Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

[Bhishma Kukreti]

A Fur Ghinduri: A Long Dramatic Poem for Common Man's Enjoyment

Critical and Chronological History of Modern Garhwali (Asian) Poetry – 48 A
-(Review of poetry collection Fur Ghindudi of Girdhari Prasad Thapliyal "Kankal" )
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                    Literature Historian:  Bhishma Kukreti

       English Literature critic Professor Radha Ballabh Dobhal describes two basic characteristics of Garhwali poems of Girdhari Prasad Thapliyal 'Kankal' and editor of famous monthly Hilans late Arjun Singh Gusain supported Dobhal that the poems of 'Kankal' are intellectual ones but are enjoyed by common men equally. Secondly, the uniqueness of poems is that verses of Thapliyal are more enjoyable, vibrant, and provocative when the readers read them loudly as the poems-"
She walks in beauty by Byron "The Song of the Western Men", by Robert S Hawker , "The Frog", by  " Jean Dao,  " One Art", by Elizabeth Bishop ,,"A Small Elegy", by Jiri Orten ,  The Tyger ", by William Blake ,"Meeting at Night", by Robert Browning ," ,,"November in England", by Thomas Hood ,"Dream Variations", by L Hughes,"  " The jackdaw of Rheims , by Thomas Ingoldsby ,"Sea Surface Full of Clouds", by Wallace Stevens ,"Silver", by Walter de la Mare ,"How to Tell a Story", by Robert Warren ,"On Westminster Bridge", by William Wordsworth , "To put one brick upon another", by Philip Larkin ,"Paul Revere's Ride", by Henry Wordsworth Longfellow ,"Adventures of Isabel", by Ogden Nash ,"Nothing but Death", by Pabolo Neruda and " Ozymandias " by Percy Bysshe Shelley are more enjoyable and tell their unique points when read loudly.
The long poem published in book form in 1959 but the poem had already gained popularity among all Garhwalis of Garhwal as well other places of India.. Famous Garhwali and Hindi dramatist , journalist, Lalit Mohan Thapliyal states that the reason behind the popularity of Fur Ghindudi is that the poem has story, dramatic style and lyrical form with modernity in the subject.. The story style is conventional Tota Maina 's love story but describing the habits and habitats, pains, sufferings, reasons of poverty, shallow prides, desires, enjoyment medium, confusing psychology of Garhwalis for and against migration, realism of rural Garhwal of fifties .
Literature historians, Garhwali readers will remember "Kankal" and his long poem Fur Ghindudi for his cleverly using of right words, figure of speeches, proverbs, correct way of indicating emotions, using raptures in natural form, using poetic excellences correctly that readers wish to read his pomes loudly without any hesitation.
The poem is narrated in conventional Tota-Maina form that is poems in dialogues between parrot love pair. This is unique style of Thapliyal of creating poetry in conventional form or style but expressing the reality of rural Garhwal. Girdhari Prasad Thapliyal 'Kankal' had been successful in creating various true images og Garhwal of forties and fifties. The symbols and images of the long poem are effective in creating impressions of realism in the mind of reader.
Puran Pant 'Pathik' the editor of weekly ''Garhwali Dhai' states that the poems of 'Kankal' inspired the new generation Garhwalis for creating verses in Garhwali language than in Hindi.
No doubt, the long poem Fur Ghindudi is created in fifties but the content is still relevant and its lyrical form, dramatic narrating style is capable of attracting new generation readers.
'फुर घिंडुड़ी आजा : पधानु का छाजा'

कवि : गिरधारी लाल थपलियाल 'कंकाल

प्यार की त छुईं इनि कुछ नि लांदो मोल
घिंड्वा घिन्डुड़ी मा ब्वल्द औ बणौला घोल।
फुर घिंडुड़ी आजा !
पधानु का छाजा !!
चाड़ नी जु छ्वीं लगऊँ ,
केकु तेरा नेडु अऊँ ,
इन्ना समझि तन्नी छऊं ,
कुछ नि तेरो काsज
पधानु का छाजा !!

तन्नी छै तु कैन बोलि
अपड़ा मनै बात खोलि,
मिन ता सोचि थकीं होलि
इच्छि थौ ता खा जा !
पधान का छाजा !!
जाण कनै कैकि रीत ,
मर्दु कि क्या च प्रतीत ,
दुन्या झट म्यसौन्द गीत,

अपड़ा अपड़ा बाठा जा जा !
पधान का छाजा !!
इति हस्यार तू चलाक ,
तड़तड़ी छ कुंगळि नाक
संगुळि सी लटकीं बुलाक,
भलि दिंदौ बिराजा
पधान का छाजा !!
xx xxx
छाल ल्हैलो साड़ी ल्हौ लो
त्वेको मी गौणा बणौलो
अब कबी नि दिल दुखौलो

राणि तू मि राजा !
पधान का छाजा !!

Fur Ghindudi
By Girdhari Prasad Thapliyal 'Kankal'
Year of publication :1959
Published by Kalyan Singh Rawat , Delhi.
Copy Right @ Bhishma Kukreti , Mumbai, India

