Articles By Bhisma Kukreti - श्री भीष्म कुकरेती जी के लेख

Bhishma Kukreti · June 17, 2014, 12:42:34 PM

History of Entertainment Passionate Garhwal King Duliram Shah

History of Garhwal including Haridwar (1223- 1804 AD) –part -122

History of Uttarakhand (Garhwal, Kumaon and Haridwar) -368

By: Bhishma Kukreti (A History Research Student)

There is controversy over name and ruling period of Duliram Shah /Duli Ramshah. There is no mention of Garhwal King Duli Ramshah /Duliram Shah in the Garhwal King lists of Becket and Williams.
The contemporary Jesuit Missionary Priest Father Azevedo (An Account of Tibet: The Travels of Ippolito by Desideri, Ippolito; De Fillipi, Fillipo, 1932, 2005,) mentions the death of Garhwal King Shyam Shah and his son being seven years old boy. The folklore of Kumaon (about Balo Kalyan Chand) suggests that Balo, Dulo or Duli means either son or second. Since, Balram Shah had been previous King the son of Shyam Shah was called second Ramshah. Maularam also suggests Duliram Shah as son of Shyam Shah.
One copper inscription of 1581 suggests Duliram was King and Shyam Shah visited Jahangir in 1621. If at the time of death of Shyam Shah Duliram was seven years old that meant Duliram did not take birth in 1581. His birth should be 1623 or 1622. It means the copper inscription script reader did mistake. Maularam suggests that Duliram did rule for modest period. Perhaps his uncle Manshah ruled on his behalf.
In Kumaon campaign Mahipat Shah or Manshah sent his son Prithvipati Shah to Kumaon. That means Duliram Shah was no more at the time of Garhwal army campaign to Kumaon.

Entertainment Passionate Garhwal King Duliram Shah

As per account of Maularam, Garhwal King Duliram Shah believes in worldly enjoyment. He had many addictions for enjoyment and entertainment. Duliram Shah used to take part in hunting and used to hunt birds and wild animals by gun and arrow. Many times, Duli Ramshah used to enjoy by swimming. He also enjoyed wrestling and has wrestler in Shrinagar. There used to watch cock fight, Baj-Ladai, Bull and Ram fighting.
Duliram Shah had passion for different types of dresses.

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 17/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -369

References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications
27- H. Blochmann, 1873, Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter
Notes on South Asian Medieval History of Garhwal; SouthAsian Medieval History of Pauri Garhwal; Medieval History of Chamoli Garhwal; South Asian Medieval History of Rudraprayag Garhwal; South Asian Medieval History of Tehri Garhwal; Medieval History of Uttarkashi Garhwal; South Asian Medieval History of Dehradun, Garhwal; Medieval History of Haridwar ; South Asian Medieval History of Manglaur, Haridwar; South Asian Medieval History of Rurkee Haridwar ; South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
South Asian History of Entertainment Passionate Garhwal King Duliram Shah; History of Entertainment Passionate Garhwal King Duliram Shah in context History of Pauri Garhwal and History of Haridwar; History of Entertainment Passionate Garhwal King Duliram Shah in context History of Chamoli Garhwal and History of Haridwar, South Asia; South Asian History of Entertainment Passionate Garhwal King Duliram Shah in context History of Rudraprayag Garhwal and History of Haridwar; South Asian History of Entertainment Passionate Garhwal King Duliram Shah in context History of Tehri Garhwal and History of Haridwar; South Asian History of Entertainment Passionate Garhwal King Duliram Shah in context History of Uttarkashi Garhwal and History of Haridwar; South Asian History of Entertainment Passionate Garhwal King Duliram Shah in context History of Dehradun Garhwal and History of Haridwar; History of Garhwal and Haridwar about King watching and enjoying Cock Fighting; History of Garhwal and Haridwar about King watching and enjoying falcon/eagle fight; History of Garhwal and Haridwar about King watching and enjoying Chakor fight, History of Garhwal and Haridwar about King watching and enjoying Swimming; History of Garhwal and Haridwar about King watching and enjoying Ram Fight; History of Garhwal and Haridwar about King watching and enjoying Bull Fight; History of Garhwal and Haridwar about King watching and enjoying hunting; History of Garhwal and Haridwar about King watching and enjoying wrestling ..

