Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

[Bhishma Kukreti]

                            Mahabharata: A Garhwali Poetic-Dance-Drama based on Epic Mahabharata


Notes on epic based dramas against destructive weapons  ; Asian epic based dramas against destructive weapons  ; South Asian epic based dramas against destructive weapons  ; SAARC Countries  epic based dramas against destructive weapons  ; Indian subcontinent epic based dramas against destructive weapons  ; Indian epic based dramas against destructive weapons  ; North Indian epic based dramas against destructive weapons  ; Himalayan epic based dramas against destructive weapons  ; Mid-Himalayan epic based dramas against destructive weapons  ; Uttarakhandi epic based dramas against destructive weapons  ; Kumauni epic based dramas against destructive weapons  ; Garhwali epic based dramas against destructive weapons 
   महाकव्य आधारित आधुनिक नाटक, महाकव्य आधारित आधुनिक एशियाई नाटक,महाकव्य आधारित आधुनिक दक्षिण एशियाई नाटक,महाकव्य आधारित आधुनिक सार्क देशीय नाटक,महाकव्य आधारित आधुनिक भारतीय नाटक,महाकव्य आधारित आधुनिक उत्तर भारतीय नाटक,महाकव्य आधारित आधुनिक हिमालयी नाटक,महाकव्य आधारित आधुनिक मध्य हिमालयी नाटक,महाकव्य आधारित आधुनिक उत्तराखंडी नाटक,महाकव्य आधारित आधुनिक कुमाउनी नाटक,महाकव्य आधारित आधुनिक गढ़वाली नाटक लेखमाला     

                                    Bhishma Kukreti
                The great epic Mahabharata is mines for dramatization. Each story in Mahabharata can deliver a drama. For centuries, Mahabharata had been an inspiring source for writers to write dramas on various subjects of this great epic. Famous Asian dramatist Brajendra Lal Shah wrote and directed a Mahabharata epic base poetic-dance-drama on the tone of Garhwali Pandav Style. Epic based drama 'Mahabharata' based on Pandava style was staged in Delhi in 1984. World famous folk music director provided music for great epic based Garhwali drama 'Mahabharata'.
             Famous Asian dramatist Brajendra Lal used Garhwali Jagar style for dance, poetic dialogues, singing, music and Pandava worship. World famous folk music director Mohan Upreti enhanced the drama by his music.
             The subject of epic based Uttarakhandi drama 'Mahabharata' is lust for power, extreme envy among  higher management representatives , encroachment on   other's right, greed for power, harms of wars, harms from political greed to the common men;  damages by highly destructive weapon. Famous Asian dramatist Brajendra Lal Shah was successful in depicting thousands years old story for showing modern problems of modern human beings in terms of greed for power; lust for power; envy for power; oppression of other's right for power; losses of human bodies, wiping out of productive wealth, complete damages of scared resources by wars;, using destructive and inhumanly weapons for getting power   in the epic based drama 'Mahabharata'. 
            The 'Jagar' style dialogues attract the audience and music was very much supportive for showing the giganticness of epic Mahabharata in epic based drama 'Mahabharata' by famous Asian dramatist Branjendra Lal Shah. Epic based Garhwali drama 'Mahabharata' by famous Asian dramatist Brajendra Lal Shah is one of the mile stones in the history of Garhwali-Kumauni drama.
References:
A-Curtsey to Parashar gaur for supplying manuscript of Garhwali stage play 'Paisa na Dhyallaa Nam ch Guman Sing Rautela '
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
Copyright@ Bhishma Kukreti




Notes on epic based dramas against destructive weapons  ; Asian epic based dramas against destructive weapons  ; South Asian epic based dramas against destructive weapons  ; SAARC Countries  epic based dramas against destructive weapons  ; Indian subcontinent epic based dramas against destructive weapons  ; Indian epic based dramas against destructive weapons  ; North Indian epic based dramas against destructive weapons  ; Himalayan epic based dramas against destructive weapons  ; Mid-Himalayan epic based dramas against destructive weapons  ; Uttarakhandi epic based dramas against destructive weapons  ; Kumauni epic based dramas against destructive weapons  ; Garhwali epic based dramas against destructive weapons  to be continued...
महाकव्य आधारित आधुनिक नाटक, महाकव्य आधारित आधुनिक एशियाई नाटक,महाकव्य आधारित आधुनिक दक्षिण एशियाई नाटक,महाकव्य आधारित आधुनिक सार्क देशीय नाटक,महाकव्य आधारित आधुनिक भारतीय नाटक,महाकव्य आधारित आधुनिक उत्तर भारतीय नाटक,महाकव्य आधारित आधुनिक हिमालयी नाटक,महाकव्य आधारित आधुनिक मध्य हिमालयी नाटक,महाकव्य आधारित आधुनिक उत्तराखंडी नाटक,महाकव्य आधारित आधुनिक कुमाउनी नाटक,महाकव्य आधारित आधुनिक गढ़वाली नाटक लेखमाला जारी

[Bhishma Kukreti]

                                  Jeetu Bagdwal: A Folklore Base Garhwali Drama   

          Notes on Folklore Base Dramas; Folklore Base Asian Dramas; Folklore Base South Asian Dramas; Folklore Base SAARC Countries Dramas;  Folklore Base Indian subcontinent Dramas;  Folklore Base Indian Dramas; Folklore Base North Indian  Dramas; Folklore Base Himalayan Dramas; Folklore Base Mid-Himalayan Dramas; Folklore Base Uttarakhandi Dramas; Folklore Base Kumauni Dramas; Folklore Base Garhwali Dramas                       
लोकगाथा आधारित आधुनिक नाटक, लोकगाथा  आधारित आधुनिक एशियाई नाटक, लोकगाथा आधारित आधुनिक दक्षिण एशियाई नाटक, लोकगाथा आधारित आधुनिक सार्क देशीय नाटक, लोकगाथा आधारित आधुनिक भारतीय नाटक, लोकगाथा  आधारित आधुनिक उत्तर भारतीय नाटक,  लोकगाथा आधारित आधुनिक हिमालयी नाटक, लोकगाथा आधारित आधुनिक मध्य हिमालयी नाटक, लोकगाथा आधारित आधुनिक उत्तराखंडी नाटक, लोकगाथा आधारित आधुनिक कुमाउनी नाटक, लोकगाथा आधारित आधुनिक गढ़वाली नाटक लेखमाला
   
                                      Bhishma Kukreti
           Jeetu Bagdwal is a famous most folklore of Garhwal region. The story of Jeetu Bagdwal is that Jeetu is a love seeker and brave Youngman. Once, Jeetu had to visit his sister for inviting her for initiating the 'Plough season' ritual.  While passing through a beautiful jangle Jeetu blows his flute and his flute tone attract Ancheris (fairies) of jungle. Anchheries/fairies wanted to take Jeetu Bagdwal with them. Jeetu promised them that they can take him after he finishes the 'plough ceremony'.  Jeetu and his family celebrate with rituals the 'plough ceremony' in paddy field. When Jeetu finishes the ceremony, Anchheri come and take Jeetu with them. 
                      The story provides opportunities for writers to create all eight regular raptures and more than hundred regular emotions in the drama. There is love of mother to her son, son's respect for mother, brother's love for sister, fairies lust love for Jeetu, Jeetu's love for his lover, Jeetu's promise and his sacrifice for his   keeping words for abiding his  promise, death of Jeetu, pathos, importance of agriculture  etc in the folklore story of Jeetu Bagdwal. That is the reason Abodh Bandhu Bahuguna wrote drama on the famous folklore 'Jeetu Bagdwal'. Famous folk artist and dramatist Jeet Singh Negi wrote drama on the famous folklore 'Jeetu Bagdwal'.  Parvteey Kala Manch , Dehradun staged lyrical-prose folklore base drama 'Jeetu Bagdwal' in 1985. Parvteey Kala Manch, Dehradun staged folklore base drama 'Jeetu Bagdwal' in other places too. Famous drama activist and musician of Garhwal Bhagwati Prasad Pokhariyal provided the music to this folk lore base drama 'Jeetu Bagdwal' written by Jeet Singh Negi.
                   Famous Asian dramatist Brajendra Lal Shah wrote new version of folklore base drama on 'Jeetu Bagdwal' and staged the folklore base drama 'Jeetu Bagdwal' thrice in 1986 in Delhi. World famous folk musician Mohan Upreti provided music for folklore base drama 'Jeetu Bagdwal'
          Brajendra Lal Shah changed the folklore base drama 'Jeetu Bagdwal' into a platform for making awareness about nationalism and importance of democracy.
References:
A-Curtsey to Parashar gaur for supplying manuscript of Garhwali stage play 'Paisa na Dhyallaa Nam ch Guman Sing Rautela '
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava

Copyright@ Bhishma Kukreti

Nots on Folklore Base Dramas; Folklore Base Asian Dramas; Folklore Base South Asian Dramas; Folklore Base SAARC Countries Dramas;  Folklore Base Indian subcontinent Dramas;  Folklore Base Indian Dramas; Folklore Base North Indian  Dramas; Folklore Base Himalayan Dramas; Folklore Base Mid-Himalayan Dramas; Folklore Base Uttarakhandi Dramas; Folklore Base Kumauni Dramas; Folklore Base Garhwali Dramas to be continued.....   
     लोकगाथा आधारित आधुनिक नाटक, लोकगाथा  आधारित आधुनिक एशियाई नाटक, लोकगाथा आधारित आधुनिक दक्षिण एशियाई नाटक, लोकगाथा आधारित आधुनिक सार्क देशीय नाटक, लोकगाथा आधारित आधुनिक भारतीय नाटक, लोकगाथा  आधारित आधुनिक उत्तर भारतीय नाटक,  लोकगाथा आधारित आधुनिक हिमालयी नाटक, लोकगाथा आधारित आधुनिक मध्य हिमालयी नाटक, लोकगाथा आधारित आधुनिक उत्तराखंडी नाटक, लोकगाथा आधारित आधुनिक कुमाउनी नाटक, लोकगाथा आधारित आधुनिक गढ़वाली नाटक लेखमाला     
             

[Bhishma Kukreti]

Teelu Rauteli: A Garhwali Drama based on Brave Folk Legend Teelu Rauteli 

(Review of a Garhwali Drama based on Brave Folk Legend 'Teelu Rauteli' (1987) written by Dr. Purushotam Dobhal)

                   Notes on Dramas based on Famous Folklore, Based on Brave Folk Legends; Asian Dramas based on Famous Folklore, based on brave  Folk Legends; South Asian Dramas based on Famous Folklore, Based on Brave  Folk Legends; SAARC Countries Dramas based on Famous Folklore, Based on Brave  Folk Legends; Indian sub Continent Dramas based on Famous Folklore, Based on Brave  Folk Legends; Indian Dramas based on Famous Folklore, Based on Brave  Folk Legends; North Indian Dramas based on Famous Folklore, Based on Brave  Folk Legends; Himalayan Dramas based on Famous Folklore, Based on Brave  Folk Legends; Mid-Himalayan Dramas based on Famous Folklore, Based on Brave  Folk Legends; Uttarakhandi Dramas based on Famous Folklore, Based on Brave  Folk Legends; Kumauni Dramas based on Famous Folklore, Based on Brave  Folk Legends; Garhwali Dramas based on Famous Folklore, Based on Brave  Folk Legends
लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, लोक गाथाओं की वीरांगना आधारित एशियाई आधुनिक नाटक, दक्षिण एशियाई लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, सार्क देसीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,भारतीय उपमहाद्वीपीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,भारतीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,उत्तर भारतीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, हिमालयी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, मध्य- हिमालयी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, उत्तराखंडी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, कुमाउनी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,गढ़वाली लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक लेखमाला


                                     Bhishma Kukreti

                     John Gassner in his research book 'Reader's Encyclopedia of world Drama' (2002) provides tens of examples of each society wherein history, folklores, folk legends are source for many modern dramas or plays . For example, Turky's playwright Ahemt  Kutsi Tecer depicts the life of Turkish folk hero/legend  Koroglu in his singsong drama' Koroglu'(1949). Same way, in his book McGraw Hill Encyclopedia of World Drama', Stanley Hochman also provides tens of examples of folk legends as base for modern dramas in various languages. In the book 'Modern World Drama: an Encyclopedia', Myron Matlaw illustrate good examples of dramas of various languages based on folk legends. Sarah Stanton and Martin Banham (1996) offer ample of examples dramas or plays based on folk heroes, folk heroines, or brave folk legends in their book 'Cambridge Paperback Guide to Theatres'.
            Modern Garhwali drama world is not exception in depicting plays from famous folk legends. Teelu Rauteli is great brave woman legendary warier of Garhwal history. Her story is well known to each rural Garhwali. There are many folk tales and folk songs based on the legendary stories of brave woman warier Teelu Rauteli popular in villages of Garhwal.
           Kantyura King Dhami Shahi killed a Garhwali warrior Bhupu Gorla in Saraikhet (Khatli Kanda). The two sons of Garhwali warier of Bhupu Gorla were also killed in the battle. Teelu Rauteli was daughter of Garhwali warier Bhupu Gorla . When her father was killed in Khatli kanda Teelu Rauteli was only fifteen years old girl.
  When Teelu became twenty two years old, her mother inspired Teelu Rauteli to win back the lost territory Khairagarh. With the help of her two woman friends, Ghimandi, Hudkya, minister Shibu Pokhariyal, Teelu Rauteli won back Khairagarh from Kaintura warriors and established Boongi Devi temple.   The Kaintura Sardar Raju Rajwar killed Teelu Rauteli when she was taking a bath dip into Nayar River. At the time of death Teelu was only twenty two years and eight month old. People call brave legend Teelu Rauteli as Maharani Lakshmi Bai of Garhwal.
           A Sanskrit, Garhwali, Hindi writer Purushottam Dobhal wrote drama on the story of famous legendary heroine off Garhwal.  Garhwal Sahity Sanskriti Dehradun staged folk legend based drama 'Teelu Rauteli' thrice. Famous Dramatist of Dehradun, Ramesh Dobariyal directed the drama Teelu Rauteli based on famous Garhwali brave legendary heroin Teelu Rauteli.
         The folk legend based drama 'Teelu Rauteli' attracts the audience till the end because of various emotions connected with the story.
References:
A-Curtsey to Parashar gaur for supplying manuscript of Garhwali stage play 'Paisa na Dhyallaa Nam ch Guman Sing Rautela '
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava

Copyright@ Bhishma Kukreti, date- 5/4/2012

                    Notes on Dramas based on Famous Folklore, Based on Brave Folk Legends; Asian Dramas based on Famous Folklore, Based on Folk Legends; South Asian Dramas based on Famous Folklore, Based on Brave  Folk Legends; SAARC Countries Dramas based on Famous Folklore, Based on Brave  Folk Legends; Indian sub Continent Dramas based on Famous Folklore, Based on Brave  Folk Legends; Indian Dramas based on Famous Folklore, Based on Brave  Folk Legends; North Indian Dramas based on Famous Folklore, Based on Brave  Folk Legends; Himalayan Dramas based on Famous Folklore, Based on Brave  Folk Legends; Mid-Himalayan Dramas based on Famous Folklore, Based on Brave  Folk Legends; Uttarakhandi Dramas based on Famous Folklore, Based on Brave  Folk Legends; Kumauni Dramas based on Famous Folklore, Based on Brave  Folk Legends; Garhwali Dramas based on Famous Folklore, Based on Brave  Folk Legends  to be continued......
लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, लोक गाथाओं की वीरांगना आधारित एशियाई आधुनिक नाटक, दक्षिण एशियाई लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, सार्क देसीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,भारतीय उपमहाद्वीपीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,भारतीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,उत्तर भारतीय लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, हिमालयी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, मध्य- हिमालयी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, उत्तराखंडी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक, कुमाउनी लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक,गढ़वाली लोक गाथाओं की वीरांगना आधारित आधुनिक नाटक लेखमाला जारी ...

