Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti · June 29, 2012, 09:54:35 AM

Meetu Rawat: A Historical and Folk Story base Garhwali Drama

(Review of Garhwali Drama 'Meetu Rawat' (1982) written by Sacchida Nand Kandpal)

By Bhishma Kukreti

[Notes on historical dramas; Garhwali historical dramas; Uttarakhandi historical dramas; Mid Himalayan historical dramas; Himalayan historical dramas; North Indian historical dramas; Indian historical dramas; Indian sub continent historical dramas; SARRC Countries historical dramas; South Asian historical dramas; Asian historical dramas )
[ऐतिहासिक नाटक; गढ़वाली ऐतिहासिक नाटक; उत्तराखंडी ऐतिहासिक नाटक; मध्य हिमालयी ऐतिहासिक नाटक; हिमालयी ऐतिहासिक नाटक; उत्तर भारतीय ऐतिहासिक नाटक; भारतीय ऐतिहासिक नाटक; दक्षिण एशियाई ऐतिहासिक नाटक; एशियाईऐतिहासिक नाटक लेखमाला ]

Sacchida Nand Kandpal (Kandai, Chamoli Garhwal, and now Rudra Prayag1930-2002) was a Garhwali, Sanskrit and Hindi languages and he wrote a Garhwali drama 'Meetu Raut' in 1970 but published in 1982 in Gadhsudha, Chandigarh. Sacchida Nand Kandpal wrote the historical drama Meetu Raut' on the life of Meetu Raut and his son Nandu Raut
Meetu Raut was a king of Nagpur region of upper Garhwal at the time of Kanturi regime. He was a philosophical and spiritual king. Yogini, Dakini and Anccheri (super souls) were at his command. When Kantyuri king attacked Nagpur area, along with the army of Raut; Yogini, Dakini and Anccheri also fought on behalf of Meetu Raut against Kaintyura king. Nandu raut died on the stair case of Tungnath temple.
The drama Meetu Raut' has mixture of real historical events and imagination of playwright Kandpal. Kandpal tries to take readers to the time of Meetu Raut. Kandpal depicts the physical and spiritual power of Metu Raut effectively. Sacchida Nand used dialects of (Old) Chamoli Garhwal in the drama. The characters, events and places of the drama are vivid.
References and Source:
1-Dastak, 2011 a magazine, Rudraprayag
2-Dr D.R Purohit, HNB Uni. Shrinagar
3- D.D. Sundariyal, Chandigarh
4-O.P Semwal, Rudraprayag
5--Urmila Kandpal, Semwal (Daughter of Sacchida Nand Kandpal)
6- Dr Nand Kishor Dhoundiyal, 2012, Garhwal ki Divangat Vibhuityan, Kotdwara, Garhwal.

Copyright@ Bhishma Kukreti, 29/6/2012
Notes on historical dramas; Garhwali historical dramas; Uttarakhandi historical dramas; Mid Himalayan historical dramas; Himalayan historical dramas; North Indian historical dramas; Indian historical dramas; Indian sub continent historical dramas; SARRC Countries historical dramas; South Asian historical dramas; Asian historical dramas to be continued.....
ऐतिहासिक नाटक; गढ़वाली ऐतिहासिक नाटक; उत्तराखंडी ऐतिहासिक नाटक; मध्य हिमालयी ऐतिहासिक नाटक; हिमालयी ऐतिहासिक नाटक; उत्तर भारतीय ऐतिहासिक नाटक; भारतीय ऐतिहासिक नाटक; दक्षिण एशियाई ऐतिहासिक नाटक; एशियाईऐतिहासिक नाटक लेखमाला जारी ....