Bhishma Kukreti · June 17, 2014, 01:31:49 PM

घरेलू पर्यटन व्यवस्थापक

Domestic Tour Operator

(Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series--82 )
उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन -भाग 82

लेखक : भीष्म कुकरेती (विपणन व विक्री प्रबंधन विशेषज्ञ )

घरेलू पर्यटन व्यवस्थापक या डोमेस्टिक टूर ऑपरेटर अपने ही देस में या क्षेत्र में पर्यटकों को सेवा प्रदान करते हैं। इन पर्यटन सेवाओं में निम्न कोटि की मुख्य पर्यटन सेवाएं होती है -

रेल सेवा

वायु सेवा

बस सेवा

टैक्सी सेवा

ट्रैकिंग सेवा

होटल व्यवस्था

भोजन व्यवस्था

गाइड व्यवस्था

साइट सीइंग व्यवस्था

ग्राहक के लिए खरीदी व्यवस्था

ग्राहक हेतु कोई विशेष व्यवस्था

घरेलू पैकेज टूर की व्यवस्था करना

किसी विशेष धार्मिक अनुष्ठान , खेल दर्शन हेतु सेवा प्रदान करना

अपने टूर व्यापार का मार्केटिंग पर ध्यान देना जिससे पर्यटन व्यापार का विकास हो

वास्तव में टूर ऑपरेटर चाहे वह अंतर्राष्ट्रीय टूर ऑपरेटर हो या राष्ट्रीय टूर ऑपरेटर हो सेवायें तकरीबन एक जैसी ही होती हैं क्योंकि पर्यटक की आवश्यकताएं तो एक जैसी ही होती हैं।

Copyright @ Bhishma Kukreti 17 /6/2014

Contact ID bckukreti@gmail.com

Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series to be continued ...

उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन श्रृंखला जारी ...

References

1 -भीष्म कुकरेती, 2006 -2007 , उत्तरांचल में पर्यटन विपणन परिकल्पना , शैलवाणी (150 अंकों में ) , कोटद्वार , गढ़वाल

Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Haridwar Garhwal, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Pauri Garhwal, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Dehradun Garhwal, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Uttarkashi Garhwal, Uttarakhand; Domestic Tour Operator and Travel, Tourism and Hospitality Industry Development Concepts in Tehri Garhwal, Uttarakhand; Domestic Tour Operator and Travel, Tourism and Hospitality Industry Development Concepts in Rudraprayag Garhwal, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Chamoli Garhwal, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Udham Singh Nagar Kumaon, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Nainital Kumaon, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Almora Kumaon, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Champawat Kumaon, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Bageshwar Kumaon, Uttarakhand; Domestic Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Pithoragarh Kumaon, Uttarakhand;

Bhishma Kukreti · June 17, 2014, 04:43:04 PM

Kabbadi/Holding Hand a Folk Game/Traditional Sport from Garhwal, Kumaon and Haridwar, North India, South Asia

Notes on Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar (Uttarakhand Folk Games) Part -17
Outdoor Traditional/Folk games of Garhwal, Kumaon and Haridwar part- 8

Narration: Bhishma Kukreti (Folk Literature Research Scholar)

Kabbadi is an old team game of Indian subcontinent and is played across all over Indian subcontinent including Garhwal, Kumaon and Haridwar. Kabbadi is derived from two Tamil words –Kai means Hand and Pidi means catch. Therefore, it means 'Holding Hand'.
Two teams occupy half of the area of field and one by one sends its 'raider' into other half. The raider has to speak continuously 'Kabbadi- Kabbadi' The job of raider is to touch a player of opposite team or many. Usually, as practice, the raider should not come empty hand and the raider comes to dividing line and return again to touch the opposite players. The job of opposite players is not be touched by raider and she/he should go empty hand. The raider comes empty hand without touching opposite player or players he/she is out. When raider touches opposite player or players and come back speaking Kabbadi in his/her area the touched player/players are out. By this way, the players are out and if all players of a team are out the team is defeated. The game is also decided by points.
There are regional variations to in Kabbadi.

Copyright@ Bhishma Kukreti 17/6/2014
References

Bhishma Kukreti, 2010, Folk Games of Uttarakhand, merapahad.com
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Kabbadi/Holding Hand a Folk Game/Traditional Sport from Garhwal, Kumaon and Haridwar, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Haridwar, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Pauri Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Chamoli Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Rudraprayag Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Tehri Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Uttarkashi Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Dehradun , Garhwal, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Pithoragarh Kumaon, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Nainital Kumaon, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Almora Kumaon, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Bageshwar Kumaon, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Champawat Kumaon, North India, South Asia; Kabbadi/Holding Hand a Folk Game/Traditional Sport from Udham Singh Nagar Kumaon, North India, South Asia;