[Bhishma Kukreti]

Vithya Poojan mantra: A Popular Folk Rite/Traditional Ritual of Garhwal for curing, healing various Fevers and other Diseases
           Notes on Folk Rite/Traditional Ritual of  for curing  various Fevers and other Diseases; Asian Folk Rite/Traditional Ritual  for curing ,Healing various Fevers and other Diseases; South Asian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; SAARC Countries Folk Rite/Traditional Ritual for curing, Healing various Fevers and other Diseases; Indian Subcontinent Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Indian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; North Indian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Himalayan Folk Rite/Traditional Ritual  for Healing various Fevers and other Diseases; Mid- Himalayan Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Uttarakhandi Folk Rite/Traditional Ritual l for curing, Healing various Fevers and other Diseases; Folk Rite/Traditional Ritual popular in  Kumaun  for curing, Healing various Fevers and other Diseases; Folk Rite/Traditional Ritual popular in  Garhwal for curing , Healing various Fevers and other Diseases
विभिन्न ज्वर, बीमारी चिकित्सा मंत्र', एशियाई विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', दक्षिण एशियाई विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', सार्क देशीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', भारतीय उपमहाद्वीपीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', भारतीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', उत्तर भारतीयविभिन्न ज्वर,बीमारी चिकित्सा मंत्र', हिमालयी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', मध्य हिमालयी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', उत्तराखंडी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', कुमाऊं में प्रचलित विभिन्न ज्वर,बीमारी चिकित्सा 'विथ्या पूजन मंत्र', गढ़वाल में प्रचलित विभिन्न ज्वर,बीमारी चिकित्सा 'विथ्या पूजन मंत्र' लेखमाला 


                                           Bhishma Kukreti

      The following folk rite or traditional ritual is an example of folk medical facilitation, traditional way of curing or healing various types of fever or diseases were popular in Kumaun and of Garhwal, Himalayas. Vithya poojan mantra is a folk rite for to cure fevers or other disease performed by Mantrik. Mantrik does perform other tantric ritual along with chanting folk rites for curing fevers or other diseases. The following folk rite or traditional ritual popular in Garhwal and Kumaun for curing fever or other diseases seems to be quite new as the folk rite for curing fevers is having Garhwali phrases especially verbs. The subject of Ramayana in the traditional way of curing fever or folk rite for curing fever or diseases  also prove that the folk rite or traditional way popular in Garhwal for  curing fever or other diseases is newer version. The subject of Ramayana or hanuman in mantras came very late after popularization of Ramcharitmanas by  Tulsidas and  Hanuman Chalisa.


               कुमाऊं -गढ़वाल में प्रचलित विभिन्न ज्वर,बीमारी चिकित्सा 'विथ्या पूजन मंत्र'

Vithya Poojan mantra: A Popular Folk Rite/Traditional Ritual of Garhwal for Healing various fevers and other Diseases



        ओउम नमो आदेश माता पिता गुरु देवता को आदेशा गुरु को जुहारा विद्या माता को नमस्कारा, प्रथम देवी सावरी भई , सावर कि समुंद्री भई , समुद्र कि नील भई, नील कि अनील भई , अनील कि आमी भई, आमी कि चामी भई, चामी का चौवन से चेड़ा बावन भूत ले सूर्ज देवता को छल करणा लायो, ताल बेताल को महिपाल, महिपाल को राजा अजैपाल , राजा अजैपाल को विजैपाल , विजैपाल कि इजली विजली द्वी राणी छना,तानो राणी यों को कौं कौं पुत्र भयो, पहले लोचडिया , दूजो दाद्रिया जर भयो, तीजो तेतरिया जर भयो, चौथा चौथिया जर बह्यो, पांचो इकुन्द्रिया जर भयो, छटो मण मसाण जर भयो, सातो सतजर भयो, आटों अठेलिया जर भयो, नौ नकुवा फेकुवा जर भयो, दशों दारिरिया जर भयो, अग्यार्हो अग्निजर भयो, बारो भटलिया जर भयो, तेरो तेतरिया जर भयो, चौदा चौंडिया जर भयो, पन्द्रो कांपतो जर भयो, सोलों पहलदों जर भयो, स्तरों सुनजर भयो, अठारों वेसुन जर भयो, उन्नीसों उनादों जर भयो, बीसों बिशवा जर भयो, इकीस्वान इकुन्द्रिया जर भयो, सरोदिया जर भयो, तब भयो ताई जर, वै जर, सीट जर, पीत जर, धौकलिया जर, फीलिया जर, पति जर, कुपति जर, बिषम जर, सरोदिया जर, भयो, भटालिया जर, लोमड़िया जर, दमडिया जर, थीलिया जर, कांस्दो जर, थरदो जर,लीन्ड़ो जर, लोच्दिया जर, सुन जर, वेसुन जर, घोर जर, अघोर जर, बैणताई जर, भड़मौड़ा जर, ह्ल्दो जर, सिल्कुंदो जर, सीन्दो जर, निसीन्दो जर, रामदो जर, कंदों जर, भटक जर, भटलिया जर, एकजरी यकजरों, दुजरो ,तिजारी, तिजरो, चौथा, छठी, जर भयो, ये भाया सात सो जर, पुत्र भयो तह भयो, अठोत्र सौ फोड़ी बारह सौ बयालीस नौ सौ निन्नाबे छल को बाण, छिदर को बाण, मणो मासाड़ को बाण, खांदी विथ्य, काटती विथ्य, मुंड को मुंडारो, पेट को तलवारों, छल छिद्र को बाण, अन्डो पिया का बाण, फोड़ी लोच्ड़ी, सीतला, तोतला, म्ज्याली, विकराली, इसली, विशली, सुन केला, मेग माला मी जटाक पूरी हिंदु तुर्खणि वेदु बामणी, माल कि मसाड़ी, परवत कि सोकी, गोला बामणी डांड की डांकणी, पातळ की कांगनी थल की जोगड़ी, राड़ी पाड़ी हिंदु तुरखणी , मुसल्वानी, वेदु बामणी, खस खातणी ,राक्सणी,, भोकसणी, तुम जैल्या देंती मसाणी, चौकी चरणी फूल माला ठकुराणी, हाड की हाड फोड़ी , मांस की मांस फौड़ी, रक्त की रक्त फोड़ी, सीन्दी की सीन्दी फोड़ी, गोरी फोड़ी काली फोड़ी, लूली फोड़ी, अड़ती बहड़ती, जल भूत, थल भूत, मण सर धुंवा, अगासर धुंवां , पाताळ रथुवा, पाई रथुवा, वर्ण रथुवा, लर रथुवा, छिद्र रथुवा, आई लगोट रथुवा, जाई पड़ोड़ रथुवा, सुन बाण, बेसून बाण, घोर बाण, अघोर बाण, डैणी डाकणी , चूडा चमारी, कुक्माला ठकुराणी, देशी, लंका की लंकावळी छवा, लंकागद होई आवा, जंहा हनादे नाचदा छना, पसोरा वाजदा छना, ताल मंदीर गांदो छना , अस्तरे लड़ छडे छना, पंक दुकार्न्दे छना, आई बाजी दुई सेल छना, ऊंके आँखें भेरिया सैणी मंदे होई जावा, हिडी गई मिया भूमि देखी , जांखी जांखीजूसू का छना, घोड़ी का घुड़ ल़े छना, ताई होई जा, हाथी चुक हलका छना, घोड़ी कि सूंड ल़े दूजो रातो लाणे, तातो खाणो छना, ताजो तुरखण मा चढ़दा छना,ए देश होई जावा, ऊचो लाणो छ , पूंछो खाणो छ, सात सतनाजों को दैज्यो दिऊलो, डडी अंगार लाल पिंगली पिटाई कि वानी दिऊलो , भट्ट भगुली का खोजा दिऊलो, यकतालो रोट दिऊलो, पांच कैणास शहर दिऊलो , बारह फूल का हार दिऊलो, पाणी कि धार दिऊलो, बोल बचन कि कार दिऊलो, तेरी भेणी कार करी जूलो, मोरा बाँधी जूलो, खब हलवाई लंका बार बांदी दिलो, लंका सारी गढ़ बीच समोदर सारी करवई, नीचा तह होई जा, बैणी तेरा भट वारी ता जाई, नि त माता का घर सोत्या ली होई जा, पिता दशोगिरी घर घरवाली होई जावा, काका कुम्भकरण का पाप जाई, मामा कंससुर का पाप जाई, कनक पहली का पाप जाई, कि कुवा ठोली का पाप जाई, कौड़ीया बेताल का पाप जाई , चोली पडिया का पाप जाई, नौ सयणो का पाप जाई, दस दैत्यों का पाप जाई, लंका का लंका पतियों का पाप जाई, लंका फ़ोणी राम दुहाई, लक्ष्मण जाती कि जयकारा है जावा, लंका का बान इस पिण्डा पर रहिता शिव शक्ति इश्वर पार्वती तेरी आण, गौरजा गणेश तेरी आण , इतना उपरान्त सांख करीता संघा सो गरड कि कार पढ़ी, गरड तो बाबा कहा पैसदा छना, बालू समुन्दर, नीला समुद्र , तालू समुद्र, रत्नागिरी समुन्द्र महादूंदी समुन्द्र , फीणी समुन्द्र , खीरी समुन्द्र , गली समुन्द्र , सात समुन्द्र हसदा छना, तानो गणों कि कार लीन्दा छना, टे गढ़ तो बाबा कहाँ बैसदा छना, सिर बैस्दा छना, सिर की विथ्य टू टू टू फोड़दा छना, नंगो नंगो फोरदा छना, पंखी पख्यो झड़दा छना,
झूड़ी घाली शक्ति पाताल मार विथ्या झड़, विथ्या मरीजा , विथ्या उठाई जा, विथ्या विलाई जा, विथ्या कुघर को वासो, जिय को नासो, ये देश छोडि दे परदेश होई जा इस पिण्डा छोडि दे . भैणी का लंका गढ़ मा अहिरावण , कुलाण लागो तेरा हाथ से कपासणी जूडी न तू भैणी लंका बुलाई, तू जा जा भैणी लंका का बार लंका गढ़ होई जाय , फोर मंत्र इश्वरो वाच्य

