Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

[Bhishma Kukreti]

History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal 

History of Garhwal including Haridwar (1223- 1804 AD) –part -116       
   
               History of Uttarakhand (Garhwal, Kumaon and Haridwar) -362 

                       By: Bhishma Kukreti (A History Research Student)

              In 1624, Jesuit Missionary Father Antonio de Andrade   reached to Shrinagar the Garhwal Kingdom capital. Father Antonio de Andrade   was the first European reaching Shrinagar Garhwal (Jesuit Missionaries in Northern India and inscriptions on their tombs in Agra 1508-1803, published in 1907). Antonio de Andrade was born in Portugal in 1580. Antonio de Andrade   entered into Jesuit Missionary at the age of sixteen. Jesuit Missionary sent Father Antonio de Andrade   to Goa. In 1624, Father Antonio de Andrade   was sent to Tibet for reforming Buddhist monks as missionary believed that Buddhist monks of Tibet were Christians but missed their path of Christianity. On 30th March 1624, Father Antonio de Andrade, Brother Manuel Marques and his two other associates started their journey for Tibet from Agra. From Delhi the missionary representatives journeyed to Garhwal with other pilgrim groups.
            When Father Antonio de Andrade, Brother Manuel Marques and his two other associates were marching towards Garhwal from Haridwar, the Mughal Emperor army presumed them as culprits escaping from Mughal prison. Moghal army wanted to dispatch missionary group to Agra.  Garhwali army presumed them as spy of Mughal army. For many days, missionary representatives spent time there at the border of Haridwar and Garhwal (perhaps at Rishikesh). Later on Garhwal King permitted Christian Missionary to travel in Garhwal territory
  Christian Missionary representatives led by Father Antonio de Andrade reached Shrinagar experiencing terrific hurdles of hills and bank of Ganga road.
          When missionary reached to Shrinagar the Garhwal Kingdom officers started asking various questions to missionary. Father Antonio de Andrade   did his best to satisfy the Garhwal Kingdom officers that the missionary members were visiting Tibet to meet their own brothers (Buddhist Monks) who lost their path of Christianity. It took missionary group five days to satisfy Garhwal administration that they were not spy.
                Garhwal administration permitted missionary to go to Tibet via Mana. When missionary representatives reached the snow of hills did not melt around Badrinath temple one mile away from Mana village. They had to rest in Mana for a few days. Father Antonio de Andrade   came to know that Garhwal Kingdom was not ready to offer them way to reach Tibet. Leaving Brother Manuel Marques in Mana, Father Antonio de Andrade   with his tow associates or servants took a Bhotia Guide and started marching towards Tibet without informing Garhwal administration. The Painkhanda commander came to know about marching of Father Antonio de Andrade and he captured them. Painkhanda commander threatened Bhotia guide that his family was put into prison. Bhotia Guide fled leaving Father Antonio de Andrade and his associates. However, Father Antonio de Andrade and his associates went towards Tibet territory.   In path, they used to take Sattu (roasted wheat flour). Father Antonio de Andrade and his associates used to sleep into small caves or on open ground. Due to continuous snow contact with their feet and hands their foot and hand flesh got broken. The snow also weakened their eye sight but they did not weak their heart. They reached to origin of Sarswati River that is Devtal. Here, Brother Marques along with Bhotia traders also reached at Dev Tal (height 18300 Feet). After crossing Mana pass, in August 1624, they reached to Tsaparang wholesale market of Daba, Tibet.  Father Antonio de Andrade and his associates and Brother Marques returned from Tibet to Garhwal after one month.

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 9/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -363
   
                                      References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India 
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas 
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications 
27- H. Blochmann, 1873,  Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter    
Notes on South Asian Medieval History of Garhwal;  SouthAsian Medieval History of Pauri Garhwal;  Medieval History of Chamoli Garhwal;  South Asian Medieval History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Medieval History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Medieval History of Manglaur, Haridwar;  South Asian Medieval History of Rurkee Haridwar ;  South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Haridwar;  History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Pauri Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Badrinath Temple Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Mana pass Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Chamoli Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Rudraprayag Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Tehri Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Uttarkashi Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of  Dehradun Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Ganga Valley Garhwal; History of Father Antonio de Andrade, a Jesuit Missionary visiting Garhwal in context History of Alaknanda valley Garhwal;           

[Bhishma Kukreti]

Iktangadya or Langdi Tang Outdoor Traditional/Folk Game of Garhwal, Kumaon and Haridwar

Notes on Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar (Uttarakhand Folk Games) Part -10   
Outdoor Traditional/Folk games of Garhwal, Kumaon and Haridwar part- 1

                          Narration: Bhishma Kukreti (Folk Literature Research Scholar)

           In Iktangadya or Langdi Tang folk game, in definite area one person hops on one leg and tries to catch other persons run in that definite area.