Bhishma Kukreti · June 17, 2014, 05:10:19 PM

Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -172
Rag Ragini, Tal, Musical Notes or Music Scripts in Garhwali Folk Songs and Folk Music part -2

गढ़वाली गीत संगीत (गढ़वाली लोक नाटकों ) में ताल, राग रागिनी

Bhishma Kukreti (Folk Literature Research Scholar)

The dancers and audience enjoy the Dhol-Damau according to tunes. There are two theories of tunes for Dhol Damau. According to ' Ramcharan Dhol Sagar' , as per time, class and place , there are thirty five tunes in playing Dhol-Damau/Rauntal

1- Jangan man -- for earth prayer
2-Dhup Deep aur Dhwaj--- Prayer of own deities and nation
3- Surya Kiran ---Prayer of Sun
4- Kucche ki Naubat-Morning Play
5-Saras-- Worship of arms and ammunitions
6-Parikrama-- Circumambulation of earth
7-Badhai Shabad-- Happy news, Congratulation
8-Ghai Shabad- Initiation of war/battle
9-Jadkhamb- To ascend
10-Thaman-- Stopping
11-Utrai--To descend
12-Sone ki Naubat-- Resting period
13-Saat sanjha aur Nau Doha- Travel through ocean
14-Sagun- Conference hall/conference of deities
15-Chakravyuha---worship of deities
16-Ram Rahman- meeting place or Conjunction
17- Gadh ganga - at the River bank
18-Chakor Jojan- At the time of Tug of war
19-Machkaro - At the time of son birth
20-Bhair Khol-Bhitar Kohl - At the time of initiation of walking by child
21-Shabad Grah- Preventing bad omen
22-Chaurasi Ghai- Worshipping eighty four lakhs deities
23-Chauras- To call all deities in one place
24-Sarva sidhi-- For best wishes
25-Chauk Vijeta- Starting from country yard
26-Sarvagan Vijeta-- Best wishes for wins to all
27- Painsara- Step by step
28- Upgrah Vijeta-- Continuous walking
29-Chauhato-Chhablato-- Lanka dahan
30- Takkato- Head-on
31-Bajrahato- Undesired
32-Airali- Chait Pujan
33-Bairali- Welcoming/Worshipping of Auji
34-Jalvayu- Worshipping season
35-Holi Vijeta- Win over bad omen

Copyright@ Bhishma Kukreti 17 /6/2014 for interpretation notes
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas
20 Keshav Anuragi
21 Dayashankar Bhatt
XX
Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Thirty Five Tal or Rag Ragini, Tal, Musical Notes or Music Scripts of Dhol-Damau Playing in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

Bhishma Kukreti · June 17, 2014, 08:27:23 PM

Kurmuri: A Garhwali Poetry collection with fresh phrases and figure of speeches

Critical Review of Modern Garhwali Literature- 2275
(Review of Modern Garhwali Literature series)
Kurmuri a Garhwali Poetry collection by Om Badhani

Review by: Bhishma Kukreti (Regional Language Promoter)

There are three Garhwal. One is rural Garhwal, second is cities of Garhwal region including Dehradun and third is Indian or foreign cities where Garhwalis are scattered. Most of the modern Garhwali literature is written about the subject of rural Garhwal.
The fundamental issues of Rural Garhwal are limited. Therefore, modern Garhwali literature creators have to repeat the issues in their literature. In this situation the contemporary creative have a couple of alternative in creating Garhwali literature. First is repetition of same old subject with old phrases and lose into sea of non exclusivity which most of present literature creators are following. Second alternate is bring newer subject but the subject are limited as changing n society but those changes are also already being described in other Indian languages. Third alternate is creating different style. However, new style is difficult. Fourth alternative is to create newer types of figure of speeches and phrases.
The famous Garhwali lyricist and dram creator Om Badhani chooses the last alternate to illustrate the old (already taken by past creators) subjects with newer phrases and figure of speeches for bringing freshness and attracting readers attention.
There are 70 poems in this poetry collection of Om Badhani. These 70 poems take various issues of rural Garhwal and Garhwalis scattered all over world. There are issues of environment, migrations; ruining of houses built by forefathers of migrated Garhwalis and they are not returning to native place; education; changes in society due to unheard capitalism; disintegration in united family system; compensation issues due to various developmental works in Garhwal; laziness of the society and many more issues. There are universal issues of human being as the love and terrorism. Om Badhani is successful in raising most of the issues of Garhwal and universal human being issues.
The freshness came into the poetries of Badhani due to newer types of illustration from newer phrases created or described by the learned poet. For example, Badhani compares the laziness of people by a frog that does not leap. Musa re Musa poetry is another example of bring newer phrases in Garhwali poetries by Om Badhani. Famous Hindi poet Liladhar Jagudi describes the poems of Badhani as of Alag Mijaj or exclusive style.
The poems of Badhani are of prose style but there is marvelous flow in such poetries. The poet is victorious in using imagery and phrases. The tone of poetries makes poems attractive too. Badhani belongs to Uttarkashi. However, Badhani tries his best to use words and dialects of standard Garhwali.
International critics would appraise Garhwali Poet Om Badhani as they praise Belgian French poets -Albert Ayguesparse, Mere Gevers, Henari Michaux, Albert Mocket, Baron Arther, Serge Delaive, Andre Fontainas, Irene Hamoir.