References:
Mantra from Garhwal source: Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mavalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal
Dharma Nand Jakhmola's collection (Jaspur, Dhangu, Garhwal) 
Abodh Bandhu Bahuguna, (gad matyeki Ganga, Kaunli Kiran, Shailvani)
Dr Vishnu Datt Kukreti (village-Barsudi, Langur, Garhwal) Gorakhpanth
Copyright@ Bhishma Kukreti

Notes on Folk Rite/Traditional Ritual of  for curing  various Fevers and other Diseases; Asian Folk Rite/Traditional Ritual  for curing ,Healing various Fevers and other Diseases; South Asian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; SAARC Countries Folk Rite/Traditional Ritual for curing, Healing various Fevers and other Diseases; Indian Subcontinent Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Indian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; North Indian Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Himalayan Folk Rite/Traditional Ritual  for Healing various Fevers and other Diseases; Mid- Himalayan Folk Rite/Traditional Ritual  for curing, Healing various Fevers and other Diseases; Uttarakhandi Folk Rite/Traditional Ritual l for curing, Healing various Fevers and other Diseases; Folk Rite/Traditional Ritual popular in  Kumaun  for curing, Healing various Fevers and other Diseases; Folk Rite/Traditional Ritual popular in  Garhwal for curing , Healing various Fevers and other Diseases to be continued....

विभिन्न ज्वर, बीमारी चिकित्सा मंत्र', एशियाई विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', दक्षिण एशियाई विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', सार्क देशीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', भारतीय उपमहाद्वीपीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', भारतीय विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', उत्तर भारतीयविभिन्न ज्वर,बीमारी चिकित्सा मंत्र', हिमालयी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', मध्य हिमालयी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', उत्तराखंडी विभिन्न ज्वर,बीमारी चिकित्सा मंत्र', कुमाऊं में प्रचलित विभिन्न ज्वर,बीमारी चिकित्सा 'विथ्या पूजन मंत्र', गढ़वाल में प्रचलित विभिन्न ज्वर,बीमारी चिकित्सा 'विथ्या पूजन मंत्र' लेखमाला जारी ...

[Bhishma Kukreti]

                      Dholi ka Ansu:  A Love folk tale/Love Folk Story base Garhwali Drama 

(Review of Love Folk Tale/Love Folk Story base Garhwali Drama written by D.D.Sundriyal)

             Notes on  Folk love Tale/ Folk love Story base Dramas; Folk Love Tale/ Folk Love Story base Asian Dramas;  Folk Love Tale/ Folk Love Story base South Asian Dramas;  Folk Love Tale/ Folk Love Story base SAARC Countries Dramas;  Folk Love Tale/ Folk Love Story base Indian subcontinent Dramas;  Folk Love Tale/ Folk Love Story base Indian Dramas;  Folk Love Tale/ Folk Love Story base North Indian Dramas;  Folk Love Tale/ Folk Love Story base Himalayan Dramas;  Folk Love Tale/ Folk Love Story base Mid-Himalayan Dramas; Folk Love Tale/ Folk Love Story base Uttarakhandi Dramas;  Folk Love Tale/ Folk Love Story base Kumauni Dramas;  Folk Love Tale/ Folk Love Story base Garhwali  Dramas
लोक प्रेम कथा आधारित आधुनिक नाटक; लोक प्रेम कथा आधारित आधुनिक एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक दक्षिण एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक सार्क देशीय नाटक; लोक प्रेम कथा आधारित आधुनिक भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तर भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक मध्य हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तराखंडी नाटक; लोक प्रेम कथा आधारित आधुनिक कुमाउनी नाटक; लोक प्रेम कथा आधारित आधुनिक गढ़वाली नाटक लेखमाला
                                                 Bhishma Kukreti
                          There is no area where the folk love tale does not exist. In China, the folk love stories of Liang Shanbo and Zhu Yingatai; Meng Jiangqnv; Niulang and Zhinv are famous folk love tales; the love between prince Suthan and Kinnari Manohra is famous folk love story of Thailand; Mirza Sahiban, Sohani Mahival, Heer-Rranjha, Nakshi Kanta is famous tragedy folk love story of Bengal, the folk love story of Kovalanad and Kannaki of  Tamilnadu are a couple of examples of folk love stories of Indian sub continent.
            Mak Thiong  and Guy sen and Mom are famous folk love stories of Cambodia; love story of prince and princes Kinnara is famous folk love tale of Malaysia ; love between Chunhayan and Yi is well known folk love story of Korea; the story of Kato Sayemon is well known folk love story of Japan; stories of Layla and Majnon represents Arabic folk love tale.
    It is a fact that these folk love stories attract the dramatists for writing dramas for modern audience. It may be said that in most of languages, dramatists adapted their folk love tale into modern dramas.
  Garhwali dramatists are not exception in adapting folk love tale into modern drama.


                                Dholi ka Ansu:  A Love folk tale/Love Folk Story base Garhwali Drama 


                D.d sundriyal adapted the famous Garhwali folk love story into drama ' Dholi ka Ansu'.  As per folk tale of Garhwal,   Tiloga Taidwali and Amardev Sajwan . Tiloga belonged to Taidi village of Banelsyun patti above Vyaschatti (meeting place of Ganges and Nayar rivers) Pauri Garhwal and Thokdar Amar dev sajwan was Thokdar of Bharpur village Tihri Garhwal. Amardev sajwan was bravest among bravest Amaedev Sajwan fell in love of beautiful Tiloga but in between their villages deep Ganga River was the hurdle in their meeting .However, no hurdle is hurdle in the true love. Amardev used to come daily to meet his beloved Tiloga by crossing Ganges in night and he used to return back before down
              One day the villagers of Taidi saw both in love making scene. All villagers of Taidi became angry and they killed Amardev by compelling him to run here and there. Tiloga became sad and she cut her both the mammary glands, threw cut glands into two wells of the village and died by Sati Dharma
The following song is sung in their love memory in Garhwal in Ghadela to satisfy the unsatisfied souls of Tiloga and Amardev Sajwan
बांकी तड़याली  तिलोगा बांकी
सेर कि भिडाल्यूं  बांकी
सडक तिरवाली बांकी
राति जुनख्याळी सिरवाणी कि कूल
कु होली घसेर बांकी
छोटी च मिंडाळी , ठुल्ली च घसेर
छुणक्याळी चुड़ीयूँ की क्वा होली घसेर बांकी
तू बेटी छे कि  ब्वारी
तू बेटूलि होली कैकी,  मांगणा कै जौलो 
तू ब्वारी होली  कैकी , छुड़ेणो कै जौलो