Bhishma Kukreti · June 29, 2012, 12:04:24 PM

गढ़वाली मा छिटगा कविता प्रयोग

भीष्म कुकरेती

छिटगा कविता गढवाली कवितौं एक शैली च . छिटगा माने छिटक या छिटग मतबल ड्रौप (Drops ), माने - छींटे. गढवळि साहित्यौ नामी सुकट्वा (समालोचक, समीक्षक ) वीरेंद्र पंवार लिखदन बल - " छिटगा पाण्या बि ह्व़े सकदन अर कछीला (क्जीर, कीचड) बि ह्व़े सकदन.मेरी नजर मा छिटगौं का कुछ रूप यू छन एक भड़कदी रूड्यू छिटाञद बरखा का, एक कछीला (कजीर) छिटगा , एक आग बुझाणो पाण्या छिटगा ,एक मुजदी आग सुल्काणो घी का छिटगा, एक कोरा भात भपाण्यो पाण्या छिटगा, एक वेसुध पड्या मनिख तैं होश मा ल्हौणू पाण्या छिटगा. इन माणे जांद बल छिटगा , अपणी छाप जरूर छोड़दन. साहित्य मनिख तै बिजाळणो काम करदु. इलै जब वे पर छिटगा मनन होऊ त इना होण चेंदन जु ताडौं काम कन्नु. वै तै जज लै ड्यों, आँखा-कन्दूड़ खोळ दयावान".

छिटगा कविता द्वी पंगत की या चार पंगत की होन्दन अर यूंक असर भौत जादा होंद जन कि कवि विहारी क क्विताऊ मा होंद - गागर मा समोदर . छिटगा अर दोहा मा भेद च कि दोहा क अपण मीटर/सिलेबस का नियम छन पण नियमों से छिटगा मुक्त च

छिटगा मुक्तक काव्य च. गढवाली मा शान्ति प्रकाश जिज्ञासु न सबसे जादा छिटगा कविता लेखिन या छपैन. कुछ उदाहरण \

जिज्ञासु क द्वी पंगत वळि छिटगा गढवळि कवितौ उदाहरण

१- प्यार

प्यार करण वळु कैकु बुरु नि सोच सकदू

आंसू अपड़ा बगै सकदू कैका डेख नि सकदू

२-घ्यू

द्वी रूप्या सेर घ्यू खै अब सौ रूप्या कु भी नी च

खाण वळा आज भी छन पर ऊ घ्यू नी च .

३- सारु

कैकु तै तुमारो नौ कु सारु नी च

मंगदरा तै आग क्या खारु नी च

४- सौतेलु

आज जाणी मिन सौतेलु कन हूंद

बुबाई जगा छोडि बिस्वम कूड़ी बणान्द

५- पंछी

पंछ्युंन ऊन घरूं ऐकी क्या कन्न

जौं घरूं बैठ णु चौक नि छन

६- भूख

इन लगणु यू कळजुगौ आख़री रूप च

अपड़ा फैदा तै फंसाण कै निठुरो की भूख च .

७- पता च

तिन हूण अबि और बडू त्वे पता च

वां का बा द तिन मै मा आण मै पता च

जिज्ञासु क चार पंगत वळि छिटगा गढवळि कवितौ उदाहरण

१- घास

घासक फंचू मुंडमा देखी

मै थै पहाडै याद ऐगी

इख भी घास मुंडमा ल्याण छौ

त मेरा पहाड़म क्या कमी रैगी

------------------------------------------

२- बक्त

क्वी मोर बि जौ

अपडु वक्त खराब हूण नि चैन्द

कै कु नुकसान हो त हो

हम थै फ़िदा हू णचैन्द.

अळगा कवितौं से जाणे जै सक्यांद कि छिट्गा छ्वटा हून्दन पण यूंक असर पाणी छिट्गा जन बिजाळण मा असरदार त होंदी छन दगड मा कैकु ण रामबांसु काण्ड जन तेज बि होन्दन.

Copyright@ Bhishma Kukreti 29/6/2012

Bhishma Kukreti · June 29, 2012, 09:17:02 PM

Hay Re Moneyorder: A Satirical Garhwali Story about Money Order Economy

(Review of Garhwali Story Collection "Hay Re Moneyorder" (1988) By Bhagwati Prasad Joshi )

By Bhishma Kukreti

(Notes on Satirical Fiction about Money Order Economy; Satirical Garhwali Fiction about Money Order Economy; Satirical Uttarakhandi Fiction about Money Order Economy; Satirical Mid Himalayan Fiction about Money Order Economy; Satirical Himalayan Fiction about Money Order Economy; Satirical North Indian Fiction about Money Order Economy; Satirical Indian Fiction about Money Order Economy; Satirical Indian sub continent Fiction about Money Order Economy; Satirical SAARC Countries Fiction about Money Order Economy; Satirical south Asian Fiction about Money Order Economy; Satirical Asian Fiction about Money Order Economy)
[मनी ऑर्डर आर्थिक व्यवस्था पर हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर गढ़वाली हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर उत्तराखंडी हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर मध्य हिमालयी हास्य व्यंग कहानी ;मनी ऑर्डर आर्थिक व्यवस्था पर हिमालयी हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर उत्तर भारतीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर भारतीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर सार्क देशीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर दक्षिण एशियाई हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर एशियाई हास्य व्यंग कहानी लेखमाला ]
.