Book – Kurmuri a Garhwali Poetry collection
Poet –Om Badhani
Year of Publication 2103
Pages- 96
Publisher –Winsar Publishing Co
Dispensary road
Dehradun , Uttarakhand, India
Poet email Id ombadhani@rediffmail.com
Phone - 09412420792

Copyright@ Bhishma Kukreti 17/6/2014
Critical Review of Garhwali Literature to be continued...
Critical Review of Garhwali Poetry Collection to be continued...
XX
Kurmuri: A Garhwali Poetry collection with fresh phrases and figure of speeches; Review of Garhwali Poetry collection that has fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of village Badi Mani with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of Chhoti Mani region with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of Chinyalisaud with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet Uttarkashi with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Uttarakhand with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of village Badi Mani , Himalaya with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of village Badi Mani , North India with fresh phrases and figure of speeches; Kurmuri: A Garhwali Poetry collection by Poet of village Badi Mani South Asia with fresh phrases and figure of speeches;

Bhishma Kukreti · June 18, 2014, 08:43:28 AM

नरेंद्र मोदी अर मंहगाई की आपसम छ्वीं -बथ

घपरोळया , हंसोड्या , चुनगेर ,चबोड़्या -चखन्यौर्या -भीष्म कुकरेती

(s =आधी अ = अ , क , का , की , आदि )