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Copyright @ Bhishma Kukreti Mumbai, 2016
Critical and Chronological History of Asian  Modern Garhwali Folk Songs Dramatic Poem for Common Man's Enjoyment, Critical and Chronological History of Modern Garhwali Folk Verses Dramatic Poem for Common Man's Enjoyment, Critical and Chronological History of Asian Modern Poetries Dramatic Poem for Common Man's Enjoyment , Poems Contemporary Poetries, Contemporary folk Poetries Dramatic Poem for Common Man's Enjoyment from Garhwal; Development of Modern Garhwali Folk Songs Dramatic Poem for Common Man's Enjoyment , Poems Dramatic Poem for Common Man's Enjoyment  , Critical and Chronological History of South Asian    Modern Garhwali Folk Verses Dramatic Poem for Common Man's Enjoyment , Modern Poetries, Contemporary Poetries Dramatic Poem for Common Man's Enjoyment , Contemporary folk Poetries Poems  from Pauri Garhwal Dramatic Poem for Common Man's Enjoyment; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems , Modern Poetries, Contemporary Poetries Dramatic Poem for Common Man's Enjoyment , Contemporary folk Poetries from Chamoli Garhwal; Critical and Chronological History of Asian Modern Garhwali Folk Songs Dramatic Poem for Common Man's Enjoyment, Modern Garhwali Folk Verses, Poems, Critical and Chronological History of Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Critical and Chronological History of Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian Modern Poetries, Critical and Chronological History of Asian Poems, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets, Famous South Asian Poet , Famous SAARC Countries Poet , Critical and Chronological History of Famous Asian Poets of Modern Time,
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  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल

[Bhishma Kukreti]

Girdhari Prasad Thapliyal 'Kankal': A Poet of Simple, Lyrical and Metaphoric Poetries
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Critical and Chronological History of Modern Garhwali (Asian) Poetry – 48
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                    Literature Historian:  Bhishma Kukreti
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       Girdhari Prasad Thapliyal 'Kankal' is one the important signatures of Garhwali poetic field in sixties. Girdhari Prasad 'Kankal' is one of the poets those changed the style and tones of Garhwali poetries.
     Girdhari Prasad Thapliyal 'Kankal' was born in 1927 in Shrikot of Khatsyun, Pauri Garhwal.  Girdhari Prasad Thapliyal 'Kankal' expired in 1987 in Delhi
     Girdhari Prasad Thapliyal 'Kankal' was connected various Garhwali literature and cultural organizations of Delhi. 'Kankal' took part in organizing seminars and other activities in promoting Garhwali literature in Delhi. Girdhari Prasad Thapliyal 'Kankal' was one of the poets who popularized Garhwali 'Kavi Sammelan' (poetry readings before audience) in Delhi and other places.
      Girdhari Prasad Thapliyal 'Kankal' published his first Garhwali poetry collection by name 'Pawan' (Start or initiation) in 1956.There are thirty poems. The poems deal with pain of women, nature illustration, own experiences. The poems are full of common proverbs, sayings cultural, and simple language with full of melody. 'Kankal' is famous for melody.
     Girdhari Prasad Thapliyal 'Kankal' published his long poetry 'Soona Bain' based on a folk story in 1960. The story is of seven brothers and their single one sister. The melodious style and fast poetic flow make 'Suna Bain' a historical poetry collection.
   In 1963, 'Kankal' edited and published a twenty four poetry collection of twelve poets by name 'Maulyar'. Famous Folk Literature and Garhwali literature expert Mohan Babulkar states that first time, Garhwali poets started using style of epistrophe.
  In 1984, Girdhari Prasad Thapliyal 'Kankal' published his last poetry collection ' Tumhare Liye' Tumhare Liye is memory of his late wife.
  His way of describing various facets of Love rapture is marvelous. He illustrates successfully, perfectly and pleasure some the various emotions of love rapture as separation, pleasure, grief, anger, zeal, stunning, envy, fainting, bashfulness etc


-'फुर घिंडुड़ी आजा : पधानु का छाजा'



प्यार की त छुईं इनि कुछ नि लांदो मोल
घिंड्वा घिन्डुड़ी मा ब्वल्द औ बणौला घोल।
फुर घिंडुड़ी आजा !
पधानु का छाजा !!
चाड़ नी जु छ्वीं लगऊँ ,
केकु तेरा नेडु अऊँ ,
इन्ना समझि तन्नी छऊं ,
कुछ नि तेरो काsज
पधानु का छाजा !!

तन्नी छै तु कैन बोलि
अपड़ा मनै बात खोलि,
मिन ता सोचि थकीं होलि
इच्छि थौ ता खा जा !
पधान का छाजा !!
जाण कनै कैकि रीत ,
मर्दु कि क्या च प्रतीत ,
दुन्या झट म्यसौन्द गीत,

अपड़ा अपड़ा बाठा जा जा !
पधान का छाजा !!
इति हस्यार तू चलाक ,
तड़तड़ी छ कुंगळि नाक
संगुळि सी लटकीं बुलाक,
भलि दिंदौ बिराजा
पधान का छाजा !!
xx xxx
छाल ल्हैलो साड़ी ल्हौ लो
त्वेको मी गौणा बणौलो
अब कबी नि दिल दुखौलो

राणि तू मि राजा !
पधान का छाजा !!
  Kankal' used various subjects and styles in Garhwali poetry as following poetry is definitely based on 'Chhayavad (Neo-romanticism) –
तुम द्यबता मी दासी
तुम रोज रोज सौदा होंदा
मी होंदी जांदी बासी
तुम लाली मि घांडी
In this poem, Kankal showed the soul inferior than the Lord.