Daya Ram failed in tenth class and went to Delhi. There, he got job of Daftary. He started posting money order. His family members stopped agriculture works and became dependent on money order. Dayaram returned to home and started modern agriculture as gardening, horticulture, mushroom production, honey business etc. Now, Daya ram is earning in village more than what he could dream. However, his wife is not satisfied because she is not getting that adventure what she used to get by money order.
The story teller is successful in depicting a money order being brought by post man, the adventure in village, and the talk of villagers about money order and handing over money by postman. Joshi also searches the accelerating factors of migration from rural Garhwal. Joshi is famous for humor in the story and then creating satire for his subject. His characters are simple and Joshi provides them a respectable place in the story. The readers get engaged due to tale telling technique of tale writer.

Copyright@ Bhishma Kukreti, 30/6/2007
Notes on Satirical Fiction about Money Order Economy; Satirical Garhwali Fiction about Money Order Economy; Satirical Uttarakhandi Fiction about Money Order Economy; Satirical Mid Himalayan Fiction about Money Order Economy; Satirical Himalayan Fiction about Money Order Economy; Satirical North Indian Fiction about Money Order Economy; Satirical Indian Fiction about Money Order Economy; Satirical Indian sub continent Fiction about Money Order Economy; Satirical SAARC Countries Fiction about Money Order Economy; Satirical south Asian Fiction about Money Order Economy; Satirical Asian Fiction about Money Order Economy to be continued..
मनी ऑर्डर आर्थिक व्यवस्था पर हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर गढ़वाली हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर उत्तराखंडी हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर मध्य हिमालयी हास्य व्यंग कहानी ;मनी ऑर्डर आर्थिक व्यवस्था पर हिमालयी हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर उत्तर भारतीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर भारतीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर सार्क देशीय हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर दक्षिण एशियाई हास्य व्यंग कहानी ; मनी ऑर्डर आर्थिक व्यवस्था पर एशियाई हास्य व्यंग कहानी लेखमाला जारी .....

Bhishma Kukreti · June 30, 2012, 12:10:39 AM

श्री पराशर गौड़ जी अ दगड भीष्म कुकरेती अ छ्वीं

भीष्म कुकरेती - आप साहित्यौ दुनिया मा कनै ऐन?

पाराशर गौड़ .. श्रीमान मान्यबर कुकरेती जी , आपल त पैली ही सवालम एक इनु सवाल पुछ दे

जैन मी थै सुचंण पर मजबूर कै दे ! शुरुवाती दिनों को याद करणम कुछ तो समय लगालू , खैर ..

जबमी ८ वी पडदु छो, वे समय माँ एक गीतनुमा कविता अगसर गए जांदी छे जैका बोल छा

" फुर घिन्डुई ऐजा, पधानु की छेई जा " (तब . कबि बारामा कुछ पता नि छो बादाम

ये मेरु शोभाग्या छो की मिन वे कबि थै अपना पिताजी का नौ से शुरू कयु पुरष्कार से उन्थई

समानित कै ! वो छाया श्री गिरधारी लाल थपलियाल 'कंकाल') बस तब बीटी मेरु साहित्य की ओर

रुझान शरू ह्वेगे छो !

भी.कु- वा क्या मनोविज्ञान छौ कि आप साहित्यौ तरफ ढळकेन ?
पा.गौ. हां भी अर ना भी .. स्कुल का दिनों माँ सांस्क्रतिक कार्यक्रमों बड़ी चड़ी भाग लेणाक भी एक बजह छे बाद माँ

भी.कु. आपौ साहित्य मा आणो पैथर आपौ बाळोपनs कथगा हाथ च ?