नरेंद्र मोदी (अफिक , मुस्करांद -मुस्करांद )- थोड़ा सा गुजरात मॉडल , थोड़ा सा विदेश नीति , थोड़ा सा कड़क प्रसासन अर यांमा मिलाये जाए अर फिर NGO पर लगाम, वांमा विरोध्युं कचुम्बर मिलाये जाए , फिर मिलाये जाए मंत्र्युं पर कसके लगाम , वो अच्छे दिन हैं , वो ही अच्छे दिन हैं। वाह रे नरेंद्र मोदी ! वेरी गुड सचमुच मां अच्छा दिन ऐ गेन !
अरे यी अच्छे दिन का मध्य अंध्यर लेक कु आयि ?
मंहगाई - पहचान कौन ?
नरेंद्र मोदी -ज्वी बि छे , जरूर तू विरोधी दल या कै विदेशी फंडेड NGO की चाल छे।
मंहगाई -मनमोहन सिंह तैं बि याइ गलतफहमी छे कि मि भाजपा अर विदेशी षड्यंत्र की देन छौं।
नरेंद्र मोदी - क्या तू पाकिस्तानी करतूत छे ?
मंहगाई -पाकिस्तानी करतूत तो सीमा पर दिखेंदी। इख पीएमओ मा पाकिस्तानी काळो कुकर्मों क्या काम -काज ?
नरेंद्र मोदी -क्या तू दिल्ली मा बिजली संकट छे ?
मंहगाई -बजिली संकट का निवारण तो ऊर्जावान ऊर्जा मंत्री पीयूष गोयल करणु होलु।
नरेंद्र मोदी -यां पर तू अदिखळ किलै छै?
मंहगाई -मि विरोधी दल का वास्ता अमूर्त मा मूर्त अर सरकारी राजनीतिक दल का वास्ता मूर्त मा अमूर्त छौं याने आज कॉंग्रेस , कम्युनिस्ट , TMC वाळ मि तैं देखि सकणा छन किन्तु भाजपा का नेताओं का आँख मै तैं नि देख सकदन।
नरेंद्र मोदी -नरेंद्र मोदी आज कु सुपर मैन च वै तैं सब दिखेंद। अवश्य ही तू कॉंग्रेस का भिज्युं क्वी भूत छे।
मंहगाई (अट्टाहास ) -हा हा ! राहुल गांधी बि इनि सुचद छौ कि मि भाजपा कु भिज्युं महारागस छौं।
नरेंद्र मोदी -सूण ! त्यार खुट मा पड़दु तु बतै दि कि तू कु छे. कामक ह्वेल तो मि त्वै तैं कै प्रदेश कु राजयपाल तो बणाइ इ द्योलु।
मंहगाई (और जोर कु अट्टहास ) -मि मंहगाई छौं।
नरेंद्र मोदी (अर्धचेतन अवस्था मा , जोर से चिल्लैक ) -ये नर्भागण , बिसैली नागण मि तेरी खोज मा छौ।
मंहगाई (मुस्करांद ) -मीन ब्वाल नी च कि मि सरकारी दल का वास्ता मूर्त मा अमूर्त छौं। इलै भाजपा का नेता खुज्याण पर बि मै तै नि देख सकदन।
नरेंद्र मोदी -हाँ जब तलक चुनावुं रिजल्ट नि ऐ छा तब तलक त मि तैं तू हर समय दिख्यांदी छे किन्तु जनि मीन शपथ ले मि तैं लगद कि तू ईं दुनिया मा छैंइ नि छे।
मंहगाई -पर तू तो मेरी खोज मा इ छे कि ना ?
नरेंद्र मोदी -हाँ उ मीडिया मा रोज आणु च कि मंहगाई बढ़णि च , अखबार अपण पैलो पन्ना काळु करणा छन कि मैंगै कु बज्जर पड़ी गे।
मंहगाई -तो ?
नरेंद्र मोदी -यां ते से गुजारिस च कि झट तू तौळ आ । पता च मीन प्रोमिस करि छौ कि अच्छे दिन आने वाले हैं।
मंहगाई -ठीक च तू डीजल , पेट्रोल की कीमत कम कर दे मि बढ़ण बंद करी देलु।
नरेंद्र मोदी -मजाक , मसकरी बगत नी च। डीजल -पेट्रोल की कीमत भैर देस वाळ निश्चित करदन। अर फिर सि ईराक मा गृह युद्ध छिड़ गे तो पेट्रोल -डीजल का दाम असमान पौंचि गेन।
मंहगाई -तो डीजल -पेट्रोल पर सबसिडी दे दी।
नरेंद्र मोदी -द लगा बल सुंगरुँ दगड़ मांगळ ! पेट्रोल अर डीजल मा सबसिडी दीणो कुण पैसा इ नि बच्यां छन।
मंहगाई -कनो ?
नरेंद्र मोदी -सि अपण चंद्रा बाबून अरबों रुपयों सब्सिडी दे आल , जयललितान मेरी आस मा भौत सा सबसिडी दे आलिन। इनि हौर राज्य सरकार सबसिडी दींद नि अघाणा छन अर फिर भौत सा केंद्रीय सबसिडी अबि हमन दीणन। इनमा पेट्रोल -डीजल पर सबसिडी बढ़ौल तो भारत बीच बजार मा ऐ जाल।
मंहगाई -तो किसानुं तैं फसल मूल्य कम कर दे।
नरेंद्र मोदी (रुणफती ह्वेक ) -क्या बकबास करणी छे। मि त किसानु फसल मूल्य वृद्धि की योजना लेकि बैठ्युं छौं।
मंहगाई -तो सैकड़ों उद्योगपति जु सरकारी बैंको पैसा लोन का नाम पर हजम करिक बैठ्याँ छन ऊंसे खरबो रुप्या मील जाल। सुणण मा आई कि उद्योगपति एक लाख करोड़ से अधिक रुपया लोन का नाम पर खै गेन।
नरेंद्र मोदी -ह्यां पर यदि हम यूँ उद्योगपतियों पर कानूनी कार्यवाही करदा तो सैकड़ों साल लग जाल अर फिर उद्यम बढ़ाणो बान यूँ उद्यमियुं तैं खुस रखण बि जरूरी च।
मंहगाई -तो कुछ टैक्स कम करि दे।
नरेंद्र मोदी -उनि बि फिस्कल डेफिसिट इथगा जादा च कि अब विश्व का बैंकर्स हम तैं लोन दीण से डरणा छन। अब टैक्स कम करण मतबल आर्थिक स्थिति को सत्यानास !
मंहगाई -तो सरकारी गोदामुँक अनाज बांटी दे। त्वी बि त अपण चुनावी भाषणु मा बुल्दु छौ कि गोदामुँ मा अनाज सड़नु च किन्तु यूपीए सरकार अनाज बांटणी नी च।
नरेंद्र मोदी -ह्यां मि त अनाज राज्यों कुण अबि भिजणो तयार छौं पर राज्य उठाणो तयार नि छन।
मंहगाई -किलै ?
नरेंद्र मोदी -राज्यों पास इथगा स्टोरिंग कैपेसिटी नी च कि वो एडिश्नल अनाज मंगै साकन। फिर काण्ड लगीं छन।
मंहगाई -क्या ?
नरेंद्र मोदी -राज्य अनाज मँगाई बि ल्याल तो हमर माल गाडी इथगा माल इथगा जल्दी नि पौंछे सकदन।
मंहगाई -तो सटोरिया अर जमाखोरों पर लगाम कसो।
नरेंद्र मोदी -यु काम तो राज्य सरकारों कु च अर राज्य सरकार का राजनीतिज्ञों तैं यी सटोरिया अर जमाखोर चंदा दींदन तो यूँ जमाखोरों पर हम क्वी कड़ी करवाई नि कर सकदां।
मंहगाई -तो अब क्या मन्शा च ?
नरेंद्र मोदी -कुछ ना ! बस रोज हमारा मंत्री टीवी मा बयान द्याला कि मंहगाई को रोकने के लिए कड़े से कड़े कदम उठाये जा रहे हैं।
मंहगाई -अर अफु तू क्या करिलि ?
नरेंद्र मोदी -मी इंद्र देव की पूजा करलु कि ये साल अच्छो खासा मानसून दे दे प्रभु।