Copyright @ Bhishma Kukreti Mumbai, 2016
Critical and Chronological History of Asian  Modern Garhwali Folk Songs, Critical and Chronological History of Modern Garhwali Folk Verses, Critical and Chronological History of Asian Modern Poetries, Poems Contemporary Poetries, Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs, Poems, Critical and Chronological History of South Asian    Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems , Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Chamoli Garhwal; Critical and Chronological History of Asian Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Critical and Chronological History of Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Critical and Chronological History of Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Asian Modern Poetries, Critical and Chronological History of Asian Poems, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets, Famous South Asian Poet , Famous SAARC Countries Poet , Critical and Chronological History of Famous Asian Poets of Modern Time,
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  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल

[Bhishma Kukreti]

                  Inspection of Gunth 'Sanad'               
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       Administration of G. W. Trail in Garhwal and Kumaon -13
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History of British Rule/Administration over Kumaun and Garhwal (1815-1947) -14
            History of Uttarakhand (Garhwal, Kumaon and Haridwar) -852
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                              By: Bhishma Kukreti (History Student)
             In Garhwali Kingdom and Nepalese rule, both the administrations offered lands for a few important temples. Nepalese government increased land for temples. The said land was called 'Gunth'. The income from 'Gunth' land was used for salaries for priests, and workers of the temple.  From 'Sadabrat', the food and other articles were distributed among the pilgrims of visiting Badrinath –Kedarnath.
    In 1815, there was total land of 501 villages in 'Gunth'. British administration measured the land offered for Gunth in 1823 and detail is as follows (Atkinson) –
Temple------Number of villages under Gunth ---------1823, Agriculture land (Unit-20 Nali)
Badrinath ----------------262------------------------------------4785
Kedarnath-----------------54--------------------------------------775
Kamleshwar---------------14--------------------------------------- 232
Lakshminarayan----------5------------------------------------------102
Raghunath (Devprayag)------------8-------------------------------108
Tungnath---------------------9----------------------------------------133
Gopeshwar---------------------6--------------------------------------222
Miscellaneous --------------- 165----------------------------------- 1449
Baron--------------------------- 12----------------------------------39
Total------------------------------535--------------------------------7845

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 15/7/2016
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -853
*** History of British Rule/Administration over Kumaun, (Pauri , Rudraprayag, and Chamoli) Garhwal (1815-1947) to be continued in next chapter
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
XX   
References   
1-Shiv Prasad Dabral 'Charan', Uttarakhand ka Itihas, Part -7 Garhwal par British -Shasan, part -1, page 138-140
2-Atkinson, Himalayan districts Vol.3, page 303

      Xx
History of British Rule, Administration, Policies, Revenue system,  over Garhwal, Kumaon, Uttarakhand; History of British Rule, Administration, Policies Revenue system  over Pauri Garhwal, Udham Singh Nagar Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Chamoli Garhwal, Nainital Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Rudraprayag Garhwal, Almora Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Dehradun , Champawat Kumaon, Uttarakhand; History of British Rule, Administration, Policies, ,Revenue system  over Bageshwar  Kumaon, Uttarakhand;
History of British Rule, Administration, Policies, Revenue system over Haridwar, Pithoragarh Kumaon, Uttarakhand;

[Bhishma Kukreti]

Sacchidanand Kandpal:  a Garhwali (Asian) Poet of Lyrical Poetries
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Critical and Chronological History of Modern Garhwali (Asian) Poetry – 49
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                    Literature Historian:  Bhishma Kukreti
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  Sacchida Nand Kandpal is famous for his poetries in Garhwali, Sanskrit and Hindi.
           Sacchidanand Kandpal was born on 15th April, 1930 in Ghtda Kandai, Nagpur, Rudraprayag Garhwal.  Sacchidanand belonged to a Sanskrit scholar family. Sacchidanand Kandpal worked with various colleges as Sanskrit professor. Sacchidanand Kandpal passed MA and Jyotishacharya degree.
             He published poetry books in Hindi and Sanskrit.
   Sacchidanand Kandpal published a Garhwali Poetry collection 'Raibar'. Personality historian Dr. Nand Kishor Dhoundiyal states about 'Raibar," The poetry collection is a gem for Garhwali poetry world." There are lyrics in Raibar. The lyric contains various subjects as inspirational, spirituals and religious; related to folks, geographical nature of Garhwal and Himalaya and other important subjects related to raptures of love and humor too.  His following poetry collections in Garhwali are unpublished-
Ghanghyat
Banjai Faunki
Khubsat
Gumnat
  His Garhwali poetries are with simple language and with common phrases. The style is lyrical.
  Sacchidanand Kandpal also wrote and published a Garhwali drama, Meetu Raut' a historical drama
  Sacchidanand Kandpal expired in April, 2002.



    फूलै जिंदगी
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गोद मा स्वाणी लगलि का फूल द्वी सुंदर खिल्यां छा
पर्वतों का बीच बण मा मुल्य मुल्की हंसणा छा
उदमदा जीवन भर्यां द्वी लैर माँ अपणी चढ़ीक
हैंसणा छा बात गुपचुप प्यार की अपणी करीक।
हम अस्वाणी जगा तैं सै सजै स्वाणी बणौन्दा
काण्डु से भरपूर डाळयूँ भी भली प्यारी बणौन्दा
प्यार को जीवन हमारो प्यार को वर मिल्यूं छ
और जीवन भर हंसी को हमू अवसर मिल्यूं छ
......
.......
जाणले सुंदर जगा मा ही हमारो बास होलो
या कि कै सुनसान बण माँ ही मझा माँ नाश होलो
प्यार को जेव्वं हमारो प्यार को वर जो मिल्यूं छ
और जीवन भर हंसी को ही हमूँ अवसर मिल्यूं छ।

