or Defense, Mantra or Folk Rites popular in Himalaya, Asia for Protection or Defense, Mantra or Folk Rites popular in Mid Himalaya, Asia for Protection or Defense, Mantra or Folk Rites popular in Uttarakhand, Asia for Protection or Defense, Mantra or Folk Rites popular in Kumaun, Asia for Protection or Defense, Mantra or Folk Rites popular in Garhwal, Asia for Protection or Defense to be continued....

एसिया में प्रचलित छल का मंत्र, दक्षिण एसिया में प्रचलित छल का मंत्र,
सार्क देशीय में प्रचलित छल का मंत्र, भारत में प्रचलित छल का मंत्र,
उत्तर भारत में प्रचलित छल का मंत्र, हिमालय में प्रचलित छल का मंत्र,
मध्य हिमालय में में प्रचलित छल का मंत्र, उत्तराखंड में प्रचलित छल का मंत्र,
कुमाऊं में प्रचलित छल का मंत्र, गढ़वाल में प्रचलित छल का मंत्र, लेखमाला , जारी

Bhishma Kukreti

Khabesh: A Garhwali Drama about Repression by Mother in Law towards Daughter in laws

(Review of Garhwali Drama 'Khabesh' written by Madan Ballabh Dobhal)

                                            Bhishma Kukreti
               Khabesh deals with three problems of rural Garhwal of before sixties- the oppression of mother in laws towards daughter in laws, migration and blind faith.
                The writer used three subjects and could not be successful in impressing the audience. The drama is an average drama. There is no curiosity for the audience to wait for the future course of action in the drama.
                  The basic problem is that dramatist did not decide the main subject and did not provide time for developing theme. There are folk song and a Jagar in speeding up the drama.

Reference:
The original typed manuscript handed over to this author by Parashar Gaud.


Copyright@ Bhishma Kukreti