पा.गौ- भौत त बिंडी . असलमा वे समय एक हैंकि किस्म की सोच छे जैम देबी द्य्ब्तो का प्रति

प्रकृत का प्रति प्रेम ज्याद छो ! मेरिक्या मेरा ख्याल से हर कबि की पहली रचना यत प्रक्रति पर होली

या इश्वर पर ! वे समय देख्या या घटया घटनो कु अक्ष मेरी क्बितो माँ भी दिखाई जय सकद !

भी.कु- बाळपन मा क्या वातवरण छौ जु सै त च आप तै साहित्य मा लै ?

पा.गौ- रेडीयुमाँ गड्वाली गीत औंदा छा वेमु गीतकारो नौ आन्दु छो बस तब मिन भी सोची की मै भी गीत

लिखू आर मयारू नो भी एक दिन इनी र्रेडियो से प्रसारित हो !

भी.कु. कुछ घटना जु आप तै लगद की य़ी आप तै साहित्य मा लैन !

पा.गौ- जी हां .. हमारा गौं प्रधान जी जू हर चुनो लड्दा छा उन एक दिन मि थै एक एक किताब बीटी

एक गड्वाली कबिता सुनाई जैका बोल छा " धन सगोड़ी त्वेकू ,जू साग भुजी देदी मैकू "( श्री जगु नोडियाल जी रचना )

वे सुणी मन भीतर एक हलचल सी हवे तब बिट कुछ गीत लिखना शुरू कै दे !

भी.कु. - क्या दरजा पांच तलक s किताबुं हथ बि च ?

पा.गौ - सच बोल त याद नि !

भी.कु. दर्जा छै अर दर्जा बारा तलक की शिक्षा, स्कूल, कौलेज का वातावरण आपौ साहित्य पर क्या प्रभाव च ?

पा.गौ - असल्मा साहित्य की पौ नींव कालेज की शुरुवाती दिनों से हवे ! वे संयम प्रेम ,बिछो हास्य ,व्यंग जन भाव से पछाणक हवे

जोन मि थै साहित्य रचनामा बहुत योगदान दे !

भी.कु.- ये बगत आपन शिक्षा से भैराक कु कु पत्रिका, समाचार किताब पढीन जु आपक साहित्य मा काम ऐन

पा.गौ - साप्ताहिक हिन्दोस्तान , धर्मयुग , सरिता , कादम्बनी , व समाचार पत्र !

भी.कु- बाळापन से लेकी अर आपकी पैलि रचना छपण तक कौं कौं साहित्यकारुं रचना आप तै प्रभावित करदी गेन?

पा.गौ -हिंदी माँ दिनकरजी, काका हाथरसी अर गड्वाली माँ जगु नौडियाल / डंडरियाल जी !

भी.कु. आपक न्याड़ ध्वार, परिवार,का कुकु लोग छन जौंक आप तै परोक्ष अर अपरोक्ष रूप मा आप तै साहित्यकार बणान मा हाथ च ?

पा.गौ - मेरु गाँव , मेरी स्कुल मेरी मुल्क्की डांडी-कंठी व हर चीज, जू वे वकत म्यार साथ जुडी रैनी ! ब्यो का बाद मेरी सब कुछ

दगडया/सोंजयडया /सहचरी / मास्टरजी / मेरी धर्म पत्नी सोनी कु सबसे बदु हाथ राय !

भी.कु- आप तै साहित्यकार बणान मा शिक्षकों कथगा मिळवाग च ?

पा.गौ- ३० ४० प्रतिशत
भी .कु. ख़ास दगड्यों क्या हाथ च /

पा.गौ-जगदीश ढौंडियाल ( गायक), जैन मी थै उगसाई गीत लिखुनु कु दिनेश पहाड़ी जैन नाटक लिखुनु कु बिबश कैरू आर स्वर्गीय कन्यालाल डंड्रियल

जोन कबिता लिखनो बोली आर सिखाए और इनी क्त्कई अन्य कुछ और दोस्त !
भी.कु. कौं कौं साहित्यकारून /सम्पादकु न व्यक्तिगत रूप से आप तै उकसाई की आप साहित्य मा आओ

पा.गौ- भीष्म कुकरेती ( जौन मी थै लाठी ले लेकी , घुचे घुचे की व्यंग लिखण सिखाई ), कनाह्यालाल डंडरियाल

भी.कु. साहित्य मा आणों परांत कु कु लोग छन जौन आपौ साहित्य तै निखारण मा मदद दे ?