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Copyright @ Bhishma Kukreti Mumbai, 2016
Critical and Chronological History of Asian  Modern Garhwali Folk Songs- Lyrical Poetries , Critical and Chronological History of Modern Garhwali Folk Verses - Lyrical Poetries, Critical and Chronological History of Asian Modern Poetries- Lyrical Poetries , Poems Contemporary Poetries, Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs, Poems - Lyrical Poetries, Critical and Chronological History of South Asian    Modern Garhwali Folk Verses- Lyrical Poetries , Modern Poetries, Contemporary Poetries, Contemporary folk Poetries Poems  from Pauri Garhwal - Lyrical Poetries; Modern Garhwali Folk Songs, Modern Garhwali Folk Verses - Lyrical Poetries, Poems , Modern Poetries, Contemporary Poetries- Lyrical Poetries , Contemporary folk Poetries from Chamoli Garhwal; Critical and Chronological History of Asian Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems, Critical and Chronological History of Asian  Modern Poetries, Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs, , Critical and Chronological History of Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary folk Poetries from Tehri Garhwal, Asia ; Poems,  Inspirational and Modern Garhwali Folk Songs, Asian Modern Garhwali Folk Verses, Modern Poetries, Contemporary Poetries, Contemporary Folk Poetries from Uttarkashi Garhwal; , Modern Garhwali Folk Songs, Modern Garhwali Folk Verses, Poems- Lyrical Poetries, Asian Modern Poetries, Critical and Chronological History of Asian Poems- Lyrical Poetries, Asian Contemporary Poetries, Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets- Lyrical Poetries, Famous South Asian Poet - Lyrical Poetries, Famous SAARC Countries Poet- Lyrical Poetries , Critical and Chronological History of Famous Asian Poets of Modern Time- Lyrical Poetries,
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  स्वच्छ भारत , स्वच्छ भारत , समर्थ गढ़वाल

[Bhishma Kukreti]

Modern Garhwali Folk Songs, Inspirational  Poems

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         हे बटोई (गढ़वाली कविता )

रचना --   यतेंद्र गौड़ ( जन्म 1967  , सिमळ , यमकेश्वर    , ,  गढ़वाल  )
Poetry  by - Yatendra Gaur
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( गढ़वाली कविता  क्रमगत इतिहास  भाग - 138 )
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इंटरनेट प्रस्तुति और व्याख्या : भीष्म कुकरेती
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ठंडू मठू के बाटु लग्युं रै
तन कि  पीड़ा देखि ना
कबि त आली ऋतु बसंत।  मन कि आस छोड़ि  ना।

गारा कांडु खुटि बैठला , आँखि बूजि जिसैsले
छैलू -पाणी मिलि नि मिली , अगनै बाटु छोड़ि  ना
कबि त आली ऋतु बसंत।  मन कि आस छोड़ि  ना।

काळी रात अंद्यरु बाटु , द्यू बत्ती लेकि हाथ
सारू दगड्या क्वी नि होलू , तू जग्वाळ कैरि ना
कबि त आली ऋतु बसंत।  मन कि आस छोड़ि  ना।

अपणा बारा अपणु बाना बकि कबि नि जाण
अब त आस त्वैमा लग्युं , हम खुणि मुख मोडि ना
कबि त आली ऋतु बसंत।  मन कि आस छोड़ि  ना।

  मौळयार बयार आलि , फूल खिलला रंगी रंगीला
छैल छबीली दुन्या होली , तू यनु मा बिरड़ि ना
कबि त आली ऋतु बसंत।  मन कि आस छोड़ि  ना।
 

( साभार -- अंग्वाळ )
Poetry Copyright@ Poet
Copyright @ Bhishma Kukreti  interpretation if any

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पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; 
  स्वच्छ भारत , स्वच्छ भारत ,  धनवान  गढ़वाल

[Bhishma Kukreti]

 Pundit Ishwari Datt Dwivedi: A Successful Garhwali Translator of Sanskrit Poetries

Critical and Chronological History of Modern Garhwali (Asian) Poetry –-303
                    Literature Historian:  Bhishma Kukreti
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There are basic problems of translating poems of one language to other language as:
1-lack of similar sounds in two languages
2-Diction is different than one language's poems
3-There may be aesthetic differences
4-There may be linguistic differences
           In Garhwali, there has been tradition of Garhwali literature poets translating poems of classic Sanskrit poems into Garhwali.  One of such Garhwali literature creative is Pundit Ishwari Datt Dwivedi who translated Sanskrit classic poetry collection 'Sudama Charit' by Narotam Das into Garhwali language with ease.
   Pundit Ishwari Datt Dwivedi was born in Syunrai Khet village of Lansdowne block, Pauri Garhwal on 6th July 1923. Pundit Ishwari Datt Dwivedi started literary activities from the student life when he was taking schooling from Mission School Dehradun 1944-1945. He along with Damodar Prasad Thapliyal, Dr Purushottam Dobhal, Ram Chandra Uniyal, started a Garhwali magazine 'Fyunli'. Due to financial problems, they had to stop publication of 'Fyunli'.
   After completing his studies, Pundit Ishwari Datt Dwivedi joined Police service in 1944 and retired from their in 1981.
  In Hindi, he published poetry collections and story collection.
   Pundit Ishwari Datt Dwivedi published a translation of Sanskrit classic poetries created by Narotam Das – 'Sudama Charit'.  'Sudama Charit' is about the eternal friendship between two friends –lord Krishna and poor Sudama.
  The translation of 'Sudama Charit' (same name in Garhwali) shows that Pundit Ishwari Datt Dwivedi was brilliant translator. Garhwali 'Sudama Charit' proves that Pundit Ishwari Datt Dwivedi was great knowledgeable of Sanskrit and Garhwali languages and had depth knowledge of poetic construction system. Pundit Ishwari Datt Dwivedi was well versed with the emotions hidden in the Sanskrit poetries.
  The readers will find the capability of Pundit Ishwari Datt Dwivedi in creating attractive Doha as
सुण बामणी बेकार छन, दुन्या का सबि भोग
सच्चु भजन भगवान् कू , मिटे दींद सबि रोग
Another example of brilliancy of Pundit Ishwari Datt Dwivedi is seen here in the following Dhanakshari and Savaiya;
सुदामा नौं सुणदइ , सब राज काज
दौड़ी दौड़ी गैन प्रभु , नंगी पाँव द्वार पर
उनि , जन अब तक , जांद रैन वो सदनि,
विपद का मारा दुखी भक्तु की पुकार पर II
पांवु पड़ी बामण का बार बार भेंट दन
वर्ष बिटि बिछड्याँ जु मित्र को मिलाप यो ?
या कि योगिराज लीलाधर भगवान् कु
सार्थक दीन बंधु नाम कु प्रताप यो ?