Copyright@ Bhishma Kukreti 9/6/2014

      References

Bhishma Kukreti, 2010, Folk Games of Uttarakhand, merapahad.com
XX
Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Garhwal, Kumaon and Haridwar; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Dehradun Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Uttarkashi Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Tehri Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Rudraprayag Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Chamoli Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Pauri Garhwal, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Haridwar , Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Pithoragarh Kumaon, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Bageshwar Kumaon, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Champawat Kumaon, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Almora Kumaon, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Nainital Kumaon, Himalaya; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Udham Singh Nagar Kumaon, Himalaya;

[Bhishma Kukreti]

      Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -169 
                  गढ़वाली लोक नाटकों के वाद्य यंत्र
                             
                     Bhishma Kukreti (Folk Literature Research Scholar)

          In many religious ritual dramas, deep bronze plate or Kanse ki Thali is used as musical instrument in Mid- Himalaya region. The 'Thali' is played by two or one stick.  Most of the time, Thali is played with Damru together. The player keeps Thali on a wood container (Pathao) while playing Thali.


Copyright@ Bhishma Kukreti 9/6/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music 
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas   
XX
Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

[Bhishma Kukreti]

      Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -169 
                  गढ़वाली लोक नाटकों के वाद्य यंत्र
                             
                     Bhishma Kukreti (Folk Literature Research Scholar)

          In many religious ritual dramas, deep bronze plate or Kanse ki Thali is used as musical instrument in Mid- Himalaya region. The 'Thali' is played by two or one stick.  Most of the time, Thali is played with Damru together. The player keeps Thali on a wood container (Pathao) while playing Thali.


Copyright@ Bhishma Kukreti 9/6/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music 
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas   
XX
Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Kanse ki Thali/Thakul or Bronze Plate a Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

[Bhishma Kukreti]

                              हैलो ! मेरी आशा हर्ची गे !

            घपरोळया , हंसोड्या , चुनगेर ,चबोड़्या -चखन्यौर्या -भीष्म कुकरेती     

(s =आधी अ  = अ , क , का , की ,  आदि )