पा.गौ भीष्म कुकरेती .अर डंडरियाल जी .. सबसे बड़ो हाथ मेरी श्रीमती सोनी कु च जोन मरे हर रचना कु पोस्ट मार्टम केकी उथे

एक नई ज्यां दे. !
जुगराज रैनी आप !

Copyright@ Reserved

Bhishma Kukreti · June 30, 2012, 11:32:33 AM

Mitra Nand Dabral (Sharma) :A Garhwali Poet of varied subjects and styles

By---- Bhishma Kukreti

Garhwali literature has been facing many problems from the beginning when the Garhwalis started publishing various types of literature. The biggest problem for Garhwali literarians or literature creative is finding readers at a place and then distributing the literature to the readers because Garhwalis are scattered here and there in India and abroad. It is commonly said in humorous way among Garhwali literature creative that the Garhwali writer writes Garhwali literature aloof, publishes himself on his cost, reads himself and her or his successors destroy the literature by selling Garhwali literature to raddiwalas. From the beginning, Garhwali writers have been facing the problem of getting the addresses of real readers of Garhwali literature and dispatching them the published materials. This is the reason that even after publishing many books in Garhwali language, many Garhwali authors are unfamiliar or nameless in the jungle of Garhwali literature.

Internet is again bringing the problem for Garhwali literary creative. Those who don't have facilities for typing Garhwali literature in Devnagari script and then submitting it to the relevant blogs will be in darkness of unfamiliarity.

Mitra Nand Dabral Sharma is also such a Garhwali poet who is neither discussed in the literary field nor common Garhwalis know about the big contribution of Mitra Nand Dabral Sharma for Garhwali poems and proverbs.

Mitra Nand Dabral is an Ayurvaidic doctor in Jua area of Tihri Garhwal. His great grand father was the state doctor (Raj Vaidya) of Garhwali kingdom in Shri Nagar. Due to new alignment and other reasons, along with the king, Dabral family had to shift from Shri Nagar to Tihri and used to reside in Kafalpani – Dang area (Tihri Garhwal). Mitra Nand comes from the learned family of Dabral of Timali (Dabralsiyun, Pauri Garhwal), From Sanskrit point of view, Timali is famous for college of Sanskrit affiliated to Kashi Sanskrit Vidyapeeth in Timali, Dabralssyun . The inhabitants of Dabralsyun, Udayapur and Dhangu Patti used to say that the dogs, cats and domestic animals of Timali understand Sanskrit very well. Mitra Nand Dabral was born in Kafalpani (Tehri)

Mitra Nand Dabral wrote many verses in Garhwali languages and he used to try using pure Tiryali dialects in his poems. Though, his contribution in Garhwali poetry and prose require more researches. Till date we have the following details about the published work of Mitra Nand Dabral in Garhwali language:

• Fyunlee- A memorable a collections of various types, styles , forms and subjects of Garhwali poems

• Garhwali Kavita Samgrah: Being a doctor, Mittra Nand Sharma has to roam around Jua area and come in contact with various people. In his medical practice, Mitra Nand Dabral collected many proverb, maxim, axiom, adage or aphorisms of Garhwali vocabulary. He published those proverbs in this volume

• Gangadi Chakor: A superb example of mixing tragedy, satire and humour in creating poetry
• Bhaj Givindam ; A collection of Garhwali poems
• Satya Narayan Jee ki Nayi Vrat Katha: Dabral uses new subject in this poetry collection.

Mitra Nand is a famous social worker of his area and participates in various cultural and ritual programs with passion, enthusiasm and eagerness. He is very famous for his singing in 'Radheshyami tarj'

Copyright@ Bhishma Kukreti ,February, 2009

Bhishma Kukreti · June 30, 2012, 10:58:12 PM

I and my village were lucky: a satire

Bhishma Kukreti

(Satirical articles on rural development works; satirical articles on agriculture development; satirical articles on education system, satirical articles on government program for animal husbandry; satirical articles on village development hills of Garhwal ; satirical articles on development of hills of Salan; satirical articles on development of Gangasalan; satirical articles on development of hills of Uttarakhand; satirical articles on development of Dhangu block; satirical articles on development of Dhangu Patti; satirical articles on development of Malla Dhangu)