When Pundit Ishwari Datt was ailing and struggling for his life, he handed over another Garhwali literature book to the publisher for publication. However, Pundit Ishwari Datt expired on 13th December 2008 and the book ' Banji Koodi ku Jagwalu?'  is still is waiting for publishing.
  Garhwali literature will always remember Pundit Ishwari Datt as great translator for literature cross fertilization.


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Copyright @ Bhishma Kukreti Mumbai; 2016
Reference:
Dr Nand Kishor Dhoundiyal, 2012, Garhwal ki Divangat Vibhutiyan, Dhad Prakashan, Dehradun, India.

Critical and Chronological History of Asian  Modern Garhwali Folk Songs ; Critical and Chronological History of Modern Garhwali Folk Verses; Critical and Chronological History of Asian Modern Poetries; Poems Contemporary Poetries; Contemporary folk Poetries from Garhwal; Development of Modern Garhwali Folk Songs; Poems; Critical and Chronological History of South Asian    Modern Garhwali Folk Verses; Modern Poetries; Contemporary Poetries; Contemporary folk Poetries Poems  from Pauri Garhwal; Modern Garhwali Folk Songs; Modern Garhwali Folk Verses; Poems ; Modern Poetries; Contemporary Poetries; Contemporary folk Poetries from Chamoli Garhwal; Critical and Chronological History of Asian Modern Garhwali Folk Songs; Modern Garhwali Folk Verses; Poems; Critical and Chronological History of Asian  Modern Poetries; Contemporary Poetries, Poems folk Poetries from Rudraprayag Garhwal Asia; Modern Garhwali Folk Songs; ; Critical and Chronological History of Asian Modern Garhwali Folk Verses; Modern Poetries; Contemporary Poetries; Contemporary folk Poetries from Tehri Garhwal; Asia ; Poems;  Inspirational and Modern Garhwali Folk Songs; Asian Modern Garhwali Folk Verses; Modern Poetries; Contemporary Poetries; Contemporary Folk Poetries from Uttarkashi Garhwal;  Modern Garhwali Folk Songs; Modern Garhwali Folk Verses; Poems; Asian Modern Poetries; Critical and Chronological History of Asian Poems; Asian Contemporary Poetries; Contemporary folk Poetries Poems from Dehradun Garhwal; Famous Asian Poets; Famous South Asian Poet ; Famous SAARC Countries Poet ; Critical and Chronological History of Famous Asian Poets of Modern Time;
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  स्वच्छ भारत ; स्वच्छ भारत ; समर्थ गढ़वाल

[Bhishma Kukreti]

Best  Harmless Garhwali Literature Humor , Jokes Kachhboli  ;  Garhwali Literature Comedy Skits Kachhboli , Jokes Kachhboli ; Garhwali Literature  Satire , Jokes Kachhboli;  Garhwali Wit Literature  , KachhboliJokes  Kachhboli;  Garhwali Sarcasm Literature , Jokes Kachhboli ;  Garhwali Skits Literature Kachhboli , Jokes Kachhboli ;  Garhwali Vyangya   , Jokes  Kachhboli ;  Garhwali Hasya , Jokes  Kachhboli ; गढ़वाली हास्य , व्यंग्य,  गढ़वाली जोक्स