  When this author published about famous folk love story of Garhwal 'Tiloga Tadiyali', D.D.Sundriyal a Garhwali  drama activist wrote letter to the author as :







Bhisham Bhai,
Thanks for Tiloga Tadiyali feedback. In fact, in Chandigarh we have many shows of a lyrical drama based on this love story. The title was "Dholi-ka Aansu" ( written by D.D Sundriyal and directed by Chandi Bhatt Bharti ) though  the name of main  characters and places changed viz Ganga for Tiloga and Bhagirath for Amar Dev Sajwan, as a few local  Banelsyun samiti members tried to stall  the show. It was in 1984, perhaps, its first show was staged at famous Tagore Theatre of Chandigarh. Many shows followed till Garh Kala Sangam became defunct in 1996. The script, a very good blend of reality and imagination,( in Garhwali)  is available  with me. We thought to picturise the love story but for finance problems the idea was abandoned. It is an absorbing tragedy and can make a very successful film.
March edition of Uttarakhand Live takes note of dramatic ventures of Garh Kala Sangam in Chandigarh and nearby cities. Ironically, all columnists and feature writers on Garhwali Rangmanch have made mention of such activities taking place in Dehra Dun, Delhi and Mumbai. For all of them other cities are non entity. Fact is that last 20-25 years of nineteenth century witnessed all sorts of Garhwali dramas/dance-drama and other forms of cultural activiteis in Chandigarh.. Garh Kala Sangam and Garhwal Sabha heading the march.
Dhanyabad
D.D.Sundriyal
Dy Advt Manager (Tribune, Chandigarh)
9815801909
References:
A-Curtsey to Parashar gaur for supplying manuscript of Garhwali stage play 'Paisa na Dhyallaa Nam ch Guman Sing Rautela '
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
Copyright@ Bhishma Kukreti

            Notes on  Folk love Tale/ Folk love Story base Dramas; Folk Love Tale/ Folk Love Story base Asian Dramas;  Folk Love Tale/ Folk Love Story base South Asian Dramas;  Folk Love Tale/ Folk Love Story base SAARC Countries Dramas;  Folk Love Tale/ Folk Love Story base Indian subcontinent Dramas;  Folk Love Tale/ Folk Love Story base Indian Dramas;  Folk Love Tale/ Folk Love Story base North Indian Dramas;  Folk Love Tale/ Folk Love Story base Himalayan Dramas;  Folk Love Tale/ Folk Love Story base Mid-Himalayan Dramas; Folk Love Tale/ Folk Love Story base Uttarakhandi Dramas;  Folk Love Tale/ Folk Love Story base Kumauni Dramas;  Folk Love Tale/ Folk Love Story base Garhwali  Dramas to be continued....
लोक प्रेम कथा आधारित आधुनिक नाटक; लोक प्रेम कथा आधारित आधुनिक एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक दक्षिण एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक सार्क देशीय नाटक; लोक प्रेम कथा आधारित आधुनिक भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तर भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक मध्य हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तराखंडी नाटक; लोक प्रेम कथा आधारित आधुनिक कुमाउनी नाटक; लोक प्रेम कथा आधारित आधुनिक गढ़वाली नाटक लेखमाला जारी ...

[Bhishma Kukreti]

Maletha ki Kool: A Garhwali drama about Self-Sacrifice for building Infrastructure (irrigation canal) by Brave soldier Madho Singh Bhandari
(Review of a Garhwali drama 'Maletha ki Kool' written by Jeet Singh Negi (1987)
Notes on dramas based on building irrigation canal, Asian dramas based on building irrigation canal, South Asian dramas based on building irrigation canal, SAARC Countries dramas based on building irrigation canal, Indian subcontinent dramas based on building irrigation canal, Indian dramas based on building irrigation canal, North Indian dramas based on building irrigation canal, Himalayan dramas based on building irrigation canal, Mid-Himalayan dramas based on building irrigation canal, Uttarakhandi dramas based on building irrigation canal, Kumauni dramas based on building irrigation canal, Garhwali dramas based on building irrigation canal


                                         Bhishma Kukreti
                          .
                 Irrigation canal had been on first priority for the social groups in ancient time in every civilization from the old time till date.
              Helaine Silverman (Cahuachi in the Ancient Nasca World) state that there was ceremony –'Limpia Acequia'of cleaning the irrigation canal by social groups in Nasca world. In Japan, still, there is custom of celebrating ceremony for social causes as making or cleaning the irrigational canal (Jennifer Robertson). In Thailand, people of Lamphun (lampoon) Songkran festival to remember old tradition of 1300 years old city. There are dramas about –Dam making, Harvesting, and Dam Hua ceremony in the festival.  Henry C.Shetron (a Unique Prehistoric Irrigation Project) provides details of how Red Indians- Hohokam civilization (before 17th century) built irrigation canals in Arizonan regions in America through social causes and ceremonies.  Clark Erickson (Raised field Agriculture in the lake Titicaca basin, putting ancient agriculture back to work, 1988) opens many aspects of old society finding new ways of irrigation and building canals collectively.
               In Garhwal, before British took over, there was always need of building infrastructure in the villages by society collectively or individual taking the task individually. It is less known that Garhwali king taking interest in improving the village infrastructure. Each infrastructural activity in Garhwali village was taken either by villagers collectively or individually and there was no role of Garhwali king in improvement or development of the village.
         Madho Singh Bhandari an army officer in The Garhwal kingdom army is famous as brave soldier against Tibetian enemies and more is famous for his social cause of building Maletha canal. He alone dug the tunnel in the mountain to bring water from one side of mountain to other side. When the tunnel was made the water did not flow. Madho Singh Bhandari asked for non-flow of water after tunnel is made to his astrologer. The astrologer asked Madho Singh Bhandari for a life sacrifice to satisfy the deity of irrigation. Madho Singh became ready to sacrifice the life of his only one son Gaje Singh (another mythological and historical hero of Garhwal).
                 Famous stage activist Jeet Singh Negi wrote a prose-poetic drama on the above historical and folklore subject 'Maletha ki Kool'. Parvteey kala Manch staged the drama 'Maletha ki Kool' first in Dehradun and later on various cities of India. Jyotish Ghildiyal directed the drama 'Maletha ki Kool'. The organization staged 'Maletha ki Kool' in Delhi on 3oth and 31st May 1987. Surprisingly, on both days the organizer had to put board of 'Hose Full' on the gate of exhibition hall and hundreds of viewer saw drama standing in the hall.  The attracting aspects of drama 'Maletha ki Kool' were inspiring dialogues, energizing dialogues, Chaufala dance-song, Thady dance-song, Pando dance-song, Devi Jagar, Saron dance-song (a war wining dance-song sequence) and folk music.
    In an Internet era, the drama 'Maletha ki Kool' still attracts the youth as the drama is about basic need of human thinking for the benefits of society and individual's sacrifice too.
References:
A-Curtsey to Parashar gaur for supplying manuscripts of Garhwali stage plays
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
10- Dr. D.R. Purohit of HNB University for various inputs on modern dramas

Copyright@ Bhishma Kukreti



Notes on dramas based on building irrigation canal, Asian dramas based on building irrigation canal, South Asian dramas based on building irrigation canal, SAARC Countries dramas based on building irrigation canal, Indian subcontinent dramas based on building irrigation canal, Indian dramas based on building irrigation canal, North Indian dramas based on building irrigation canal, Himalayan dramas based on building irrigation canal, Mid-Himalayan dramas based on building irrigation canal, Uttarakhandi dramas based on building irrigation canal, Kumauni dramas based on building irrigation canal, Garhwali dramas based on building irrigation canal to be continued...