My wife asked me to write about positive things around me and not to bark as television journalists and editors who are showing only negative happenings in India. As faithful husband (my friends say I am Bibi ka Gulam) I obeyed her.
Now I am writing that I am lucky. I and my basic school were lucky that education department posted tens of children books in English language. On that time my village was not lucky having English knowing villagers including our teachers. Our school was lucky for having such intelligent headmaster. As soon as English books reached to school, my headmaster observed that no villager including a he and another teacher could read these English books he decided to sell these books to a tea stall wala. In return, tea stall wala sent Pakodas twice a day for seven days to the houses of our two teachers. The family members of teachers were lucky having Pakodas on daily basis for seven days. I was lucky too. I stole two story books in English while taking from school to tea stall wala. For many years, those books were lucky to be my properties as I was unable to understand those stories in English language. Later on my younger brother was lucky to get tea and Pakoda by selling those books to tea stall wala.
Our hilly village was lucky that we had a kind hearted Gram sevak. Our hilly village was lucky that Gram Sevak fought for our hilly village and got sanction from village development department two iron Western Ploughs weighing more than half a ton each for our hilly village. It was bad luck of poor Sudama farmer who tried to plough hilly field by one of western ploughs. His one of old bulls died pulling the iron plough that was stuck deep in a rocky area of field. Our villagers are not ungrateful to any government. The same plough is still there stuck in the field of Sudama farmer and is witness that Lucknow government was taking interest about agricultural development in rural hills of Garhwal. Since, Gram pradhans are changing every five years and no Gram Pradhan was ready to keep heavy iron western plough at their courtyards therefore, another heavy western plough is kept on the road of village entry to show our thanksgiving attitude that Uttar Pradesh government was conscious for agriculture development of rural hills of Garhwal.
When Chaudhari Charan Singh Ji was chief minister of Uttar Pradesh our village was again lucky. Chaudhri ji was very much concern about animal husbandry development in hills of Garhwal. He dispatched male buffalos from Merut area to villages of Garhwal. People of Meerut were lucky that they got money be selling their unwanted male buffalos to Uttar Pradesh government. Villages of hills of Garhwal were lucky that they got free the giant male buffalo for breeding purpose that the coming buffalo generation would be Haryana buffalo generation.
The female buffalos were not lucky to have such giant male buffalo fellow as their companion. The female buffalos were scared of such big buffalo and they used to run away just seeing the big buffalo. Therefore, no body including village chief was ready to keep the buffalo in village. The Haryanvi buffalo was not lucky or competent enough to walk a centimeter on the hilly path of forest. Therefore, the gifted buffalo died after three four months. Our villagers are always grateful for others who help them. We call Bhains ko Pathar/Buffalo stone where the great buffalo died and that place is reminder that Uttar Pradesh government was conscious about developing agriculture, horticulture and animal husbandry in hills of Garhwal. Uttar Pradesh government was lucky to have such villages those still regard the works of government.
There were other purposeful development works in my village and I shall be posting you about such great works by Uttar Pradesh and Uttarakhand governments for our lucky village.

Copyright@ Bhishma Kukreti, 1/7/2012
Satirical articles on rural development works; satirical articles on agriculture development; satirical articles on education system, satirical articles on government program for animal husbandry; satirical articles on village development in hills of Garhwal ; satirical articles on development of hills of Salan; satirical articles on development of Gangasalan; satirical articles on development of hills of Uttarakhand; satirical articles on development of Dhangu block; satirical articles on development of Dhangu Patti; satirical articles on development of Malla Dhangu to be continued....

Bhishma Kukreti · June 30, 2012, 11:07:49 PM

Teen Trigat: Garhwali Story about Three Crooks

(Review of Garhwali Story Collection 'Ek Dhanga ki Atmkatha' by Bhagwati Prasad Joshi)