                           क्या फबस , गुर्दा भी कछबोळी  का हिस्सा होते हैं ?
                               बखर भड्याणो अनुभव 
                        हौंस  ही हौंस  मा हिंसात्मक  संस्मरण  :::   भीष्म कुकरेती
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                            हमर गाँव बामणु अर शिल्पकारुं गाँव च , अद्धा -अद्धा  जनसंख्या , अब शिल्पकारूँ जनसंख्या अधिक च।  बौण -जंगळ ? बेटी ब्वार्युं तैं दुसर गांवुं जंगळु चोरी विशेषज्ञ बणन  जरूरी छौ घास हो , लखड़ हो या माळु  लाब  ह्वावन सबुं कुण दुसर गांवुंक मेहरबानी  आवश्यक छे।  तो इन मा घ्वीड़ -काखड़ु अयेड़ी खिलण  अर कुखड़ु मरणो बान जिवळ लगाण  इतिहासुं  से त ना पर हमन अपण गांवक लोककथाओं से इ जाण।  द्वी चार मौं का बखर छया अर बाघ चित्रों मा पाये जांद छौ तो बखर्या  केवल स्याळु से डरदा छा । याने बखर मरण हमर गांवक संस्कृति छै त छे अवश्य  किन्तु सौ साल पैली। गदनम माछ ? रगड़ तैं हम गदन बुल्दां आज बि।  मतबल !  हमर वरिष्ठ सहचर , वरिष्ठ मनिख अर वरिष्ठ नागरिक डौख ( टैडपोल ) दिखैक माछुं जानकारी दींदा छा।  इन मा हमर गाँव वळ बलपूर्वक शाकाहारी रौंद छा।  इख तलक कि दिबतौं पूजा बि रोट या प्रसाद काटिक हूंदी छे , कबि कबि सालों मा  यदि बक्की गांव वळु पर मेहरबान ह्वे जावो तो चार पांच सालम एक बुखट्या ही शहीद हूंद छौ।  हमर गाँव बिटेन मवरां मुंबई का सेठ छन किन्तु  भौत कम इ मुंबई का सेठ बखर कटद छा।  याने जब मि दर्जा  पांच या चार मा रै होलु तबि मीन बखर कटद देखि , तबि बखर भडेंद देखि अर तब ही कछबोळी  बणद  देखि।
                     पचास -पिचपन सालै पैलकि बात च।  नागराजा का मंदिर का समिण तीन फुट्या जगा मा  अळप्या बूडान बखरौ मुंड धळकै।  कुछ ऊर्जावान युवाओंन मुंड अर धड़ का तौळ फटाफट थाळी लगैक ल्वै जमा कार। फिर पूजा अदि ह्वे ह्वेलि अर फिर कट्यूं बखर विशेषज्ञों तै सुपुर्द करे गे। 
          बलवान युवा  बखर , स्यूं मुंडक  धरडौ पास लैन अर उखम एक बखर विशेषज्ञन अंदड़ -पिंदड़ फत्तू दा  सुपुर्द कर देन।  मीन कुछ देर तलक फत्तू दा तैं अंदड़ पिंदड़ पाणी धरड़ तौळ धूंध द्याख।  तब पता चल कि अंदड़ो पुटुक एक एक रति भर बि बकर्वेळ रै गे  त सरा कछबोळी कड़ो ह्वे जांद।  मीन फत्तू दा तैं अंदड़ पुटुक पाणी भरद द्याख ,  अंदड़क एक छोर  पर हाथ धरद द्याख  अर फिर दबैका खैंचद द्याख जांसे बकर्वेळ भैर ऐ जावन।  यु अनुभव कई साल बाद मि तैं मुंबई मा काम ऐ जब मि तैं अपण घौरम  अंदड़ साफ़ करण पोड़िन।          जब विशेषज्ञों हिसाब से अंदड़ साफ़ ह्वे गेन त एक थाळी पर  अंदड़ उख लाये गेन जखम बखर भड्याणो आयोजन छौ।  या एक सन्नी /छन्नी छै।
          घास , लखड़ , क्याड़ -स्याड़ का मथि आंत विहीन बखर अर  मुंड विराजमान छौ।  फिर  घास , लखड़ , क्याड़ -स्याड़ पर आग लगए गे। छुरा -चक्कू -गंडसु -बसूला सब तैयार छौ।   विशेषज्ञ सब तैं समझाणा छया कि बखर भड्याण न्यूक्लियर बम्ब हैंडल करण से अधिक संवेदनशील च।  कम भड़ेल्या तो लुतकी खाण से करास बि ह्वे सकद अर बाळ बि रै जाला।   अर यदि बखर अधिक जळि गे तो बाळ त जळ जाला किन्तु खाल अधिक जळि  जाली अर तब कछबोळी  कड़ी ह्वे जाली। फिर जब विशेषज्ञों का  विश्लेषणनुसार बखर भड़ये गए तो अस्त्र -शस्त्र का खेल चल। खाल  खरसोडे गे ,  खाल  उतारे गे , आदि  आदि।    कछबोळी तै उखमि तळे गे , कुछ कछबोळी हम सब्युंन  चाखि जौं जौंन कार्य मा अपण श्रमदान कार या दर्शक की भूमिका निभाई।  कटीं शिकार, भड़यां डौण अर कछबोळी  ऊंक ड्यार भिजे गे जौंक नागराजा पूजै छे। 
    चार पांच घड़ी तो लगी होला सैत ये पूरा कर्मकांड करणम  ।  एक बात  आज बि याद नी आंद कि  फबस , गुर्दा, लीवर   आदि बि कछबोळी का हिस्सा हूंदन क्या ? आप बथै दियां जरा।
                             

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/7/2016 ,Copyright@ Bhishma Kukreti , Mumbai India
*लेख की   घटनाएँ ,  स्थान व नाम काल्पनिक हैं । लेख में  कथाएँ , चरित्र , स्थान केवल हौंस , हौंसारथ , खिकताट , व्यंग्य रचने  हेतु उपयोग किये गए हैं।


Best of Garhwali Humor Literature in Garhwali  Language , Jokes  ; Best of Himalayan Satire in Garhwali Language Literature , Jokes  ; Best of  Uttarakhand Wit in Garhwali Language Literature , Jokes  ; Best of  North Indian Spoof in Garhwali Language Literature ; Best of  Regional Language Lampoon in Garhwali Language  Literature , Jokes  ; Best of  Ridicule in Garhwali Language Literature , Jokes  ; Best of  Mockery in Garhwali Language Literature  , Jokes    ; Best of  Send-up in Garhwali Language Literature  ; Best of  Disdain in Garhwali Language Literature  , Jokes  ; Best of  Hilarity in Garhwali Language Literature , Jokes  ; Best of  Cheerfulness in Garhwali Language  Literature   ;  Best of Garhwali Humor in Garhwali Language Literature  from Pauri Garhwal , Jokes  ; Best of Himalayan Satire Literature in Garhwali Language from Rudraprayag Garhwal  ; Best of Uttarakhand Wit in Garhwali Language from Chamoli Garhwal  ; Best of North Indian Spoof in Garhwali Language from Tehri Garhwal  ; Best of Regional Language Lampoon in Garhwali Language from Uttarkashi Garhwal  ; Best of Ridicule in Garhwali Language from Bhabhar Garhwal   ;  Best of Mockery  in Garhwali Language from Lansdowne Garhwal  ; Best of Hilarity in Garhwali Language from Kotdwara Garhwal   ; Best of Cheerfulness in Garhwali Language from Haridwar    ;
Garhwali Vyangya, Jokes  ; Garhwali Hasya , Jokes ;  Garhwali skits , Jokes  ; Garhwali short Skits, Jokes , Garhwali Comedy Skits , Jokes , Humorous Skits in Garhwali , Jokes, Wit Garhwali Skits , Jokes 
गढ़वाली हास्य , व्यंग्य ; गढ़वाली हास्य , व्यंग्य ; गढ़वाली  हास्य , व्यंग्य,  गढ़वाली जोक्स , उत्तराखंडी जोक्स , गढ़वाली हास्य मुहावरे
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      स्वच्छ भारत  , स्वच्छ भारत , समृद्ध   उत्तराखंड ! 