मि - हैलो पुलिस स्टेसन ?
दुसर तरफान आवाज - हाँ पुलिस स्टेसन।
मि - सर ! कम्पलेंट लिखाण छे ?
दुसर तरफान आवाज -क्यांक ?
मि -खोया -पाया
दुसर तरफान आवाज - क्या हर्च ?
मि - मेरी आशा ही हर्ची गे।
दुसर तरफान आवाज - आशा आपकी नौनी च , वाइफ च या ब्वे च,  बैणि च ?
मि -जी यांमादे क्वी बि नी च।
दुसर तरफान आवाज - हैं तो आशा तुमर दगड़ लिविंग ऐज कम्पेनियन का रूप मा रौंदि छे ?
मि -ना भै।
दुसर तरफान आवाज - देखो पुलिस वाळs दगड़ चिरड़ेक बात नि करण हां।  तख ऐक डंडा घुमौल त चिरड्याण बिसर जैल हाँ !
मि -नै साब जी मि तुम पर नि चिरड्याणु छौं।  मि त रुणफति ह्वेक प्रार्थना करणु छौं कि मेरि आशा हर्ची गे।  मै लगणु च कि मेरि आशा शायद मोरि बि गे   धौं !
दुसर तरफान आवाज - अरे पर वा आशा तेरी क्या लगदी ?
मि -जी मीन आशा तैं कबि नि पूछ कि वा मेरी क्या लगदी।
दुसर तरफान आवाज - तो वींकी उमर क्या च ?
मि -उमर ?
दुसर तरफान आवाज - हाँ आयु , एज ?
मि -ह्वेली में से तीनेक साल छुटि।  जब बिटेन मीन होश संबाळ मीन वीं तैं अपण इ दगड़ द्याख।
दुसर तरफान आवाज - तो या आशा तेरी आया च याने मेड सर्वेंट च ?
मि - नै जी वा मेरी मेड सर्वेंट कनकै ह्वे सकद ?
दुसर तरफान आवाज - अरे त क्वा च वा आशा अर कख रौंदी छे ?
मि -जी वा मेरी होप छे अर म्यरा मन मा याने चित्त मा रौंदि छे।
दुसर तरफान आवाज - साले पुलिस वाले के साथ मजाक करता है।
मि -सच्ची साब ! मेरी मन की आशा हर्ची गे।
दुसर तरफान आवाज - तो सरकारी अस्पताल मा फोन कौर।  मन  की आशा खुज्याणो काम पुलिस नि करदी। अस्पतालों मनोचिकित्सक कु ये नंबर पर फोन कर। फोन बंद कौर।
मि -हैलो मनोचिकत्सक ?
दुसर तरफान आवाज - नो।
मि -पर पुलिस इन्क्वारीन तो यो ही नंबर दे छौ
दुसर तरफान आवाज - फोन नंबर सही च किन्तु मि तैं मनोचिकत्सक नि बोलो। आई डिस्लाइक दिस वर्ड।
मि -तो ?
दुसर तरफान आवाज - कौल मी साइकिट्रिक
मि -अच्छा ! साइकिट्रिकसाब मेरी आशा गुम ह्वे गे
साइकिट्रिक -यू मीन युवर होप ?
मि -जी यस आइ लॉस्ट माइ   होप
साइकिट्रिक -तुमन अपण आशा तैं आखिरी दैं कब देख छौ ?
मि -ब्याळि (9 /6 /2014 ) राष्ट्रपति प्रणव मुखर्जीक संसद मा भाषण तक मेरी आशा मेरि दगड़ छे।
साइकिट्रिक -तुम इथगा स्युवरिटी से कनकै बोल सकदा कि राष्ट्रपतिक भाषण तक आशा तुमर दगड़ छे।
मि -भाषण मा राष्ट्रपतिन आशा दिखाई कि सचमुच मा अच्छा दिन आण वाळ छन तो उत्साह मा मि जोर जोर से नाचण बिसे ग्यों कि इंडिया की जगा भारत का भला दिन आण वाळ छन।
साइकिट्रिक -तुम तैं कब लग कि आशा तुमर दगड़ नी च ?
मि - राष्ट्रपति भाषण तक तो उत्साह का मारा मि इना ऊना कुद्दी मारणु छौ किन्तु जनि मीन कॉंग्रेसी नेता कमलनाथ की  टिप्पणी टीवी मा द्याख त मि तैं लग कि म्यार मन मा आशा रै इ नि गे।
साइकिट्रिक -कमलनाथक क्या बुलण छौ।
मि -बल राष्ट्रपतिक भाषण शब्दजाल मात्र च।  अर सीताराम यचुरीन जब बोलि कि राष्ट्रपति का भाषण मात्र स्याणी -गाणी -इच्छा -इरादा च अर असलियत नी च तो म्यरो उत्साह निरुत्साह मा बदल्याण मा लग गे।
साइकिट्रिक - तुम तैं कब लग कि तुमर आस पास -न्याड़ -ध्वार आशा छैं इ नी च ?
मि -जब श्याम दैं टीवी मा कॉंग्रेसी नेताक टिप्पणी देख कि राष्ट्रपतिक भाषणु बात कबि बि पूरी नि ह्वे सकद अर इनि भौत सा टीवी कमेंटेटरोंन बि बोल कि यि भाषण केवल सब्जबाग च तो तैबरी बिटेन मेरी आशा पता नि कख हर्चि गे धौं ?
साइकिट्रिक -असल मा तुमर आशा कखि नि हर्ची अपितु तुममी च बस तुमतैं दिखेणी नी च।
मि -हैं ?
साइकिट्रिक -हाँ।
मि -तो मि तैं आशा कब दिख्याण शुरू ह्वेल ?
साइकिट्रिक -बस तुम टीवी दिखण बंद करी द्यावो।
मि -किलै ?
साइकिट्रिक -देखो ! सरकारी दल का नेताओं काम च अपण प्रशंसा करण , विरोधी दलों काम च कैं बि तरां से आलोचना करण अर आजका पत्रकारों काम ह्वेगे सेन्सेसन पैदा करण अर इनमा विचारा दर्शक कन्फ्यूज ह्वे जांद कि असलियत क्या च। सरकारी दल , विरोधी दल अर   सेंसेसनल जॉर्नलिज्म द्वारा पैदा हुईं कन्फ्यूजन की स्थिति मा दर्शक  समझद  कि   वैकि आशा हर्ची गे।  बस अपण दिमाग लगैल त आशा कबि बि नि हरचलि ।