By Bhishma Kukreti
[Notes on crooked, arrogant and notorious characters in stories; crooked, arrogant and notorious characters in Garhwali stories; crookedness, crooked, arrogant and notorious characters in Uttarakhandi stories; crooked, arrogant and notorious characters in Mid Himalayan stories; crooked, arrogant and notorious characters in Himalayan stories; crooked, arrogant and notorious characters in North Indian stories; crooked, arrogant and notorious characters in modern Indian stories; crooked, arrogant and notorious characters in Indian subcontinent stories; crooked, arrogant and notorious characters in SAARC countries stories; crooked, arrogant and notorious characters in South Asian stories; crooked, arrogant and notorious characters in Asian stories]
When migrated Garhwalis returned for settling in their ancestor village after spending their lives in government service, they also bring crookedness, arrogances, notoriousness and desires along with them. When discharged Jamadar, discharged Havldar or police constable and discharged clerk of court returned the village Garjiya the social equation the village change drastically. However, times came that military retired Jamadar understands the reality and one day he decides to take appropriate action. However, the question is whether other two would respond?
The story is having humor and satire. Joshi uses simple style in telling the tale. Joshi is successful in creating the new social equation in contemporary rural Garhwal. Joshi uses contemporary Garhwali phrases in the story.

Reference-
Dr Anil Dabral, 2007, Garhwali Gady Parampara

Copyright@ Bhishma Kukreti, 1/7/2012
Notes on crooked, arrogant and notorious characters in stories; crooked, arrogant and notorious characters in Garhwali stories; crookedness, crooked, arrogant and notorious characters in Uttarakhandi stories; crooked, arrogant and notorious characters in Mid Himalayan stories; crooked, arrogant and notorious characters in Himalayan stories; crooked, arrogant and notorious characters in North Indian stories; crooked, arrogant and notorious characters in modern Indian stories; crooked, arrogant and notorious characters in Indian subcontinent stories; crooked, arrogant and notorious characters in SAARC countries stories; crooked, arrogant and notorious characters in South Asian stories; crooked, arrogant and notorious characters in Asian stories to be continued....

Bhishma Kukreti · July 01, 2012, 12:56:19 AM

****धिक्कार ***(आंचलिक विषय की कविता )

कवि- डा नरेंद्र गौनियल, गढ़वाल

ये म्यारा उत्तराखंडी !
सुण ले ध्यान से
गुण ले ज्ञान से
ब्यालि तक तेरि
उछला-उछल
आज कख लुकि
कैका ऐथर झुकि
अहा !
कनु बिसरि तू
वूँ अपणों की पीड़
जौंन मुल्का बान
ख्वै अपणी जान
ये ल़ाटा !
कख हर्चि गैनी
त्यारा गीत
किलै बिसरि गे तू
अपणा नारा
ढयूं -ढयूं मा
कुर्च्याँ गारा

देख ले !
यूंका ठाठ -बाट
मिली गे राज-पाट
जु करदा छा.
सदनि तेरि काट
रैगे जख्या-तखी
तू निर्भगी लाट
अरे !
यी त छन
तेरि हड्गी तोड़न वल़ा
तेरि नाक कटण वल़ा
तेरि ल्वे चटण वल़ा

तू बैठि गे
यूंका टंगणों मूड़
यूंका चुस्याँ
यूंका खत्यां
सूखा हड्गा चपांद
अफ्खुश्या
धिक्कार त्वे तै
डूब मारि दे
कै ढंडि मा
य फाळ मारि दे
कै भ्यालुन्द ....
डॉ नरेन्द्र गौनियाल .....सर्वाधिकार सुरक्षित ...

narendragauniyal@gmail.कॉम

गढवाली कविताये, गढ़वाली गीत, गढ़वाल के बारे में कविताएँ, गढवाल सम्बंधित पद्य, उत्तराखंडी कविताये, उत्तरभारतीय कि क्षेत्रीय भाषाई कविता, भारत की स्थानीय भाषाई कविता, द्कस्हीं एसिया कि स्थानीय भाषाई कविता, एशिया की स्थानीय भाषाई कविता; आंचलिक परिवेश की कविता , आंचलिक विषय की कविता
--

Bhishma Kukreti · July 01, 2012, 09:26:25 AM

Dagdi: A Social and Family Conflict based Garhwali Drama

(Review of a Social-family Conflicts base Garhwali Drama 'Dagdi '(1998) by Om Prakash Semwal)

By Bhishma Kukreti

[Notes on Social-Family Conflicts based Dramas; Social-family Conflicts base Garhwali Dramas; Social-Family Conflicts based Uttarakhandi Dramas; Social-Family Conflicts based Mid Himalayan Dramas; Social-Family Conflicts based Himalayan Dramas; Social-Family Conflicts based north Indian Dramas; Social-Family Conflicts based Indian Dramas; Social-Family Conflicts based Indian sub continent Dramas; Social-Family Conflicts based SAARC Countries Dramas; Social-Family Conflicts based South Indian Dramas; Social-Family Conflicts based Dramas; Social-Family Conflicts based Oriental Dramas; Social-Family Conflicts based Asian Dramas]
Om Prakash Semwal is multitalented literature creator of Garhwali language. Semwal is story writer, poet and playwright of Garhwali language.
In the age of when all national television and core regional channels, national and core regional periodicals are busy to show negative and as if everything going in doomed Om Prakash Semwal comes there to show hope for every Indian through his notable short dramas.
Om Prakash Semwal wrote a social family conflict base Garhwali drama 'Dagdi 'staged in August 1998 in a school of (Old) Chamoli Garhwal.
The drama is about conflicts, conspiracy among Mundeet (close to one family to other family by blood) embers. There was very cordial relation among the various family members of a Mundeet of Saunu and Gundaru. However, due to selfish intention of Naudi and Murkhalya, there is division among members of Mundeet.
However, when Naudi shows his real character Murkhalya was under threat. Murkhalya finds another way to get rid of Naudi.
The social family conflict base Garhwali drama 'Dagdi is a short drama and Om Prakash wrote the drama keeping teen age students and young students in mind. The drama shows effectively the self interest of minority members can harm the unity of families and society. The dialogues are having full influence of Rudraprayag region and nobody should mind as even the knowledgeable Garhwali literature creators will be happy to get newer words from Rudraprayag and Tungnath regions.
The story flow is fast.
Concussively, the drama is useful for teen age and young students for understanding the loss by tension among families of a Mundeet.

Copyright@ Bhishma Kukreti, 30/6/2012
Notes on Social-Family Conflicts based Dramas; Social-family Conflicts base Garhwali Dramas; Social-Family Conflicts based Uttarakhandi Dramas; Social-Family Conflicts based Mid Himalayan Dramas; Social-Family Conflicts based Himalayan Dramas; Social-Family Conflicts based north Indian Dramas; Social-Family Conflicts based Indian Dramas; Social-Family Conflicts based Indian sub continent Dramas; Social-Family Conflicts based SAARC Countries Dramas; Social-Family Conflicts based South Indian Dramas; Social-Family Conflicts based Dramas; Social-Family Conflicts based Oriental Dramas; Social-Family Conflicts based Asian Dramas to be continued....

Bhishma Kukreti · July 02, 2012, 12:11:48 AM

Kukkut Dhwaj: A Garhwali Story about Breaking Orthodoxy Rules

(Review of a Garhwali Story Collection 'Ek Dhanga ki Atmkatha by Bhagwati Prasad Joshi 'Himwantvasi')

By Bhishma Kukreti
[Notes on stories about breaking orthodox rules; Garhwali stories about breaking orthodox rules; Uttarakhandi stories about breaking orthodox rules; Mid Himalayan stories about breaking orthodoxy rules; Himalayan stories about breaking orthodox rules; North Indian stories about breaking orthodox rules; Indian stories about breaking orthodox rules; Indian subcontinent stories about breaking orthodox rules; SAARC Countries stories about breaking orthodox rules; South Asian stories about breaking orthodox rules; Asian stories about breaking orthodox rules]

When Kiritimani returns his village Kothi he is shocked by seeing the people are stuck up with same orthodoxy rules those were accepted norms for centuries as Brahmins not touching plough, not having bulls and not to do poultry farm acts.
People of twentieth century were living in the norms of eighteenth century. Nobody was ready to live in changed situation.
Kirtimani faces various unheard hurdles for his own people for changing the conventional wisdoms.
Story makes you witness for the struggle of Kirtimani. The readers feel irritation, want to laught, feel pity on people and there is small portion of rage due to irritation too. There is hopelessness and hope for future in the fiction 'Kukkut Dhwaj'. If not today, there is shock for the readers of fifties that a Brahmin family starts poultry farm. The story writer is expert in mixing imagination and reality in the story and making story interesting.

Reference-
Dr Anil Dabral, 2007 Garhwali Gady Parampara.
Copyright@ Bhishma Kukreti , 2/7/2012