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[Bhishma Kukreti]

                   Inspection of Sadabrat 'Sanad'               
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       Administration of G. W. Trail in Garhwal and Kumaon -14
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History of British Rule/Administration over Kumaun and Garhwal (1815-1947) -15
            History of Uttarakhand (Garhwal, Kumaon and Haridwar) -853
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                              By: Bhishma Kukreti (History Student)

                            In Garhwali and Gurkha regimes, the income including foods from seven villages as Khola near Shrinagar was kept for the pilgrims visiting to Badrinath, Badrinath temples. In 1816, Trail calculated the revenue for those villages for Rs.237/- (3).  In 1797, after Gurkha capturing Kumaon, Gurkha King Ranbahadur Shah dedicated 'Katolo' Pargana of Kumaon for 'Sadabrat' Pargana for food for pilgrims visiting to Badrinath. The food ingredients of that Pargana was brought to the Chantara at Dharmshala built by Rudrashah at Pipalkoti for distributing foods for pilgrims. The revenue for that Pargana was calculated for Rs 1173(4).
              In 1797, the Nepal King Ranbahadur Shah on behalf of his queen Kantimati dedicated Mahruri Pargana revenue for 'Sadabrat' for pilgrims of Kedarnath temples.  The food articles of Mahruri Pargana were distributed at Chauntara built by Bamshah at Balpatan Chatti. In 1816, the revenue of Mahruri Pargana was calculated for Rs 1006/-.
        In 1813, Nepal King Rajendravikramshah dedicated the revenue of Dashaula Pargana of Garhwal as 'Sadabrat' Pargana for pilgrims of Badrinath temple pilgrims. In 1816, the revenue for Dashaula was calculated for Rs1315/-.
   In 1813, Nepal King Rajendravikramshah dedicated the revenue of Painkhanda , Bamsu and  Maikhanda Pargana for the pilgrims of  Tungnath.  The food articles were distributed at Ahilyabai dharmshala at Chaupat Chatti and at Patogarh Chatti. In 1816, the revenue of those Pargana was calculated for Rs. 1126. The total revenue for those 'Sadabrat Parganas was for Rs.4620 in 1816.
           Nepal government instructed to tax payers from 'Sadavrat' villages for paying revenues to 'Sadavrat' managing employees. The 'Sadavrat' management used to offer foods to pilgrims at five places. There were rules for 'Sadavrat' income. After the expanses at the end of pilgrim season, the balance amount was kept as exigency amount for the season when number of pilgrims is expected more.
  Rawals of Badrinath and Kedarnath were managing Sadavrat for those temples in 1816. The income source were as follows-
1-Income from 'Sadavrat' fund
2- Offerings by pilgrims to temples
3- Income and food received from 'Gunth' villages
4- The income generated from the belongings of dying pilgrims nearby temples -as the belongings of such pilgrims was kept by the temple authorities
       Trail did not interfere in first three income sources but stopped the 4th one.  He kept separate accounts for Gunth income and Sadavrat income. It was found that the 'Sadavrat' income was much more than the actual expenses at Pipalkoti and Joshimath on pilgrim food distribution. Trail suggested that the extra income from 'Sadavrat' should be used for temple building maintenance and roads building of those temples. Due to bad roads, pilgrim used to die on the path. However, government rejected the suggestion of Trail reasoning that government should not interfere in religious works. Government instructed that the temple and Sadavrat managing personnel should not use the income on their personal uses.(3)

 

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 16/7/2016
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -854
*** History of British Rule/Administration over Kumaun, (Pauri , Rudraprayag, and Chamoli) Garhwal (1815-1947) to be continued in next chapter
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
XX   
References   
1-Shiv Prasad Dabral 'Charan', Uttarakhand ka Itihas, Part -7 Garhwal par British -Shasan, part -1, page 138-140
20Shiv Prasad Dabral 'Charan', Uttarakhand ka Itihas, Part -6, Gorkhyali
3-Atkinson, Himalayan districts Vol.3, page 304-5
4- Atkinson, Himalayan districts Vol.3, page 303

      Xx
History of British Rule, Administration, Policies, Revenue system,  over Garhwal, Kumaon, Uttarakhand; History of British Rule, Administration, Policies Revenue system  over Pauri Garhwal, Udham Singh Nagar Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Chamoli Garhwal, Nainital Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Rudraprayag Garhwal, Almora Kumaon, Uttarakhand; History of British Rule, Administration, Policies ,Revenue system  over Dehradun , Champawat Kumaon, Uttarakhand; History of British Rule, Administration, Policies, ,Revenue system  over Bageshwar  Kumaon, Uttarakhand;
History of British Rule, Administration, Policies, Revenue system over Haridwar, Pithoragarh Kumaon, Uttarakhand;

[Bhishma Kukreti]

         

Gokula Nand Kimothi : the bridge between older and newer Garhwali poetries

Critical and Chronological History of Modern Garhwali (Asian) Poetry –-50
                    Literature Historian:  Bhishma Kukreti


           After independence, there have been two types of Garhwali poets. The first type of poets did not leave the legacy of old precedent established by poets around 1850 AD. Late Aditya Ram Doodhphudi was one such poet who even in nineties followed the set pattern of Garhwali poetry in terms of physical format, style, conversation path with readers or audience, subject, writing verses more for moral teaching or we may say that the versifiers of this class were purely idealistic in form and subjects in Garhwali literature. Another class of Garhwali poets emerged after independent, which initiated to doing experiments in many dimension and direction of poetries . These experiment lovers broke all the borders of past pattern of Garhwali poems in terms of form, style, structure, composing scale , symbol, attitude, experiencing symbols of a common man, direct communication representation with the audience, and subject. The know critic of Garhwali poetry Bhagwati Prasad Nautiyal intimates that Abodh Bandhu Augean , Sarvesh Juyal, Kanhaya Lal Dandariyal, Jaya Nand Khuksal 'BauLya', LalamJi' Giridhari Lal Thapaliyal 'kankal', Sher Singh 'Garhdeshi' and Jagdish Bahuguna 'kiran' will be remembered in Garhwali poetry world for initiating new terms, new formats, variation in subject and characterization, subject of realism and new communication conduit of poetry. Most of the poets of eighties , nineties and this millennium have not only followed the path, which Nautiyal described above but newer generation of poets are more aggressive and do more experiments in all terms of poetry.