[Bhishma Kukreti]

                       Khabesh Lagyun Cha Khabesh:  A Garhwali Drama about Loss by Caste Conflicts /Class Conflicts


(Review of a Caste Conflicts, Class Conflicts base Garhwali Drama 'Khabesh Lagyun Cha Khabesh '(1985) written by Prem Lal Bhatt)
             Notes on Loss by Caste Conflicts, Class Conflicts base Dramas, Loss by Caste Conflicts, Class Conflicts base Asian Dramas, Loss by Caste Conflicts, Class Conflicts base South Asian Dramas, Loss by Caste Conflicts, Class Conflicts base SAARC Countries Dramas, Loss by Caste Conflicts, Class Conflicts base Indian subcontinent Dramas, Loss by Caste Conflicts, Class Conflicts base Indian Dramas, Loss by Caste Conflicts, Class Conflicts base North Indian Dramas, Loss by Caste Conflicts, Class Conflicts base Himalayan Dramas, Loss by Caste Conflicts, Class Conflicts base Mid-Himalayan Dramas, Loss by Caste Conflicts, Class Conflicts base Uttarakhandi Dramas, Loss by Caste Conflicts, Class Conflicts base Kumauni Dramas, Loss by Caste Conflicts, Class Conflicts base Garhwali Dramas,


                                         Bhishma Kukreti

                   Class conflicts and caste conflicts are permanent features of every old, new or future society. Therefore, drams are there depicting caste conflicts or class conflicts all over the world. For example, today there are no caste conflicts in European countries or Latin American countries due to principles of Christianity. However, there were caste conflicts in Spain. Kenneth W.Janes details about caste conflicts and class conflicts in the book 'Americo Castro and the meaning of Spanish civilization' with reference to 'comedia' drama.
           Though Christianity does not believe in caste system but in colonial rule European created a new caste Ruler and Slave castes. The slave castes were treated as untouchables in colonial rules all over the world.
    Gabrielle H.Cody provides many examples of dramas about class and caste conflicts in his book 'The Columbia Encyclopedia of Modern dramas –volume-2'. G.H Cody provide an example of a caste conflict base Marathi drama 'Wata Palwata, 1986' written by Marathi Playwright Datta Bhagat.
                Stanley Hochman (Mc-Grew Hill Encyclopedia of World drama), Gassner and Quinn (Reader's Encyclopedia of World Drama), Cody and Sprenchorn (The Columbia encyclopedia of modern drama) , B.Narayan (honor, violence and conflicting narratives, 2003) provide many examples of dramas all over world   about the subject of class conflicts and caste conflicts in the dramas.
                     Bhishma Kukreti already explained in reviewing 'Farak' drama that socially there was least difference between rich and poor in villages of Garhwal. Therefore less folk literature are found about the class conflicts in Garhwal and Kumaun regions. However, caste conflicts between Rajput (Khashya) and Brahmin (Bhatda or Baman) have been there in Garhwal and Kumaun for centuries. Many historical changes took place due to caste conflicts between Rajput (Khashya) and Brahmins (Bhatda or baman) in Garhwal. Famous Braj poet Maularam wrote hundred of lines about losses to Garhwal due to caste conflicts between Rajput and Brahmins in Garhwal.
              Famous Garhwali and Hindi fiction writer, epic creator, poet and drama playwright Prem Lal Bhatt effectively brought the negative points of caste conflicts between Rajput and Brahmins in his stage play 'Khabesh Lagyun Cha Khabesh'. 'Kha' represents Khashya (Rajput) and 'B 'represents Bhatda (brahmins0 of word 'Khabesh'. Khabesh means a devil spirit which harms the human beings.  The drama starts by social aware people talking about no-progress in the village in a village Chaunthara. Slowly,  the drama opens with many secrets that whenever there is act of progress in the village the caste conflicts between 'Kh' and 'B' or  Rajput-Brahmin conflicts stops all social progressive works and even individual's progress .  The fact is that competition between two castes or classes does not inspire people to acquire competency for progress but people acquire competency to make losses of other community.  The social aware people take the task in their hand struggle for eradication of caste conflicts. The audience becomes anxious whether these social aware people would be successful in defusing caste conflicts or not?.
             The caste conflict base drama 'Khabesh Lagyun Cha Khabesh 'has humor and satire too. The dialogues of caste conflict base drama 'Khabesh Lagyun Cha Khabesh' are from the day to day life and are very sharp when criticizing the caste conflicts.
                   The caste conflict base drama 'Khabesh Lagyun Cha Khabesh' is successful in making awareness about losses due to caste conflicts in the society.
                A drama organization of Gopeshwar, Chamoli Garhwal staged twice in 1985 the caste or class conflict base drama caste conflict base drama 'Khabesh Lagyun Cha Khabesh

References:
A-Curtsey to Parashar gaur for supplying manuscripts of Garhwali stage plays
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
10- Dr. D.R. Purohit of HNB University for various inputs on modern dramas
11- Prem Lal Bhatt, Delhi for providing details about his dramas and other dramas

Notes on Loss by Caste Conflicts, Class Conflicts base Dramas, Loss by Caste Conflicts, Class Conflicts base Asian Dramas, Loss by Caste Conflicts, Class Conflicts base South Asian Dramas, Loss by Caste Conflicts, Class Conflicts base SAARC Countries Dramas, Loss by Caste Conflicts, Class Conflicts base Indian subcontinent Dramas, Loss by Caste Conflicts, Class Conflicts base Indian Dramas, Loss by Caste Conflicts, Class Conflicts base North Indian Dramas, Loss by Caste Conflicts, Class Conflicts base Himalayan Dramas, Loss by Caste Conflicts, Class Conflicts base Mid-Himalayan Dramas, Loss by Caste Conflicts, Class Conflicts base Uttarakhandi Dramas, Loss by Caste Conflicts, Class Conflicts base Kumauni Dramas, Loss by Caste Conflicts, Class Conflicts base Garhwali Dramas to be continued....

[Bhishma Kukreti]

 Dag Mantra: A Folk Rite –Folk practice popular in Garhwal –Kumaun for Removing Evil Eye

                Notes on Folk Rites –Folk practices for Removing Evil Eye, Asian Folk Rites –Folk practices for Removing Evil Eye, South Asian Folk Rite –Folk practices for Removing Evil Eye, SAARC Countries Folk Rites –Folk practices for Removing Evil Eye, Indian Folk Rites –Folk practices for Removing Evil Eye, North Indian Folk Rites –Folk practices for Removing Evil Eye, Himalayan Folk Rites –Folk practices for Removing Evil Eye, Mid Himalayan Folk Rites –Folk practices for Removing Evil Eye, Folk Rite –Folk practice popular in Uttarakhand  for Removing Evil Eye, Folk Rite –Folk practice popular in Kumaun  for Removing Evil Eye, Folk Rites –Folk practices popular in Garhwal for Removing Evil Eye
दाग हटाने का मंत्र, दाग हटाने का एशियाई मंत्र,दाग हटाने का दक्षिण एशियाई मंत्र, दाग हटाने का सार्क देशीय मंत्र, दाग हटाने का भारतीय उपमहाद्वीपीय मंत्र,दाग हटाने का भारतीय मंत्र,दाग हटाने का उत्तर भारतीय मंत्र,दाग हटाने का हिमालय में प्रचलित मंत्र,दाग हटाने का मध्य हिमालय में प्रचलित मध्य हिमालय में मंत्र,दाग हटाने का कुमाऊं में प्रचलित मध्य हिमालय में मंत्र,दाग हटाने का गढ़वाल में प्रचलित मंत्र लेखमाला  ....