Copyright@ Bhishma Kukreti 18/6/2014

*कथा , स्थान व नाम काल्पनिक हैं।

Garhwali Humor in Garhwali Language on Curbing Inflation , Himalayan Satire in Garhwali Language on Curbing Inflation , Uttarakhandi Wit in Garhwali Language on Curbing Inflation , North Indian Spoof in Garhwali Language on Curbing Inflation , Regional Language Lampoon in Garhwali Language on Curbing Inflation, Ridicule in Garhwali Language on Curbing Inflation , Mockery in Garhwali Language on Curbing Inflation, Send-up in Garhwali Language on Curbing Inflation, Disdain in Garhwali Language on Curbing Inflation, Hilarity in Garhwali Language on Curbing Inflation, Cheerfulness in Garhwali Language on Curbing Inflation; Garhwali Humor in Garhwali Language from Pauri Garhwal on Curbing Inflation; Himalayan Satire in Garhwali Language from Rudraprayag Garhwal on Curbing Inflation; Uttarakhandi Wit in Garhwali Language from Chamoli Garhwal on Curbing Inflation; North Indian Spoof in Garhwali Language from Tehri Garhwal on Curbing Inflation; , Regional Language Lampoon in Garhwali Language from Uttarkashi Garhwal on Curbing Inflation; Ridicule in Garhwali Language from Bhabhar Garhwal on Curbing Inflation; Mockery in Garhwali Language from Lansdowne Garhwal on Curbing Inflation; Hilarity in Garhwali Language from Kotdwara Garhwal on Curbing Inflation; Cheerfulness in Garhwali Language from Haridwar on Curbing Inflation;

Bhishma Kukreti · June 18, 2014, 12:01:32 PM

History Aspects of Haridwar in sixteenth (16th) and seventeenth (17th) Centuries

History of Garhwal including Haridwar (1223- 1804 AD) –part -123

History of Uttarakhand (Garhwal, Kumaon and Haridwar) -369

By: Bhishma Kukreti (A History Research Student)

It is sad that less History details are available about Haridwar before seventeenth century. This author could not find exclusive History of Haridwar at least on Internet. Since, Haridwar came under Mughal Empire; the Uttarakhand historians could search less about History aspects of Haridwar. From British era Haridwar was under United Province or later Uttar Pradesh the history of Uttar Pradesh was thought as of Haridwar History.
Guru Nanak visited Haridwar in 1504 at the time Baishakhi. Guru Nanak preached Hindus there.
Dabestan or Dabistan –e- Mazaheb (written in Persian) is perhaps composed in 1655 and offers various religious facts of India. Chapter II offers details of Hindus. Dabistan mentions battle between Akharas in Haridwar in 1640 (Magh Mela).
The Khulasat—ut-Tawarikh (composed in 1695-1699, under Aurangzeb) acknowledges the Kumbh Mela in Haridwar.
The Jesuit Missionary priests and evangelists travelled Tibet via Haridwar and stayed there for taking permission to enter into Garhwal Kingdom in 1624. Thereafter other missionaries also stayed in Haridwar to enter into Garhwal Kingdom.
Vikramaditya founded Hari ki faidi in past. Therefore it is sure that Kumbh was also celebrated in this place in sixteenth and seventeenth century.
There are Kumaoni Pundits or priests in Radha Krishn Temple Kankhal. Perhaps the tradition of Kumaon Pundit being priests might have started in sixteenth or seventeen century.
In one Internet site (members.iinet.au/-royalty/ips/landhaura.html downloaded on 18/6/2014), the following details is given under heading 'Landhaura (Jagir) and Parichhatgarh (Zamindari)
Rao Bahmal originally around 1660, he was Zamindar of Jhaberhemarried and had issue Raja Sabha Chand. Raja Sabha Chand was first King of Landhaura. He was granted 596 villages by Badshah Aurangzeb. Raja Sabha Chand helped Aurangzeb for suppressing rebellion Zameendars. Raja Nahar Singh was son of Raja Sabha Chand . Nahar Chand extended his authority to Meerut and Ambala. He built many temples and Ghat in Haridwar.
Raja ramdayal took over Jagir or Kingdom in 1813.