Born in 1920 in Kimotha, Pokhari, Chamoli Garhwal, Gokala Nand Kimotha is the bridge between the two classes of Garhwali poets. Gokula Nand Kimotha meets both the ends. Being in army for twenty eight years, Gokula Nand Kimotha 's poetries are full of patriotism, idealistic in nature and are with moral building messages, which our poets of pre-independence stressed upon. However, at the same time Kimothi used new symbols, newer subjects emerged because of post-independence in Garhwal. From form , style and aim of teaching point of views, verses of Kimothi seems to be old Garhwali poems of pre-independence but subject, symbols, using fresh emblematic words for direct conversation or communicating with readers attach him to the new generation of Garhwali poets.

Gokula Nnand Kimothi published two books on collection of his Garhwali poetries 'Garhwali -Gatha' and Pitaroon Raibar'

As name suggests, Garhwali Gatha has poems of praise worthy characters of Garhwal and Garhwalis . The rhymes of Garhwali Gatha are in the form of folk Garhwali songs and subject.

There are seventeen poems in Pitarun ko Raibar and most of the verses are aimed towards idealistic way of life .

In Binti poem, Kimothi prays to Laxmi the goddess of wealth for enhancing the prosperity and modern facilities in Garhwal that no Garhwali inhabitant requires migration and faces the pain of insult before others :

PaNi, motor bijali di de
Panchun ki di de raj.
Bhair ni jan poD jo ham sani
dekhaN bada bada saab

Fazal poem describes the scene of morning happenings in a Garhwali village and while reading the poem, the reader experiences as if it is the time of morning in his/her village
If Boya ki Jikudi describes the sacrifice of a mother of Garhwali village, Sajj poem takes us showing the reality of breaking relationship , intolerance, fissures in the old customs, Garhwali leaving their own language due to migration from Garhwal and the struggles in the migrated land.

Though, Gokula Nand Kimothi spent twenty seven years in army out of Garhwal he could not adjust himself in so called foreign land (pradesh) and there he remembers Garhwal and Garhwal. The poems Pyaro Garhwal and Teri Yad Man tell us how a migrated Garhwali feels frustrated in migrated land and how he remembers his motherland on and on. pyaro garhwal is also the extension of Garhwali folk song myaro gadhwaL kano bhagyan, kyaLa kulain ka chhan jakh bagwan and teri yad man poetry is annexing poetry tu wheli beera ghasiyaryun ka bhesh man created by Jeet Singh Negi

BaskyaL is the narration of rainy season in Garhwal and the beauty of Garhwal in rainy season. Same way, myaro gaun, byakhun dain poems are also the description of geographical beauty of Garhwal.

The ni hondu naunoo, pitrun raibar, palisi dida, swaanai-khan and uthau bhula haLsingo poems come under idealistic poems and teaches the importance of morals and morality. These poems pay attention on values, humanity, Garhwalism, village-ism and disciplined life.
The poem San 62 ki pukar of Kimothi is a call for all Garhwalis to serve the country and the description of tension generated around Neeti-Mana the Indo-China border villages of India.

Though, Kimothi wrote or published more poems in Hindi than Garhwali poems but Gokula Nand Kimothi got recognition in literary field because of Garhwali verses. Gokula Nand Kimothi will be remembered in Garhwali poetry field for his immense love for beauty of Garhwal, expression of pain of migration, destruction of Garhwali customs due to migration, extending the subject of folk songs and poetic subject of Jeet Singh Negi, creating patriotic poems as of Ram Dhari Singh Dinkar the famous Hindi poet and pathos rapture in remembering Garhwal through his Garhwali poems.


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Modern Garhwali Folk Songs, Concept Comparison  ,  Satire Poems

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         रंग (गढ़वाली कविता )

रचना --    देवेश  जोशी ( जन्म 1967 , गंगुली , चमोली  गढ़वाल  )
Poetry  by - Devesh Joshi

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( गढ़वाली कविता  क्रमगत इतिहास  भाग -139  )
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इंटरनेट प्रस्तुति और व्याख्या : भीष्म कुकरेती
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लाल पिंगळा हैरा नीला
काळा अर सुखैला
बनि -बनि रंग का छन 
दुनिया मा
पर विज्ञानं पढ्यां लोग ब्वलदन
कैकू क्वी रंग नी छ
रंग त उज्याळा मा हूंदा
उज्याळा का जै रंग तै हम पचै नी सकदा 
अपण भैरा खोळा मां
वै ही रंग दिख्येंदा
तब तू -
जु दिखेंद जथगा सुखिल भैर बिटेन
मन को उथगा काळू होलू
अर जु दिखेंदू जथगा ईमानदार
वो होंद महा -बेमान 




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पौड़ी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; चमोली  गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; रुद्रप्रयाग गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;टिहरी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ;उत्तरकाशी गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; देहरादून गढ़वाल, उत्तराखंड  से गढ़वाली लोकगीत , कविता ; 
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