                                         Bhishma Kukreti
          The following folk rite or folk ritual practice popular in Garhwal and Kumaun is to cast off or remove veil eye. When the future teller forecasts that somebody has performed a mantra evilly the effected person performs the following mantra to cast off evil eyes. The mantra is definitely a Nathpanth mantra or folk rite for removing evil eye and has influence of Islamic culture on the folk rite for removing evil eye. Though, there are a few words of Garhwali in this folk rite or folk practice ritual, it is clear that the mantra is not created by any Garhwali Mantrik


                     कुमाऊं -गढ़वाल में प्रचलित दाग मंत्र'

Dag Mantra: A Folk Rite –Folk practice popular in Garhwal for Removing Evil Eye

ओउम नमो आदेशा, माता पिता गुरु देवता को आदेशा, जिन गुरु ने रचना रची , उन गुरु को आदेश, जिन गुरु ने थापना थापी, उन गुरु को आदेश, चौसठ जोगणियों को आदेश, नारसिंग बीर को आदेश, नारसिंग बीर यो हमने बुलायो, हमने चलायो, वार चक्र चड़ाऊ, वीर नारसिंग गुन्जाली का बाण, लूहा का पाखाण. फोड़न्तो आयो, लूहा का संगळा तोडन्तो आयो, वाण विथ्य चडऊ बभूत जाग जाग रे हिलो नारसिंग तू जाग, भूस नारसिंग तू जाग, तूला भसान नारसिंग तू जाग, चन्द्र का बान ते तू जाग, सूर्य की किरणों तू जाग, महादेव की जटा ते तू जाग, माता पारवती के जान ते तू जाग, औगड़ नारसिंग अघोरनाथ को चेला, बीरो मा का बीर उड़पीर , भोड़ो पीर , मर्दानी पीर, सव सीरदारी, इक्कीस लोक गई बीड़ा पान को चड़ा, सिरधार तिलक मनद की धार, जंहा मै भेजा वंहा नी जाय टा, इस मणसंत का पिण्डा पर रही विथ्या तो स्वा पांच सेर को मिठाई ना पाई, आँख की मसाणी, नारसिंग तेरी आण बाण मार डालिय बाण को मार बुलाय, बाण को मार , माल का सैद को मार , माल देस का पठाण को मार, हिंदु मुसलमान को बाण को मार, हलाली और देसवाली बाण को मार, कचीय पीर राय का बाण को मार, चंड नारसिंग तू जाग, प्रचंड नारसिंग तू जाग, दुदिया धारी नारसिंग तू जाग, चंड नारसिंग तू जाग, प्रचंड नारसिंग तू जाग, अंगीय बाण को मार, अंचला बाण को मार, सताईस नक्षत्र को मार, अठाईस योग का बाण को मार, बहडना तिथि का बाण को मार, हाथ की हथकड़ी खोला, स्वामी टटू वंदी खोला, स्वामी ग्राम को पोइल्या पाव का नेल खोला, औंदा ज्यान्दा वाल उखेला, उखेल रे बाबा दिन राति का बाण उखेला, हाथ की हथकड़ी को बाण उखेला, मिथ्या की बाण को बाण उखेला, मड़ा की हाड़ को बाण उखेला, पूरा भैण को बाण लगन उखेला, आमा को मूल उखेला, कुटया को तीर उखेल्या, सिंदूर की चाम उखेला, चौमुखी चिराक उखेला, ऑसी चौदास्यों का बाण उखेला, मिला पंथ को बाण उखेला, शुकल पक्ष को बाण उखेला, जगास की आन्चारी को बाण उखेला, पातळ की नागनी को बाण उखेला, आठ सो कोडी बारह सौ बयालीस को बाण उखेला, बहतर सौ रोग को बाण उखेला, आलाक की मट्टी को बाण उखेला, चौपाट की मट्टी को बाण उखेला, हंसदा ज्युन्दाल उखेला, बुलांदी पानी उखेला, सत सौ कांडा उखेला, चार कीली लोहा उखेला, तामा की तोली उखेला, छोटा मोटा वीर नारसिंग कैन बुलायो , हमने बंथो हमने बुलायो, बावन वीर नारसिंग बहतर सौ रोग इस पिण्डा प्राणी का चसथ पिण्डा पलाई का बाण उखेला, मेरा घर पिण्डा की रक्षा,र परिवार की रक्षा, बाल गोपाल की रक्षा करी , नी काई ता कमाल दल को वासो नी पाई, अपणा गुरु का मास खाई , मेरा गुरु की दूवाई, फोर मंत्र इश्वरो वाच्या.


References:
Mantra from Garhwal source: Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mavalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal
Dharma Nand Jakhmola's collection (Jaspur, Dhangu, Garhwal) 
Abodh Bandhu Bahuguna, (gad matyeki Ganga, Kaunli Kiran, Shailvani)
Dr Vishnu Datt Kukreti (village-Barsudi, Langur, Garhwal) Gorakhpanth
Copyright@ Bhishma Kukreti , 8/5/12



                  Notes on Folk Rites –Folk practices for Removing Evil Eye, Asian Folk Rites –Folk practices for Removing Evil Eye, South Asian Folk Rite –Folk practices for Removing Evil Eye, SAARC Countries Folk Rites –Folk practices for Removing Evil Eye, Indian Folk Rites –Folk practices for Removing Evil Eye, North Indian Folk Rites –Folk practices for Removing Evil Eye, Himalayan Folk Rites –Folk practices for Removing Evil Eye, Mid Himalayan Folk Rites –Folk practices for Removing Evil Eye, Folk Rite –Folk practice popular in Uttarakhand  for Removing Evil Eye, Folk Rite –Folk practice popular in Kumaun  for Removing Evil Eye, Folk Rites –Folk practices popular in Garhwal for Removing Evil Eye to be continued....
दाग हटाने का मंत्र, दाग हटाने का एशियाई मंत्र,दाग हटाने का दक्षिण एशियाई मंत्र, दाग हटाने का सार्क देशीय मंत्र, दाग हटाने का भारतीय उपमहाद्वीपीय मंत्र,दाग हटाने का भारतीय मंत्र,दाग हटाने का उत्तर भारतीय मंत्र,दाग हटाने का हिमालय में प्रचलित मंत्र,दाग हटाने का मध्य हिमालय में प्रचलित मध्य हिमालय में मंत्र,दाग हटाने का कुमाऊं में प्रचलित मध्य हिमालय में मंत्र,दाग हटाने का गढ़वाल में प्रचलित मंत्र लेखमाला जारी ....

[Bhishma Kukreti]

Badi Bwari: A Garhwali Family Drama about Unsung Story of Sacrifice by a Daughter in Law

(Review of a Garhwali Family Drama 'Badi Bwari' written by Prem Lal Bhatt 1986-1987)

               Notes on Family Dramas, Asian Family Dramas, South Asian Family Dramas, SAARC Countries Family Dramas, Indian subcontinent Family Dramas, Indian Family Dramas, North Indian Family Dramas, Himalayan Family Dramas, Mid-Himalayan Family Dramas, Uttarakhandi Family Dramas, Kumauni Family Dramas, Garhwali Family Dramas


                                                        Bhishma Kukreti
                         Prem Lal Bhatt is prolific Garhwali and Hindi fiction writer, verse creator and drama playwright.  Bhatt won the Hindi academy award for Garhwali literature creation. Garhwali critics appreciate Prem Lal Bhatt for his Garhwali epic 'Uttarayan' as the story is definitely original.
               Writing dramas by playwright about family subject is an old tradition in literature. The family drama provides space in dramatization for tragedy, sacrifice, chivalry, comedy and other emotions. For example the family dramas – Long day's Journey into-Night, Death of a salesman, The Glass Managerie, Our Town, Who is afraid of Virginia wolf?, Fences, Cat on a Hot Tin Roof, The Little Foxes, A resin in the Sun,  Buried Child, Raised in the captivity, Lear, Crowtet,  Topdog/Underdog are best  family dramas of America.
Koreans appreciate 'Royal Family' a family base drama. Family, The; Rickshaw boy; Thunderstorm; Woman who is left behind are a couple of examples of Chinese family dramas. 'Sutera Maya', is an example of modern Malaysian family drama. 
  'Masked' is an example of family drama of Israel and drama is about family crisis of a Palestine family.  An Iranian film and drama 'A Separation' is internationally acclaimed family drama.
            The Garhwali family drama 'Badi Bwari' written by Prem Lal Bhatt was staged in Delhi in 1986-1987. Famous Garhwali drama director H.S Rawat directed the family drama 'Badi Bwari'.
  The Garhwali family 'Badi Bwari' is about the sacrifice of an eldest daughter in law in a joint family. The eldest daughter in law does everything for the family along with taking care for the growth of her children. However, the other family members do not recognize her sacrifice and criticize her for petty matters too. One day, Badi bwari (eldest daughter in law) takes an unusual step and family members understand her contributions for unity of joint family.  Bhatt  deals with family aspirations, frustration and benefits of joint family, tension among different nature family members, perceptions, sacrifice and other emotions in this family drama Badi Bwari'. The dialogues of modern Garhwali family drama Badi Bwari' are from day-to-day life and attract audience.