Copyright@  Bhishma Kukreti  10/6/2014 
   
*कथा , स्थान व नाम काल्पनिक हैं। 

Garhwali Humor in Garhwali Language, Himalayan Satire in Garhwali Language , Uttarakhandi Wit in Garhwali Language , North Indian Spoof in Garhwali Language , Regional Language Lampoon in Garhwali Language , Ridicule in Garhwali Language  , Mockery in Garhwali Language, Send-up in Garhwali Language, Disdain in Garhwali Language,Hilarity in Garhwali Language, Cheerfulness in Garhwali Language
[गढ़वाली हास्य -व्यंग्य, सौज सौज मा मजाक  से, हौंस,चबोड़,चखन्यौ, सौज सौज मा गंभीर चर्चा ,छ्वीं;- जसपुर निवासी  द्वारा  जाती असहिष्णुता सम्बंधी गढ़वाली हास्य व्यंग्य; ढांगू वाले द्वारा   पृथक वादी  मानसिकता सम्बन्धी गढ़वाली हास्य व्यंग्य;गंगासलाण  वाले द्वारा   भ्रष्टाचार, अनाचार, अत्याचार पर गढ़वाली हास्य व्यंग्य; लैंसडाउन तहसील वाले द्वारा   धर्म सम्बन्धी गढ़वाली हास्य व्यंग्य;पौड़ी गढ़वाल वाले द्वारा  वर्ग संघर्ष सम्बंधी गढ़वाली हास्य व्यंग्य; उत्तराखंडी  द्वारा  पर्यावरण संबंधी गढ़वाली हास्य व्यंग्य;मध्य हिमालयी लेखक द्वारा  विकास संबंधी गढ़वाली हास्य व्यंग्य;उत्तरभारतीय लेखक द्वारा  पलायन सम्बंधी गढ़वाली हास्य व्यंग्य; मुंबई प्रवासी लेखक द्वारा  सांस्कृतिक विषयों पर गढ़वाली हास्य व्यंग्य; महाराष्ट्रीय प्रवासी लेखक द्वारा  सरकारी प्रशासन संबंधी गढ़वाली हास्य व्यंग्य; भारतीय लेखक द्वारा  राजनीति विषयक गढ़वाली हास्य व्यंग्य; सांस्कृतिक मुल्य ह्रास पर व्यंग्य , गरीबी समस्या पर व्यंग्य, आम आदमी की परेशानी विषय के व्यंग्य, जातीय  भेदभाव विषयक गढ़वाली हास्य व्यंग्य; एशियाई लेखक द्वारा सामाजिक  बिडम्बनाओं, पर्यावरण विषयों   पर  गढ़वाली हास्य व्यंग्य, राजनीति में परिवार वाद -वंशवाद   पर गढ़वाली हास्य व्यंग्य; ग्रामीण सिंचाई   विषयक  गढ़वाली हास्य व्यंग्य, विज्ञान की अवहेलना संबंधी गढ़वाली हास्य व्यंग्य  ; ढोंगी धर्म निरपरेक्ष राजनेताओं पर आक्षेप , व्यंग्य , अन्धविश्वास  पर चोट करते गढ़वाली हास्य व्यंग्य, राजनेताओं द्वारा अभद्र गाली पर हास्य -व्यंग्य    श्रृंखला जारी  ] 

[Bhishma Kukreti]

Gilli Danda /Tipcat an Outdoor Traditional/Folk Game of Garhwal, Kumaon and Haridwar

Notes on Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar (Uttarakhand Folk Games) Part -11   
Outdoor Traditional/Folk games of Garhwal, Kumaon and Haridwar part- 2

                          Narration: Bhishma Kukreti (Folk Literature Research Scholar)
          Gilli Danda is ancient Jambudweep (India) game before 2550years.  Gilli Danda is very popular rural game of Indian subcontinent countries, Cambodia and Italy. Gilli Danda is also popular traditional game of Garhwal, Haridwar and Kumaon of Uttarakhand.
Danda means thicker, longer stick and Gilli means smaller in length and sharpened corner. 
There are two sides for playing Gilli-Danda. In Garhwal, the Gucchi (a dig) is made for keeping Gilli and through Danda and is thrown to direct to other group who are ready to catch Gilli. If Gilli is caught the striking player is out and second player is to play. If Gilli is not caught and it falls on the ground, the gucchi side player will put Danda on Guchhi and the fielding side player throws Gilli to Danda. If here the gilli touches Danda the player (guchhi side) will hit danda that Gilli reaches far. Here again the fielding side tries to catch the Gilli to make out player of playing side. In between the playing side player runs to predestined point from Gucchi and makes run.
This way the whole players play Gilli Danda and runs are added. When striking players are out then opponent group player play Gilli Danda till their last player is out. Now, whoever's score more that group wins the game. There are many variation too.

Copyright@ Bhishma Kukreti 10/6/2014

      References

Bhishma Kukreti, 2010, Folk Games of Uttarakhand, merapahad.com
XX Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Garhwal, Kumaon and Haridwar; Iktangadya or Langdi Tang an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Dehradun Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Uttarkashi Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Tehri Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Rudraprayag Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Chamoli Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Pauri Garhwal, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Haridwar , Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Pithoragarh Kumaon, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Bageshwar Kumaon, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Champawat Kumaon, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Almora Kumaon, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Nainital Kumaon, Himalaya; Gilli Danda an Outdoor Folk/ Local/ Traditional/Folk/ Conventional games of Udham Singh Nagar Kumaon, Himalaya;

[Bhishma Kukreti]

                   मीन नरेंद्र मोदीक मंत्रिमंडल मा कतै बि शामिल नि हूणाइ !

                       घपरोळया , हंसोड्या , चुनगेर ,चबोड़्या -चखन्यौर्या -भीष्म कुकरेती     

(s =आधी अ  = अ , क , का , की ,  आदि )


घरवळि -सुणो ! तुम अबि नरेंद्र मोदी जिठाजी कुण चिठ्ठी भेजि द्यावो।
मि -क्या ?
घरवळि -नै पण चिठिन देर से पौंछण।  तुम टेलीग्राम भ्याजो।
मि -टेलीग्राम ?
घरवळि -औ टेलीग्राम त बंद ह्वे गेन।  तुम इन कारो ईमेल कौर द्यावो।
मि -पर  ...।
घरवळि -नै ईमेल ना ट्वीट कारो
मि -क्या बुलणि छे ?
घरवळि -नै, नरेंद्र मोदी जिठाजी कुण  तुम SMS कारो अबि
मि -ह्यां  पर नरेंद्र मोदी  कुण  किलै SMS करण ?
घरवळि -कखि नरेंद्र मोदी जिठाजी जग्वाळ मा ह्वाल तो तुम अब्याक अबि नरेंद्र मोदीकुण त्वरित सूचना भेजी द्यावो कि तुमर भर्वस नि रैन।
मि -क्यांक भर्वस ?
घरवळि - तुम सूचना भेजो कि अभिन्न अर व्यक्तिगत कारणों से तुम वूंक मंत्रिमंडल मा शामिल नि हूणा छा।
मि -मि अर नरेंद्र मोदीक मंत्रिमंडल मा ?
घरवळि -हाँ ! मि तैं डौर च कि उत्तराखंड तैं प्रतिनिधत्व दीणो बान नरेंद्र जिठाजीन  तुम तैं केंद्रीय मंत्रिमंडल मा शामिल करि दीण। 
मि -मि अर केंद्रीय मंत्री ?
घरवळि -हाँ पैल  मि तुमर केंद्रीय मंत्री बणणो फेवर मा छौ पर अब केंद्रीय मंत्री बौणिक क्वी फैदा नी च।
मि -केंद्रीय मंत्री बणिक क्वी फैदा नी च ?
घरवळि -हाँ द्याख नी तुमन ब्याळि नरेंद्र मोदी जिठाजीन अपण मंत्र्युंकुण फरमान निकाळ आल कि 31 अगस्त तक अपण चल अचल सम्पति अर कारोबारों ब्योरा द्यावो।
मि -तो क्या ?
घरवळि -अरे 'एक भारत, श्रेष्ठ भारत ' मा इन डिक्टेटरशिप ठीक च कि केंद्रीय मंत्री अपण चल -अचल संपति अर कारोबारों सूचना द्यावो अर दगड़ मा केंद्रीय मंत्र्युं तैं अपण पत्नी , अपण बच्चों अर रिस्तेदारूं व्यापार।  आय स्रोत्र बि दीण जरूरी च।
मि -ठीक त च कि मंत्र्युं आय स्रोत्र अर मंत्र्युं आय स्रोत्र प्रधान मंत्री तैं पता रावो।
घरवळि -क्या ख़ाक च ? ह्यां ! हमर पॉलिटिशियन मंत्री बणदा इ इलै छन कि ट्वाइलेट बिहीन स्वच्छ इण्डिया मा ऊ तैं क्वी नि पूछो कि ऊंक साइड बिजिनेस क्या च अर ऊंका बच्चा अर रिस्तेदार कनकैक ऊपरी कमाइ करणा छन।  मोदी जिठाजी मंत्र्युं यु अणलिख्युं विशेषाधिकार लुठणा छन तो अवश्य ही यु थ्री डी (डेमोग्राफी , डेमोक्रेसी अर डिमांड ) युक्त इंडिया मा एक अमानवीय कृत्य च।  नरेंद्र मोदी जिठाजी तैं ये अमानवीय कृत्य करण मा संयम बरतण चयेंद।
मि -मोदी जी ठीक त करणा छन।  द्याख नि तीन मनमोहन सिंग ददा जीक मंत्र्युं कुहाल ? बिचारा पवन बंशल सरीखा सरीफ , ईमानदार मंत्री अपण भणजो कुकृत्य से बदनाम ह्वे गे छौ।  अर अब भूतपूर्व रिकाउन्टिंग फिनेंस मनिस्टर चिदंबरम का सुपुत्र कार्तिकेय राजस्थान मा मेडिकल ऐम्ब्युलेंस सप्लाई का चक्कर मा फंसी गे।  बिचारी सोनिया गांधी बौ कनकै इथगा बड़ो धक्का बर्दास्त कारली कि कॉंग्रेस का सर्वश्रेष्ठ ईमानदार मुख्य मंत्री गहलौत  , सुपर ईमानदार मंत्री पाइलेट जन राजस्थान मा आंब्युलेन्स घोटाला मा फंसण वाळ छन।
घरवळि -ह्यां पर यदि विश्व गुरु भारत मा मंत्री अर ऊंका रिस्तेदार ऊपरी कमाई नि कारल तो फिर लोग पॉलिटिक्स मा आला इ ना।  सि करूणानिधि तैं इ पूछी ल्यावो।
मि -मेरी समज से तो नरेंद्र भाइन सबसे बड़ो प्रशंसनीय कदम उठाइ कि अपण मंत्र्युं इनकम सोर्स पूछ।
घरवळि -चलो यु त ठीक च कि मंत्र्युं इनकम सोर्स प्रधानमंत्री या मुख्यमंत्री तैं पता हूण चयेंद किंतु  यु त डिक्टेटरशिप की इंतहा ही ह्वे गे .... ...
मि -क्यांक हद ह्वे गए ? इंतहा ह्वे गे ?
घरवळि -नरेंद्र मोदी जिठाजीन अपण मंत्र्युं तैं आदेश दे दे कि अपण नौन- नौनी , भणजि -भणजा - भतीजौं -जवैंऊँ तैं फॉरेन एम्बेस्युं अर इन अन्य पदों पर नौकरी नि लगवावो। 
मि -हाँ ठीक त च यांसे विदेशी सरकारुं बदमिजाजी की मंत्री पुत्र -पुत्र का द्वारा सीधी लॉबीइंग रुक जालि।
घरवळि -बस तुम तो बस ! ह्यां पण ! यदि मंत्री अपण नौन्याळु  अर रिस्तेदारुं नामसे बेइंतहा धन नि कामाला तो फिर मेरा महान भारत मा मंत्री बणिक क्या फायदा ? पॉलिटिशियन मंत्री ही इलै बणदन कि पांच साल मा इथगा कमाए जाव कि अगला सात पीढ़ी बि दैल -फ़ैल कौरी खावो।  अर अब जब कि नरेंद्र मोदी मंत्र्युं ऊपरी कमाई का स्रोत्र पर लगाम लगाणा छन तो इन मा कु मंत्री बणन चालो।  नाउ , दियर इज नो इंसेंटिव इन बिकमिंग मिनिस्टर ! तुम अब्यक अबि नरेंद्र मोदी जिठाजी कुण SMS भेजि द्यावो कि तुम तैं मंत्री बणन मा क्वी बि रूचि नी च।  मंत्री बणिक बि रूखा - सूखा खाण तो गढ़वाळि लिख्वार ही ठीक च।




Copyright@  Bhishma Kukreti  11/6/2014 
   
*कथा , स्थान व नाम काल्पनिक हैं। 

Garhwali Humor in Garhwali Language, Himalayan Satire in Garhwali Language , Uttarakhandi Wit in Garhwali Language , North Indian Spoof in Garhwali Language , Regional Language Lampoon in Garhwali Language , Ridicule in Garhwali Language  , Mockery in Garhwali Language, Send-up in Garhwali Language, Disdain in Garhwali Language,Hilarity in Garhwali Language, Cheerfulness in Garhwali Language
[गढ़वाली हास्य -व्यंग्य, सौज सौज मा मजाक  से, हौंस,चबोड़,चखन्यौ, सौज सौज मा गंभीर चर्चा ,छ्वीं;- जसपुर निवासी  द्वारा  जाती असहिष्णुता सम्बंधी गढ़वाली हास्य व्यंग्य; ढांगू वाले द्वारा   पृथक वादी  मानसिकता सम्बन्धी गढ़वाली हास्य व्यंग्य;गंगासलाण  वाले द्वारा   भ्रष्टाचार, अनाचार, अत्याचार पर गढ़वाली हास्य व्यंग्य; लैंसडाउन तहसील वाले द्वारा   धर्म सम्बन्धी गढ़वाली हास्य व्यंग्य;पौड़ी गढ़वाल वाले द्वारा  वर्ग संघर्ष सम्बंधी गढ़वाली हास्य व्यंग्य; उत्तराखंडी  द्वारा  पर्यावरण संबंधी गढ़वाली हास्य व्यंग्य;मध्य हिमालयी लेखक द्वारा  विकास संबंधी गढ़वाली हास्य व्यंग्य;उत्तरभारतीय लेखक द्वारा  पलायन सम्बंधी गढ़वाली हास्य व्यंग्य; मुंबई प्रवासी लेखक द्वारा  सांस्कृतिक विषयों पर गढ़वाली हास्य व्यंग्य; महाराष्ट्रीय प्रवासी लेखक द्वारा  सरकारी प्रशासन संबंधी गढ़वाली हास्य व्यंग्य; भारतीय लेखक द्वारा  राजनीति विषयक गढ़वाली हास्य व्यंग्य; सांस्कृतिक मुल्य ह्रास पर व्यंग्य , गरीबी समस्या पर व्यंग्य, आम आदमी की परेशानी विषय के व्यंग्य, जातीय  भेदभाव विषयक गढ़वाली हास्य व्यंग्य; एशियाई लेखक द्वारा सामाजिक  बिडम्बनाओं, पर्यावरण विषयों   पर  गढ़वाली हास्य व्यंग्य, राजनीति में परिवार वाद -वंशवाद   पर गढ़वाली हास्य व्यंग्य; ग्रामीण सिंचाई   विषयक  गढ़वाली हास्य व्यंग्य, विज्ञान की अवहेलना संबंधी गढ़वाली हास्य व्यंग्य  ; ढोंगी धर्म निरपरेक्ष राजनेताओं पर आक्षेप , व्यंग्य , अन्धविश्वास  पर चोट करते गढ़वाली हास्य व्यंग्य, राजनेताओं द्वारा अभद्र गाली पर हास्य -व्यंग्य    श्रृंखला जारी  ]

[Bhishma Kukreti]

History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries

History of Garhwal including Haridwar (1223- 1804 AD) –part -117       
   
               History of Uttarakhand (Garhwal, Kumaon and Haridwar) -363 

                       By: Bhishma Kukreti (A History Research Student)

         According to Syen Hedin (Trans Himalaya (Discoveries and Adventure in Tibet), Garhwal King put Father Antonio Andrade into Shrinagar jail presuming him as spy of enemy. However, after listening Father Antonio and understanding him, Garhwal King Shaym Shah freed father Antonio. The Garhwal kingdom officers snatched valuable from Father Antonio and his team.
  Syne also writes that at the same time, a few days back, Shyam Shah attacked on Tsaparang Kingdom of Tibet. When Garhwali army returned to Mana from Tibet campaign, Father Antonio was in Mana village near Badrinath temple. Father Antonio marched towards Tibet thereafter.
Father Antonio wrote a letter to his people on 8th November after returning from Tsaparang did not write anything against Garhwal King and his officers. That means Syne's allegations are just biased. 
          Second time, Father Antonio along with other Father reached Tibet in 1625. He went to Tibet through Haridwar and Shrinagar, Mana. Syen again alleges that greedy Garhwal administrators took valuable from Father Antonio but Father Antonio did not mention anything in his two "Accounts of Tibet" (Published from Lisbon in 1624 and 1626). Father Antonio had introductory letter of Mughal Emperor Jahangir with him. Father Antonio was in Tibet in 1627 and he built Church there.  This time Father Antonio had good relation with Garhwal King Shyam Shah and Shyam Shah was ready to build fort for Antonio in Shrinagar.
In 1631, Father Antonio sent his fellows Marques and other to Tibet through Mana. When Marques reached to Shrinagar, Shyam Shah died on 30th July 1631and after attending funeral of Shyam Shah, brother Marques started his journey to Mana from Shrinagar.
Father Antonio wanted to reach Tibet again in 1634 but before that he died. 18 Christian missionaries visited Tibet from 1624- 1649 and most of those missionaries visited Tibet via Haridwar, Shrinagar and Mana pass.   


Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 11/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -364
   
                                      References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India 
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas 
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications 
27- H. Blochmann, 1873,  Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter    
Notes on South Asian Medieval History of Garhwal;  SouthAsian Medieval History of Pauri Garhwal;  Medieval History of Chamoli Garhwal;  South Asian Medieval History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Medieval History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Medieval History of Manglaur, Haridwar;  South Asian Medieval History of Rurkee Haridwar ;  South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Pauri Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Haridwar , Shivalik, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Chamoli Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Rudraprayag Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Tehri Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Mana valley Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Tsaparang Tibet, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Uttarkashi Garhwal, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Dehradun Shivalik, Garhwal, History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Guge, Tibet, Himalaya; History Review of Behavior of Garhwal Kingdom with Jesuit Missionaries in context History of Tholing Tibet, Himalaya;

[Bhishma Kukreti]

                                                         टूर गाइड या पर्यटन मार्गदर्शक बनना


                                                      Becoming a Tour Guide

                                         ट्रैवल एजेंसी व्यापार का सुचारु रूप से संपादन  - भाग -21   

                                Business Management of Travel Agency  in context Uttarakhand Tourism and Hospitality Development Part -21 



(Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series--79    ) 
                                                      उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन -भाग 79   
 
                                                              लेखक : भीष्म कुकरेती  (विपणन व विक्री प्रबंधन विशेषज्ञ )


ट्रेवल व्यापार में टूर गाइड का महवत्वपूर्ण स्थान होता है।

टूर गाइड बनने के लिए निम्न कदम उठाने आवश्यक होते हैं -
१- टूर गाइड बनने के लिए तीब्र इच्छा का होना आवश्यक है।
२- टूर गाइड बनने से पहले अभ्यार्थी को यह निश्चित करना होता है कि उसकी किस प्रकार के टूर में सर्वाधिक रूचि है।
३-टूर गाइड का प्रशिक्षण - यद्यपि टूर गाइड बनने के लिए प्रशिक्षण की  कोई संवैधानिक  बंधन नही है किन्तु प्रशिक्षण लेना ही चाहिए।  प्रशिक्षण सर्टिफिकेट से नौकरी भी जल्दी मिलती है और व्यवसायिक ज्ञान भी मिलता है। अधिकतर इस तरह के सर्टिफिकेट का कोर्स एक महीने का होता है।
४- गाइड को पर्यटक स्थल का सम्पूर्ण ज्ञान प्राप्त कर लेना आवश्यक है।
५-किसी सफल ट्रैवल  एजेंसी /ऑपरेटर के संस्थान में नौकरी की दरख्वास्त देना
६- इंटरव्यू तैयारी करना
७- इंटरव्यू देना
८- इंटरव्यू पास करना
९- हर समय ज्ञान प्राप्त करना





Copyright @ Bhishma Kukreti  11 /6/2014


Contact ID bckukreti@gmail.com

Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series to be continued ...


उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन श्रृंखला जारी ...

                                    References

1 -भीष्म कुकरेती, 2006  -2007  , उत्तरांचल में  पर्यटन विपणन परिकल्पना , शैलवाणी (150  अंकों में ) , कोटद्वार , गढ़वाल

xx


Becoming a Tour Guide in context Travel, Tourism and  Hospitality Industry Development Concepts in Uttarakhand; Travel, Tourism and Hospitality Industry Development Concepts in Haridwar Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Pauri Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Dehradun Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Uttarkashi Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Tehri Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Rudraprayag Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Chamoli Garhwal, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Udham Singh Nagar Kumaon, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Nainital Kumaon, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Almora Kumaon, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Champawat Kumaon, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Bageshwar Kumaon, Uttarakhand; Becoming a Tour Guide in context Travel, Tourism and Hospitality Industry Development Concepts in Pithoragarh Kumaon, Uttarakhand;

[Bhishma Kukreti]

History of Naga Sadhus (Akhada) Marching with Weapons to Badrinath from Haridwar Kumbh Mela in 1630 AD

History of Garhwal including Haridwar (1223- 1804 AD) –part -118       
   
               History of Uttarakhand (Garhwal, Kumaon and Haridwar) -364 

                       By: Bhishma Kukreti (A History Research Student)

                      In 1630, there was Mahakumbh at Haridwar.  People from all over India came to dip into Ganga at the Kumbh Mela. Kumbh Mela was held with peace. In every Kumbh or at the time of Makar Sankranti, there had been high tension at the time of different Akhada Nanga or Naga sages (naked ascetic sages) taking dip into Ganga. Adi Shankarachary established seven Akhadas.  On that Kumbh (1630), a Naga Akhada sect decided to visit Badrinath with weapons as Chimta, Knives, Bow- Arrow, and Sword etc. For centuries there had been revelry among various Akhadas and many times those Akhadas create disturbances too and fought with weapons among themselves.  Many times, Naga sages became source of changing the Kings of small Kingdoms.
   The group of 8000 Naga Sages started their pilgrim journey from Haridwar towards Badrinath. The Naga sages with weapons marched though Ganga bank road (in Pauri Garhwal). They reached to Shrinagar via Fulchatti, Banderbhel, Kandi, Vyaschatti, Dev Prayag. King Shyam Shah came to know that tension is being emerging due to Nanga sages.  Garhwal King Shyam Shah was religious King but was against sages for their heresy.
When Naga sages reached Shrinagar with weapons Garhwal King did not like (logically) that those sages visit Badrinath with weapons. Badrinath or Kedarnath had been always tension free pilgrim places from tussles of various sectarian Akhadas. Garhwal King Shyam Shah did not want tension in Badrinath region due to Akhada's politics.  Garhwal King sent message to Sages to visit Badrinath without any weapons. Naga sages were asked to deposit their weapons in Court store. Naga sages did not listen the order of Garhwal King and insisted to visit Badrinath with weapons.  Garhwal King ordered his army to take armed weapons from Naga sages. Garhwal army took weapons from Naga sages and most of Naga sages left Garhwal and returned to Haridwar. A few Naga sages became ready to visit Badrinath without weapons and they were allowed to visit Badrinath.



Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 12/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -365
   
                                      References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India 
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas 
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications 
27- H. Blochmann, 1873,  Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter    
Notes on South Asian Medieval History of Garhwal;  SouthAsian Medieval History of Pauri Garhwal;  Medieval History of Chamoli Garhwal;  South Asian Medieval History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Medieval History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Medieval History of Manglaur, Haridwar;  South Asian Medieval History of Rurkee Haridwar ;  South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela;
History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of Shrinagar Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Fulchatti Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Bandarbhel Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Kandi Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Vyaschatti Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Dev Prayag Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Badrinath Garhwal; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Jwalapur Haridwar; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Kankhal Haridwar; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Sanaysi Akhad, Haridwar; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of  Bajrangi Akhada Haridwar; History of Naga Sadhus Marching with Weapons to Badrinath from Haridwar Kumbh Mela in context History of Niraml Akhadas  Haridwar;