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com 18/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued... Part -370

References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications
27- H. Blochmann, 1873, Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter
Notes on South Asian Medieval History of Garhwal; SouthAsian Medieval History of Pauri Garhwal; Medieval History of Chamoli Garhwal; South Asian Medieval History of Rudraprayag Garhwal; South Asian Medieval History of Tehri Garhwal; Medieval History of Uttarkashi Garhwal; South Asian Medieval History of Dehradun, Garhwal; Medieval History of Haridwar ; South Asian Medieval History of Manglaur, Haridwar; South Asian Medieval History of Rurkee Haridwar ; South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History Aspects of Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Kankhal, Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Jwalapur, Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Landhaura , Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Jhabrera, Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Rurkee, Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Telpura Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Manglaur Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Bhagwanpur Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Sakrauda Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Pathri Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Laksar Haridwar in sixteenth (16th) and seventeenth (17th) Centuries; History Aspects of Sultanpur Haridwar in sixteenth (16th) and seventeenth (17th) Centuries;

Bhishma Kukreti · June 18, 2014, 01:12:10 PM

इनबाउंड टूर ऑपरेटर

Inbound Tour Operator

(Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series--84 )
उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन -भाग 84

लेखक : भीष्म कुकरेती (विपणन व विक्री प्रबंधन विशेषज्ञ )

जो भी टूर ऑपरेटर (पर्यटन व्यवस्थापक ) बाहर वाले पर्यटकों प्रदान करता है उसे इनबाउंड ऑपरेटर कहा जाता है। इनबाउंड ऑपरेटर अधिकतर विदेशी ग्राहकों को सेवा देते दूसरे क्षेत्र के पर्यटकों को टूर सेवा देते हैं।

इनबाउंड टूर ऑपरेटर विदेशी बाज़ार को जांचता , परखता रहता है और विदेशी भ्रमणकारियों की मांग , मनोविज्ञान , भाषा परिवेश , धर्म , इच्छा , सुविधा भोग लालसा अनुसार अपनी सेवा रचता है।

इनबाउंड टूर ऑपरेटर अधिकतर लौंग हॉल (लम्बा पर्यटन ) पर ध्यान देते हैं। लौंग हॉल टूर अधिक दिनों के पर्यटन को कहते हैं और शार्ट हॉल लघुतम पर्यटन को कहते हैं।इनबाउंड टूर ऑपरेटर शॉर्ट हॉल पर कम ध्यान देता है।

चूँकि दूर रहने वाले विदेशी पर्यटक को स्थानीय पर्यटन का ज्ञान कम होता है इसलिए विदेशी पर्यटक इनबाउंड टूर ऑपरेटरों की सहायता लेते हैं।

इनबाउंड टूर ऑपरेटर विदेशी पर्यटकों की मांग अनुसार टूर प्रोडक्ट व सेवा की व्यवस्था करता है।

इनबॉउंड टूर ऑपरेटर सुविधा अनुसार विदेशी पर्यटकों के लिए पैकेज टूर , ग्रुप टूर, विशेष पर्यटन , व्यक्तिगत टूर सेवा का इंतजाम करता है ,

लौंग हॉल टूर अधिक दिनों के पर्यटन को कहते हैं और शार्ट हॉल लघुतम पर्यटन को कहते हैं।

Copyright @ Bhishma Kukreti 18 /6/2014

Contact ID bckukreti@gmail.com

Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series to be continued ...

उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन श्रृंखला जारी ...