  References:
A-Curtsey to Parashar Gaur for supplying manuscripts of Garhwali stage plays
1-Dr Anil Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka  Rangmanch (Garhwali Dramas  from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and theatres from beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
10- Dr. D.R. Purohit of HNB University for various inputs on modern dramas
11- Prem Lal Bhatt, Delhi for providing details about his dramas and other dramas
Copyright@ Bhishma Kukreti 9/5/12



Notes on Family Dramas, Asian Family Dramas, South Asian Family Dramas, SAARC Countries Family Dramas, Indian subcontinent Family Dramas, Indian Family Dramas, North Indian Family Dramas, Himalayan Family Dramas, Mid-Himalayan Family Dramas, Uttarakhandi Family Dramas, Kumauni Family Dramas, Garhwali Family Dramas to be continued....

[Bhishma Kukreti]

Anchhari Mantra: Folk Rites, Folk Rituals Popular in Garhwal-Kumaun for removing bad influence- effects of Fairies


           Notes on Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Asian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Folk Rites, south Asian Folk Rituals for removing bad influence- effects of fairies; SAARC Countries Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Indian subcontinent Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Indian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; North Indian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Himalayan Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Mid-Himalayan Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Uttarakhandi Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Kumauni Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Garhwali Folk Rites, Folk Rituals for removing bad influence-effects of fairies
परी दोष उतारने का मंत्र, परी दोष उतारने का एशियाई मंत्र, परी दोष उतारने का दक्षिण एशियाई मंत्र,परी दोष उतारने का सार्क देशीय मंत्र, परी दोष उतारने का भारतीय उपमहाद्वीप में प्रचलित मंत्र, परी दोष उतारने का भारतीय मंत्र, परी दोष उतारने का उत्तर भारतीय मंत्र, परी दोष उतारने का हिमालय में प्रचलित मंत्र, परी दोष उतारने का मध्य- हिमालय में प्रचलित मंत्र, परी दोष उतारने का उत्तराखंड में प्रचलित मंत्र, परी दोष उतारने का कुमाऊं में प्रचलित मंत्र, परी दोष उतारने का गढ़वाल में प्रचलित मंत्र, लेखमाला
                         Bhishma Kukreti
                  It is believed in Kumaun and Garhwal that there are fairies  (anchheri) live on top of hill along side of flower beds (bugyal) who are attracted to men and may harm to woman too. When a person is influenced adversely by fairies the Mantrik chant the following folk rite or Mantra 'मंत्र' for removing or casting off the adverse influence-effects of fairies. The Mantrik or tantric does other tantric performances while chanting Mantras मंत्र
                   कुमाऊं -गढ़वाल में प्रचलित आन्छरी मंत्र'
Anchhari Mantra: Folk Rites, Folk Rituals Popular in Garhwal-Kumaun for removing bad influence- effects of Fairies


ओउम नमो आदेशा, माता पिता गुरु देवता को आदेशा, जय जय कारा, ऊपर मेघ उव्जो, मेघ से डौकी उपजी, तब धरती से उपजी डाली, उपजी डालि से बगोट, उवजो बगोट से धुवा, उवजो धुवा से जल, जल से मेघ उवजो, मेघ से थल उवजो, डौकी डौकी की माता मंदोदरी , पिता दशोगिरी, काका कुम्भकरण , भाई विभीषण, तव माता मंदोदरी की कौन कौन वाले छना, प्रथम हाड की डाकनी छना, सोला सौ चूर्ण छना, चमारी छना, सतकी रठाल छना, दिशा दिशा को चलेंद छना, पहली बहिन पूर्व दिशा को चली, दूजी बहिन दक्षिण दिशा को चली, तीजी बहिन पश्चिम दिशा को चली, चौथी बहिन उत्तर दिशा को चली, दक्षिण दिशा वाली बहिन बोल्दा हे भाई पैठानी, तेरो यहाँ सात पंच लोग बैठण को छना, दक्षिण दिशा वैहण को सुख छ, चवण को मेवा छन, चकला खेत छना, जा जा बैणी दक्षिण दिशा होई जा, बोई दिउलो मींडा वाळ तोई, दीजो दिउलो नाक की तोई विषार दिउलो, चली जा भैणी दक्षिण दिशा देश तू मेरी, वाच्छा की भैणी मै तेरो पीच्छो को भाई, कंडाली को पात, बाभूति को हात, मी मुन्द्रा फिराऊं, अठोय से फोड़ी बारा सौ बयालीस, नौ सौ निनाई, तू बैणी लंका बुलाई, इस पिण्डा को छोड़, अघोर पिता को छोड़, आट छोड़ साट छोड़, अष्ट अंगुली आत्मा को छोड़, नौ नाडी बहतर कोट को छोड़, नी छोडि ट महादेव की आण पड़ी , इस पिण्डा पर रही तो वीर हनुमान की दूवाई, जंहा मै भेजो तंहा तंहा नि जाई त राजा रामचंद्र की दुहाई , राजा कर्पति की दूवाई, राजा अजिपाल की दूवाई, इस पिंड को हष्टि करी, अद्र्ष्टि करी , खांदी करी , काटती करी, सिर चडी, पेट पड़ी, आंदो नि आंदो, माता मंदोदरी का घार सौत्याली होई, इसक राजा अजैपाल का अमोल जाई, काका कुम्भकरण का अमोल जाई, भाई बिभीषण को अमोल जाई, भाई अंचला हाथ लाइ, मामू काश्मीरी का मोल जाई, भांजा खेमपाल का अमोल जाई, पुत्र मेघनाद का अमोल जाई, इन्द्रजीत भाई का अमोल जाई, लट्गण अटगण दो भाईओं का अमोल जाई, ऋषियों को देवता थापुं वीज चारि षष्टी कठारो करी, राम लक्ष्मण की पूजा करी, नि पाई मुंड धरी इश्वर ताई आऊँ, रि जौन, धर्मेश वैद की बंदी आऊँ, फोर मंत्र इश्वरो वाच्या.


References:
Mantra from Garhwal source: Dr Nandkishor Dhoundiyal, Dr. Manorama Dhoundiyal Garhwali Lokmantra (ek Sanklan)
Himadri Prakashan, Kotdwara
Collected by
Sandeep ishtwal, Isodi, Mavalsyun, Pgarhwal,
DhairyaRam Baudai , Bharpoor, Sabali, P Garhwal
Girish Chandra Dabral, Dabar, Dabralsyun, P.Garhwal
Keshvanand Maindola, Sidhpur, Rikhnikhal, P Garhwal
Ghuttaram Jagri, Bilkot, Nanindandaa, P Garhwal
Dharma Nand Jakhmola's collection (Jaspur, Dhangu, Garhwal) 
Abodh Bandhu Bahuguna, (gad matyeki Ganga, Kaunli Kiran, Shailvani)
Dr Vishnu Datt Kukreti (village-Barsudi, Langur, Garhwal) Gorakhpanth
Copyright@ Bhishma Kukreti , 9/5/12

Notes on Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Asian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Folk Rites, south Asian Folk Rituals for removing bad influence- effects of fairies; SAARC Countries Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Indian subcontinent Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Indian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; North Indian Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Himalayan Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Mid-Himalayan Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Uttarakhandi Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Kumauni Folk Rites, Folk Rituals for removing bad influence-effects of fairies; Garhwali Folk Rites, Folk Rituals for removing bad influence-effects of fairies to be continued ..

परी दोष उतारने का मंत्र, परी दोष उतारने का एशियाई मंत्र, परी दोष उतारने का दक्षिण एशियाई मंत्र,परी दोष उतारने का सार्क देशीय मंत्र, परी दोष उतारने का भारतीय उपमहाद्वीप में प्रचलित मंत्र, परी दोष उतारने का भारतीय मंत्र, परी दोष उतारने का उत्तर भारतीय मंत्र, परी दोष उतारने का हिमालय में प्रचलित मंत्र, परी दोष उतारने का मध्य- हिमालय में प्रचलित मंत्र, परी दोष उतारने का उत्तराखंड में प्रचलित मंत्र, परी दोष उतारने का कुमाऊं में प्रचलित मंत्र, परी दोष उतारने का गढ़वाल में प्रचलित मंत्र, लेखमाला जारी ....