References

1 -भीष्म कुकरेती, 2006 -2007 , उत्तरांचल में पर्यटन विपणन परिकल्पना , शैलवाणी (150 अंकों में ) , कोटद्वार , गढ़वाल

Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Haridwar Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Pauri Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Dehradun Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development in Uttarkashi Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Tehri Garhwal, Uttarakhand; T Inbound Tour Operator and Marketing of ravel, Tourism and Hospitality Industry Development Concepts in Rudraprayag Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Chamoli Garhwal, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Udham Singh Nagar Kumaon, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Nainital Kumaon, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Almora Kumaon, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Champawat Kumaon, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Bageshwar Kumaon, Uttarakhand; Inbound Tour Operator and Marketing of Travel, Tourism and Hospitality Industry Development Concepts in Pithoragarh Kumaon, Uttarakhand;

Bhishma Kukreti · June 18, 2014, 04:15:16 PM

Kho Kho :a Traditional Sport /Folk Game of Garhwal, Kumaon and Haridwar

Notes on Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar (Uttarakhand Folk Games) Part -18
Outdoor Traditional/Folk games of Garhwal, Kumaon and Haridwar part- 9

Narration: Bhishma Kukreti (Folk Literature Research Scholar)

Kho kho is quite old Indian traditional game. The game is played between 12 players but is changed the rule according to availability of players and Chauk/Filed in rural Uttarakhand.
Kho kho is two inning game. The one set of players sit kneeing on the ground one to opposite other. One of this group has to catch the defending players (usually less in numbers). The defending team members are standing and the sitting member catch them.

Copyright@ Bhishma Kukreti 18/6/2014
References

Bhishma Kukreti, 2010, Folk Games of Uttarakhand, merapahad.com
XX
Kho Kho :a South Asian Traditional Sport /Folk Game of Garhwal, Kumaon and Haridwar; Kho Kho :a South Asian Traditional Sport /Folk Game of Pauri Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Chamoli Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Rudraprayag Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Tehri Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Uttarkashi Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Dehradun Garhwal; Kho Kho :a South Asian Traditional Sport /Folk Game of Haridwar; Kho Kho :a South Asian Traditional Sport /Folk Game of Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Nainital Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Udham Singh Nagar Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Almora Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Champawat Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Bageshwar Kumaon; Kho Kho :a South Asian Traditional Sport /Folk Game of Pithoragarh Kumaon;

Bhishma Kukreti · June 18, 2014, 05:05:17 PM

Music Script .Notes or Music Tunes of Badain (Congratulations बधाई) in Garhwali and Kumaoni Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -173
Rag Ragini, Tal, Music Notes or Music Scripts in Garhwali Folk Songs and Folk Music part -3

गढ़वाली गीत संगीत (गढ़वाली लोक नाटकों ) में ताल, राग रागिनी-3

Bhishma Kukreti (Folk Literature Research Scholar)

Musical Notes, Script or Tunes of Badain (Congratulations बधाई)

Late Keshv Anuragi's contribution is tremendous in popularizing Garhwali Folk Music specially the Music of Avjees or Dhol and Damau
He also wrote/created Musical Script of tunes of Dhol and Damau and other folk songs.
Badai or Badhayee tune is prominent tune and is used by Auvjee when there is auspicious time as initiating the Tal of Puja in marriage or Bada Mangan (praising). The Badi tone is played at auspicious occasions as marriage or at Bada mangan ku Bagat.

१ २ ३ ४ ५ ६ ७ ८ ९ १० ११ १२
झें गु झेंगा sI झेगु झेगा s sI ता झे ता झे
१३ १४ १५ १६ १७ १८ १९ २० २१ २२ २३ २४
गा s ता sI झग नझेगु झे sI ता ग झे गा
२५ २६ २७ २८ २९ ३० ३१ ३२
s झिग़टिग झेगु तग I झा s s s i
Explainations :
1- s = half a आधा अ
2- I - Full Stop, चार विराम
3- Underline ____ is half concave यह संकेत नीचे से अर्ध् चन्द्राकार है
सूचना : इस संगीत लिपि में मेरा कोई योगदान नही है
१- श्री केशव अनुरागी की अप्रकाशित पुस्तक का यह भाग डा शिवा नन्द नौटियाल के गढ़वाल के नृत्य-गीत में छापें हैं

Copyright @ Mrs Keshav Anuragi Dehradun

Copyright@ Bhishma Kukreti 18 /6/2014 for interpretation notes
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas
20 Keshav Anuragi
21 Dayashankar Bhatt
XX
Musical Notes , Music Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Music Notes , Music Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Music Notes , Musical Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Music Notes , Musical Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Musical Notes , Musical Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Music Notes , Music Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Music Notes , Music Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Music Notes , Music Script or Music Tunes of Badain (Congratulations बधाई) in Folk Songs played at Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia